Songs like I Can't Carry This Anymore by Anson Seabra
Based on a tempo of (+/- 10%) and a similar genre
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Birdy
Skinny Love
166 bpm • E Maj • 03:21 • -8.49db
73% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
73% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Anson Seabra
I Can't Carry This Anymore
167 bpm • D# Maj • 03:20 • -16.82db
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Sody
Maybe It Was Me
166 bpm • F Maj • 02:59 • -9.76db
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Chelsea Cutler
sometimes
169 bpm • D Maj • 04:36 • -15.05db
46% Popularity • 47% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 47% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
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Ethan Jewell
i feel better when nobody remembers i ex...
169 bpm • G Maj • 03:43 • -18.17db
36% Popularity • 52% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 52% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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FINNEAS
I Lost a Friend
169 bpm • B Maj • 03:57 • -11.92db
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Anson Seabra
Robin Hood (Sarcastic Sounds Remix)
170 bpm • G Maj • 02:07 • -14.86db
34% Popularity • 64% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
34% Popularity • 64% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Presence
Text You Back
170 bpm • G min • 03:03 • -9db
44% Popularity • 55% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 55% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Clinton Kane
I WISH I COULD HATE YOU FOR BREAKING ME ...
164 bpm • B Maj • 02:14 • -3.17db
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Etham
12:45 - Stripped
164 bpm • F Maj • 02:59 • -10.66db
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Amber Run
I Found - Acoustic
171 bpm • G min • 04:19 • -11.17db
51% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Haley Joelle
Emergency Contact
163 bpm • G Maj • 02:36 • -8db
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Anson Seabra
Kerosene
164 bpm • C# min • 03:51 • -17.81db
33% Popularity • 43% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 43% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Why Don't We
Grey
171 bpm • D Maj • 04:37 • -8.79db
56% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Birdy
Deep End
172 bpm • D Maj • 03:28 • -8.51db
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Rowan Drake
Hey Little Sister
172 bpm • G# min • 02:25 • -16db
35% Popularity • 31% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 31% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ethan Jewell
it's getting bad again
161 bpm • A min • 03:16 • -18.23db
41% Popularity • 51% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 51% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Ber
Meant To Be
174 bpm • C# Maj • 02:43 • -11db
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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NF
Let Me Go
174 bpm • A Maj • 04:37 • -9.5db
58% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Caleb Hearn
Silhouette
174 bpm • A# Maj • 02:59 • -12db
51% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
55% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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sadeyes
don't cry
160 bpm • A Maj • 02:18 • -10.6db
47% Popularity • 79% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 79% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Rosie Darling
Witness
174 bpm • D Maj • 03:55 • -9.76db
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jeremy Zucker
Cry with you
160 bpm • D Maj • 03:37 • -9.69db
52% Popularity • 52% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 52% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Anson Seabra
We're Not in Kansas Anymore
175 bpm • F# Maj • 02:41 • -9.43db
37% Popularity • 32% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 32% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Marina Lin
this is what self-destruction feels like
175 bpm • F Maj • 03:36 • -14db
36% Popularity • 26% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
36% Popularity • 26% Danceability • 19% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Cornell
tmrw
158 bpm • B Maj • 03:15 • -9.97db
41% Popularity • 63% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 63% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Tate McRae
Hung up on You
158 bpm • A min • 03:21 • -10db
52% Popularity • 58% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 58% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Anson Seabra
A Heart Is a Terrible Thing to Break
176 bpm • E Maj • 02:20 • -13.49db
36% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Olivia O'Brien
hate u love u
177 bpm • F# min • 02:55 • -8.92db
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Maisie Peters
Favourite Ex
177 bpm • F Maj • 03:21 • -10.28db
56% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Jon Caryl
Roses Are Red (Violets Are Blue)
178 bpm • F# Maj • 03:32 • -9.65db
55% Popularity • 45% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 45% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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John K
ilym
178 bpm • C# min • 03:53 • -7.44db
40% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Ruth B.
If This is Love
179 bpm • F# min • 03:49 • -4.39db
51% Popularity • 28% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 28% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Anson Seabra
One Day Less
177 bpm • F# Maj • 03:27 • -9db
43% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jeremy Zucker
emily
156 bpm • C Maj • 03:53 • -11.39db
53% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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We Three
i wanna love somebody
156 bpm • A Maj • 03:53 • -7.38db
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Abe Parker
Don't Want To Be Alone
180 bpm • G# Maj • 02:32 • -10.43db
32% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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John K
ilym
179 bpm • C# min • 03:56 • -8.14db
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Brandyn Burnette
Promised Land (Stripped Acoustic)
181 bpm • B Maj • 02:50 • -10.43db
22% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Anson Seabra
Don't Forget to Breathe
178 bpm • F Maj • 02:03 • -16db
39% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Forest Blakk
If You Love Her - Acoustic
154 bpm • C# Maj • 03:41 • -11db
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Niall Horan
Flicker
182 bpm • D# Maj • 04:18 • -9.72db
64% Popularity • 26% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 26% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Haley Joelle
Jealous of Paris
182 bpm • D# Maj • 02:21 • -9.27db
50% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Anson Seabra
Unforgettable
178 bpm • F# Maj • 03:03 • -12db
33% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Presence
Dear Depression,
182 bpm • E Maj • 02:19 • -10.43db
53% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Caleb Hearn
Brown Eyes, Brown Hair
184 bpm • D Maj • 03:06 • -10.83db
53% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Hayd
Faces
184 bpm • F Maj • 02:41 • -17.6db
45% Popularity • 52% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 52% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Anson Seabra
Robin Hood (Mokita Remix)
156 bpm • C# min • 03:35 • -12.43db
25% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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clide
broken parts
151 bpm • C Maj • 03:05 • -12.42db
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jillian Rossi
under the weather
185 bpm • C# Maj • 02:31 • -8.78db
55% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.71db
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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BANNERS
Someone To You - Acoustic
150 bpm • D Maj • 03:34 • -5.87db
51% Popularity • 60% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 60% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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mehro
lightning
150 bpm • D# min • 03:08 • -8db
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Anson Seabra
Past Tense
152 bpm • D Maj • 03:30 • -8.7db
41% Popularity • 52% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 52% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Teqkoi
You Broke My Heart Again
150 bpm • D# Maj • 01:43 • -15.71db
64% Popularity • 58% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 58% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Quinn XCII
We Don’t Talk Enough
186 bpm • F Maj • 02:28 • -14.34db
45% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Marina Lin
this is what a broken heart feels like -...
148 bpm • D# min • 02:30 • -11db
35% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Anson Seabra
Heartbreak Souvenirs
148 bpm • F Maj • 03:13 • -5.94db
38% Popularity • 60% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 60% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Chord Overstreet
Love You To Death
148 bpm • E Maj • 03:19 • -9db
43% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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The Band CAMINO
Crying Over You
147 bpm • B Maj • 02:58 • -8.25db
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Anna Clendening
If I'm Being Honest
147 bpm • B Maj • 02:36 • -7db
45% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Marina Lin
this is what a broken heart feels like
148 bpm • F# Maj • 02:29 • -14.44db
28% Popularity • 59% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Ashe
Save Myself
147 bpm • A Maj • 03:44 • -9.21db
51% Popularity • 55% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 55% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alex & Sierra
Little Do You Know
146 bpm • C Maj • 03:05 • -8.55db
72% Popularity • 50% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
72% Popularity • 50% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Emily Burns
Is It Just Me?
145 bpm • E Maj • 03:23 • -7.36db
55% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 48% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Caleb Hearn
Eye Of The Storm
145 bpm • A Maj • 02:58 • -10db
48% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Chord Overstreet
Beautiful Disaster
145 bpm • G# min • 04:01 • -14db
38% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Teqkoi
I'm Not Enough and I'm Sorry
144 bpm • G# Maj • 02:00 • -20.3db
55% Popularity • 70% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 70% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Alec Benjamin
Demons
143 bpm • F min • 02:43 • -7.5db
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Hayd
What Did I Do?
142 bpm • F# Maj • 03:35 • -11.87db
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
