Songs like I Am Longing by Maury Yeston
Based on a tempo of (+/- 10%) and a similar genre
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Jekyll, Edward Hyde
First Transformation
66 bpm • E min • 03:51 • -13.97db
25% Popularity • 33% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 33% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Marcia Lewis
Here's That Rainy Day / In the Wee Small...
68 bpm • F Maj • 03:13 • -11.97db
14% Popularity • 29% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 29% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Gallagher
My Time of Day
66 bpm • F Maj • 02:00 • -23db
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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Heidi Blickenstaff
Right Hand Man - Reprise
68 bpm • C# Maj • 01:21 • -14db
33% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Maury Yeston
We'll Meet Tomorrow
66 bpm • E Maj • 02:26 • -13.07db
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Victoria Clark
I Had a Dream About You
69 bpm • B Maj • 03:09 • -13.05db
1% Popularity • 42% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 42% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lindsay Mendez
Mister Snow - Reprise
65 bpm • G Maj • 02:28 • -11.44db
16% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Jerry Herman
Look over There
70 bpm • F min • 02:54 • -14.9db
13% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Simon Stride, Emma Carew
Emma's Reasons
71 bpm • F# Maj • 01:40 • -15.3db
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Marcia Lewis
After Autumn
70 bpm • C# Maj • 02:44 • -12.58db
11% Popularity • 32% Danceability • 17% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
11% Popularity • 32% Danceability • 17% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
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Maury Yeston
The Grand Canal
65 bpm • G Maj • 02:23 • -6.61db
7% Popularity • 53% Danceability • 53% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 53% Danceability • 53% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
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Kate Reinders
I Love the Way
63 bpm • G Maj • 02:49 • -8.47db
37% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Borle
Where Are You? - Original Broadway Cast ...
71 bpm • A Maj • 01:03 • -6db
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Heidi Blickenstaff
I Am Playing Me
63 bpm • C Maj • 01:40 • -13db
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Carrie: The Musical Ensemble
Alma Mater
71 bpm • C Maj • 00:59 • -7.44db
24% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Maury Yeston
What a Remarkable Age This Is!
64 bpm • G min • 03:17 • -17.12db
21% Popularity • 57% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 57% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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David Burt
The Attack
72 bpm • D# Maj • 00:53 • -6.41db
32% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
24% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Victoria Clark
What a Relief
61 bpm • C# Maj • 04:34 • -13.73db
0% Popularity • 22% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 22% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Danny Burstein
Tevye's Monologue
75 bpm • F# Maj • 02:31 • -10.5db
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Andrew Keenan-Bolger
Prologue
76 bpm • D Maj • 00:57 • -11db
25% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Alexander Gemignani
When The Children Are Asleep
76 bpm • F Maj • 04:54 • -11.52db
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Victoria Clark
Bookseller in the Rain
75 bpm • C min • 03:24 • -14.01db
1% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Maury Yeston
Guido's Song
59 bpm • G Maj • 03:29 • -8.52db
14% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Peter Joback
Something - Reprise
76 bpm • C# Maj • 01:09 • -19db
11% Popularity • 22% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Zero Mostel
Free
76 bpm • A Maj • 03:34 • -15.94db
2% Popularity • 71% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 71% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Georgia Engel
Love Is Always Lovely in the End
58 bpm • C min • 02:16 • -11db
24% Popularity • 74% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 74% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Maury Yeston
Simple
77 bpm • A# Maj • 02:58 • -15.28db
12% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Daisy Eagan
Storm II
78 bpm • E min • 01:23 • -20.43db
20% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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John Tartaglia
There's a Fine, Fine Line (Reprise) / Wh...
