Songs like I Bet You Wanna Know by Priscilla Block
Based on a tempo of (+/- 10%) and a similar genre
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Nate Smith
Alright, Alright, Alright
94 bpm • C# Maj • 02:40 • -4.86db
48% Popularity • 59% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 59% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Kylie Morgan
Bridesmaids
94 bpm • D# Maj • 02:50 • -2.07db
50% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Spencer Crandall
Girls Like You
94 bpm • G Maj • 03:01 • -4db
52% Popularity • 58% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 58% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Priscilla Block
I Bet You Wanna Know
94 bpm • G min • 02:39 • -5db
43% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jordan Davis
Drink Had Me
95 bpm • B Maj • 02:36 • -5db
64% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
64% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Carrie Underwood
Out Of That Truck
93 bpm • F Maj • 02:57 • -4.5db
58% Popularity • 56% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 56% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Josh Ross
Before I Loved You
93 bpm • A Maj • 02:28 • -5db
56% Popularity • 65% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 65% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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ERNEST
Feet Wanna Run
93 bpm • E min • 03:03 • -6db
50% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Kelsea Ballerini
LOVE IS A COWBOY
96 bpm • F# Maj • 02:43 • -7db
57% Popularity • 53% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 53% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Nate Smith
World on Fire
96 bpm • B min • 03:09 • -4.87db
78% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
78% Popularity • 46% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
59% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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John Morgan
Friends Like That
97 bpm • F# Maj • 03:06 • -4.95db
57% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
42% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Morgan Evans
Over For You
91 bpm • E Maj • 03:05 • -8.97db
57% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Conner Smith
Learn From It
91 bpm • E Maj • 02:59 • -3.57db
42% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Travis Denning
Dirt Road Down
98 bpm • G# Maj • 02:45 • -4.64db
54% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Hubbard
Tough
98 bpm • F Maj • 03:06 • -5db
45% Popularity • 57% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 57% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Mitchell Tenpenny
We Got History
98 bpm • C Maj • 03:23 • -6.33db
67% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
67% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ella Langley
Make Me Wanna Smoke
90 bpm • F min • 03:02 • -3.89db
41% Popularity • 52% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 52% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Kylie Morgan
If He Wanted To He Would
90 bpm • C Maj • 02:54 • -4.72db
70% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
70% Popularity • 66% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Tyler Braden
Ways to Miss You
90 bpm • A# min • 03:09 • -5.12db
43% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Chase Matthew
Pull Up
90 bpm • C Maj • 02:32 • -5db
66% Popularity • 73% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 73% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Alana Springsteen
Zero Trucks
90 bpm • C Maj • 02:42 • -4.93db
47% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Matt Stell
One Of Us
90 bpm • C Maj • 03:02 • -3.34db
48% Popularity • 59% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 59% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Kylie Morgan
Love Like We're Drunk
99 bpm • D Maj • 02:34 • -4db
32% Popularity • 62% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 62% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Nate Smith
If I Could Stop Loving You
99 bpm • E Maj • 03:26 • -6db
46% Popularity • 59% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:52 • -7.84db
47% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Hubbard
Inside And Out
100 bpm • D# Maj • 03:05 • -7db
50% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
49% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Alana Springsteen
you don't deserve a country song
100 bpm • C# Maj • 03:12 • -4.76db
47% Popularity • 59% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Morgan Wallen
865
88 bpm • G# Maj • 03:10 • -5.25db
71% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
71% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:49 • -7.74db
61% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Hubbard
Me For Me
100 bpm • F# Maj • 02:54 • -5.84db
56% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Jordan Davis
Part Of It
88 bpm • G# Maj • 03:08 • -5db
59% Popularity • 52% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 52% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Dalton Dover
Damn Good Life
87 bpm • G Maj • 02:38 • -6.52db
35% Popularity • 59% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 59% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 37% Positiveness
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ERNEST
Miss That Girl
87 bpm • F# Maj • 02:17 • -6db
51% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Priscilla Block
I Know A Girl
87 bpm • G Maj • 03:15 • -4.85db
28% Popularity • 51% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 51% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lily Rose
I'd Be You
102 bpm • C# min • 02:58 • -4.13db
42% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
60% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Gabby Barrett
Glory Days
104 bpm • G Maj • 02:42 • -5.22db
50% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Hailey Whitters
Plain Jane
85 bpm • A min • 03:28 • -5db
45% Popularity • 63% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 63% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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ERNEST
Kiss Of Death
102 bpm • C min • 02:40 • -3.33db
47% Popularity • 50% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 50% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Doleac
Wrong Side of a Sunrise
104 bpm • A min • 03:15 • -5.47db
47% Popularity • 62% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 62% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Randall King
Burns Like Her
104 bpm • C# Maj • 03:53 • -5.22db
54% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hannah Ellis
Us
104 bpm • F Maj • 03:04 • -5.42db
33% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dallas Smith
One Too
85 bpm • C Maj • 03:21 • -7.18db
28% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Kylie Morgan
Shoulda
105 bpm • C# Maj • 02:46 • -1.94db
39% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Mitchell Tenpenny
Bigger Mistakes
105 bpm • B Maj • 02:59 • -4.04db
70% Popularity • 60% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
70% Popularity • 60% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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George Birge
"Beer Beer, Truck Truck"
105 bpm • B Maj • 02:26 • -5.09db
36% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Dylan Scott
This Town's Been Too Good To Us
105 bpm • B Maj • 03:11 • -7.04db
79% Popularity • 70% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
79% Popularity • 70% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Trey Lewis
Shut the Door
105 bpm • A Maj • 02:53 • -6db
38% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kylie Morgan
Break Things
105 bpm • G# Maj • 02:52 • -5db
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
63% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Nate Smith
The Way She Rolls
105 bpm • F Maj • 03:05 • -4.57db
46% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Ryan Waters Band
Chevrolet You Down
105 bpm • E Maj • 02:38 • -8db
52% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Carly Pearce
country music made me do it
84 bpm • C Maj • 03:29 • -4.62db
43% Popularity • 60% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 60% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Faren Rachels
Hard Headed Heart
84 bpm • C Maj • 02:54 • -7.2db
40% Popularity • 48% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 48% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Sam Grow
Without You
84 bpm • A# Maj • 02:57 • -4.37db
47% Popularity • 51% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 51% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Jordan Davis
Tucson Too Late
106 bpm • G Maj • 02:52 • -7.19db
75% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
75% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ashley Cooke
getting into
84 bpm • C Maj • 02:49 • -5.55db
38% Popularity • 46% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 46% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
50% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ian Munsick
Solo
106 bpm • F# Maj • 02:48 • -4.77db
50% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
61% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Alana Springsteen
Me Myself and Why
106 bpm • E Maj • 03:34 • -5.25db
47% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
43% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Priscilla Block
Tip of My Tongue
83 bpm • E Maj • 03:05 • -8.24db
16% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tyler Hubbard
Small Town Me
83 bpm • C# Maj • 03:16 • -4db
45% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Lily Rose
Villain
107 bpm • C Maj • 02:56 • -7.95db
52% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Alexandra Kay
Skip This Part
107 bpm • D# Maj • 03:19 • -5.16db
46% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ashley Cooke
mean girl
82 bpm • B Maj • 03:25 • -5.1db
49% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Priscilla Block
Thick Thighs
83 bpm • G Maj • 02:54 • -3.83db
46% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Chase McDaniel
Relapse
82 bpm • F# min • 03:19 • -5db
47% Popularity • 59% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 59% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 68% Positiveness
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Conner Smith
Why I Can't Leave
108 bpm • E Maj • 03:25 • -4db
42% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Lainey Wilson
Waste of Good Whiskey
108 bpm • D# Maj • 02:55 • -7.8db
53% Popularity • 66% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 66% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Scott
Amen To That
108 bpm • F# Maj • 02:52 • -5db
56% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
56% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Carly Pearce
Cowboy Take Me Away
81 bpm • E Maj • 04:29 • -7.14db
47% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 45% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Priscilla Block
Different Route
82 bpm • A Maj • 03:21 • -5.42db
15% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Megan Moroney
Wonder
81 bpm • G min • 03:42 • -8.18db
57% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Mitchell Tenpenny
Truth About You
81 bpm • A# Maj • 03:23 • -4.65db
61% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Young
Looking for You
81 bpm • G Maj • 03:01 • -3.65db
46% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Tenille Arts
I Hate This
81 bpm • F# Maj • 03:08 • -6.84db
54% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Nate Smith
Whiskey On You - Acoustic
110 bpm • G# Maj • 02:59 • -4.36db
47% Popularity • 64% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 64% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Priscilla Block
Off The Deep End
82 bpm • A# min • 03:16 • -5db
49% Popularity • 66% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 66% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Ella Langley
Paint The Town Blue
110 bpm • C# Maj • 03:05 • -3.44db
61% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Parmalee
Only You
110 bpm • B Maj • 03:05 • -3.83db
46% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
72% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
72% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Miranda Lambert
If I Was a Cowboy
80 bpm • F# min • 03:14 • -6db
58% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Abbey Cone
If You Were A Song
110 bpm • E Maj • 04:19 • -4.84db
48% Popularity • 68% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 68% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
