Songs like I Bet You Think About Me (feat. Chris Stapleton) (Taylor’s Version) (From The Vault) by Taylor Swift
Based on a tempo of (+/- 10%) and a similar genre
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Carrie Underwood
Hate My Heart
150 bpm • G Maj • 03:03 • -3.53db
51% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lainey Wilson
Hold My Halo
150 bpm • G# Maj • 03:26 • -4.24db
58% Popularity • 57% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 57% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Leah Nobel
Beginning Middle End - Always and Foreve...
150 bpm • D Maj • 03:16 • -8.01db
46% Popularity • 46% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 46% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Morgan Wallen
Only Thing That’s Gone
150 bpm • D Maj • 03:16 • -4.59db
73% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Julia Cole
Best Worst Ex
150 bpm • C Maj • 02:44 • -3.79db
56% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Taylor Swift
I Bet You Think About Me (Taylor’s Ve...
150 bpm • C Maj • 04:45 • -4.52db
73% Popularity • 39% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
73% Popularity • 39% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
66% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Stapleton
Joy Of My Life
149 bpm • D# Maj • 04:34 • -8.96db
73% Popularity • 63% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
73% Popularity • 63% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
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Taylor Edwards
Call Your Sister
149 bpm • A# Maj • 03:00 • -6.97db
47% Popularity • 52% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 52% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Zach Bryan
Sarah's Place
152 bpm • G Maj • 03:34 • -5.1db
78% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
78% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Lumineers
Cleopatra
151 bpm • G# Maj • 03:21 • -6.77db
55% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
closure
152 bpm • A Maj • 03:00 • -10.82db
55% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 69% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
44% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Avril Lavigne
I'm with You
152 bpm • A Maj • 03:43 • -7.46db
73% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Brett Young
In Case You Didn't Know
148 bpm • A# Maj • 03:44 • -7.31db
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Flatland Cavalry
A Life Where We Work Out
152 bpm • D# Maj • 03:10 • -7.46db
68% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
68% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Taylor Swift
it’s time to go - bonus track
152 bpm • C Maj • 04:14 • -12.43db
70% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
70% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Carrie Underwood
Before He Cheats
148 bpm • F# min • 03:19 • -3.32db
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Haley Mae Campbell
Never Been in Love
148 bpm • E Maj • 02:59 • -4.15db
46% Popularity • 68% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 68% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Megan Moroney
No Caller ID
146 bpm • E Maj • 03:28 • -6.09db
75% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
75% Popularity • 33% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Ashley Cooke
Never Til Now
154 bpm • A# Maj • 02:53 • -7db
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Kelsea Ballerini
Love Me Like You Mean It (Reimagined)
154 bpm • D Maj • 02:59 • -7.38db
52% Popularity • 50% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
52% Popularity • 50% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Justin Bieber
Ghost
154 bpm • D Maj • 02:33 • -5.57db
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Madeline Merlo
It Didn't
146 bpm • A# Maj • 02:58 • -5db
45% Popularity • 59% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 59% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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The Chicks
Landslide
146 bpm • D Maj • 03:50 • -7.01db
66% Popularity • 57% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
66% Popularity • 57% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Taylor Swift
I Almost Do (Taylor's Version)
146 bpm • E Maj • 04:04 • -7db
67% Popularity • 51% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 51% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Megan Moroney
Fix You Too
146 bpm • A# Maj • 03:07 • -7db
50% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Harry Styles
Daylight
146 bpm • C Maj • 02:44 • -7.19db
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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The Chicks
Travelin' Soldier
146 bpm • A Maj • 05:43 • -7.05db
65% Popularity • 57% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
65% Popularity • 57% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Phillip Phillips
Love Like That
155 bpm • A# Maj • 03:14 • -3.58db
57% Popularity • 58% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 58% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Leslie Jordan
Farther Along
145 bpm • E Maj • 04:04 • -5.64db
27% Popularity • 47% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 47% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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P!nk
Just Say I'm Sorry
155 bpm • A Maj • 03:34 • -6.93db
52% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
52% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tim McGraw
Standing Room Only
155 bpm • C# Maj • 03:46 • -6.15db
56% Popularity • 49% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
56% Popularity • 49% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Adele
When We Were Young
144 bpm • D# Maj • 04:50 • -5.94db
77% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
77% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The National
The Alcott
156 bpm • C Maj • 04:27 • -10.6db
69% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
76% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
76% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Alexandra Kay
Backroad Therapy
144 bpm • D# Maj • 03:39 • -6.75db
54% Popularity • 57% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 57% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Carrie Underwood
Undo It
156 bpm • D Maj • 02:57 • -2.26db
58% Popularity • 48% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 48% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Maddie & Tae
What It's Like Loving You
144 bpm • G Maj • 03:16 • -4db
37% Popularity • 62% Danceability • 78% Energy • 60% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 62% Danceability • 78% Energy • 60% Liveness
0% Instrumentalness • 67% Positiveness
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Conan Gray
Forever With Me
144 bpm • B Maj • 03:35 • -4.3db
58% Popularity • 44% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
58% Popularity • 44% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Shaylen
What If I Don't
144 bpm • E Maj • 03:21 • -5.79db
61% Popularity • 52% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 52% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Selena Gomez
My Mind & Me
144 bpm • A Maj • 02:27 • -5.73db
67% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Blake Shelton
Nobody But You (Duet with Gwen Stefani)
144 bpm • C Maj • 03:14 • -5.52db
66% Popularity • 46% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
66% Popularity • 46% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Alana Springsteen
ghost in my guitar
143 bpm • C min • 03:20 • -5.93db
72% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
72% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Maddie & Tae
Strangers
144 bpm • D# Maj • 03:32 • -5.77db
48% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Taylor Swift
Timeless (Taylor’s Version)
143 bpm • D# Maj • 05:21 • -5.85db
72% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Carrie Underwood
Ghost Story
143 bpm • G Maj • 03:01 • -6db
44% Popularity • 47% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 47% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Stapleton
Millionaire
143 bpm • A# Maj • 03:30 • -10db
73% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
73% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
62% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
62% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Adele
Easy On Me
142 bpm • F Maj • 03:44 • -7.52db
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Taylor Swift
long story short
158 bpm • C Maj • 03:35 • -7.72db
63% Popularity • 55% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 57% Positiveness
63% Popularity • 55% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 57% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
One Thing At A Time
142 bpm • G Maj • 03:26 • -5.15db
75% Popularity • 61% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
75% Popularity • 61% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Keith Urban
Brown Eyes Baby
142 bpm • G# Maj • 03:44 • -6.99db
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Daisy Jones & The Six
Look At Us Now (Honeycomb)
141 bpm • G Maj • 05:32 • -6.14db
64% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
64% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Adele
All I Ask
142 bpm • E Maj • 04:31 • -5.49db
73% Popularity • 59% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
73% Popularity • 59% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Swift
Would've, Could've, Should've
158 bpm • C Maj • 04:20 • -6.51db
67% Popularity • 49% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 49% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Carrie Underwood
Last Name
160 bpm • D# Maj • 04:01 • -3.15db
56% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Kelsea Ballerini
WHAT I HAVE
160 bpm • B Maj • 02:58 • -5db
50% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Daisy Jones & The Six
Look At Us Now (Honeycomb) - Single Vers...
141 bpm • G Maj • 03:50 • -5.57db
41% Popularity • 31% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 31% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
Back To December (Taylor's Version)
142 bpm • D Maj • 04:54 • -3.93db
79% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
79% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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5 Seconds of Summer
Lie To Me
160 bpm • C Maj • 02:30 • -5.57db
63% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Lainey Wilson
Sayin’ What I’m Thinkin’
160 bpm • B Maj • 03:21 • -9.15db
54% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Chicks
Texas Man
160 bpm • A Maj • 03:44 • -7.32db
44% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Carly Pearce
Next Girl
160 bpm • B Maj • 02:44 • -4db
59% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
59% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
73% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
73% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Tate McRae
she's all i wanna be
160 bpm • D min • 03:27 • -5.32db
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Abby Cates
saw ur mom at the grocery store
140 bpm • G Maj • 04:13 • -7.88db
27% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ella Langley
Country Boy's Dream Girl
140 bpm • G# Maj • 03:05 • -4.56db
62% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Mandy Moore
In Real Life
140 bpm • G min • 03:52 • -7.34db
24% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Thomas Rhett
Where We Started
140 bpm • D Maj • 03:02 • -6.56db
52% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