78 bpm • A min • 01:43 • -16.92db
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Rose, Herbie, June, Mr. Goldstone and Boys
Have an Eggroll, Mr. Goldstone
57 bpm • B Maj • 02:26 • -4.59db
14% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Cody Green
Cool
78 bpm • C Maj • 04:31 • -14.22db
20% Popularity • 55% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 55% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
22% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Sound of Music Ensemble (1998)
Wedding Processional / Canticle
79 bpm • C Maj • 05:11 • -13.08db
11% Popularity • 30% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 19% Positiveness
11% Popularity • 30% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 19% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Ann Brown
Lullaby
79 bpm • B Maj • 02:47 • -18.73db
12% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
8% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Jekyll, Emma
I Must Go On
79 bpm • A Maj • 01:32 • -12.04db
24% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Maury Yeston
Still
77 bpm • F Maj • 02:31 • -19.43db
20% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
27% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
26% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Brent Carver
Her Name Is Aurora
79 bpm • G Maj • 04:33 • -19.72db
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
41% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
28% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Maury Yeston
Dressed in Your Pyjamas in the Grand Sal...
78 bpm • G# Maj • 04:41 • -19.24db
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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David Haig as George Banks
Good For Nothing / Being Mrs Banks (repr...
80 bpm • C# Maj • 04:06 • -18.9db
20% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
24% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jordan Donica
If Ever I Would Leave You
80 bpm • A# Maj • 03:40 • -11.79db
23% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
28% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Maury Yeston
Overture Delle Donne
78 bpm • C Maj • 04:15 • -11.72db
13% Popularity • 34% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 34% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
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Kenneth Nelson
Metaphor
80 bpm • G Maj • 04:13 • -11.47db
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Cavenaugh
One Hand, One Heart
81 bpm • A# min • 04:06 • -19.29db
19% Popularity • 18% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Maury Yeston
Finale: Grazia and Sirki
80 bpm • C Maj • 03:56 • -11.01db
2% Popularity • 30% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 30% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
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Fred Applegate
He's Loose
81 bpm • A# min • 01:56 • -6.61db
20% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Maury Yeston
Finally to Know
80 bpm • G Maj • 04:39 • -10.98db
4% Popularity • 24% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 24% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Brent Carver
She's A Woman
81 bpm • C Maj • 02:40 • -18db
14% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Gary Beach
You Never Say Good Luck on Opening Night
82 bpm • G# Maj • 01:35 • -11.56db
22% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
The Name of Love / Moonfall Duet
82 bpm • G min • 03:20 • -9.14db
13% Popularity • 44% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 44% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Maury Yeston
Anything Can Happen in the Theater
81 bpm • G Maj • 03:05 • -6.97db
0% Popularity • 61% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 61% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Douglas Sills
They Seek Him Here
82 bpm • G Maj • 03:01 • -12.87db
17% Popularity • 50% Danceability • 25% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 50% Danceability • 25% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Lawrence Clayton
On a Stormy Night
82 bpm • C min • 01:03 • -24.86db
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Nathan Lane
'Til Him
82 bpm • F Maj • 03:42 • -15.21db
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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The "Crazy for You" Ensemble
Entrance To Nevada
82 bpm • D# Maj • 02:41 • -14db
19% Popularity • 44% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 44% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Maury Yeston
Every Girl in Venice
82 bpm • G Maj • 01:45 • -11.8db
7% Popularity • 38% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 38% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
36% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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The "Honk!" Company
The Blizzard
82 bpm • G Maj • 03:02 • -12db
10% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Zero Mostel
Funeral Sequence
83 bpm • D# Maj • 02:04 • -11.81db
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Maury Yeston
Danglin'
82 bpm • G# Maj • 03:50 • -12.79db
2% Popularity • 51% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 51% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
21% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
21% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
24% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Pia Douwes
Unendlich befreit
84 bpm • C Maj • 04:52 • -11.59db
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Maury Yeston
Nine
83 bpm • A Maj • 03:14 • -13.42db
7% Popularity • 33% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 33% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
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The "Honk!" Company
The Collage
84 bpm • D Maj • 04:28 • -16.48db
8% Popularity • 50% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 50% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Brent Carver
Mama, It's Me
84 bpm • G Maj • 02:02 • -19.32db
8% Popularity • 31% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
8% Popularity • 31% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
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Barbara Rosenblat
Scene: A Train Platform in Yorkshire / T...
83 bpm • D# min • 03:08 • -18.32db
21% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness