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I Cant Help Myself
Songs like
I Cant Help Myself
by
Chris Standring
Based on a tempo of (+/- 10%) and a similar genre
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Jeff Golub
Silhouette
95 bpm • A# min • 04:40 • -10.62db
38% Popularity • 74% Danceability • 47% Energy • 12% Liveness
80% Instrumentalness • 65% Positiveness
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Norman Brown
Soul Dance
95 bpm • F min • 04:14 • -7db
45% Popularity • 70% Danceability • 72% Energy • 10% Liveness
48% Instrumentalness • 84% Positiveness
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Les Sabler
Esselle's Dance (Radio Edit)
95 bpm • G Maj • 03:56 • -8.64db
28% Popularity • 73% Danceability • 64% Energy • 10% Liveness
89% Instrumentalness • 45% Positiveness
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Brian Clay
Honey Grove Lane
95 bpm • F min • 03:47 • -8db
36% Popularity • 57% Danceability • 76% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Chris Standring
I Cant Help Myself
95 bpm • B Maj • 04:21 • -8.08db
33% Popularity • 75% Danceability • 48% Energy • 14% Liveness
7% Instrumentalness • 77% Positiveness
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Eric Valentine
Velvet Groove
95 bpm • F# Maj • 03:57 • -7db
23% Popularity • 73% Danceability • 69% Energy • 12% Liveness
79% Instrumentalness • 74% Positiveness
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Althea Rene
In the Moment
95 bpm • C Maj • 04:11 • -13.35db
40% Popularity • 70% Danceability • 57% Energy • 14% Liveness
83% Instrumentalness • 81% Positiveness
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Brian Hughes
One 2 One
95 bpm • E min • 05:26 • -11db
22% Popularity • 66% Danceability • 63% Energy • 7% Liveness
91% Instrumentalness • 75% Positiveness
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Les Sabler
Esselle's Dance
95 bpm • G Maj • 04:30 • -10.3db
34% Popularity • 72% Danceability • 59% Energy • 9% Liveness
88% Instrumentalness • 46% Positiveness
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Freddie Ravel
Sunny Side Up
95 bpm • B min • 04:11 • -10db
45% Popularity • 76% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 90% Positiveness
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Warren Hill
La Dolce Vita
95 bpm • D Maj • 05:25 • -6.59db
49% Popularity • 66% Danceability • 67% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
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Blake Aaron
If You Were Mine
95 bpm • G# Maj • 04:02 • -8db
43% Popularity • 56% Danceability • 65% Energy • 12% Liveness
91% Instrumentalness • 53% Positiveness
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Kim Waters
The Ride
95 bpm • G Maj • 04:50 • -8.43db
40% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 75% Positiveness
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Greg Manning
I Need to Know
95 bpm • G min • 04:46 • -8.28db
31% Popularity • 62% Danceability • 58% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
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Kirk Whalum
Lover For Life
95 bpm • C Maj • 04:40 • -8.52db
48% Popularity • 67% Danceability • 66% Energy • 6% Liveness
70% Instrumentalness • 72% Positiveness
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Jeff Golub
Playin' It Cool
95 bpm • F# min • 04:49 • -10db
33% Popularity • 74% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 77% Positiveness
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Eric Marienthal
Easy Street
94 bpm • A# min • 05:17 • -9db
38% Popularity • 75% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 71% Positiveness
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Blake Aaron
Shine
95 bpm • D Maj • 04:00 • -6db
33% Popularity • 71% Danceability • 84% Energy • 20% Liveness
13% Instrumentalness • 63% Positiveness
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Chris Standring
Moon Child
96 bpm • G Maj • 04:27 • -11.5db
38% Popularity • 76% Danceability • 47% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Urban Knights
Far And Away
96 bpm • G Maj • 04:10 • -6.79db
22% Popularity • 66% Danceability • 82% Energy • 7% Liveness
81% Instrumentalness • 75% Positiveness
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Kirk Whalum
Same Ole' Love
95 bpm • F min • 04:23 • -9.12db
33% Popularity • 69% Danceability • 62% Energy • 6% Liveness
70% Instrumentalness • 58% Positiveness
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Tim Bowman
Let It Shine
96 bpm • C min • 04:06 • -7.12db
46% Popularity • 61% Danceability • 86% Energy • 20% Liveness
88% Instrumentalness • 74% Positiveness
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Gail Jhonson
My Soldier
96 bpm • D Maj • 04:21 • -9.05db
29% Popularity • 64% Danceability • 69% Energy • 8% Liveness
95% Instrumentalness • 89% Positiveness
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Joe McBride
Midnight In Madrid
96 bpm • F min • 04:40 • -10.1db
42% Popularity • 68% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 74% Positiveness
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Chris Standring
Out of the Blue
96 bpm • G# Maj • 05:58 • -8.96db
45% Popularity • 68% Danceability • 52% Energy • 88% Liveness
75% Instrumentalness • 66% Positiveness
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Kim Waters
A Love Like This
94 bpm • C Maj • 04:38 • -8.67db
27% Popularity • 70% Danceability • 54% Energy • 7% Liveness
5% Instrumentalness • 52% Positiveness
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Kirk Whalum
That's The Way Love Goes
96 bpm • G min • 04:41 • -8.11db
36% Popularity • 65% Danceability • 70% Energy • 11% Liveness
80% Instrumentalness • 68% Positiveness
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Renato Falaschi
Just The Way You Are
94 bpm • F Maj • 04:20 • -6.95db
46% Popularity • 62% Danceability • 66% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Chris Geith
Watch Your Step
96 bpm • E min • 03:50 • -6.84db
46% Popularity • 65% Danceability • 78% Energy • 14% Liveness
82% Instrumentalness • 71% Positiveness
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Jeffery Smith
Keep Pushing
94 bpm • C Maj • 05:42 • -15.6db
24% Popularity • 68% Danceability • 46% Energy • 7% Liveness
84% Instrumentalness • 73% Positiveness
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Chris Standring
Kaleidoscope
94 bpm • D Maj • 04:42 • -11db
41% Popularity • 69% Danceability • 45% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
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Jay Soto
Just Like That
96 bpm • F min • 03:52 • -6.8db
29% Popularity • 74% Danceability • 86% Energy • 7% Liveness
69% Instrumentalness • 77% Positiveness
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Matt Marshak
Harlem River Drive
94 bpm • C Maj • 03:54 • -10.51db
30% Popularity • 79% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 82% Positiveness
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Carol Albert
Fire & Water
94 bpm • E min • 04:10 • -8.26db
43% Popularity • 58% Danceability • 73% Energy • 32% Liveness
63% Instrumentalness • 71% Positiveness
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Chris Geith
Sweet Sensation
96 bpm • A# min • 04:30 • -5.77db
39% Popularity • 66% Danceability • 83% Energy • 13% Liveness
85% Instrumentalness • 82% Positiveness
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Freddie Ravel
Conversations
96 bpm • F min • 04:45 • -9.92db
32% Popularity • 72% Danceability • 64% Energy • 5% Liveness
82% Instrumentalness • 90% Positiveness
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Chris Standring
Pandora's Box
96 bpm • A# min • 04:12 • -9.82db
24% Popularity • 63% Danceability • 58% Energy • 10% Liveness
95% Instrumentalness • 89% Positiveness
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Jazmin Ghent
Heat
94 bpm • A# min • 04:21 • -6.3db
20% Popularity • 74% Danceability • 62% Energy • 10% Liveness
23% Instrumentalness • 56% Positiveness
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Lisa Addeo
Never Enough
94 bpm • C min • 03:59 • -8.9db
50% Popularity • 70% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 62% Positiveness
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Jeff Golub
On The Wes Side
96 bpm • A min • 04:26 • -11.33db
49% Popularity • 73% Danceability • 40% Energy • 10% Liveness
78% Instrumentalness • 16% Positiveness
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Dan Siegel
In Your Eyes
96 bpm • G# Maj • 04:09 • -9.17db
30% Popularity • 67% Danceability • 52% Energy • 6% Liveness
59% Instrumentalness • 62% Positiveness
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Spyro Gyra
Ariana
96 bpm • F# Maj • 05:07 • -9.89db
32% Popularity • 67% Danceability • 78% Energy • 6% Liveness
15% Instrumentalness • 73% Positiveness
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Chris Standring
Too Good To Be True
94 bpm • C Maj • 03:39 • -9.3db
25% Popularity • 69% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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George Howard
Luv N' Haight
94 bpm • G# Maj • 03:10 • -7.88db
32% Popularity • 84% Danceability • 53% Energy • 15% Liveness
78% Instrumentalness • 66% Positiveness
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Wayman Tisdale
Brazilia
97 bpm • E min • 03:58 • -9.6db
38% Popularity • 68% Danceability • 77% Energy • 21% Liveness
90% Instrumentalness • 62% Positiveness
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Paul Taylor
Pleasure Seeker
93 bpm • B min • 04:29 • -5.67db
46% Popularity • 66% Danceability • 74% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Marcus Johnson
Coming Of The New
97 bpm • G Maj • 05:09 • -9.77db
28% Popularity • 77% Danceability • 51% Energy • 9% Liveness
58% Instrumentalness • 58% Positiveness
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Jeff Golub
Mercy Mercy Me
97 bpm • E Maj • 03:47 • -6.87db
48% Popularity • 74% Danceability • 56% Energy • 11% Liveness
35% Instrumentalness • 49% Positiveness
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Chris Standring
Michael's Watch
96 bpm • F Maj • 04:52 • -8.37db
22% Popularity • 80% Danceability • 72% Energy • 5% Liveness
28% Instrumentalness • 92% Positiveness
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Michael Lington
City Life
97 bpm • G min • 04:54 • -5.69db
25% Popularity • 74% Danceability • 68% Energy • 11% Liveness
85% Instrumentalness • 77% Positiveness
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Roger Smith
Workin It
97 bpm • C Maj • 05:16 • -8.67db
26% Popularity • 65% Danceability • 79% Energy • 5% Liveness
64% Instrumentalness • 78% Positiveness
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Les Sabler
Where Has She Gone
97 bpm • C Maj • 03:40 • -8.19db
29% Popularity • 78% Danceability • 64% Energy • 6% Liveness
78% Instrumentalness • 64% Positiveness
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Phil Casagrande
Song for Melody
97 bpm • F min • 03:55 • -6.76db
36% Popularity • 70% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 67% Positiveness
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Acoustic Alchemy
Tuff Puzzle
97 bpm • D min • 05:14 • -8.95db
37% Popularity • 67% Danceability • 67% Energy • 8% Liveness
80% Instrumentalness • 78% Positiveness
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Chris Standring
Magic Carpet Ride
97 bpm • G Maj • 06:54 • -12.73db
22% Popularity • 64% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 48% Positiveness
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Gail Jhonson
Soulful Strut
93 bpm • D min • 04:12 • -7.83db
14% Popularity • 66% Danceability • 68% Energy • 25% Liveness
79% Instrumentalness • 61% Positiveness
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Adam Hawley
Can You Feel It
97 bpm • D Maj • 04:11 • -5.12db
52% Popularity • 80% Danceability • 60% Energy • 5% Liveness
24% Instrumentalness • 78% Positiveness
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Cal Harris Jr.
She Loves the Water
93 bpm • G Maj • 04:30 • -6.77db
38% Popularity • 64% Danceability • 81% Energy • 50% Liveness
22% Instrumentalness • 32% Positiveness
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Tim Bowman
Ocean Breeze
93 bpm • G# Maj • 04:12 • -9.23db
34% Popularity • 57% Danceability • 67% Energy • 11% Liveness
60% Instrumentalness • 45% Positiveness
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Rocco Ventrella
Soulful Strut
93 bpm • C Maj • 03:58 • -8.24db
32% Popularity • 61% Danceability • 73% Energy • 10% Liveness
63% Instrumentalness • 92% Positiveness
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Chris Standring
Soul Vibration
93 bpm • A min • 04:26 • -10.47db
50% Popularity • 83% Danceability • 47% Energy • 6% Liveness
51% Instrumentalness • 59% Positiveness
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Doc Powell
Sunrise
97 bpm • C Maj • 03:46 • -9.57db
29% Popularity • 67% Danceability • 61% Energy • 9% Liveness
78% Instrumentalness • 40% Positiveness
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Sean U
Business As Usual
93 bpm • C Maj • 03:36 • -8.59db
37% Popularity • 63% Danceability • 67% Energy • 26% Liveness
74% Instrumentalness • 65% Positiveness
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Nate Harasim
Can't Get Enough
93 bpm • G# Maj • 03:15 • -8.97db
25% Popularity • 62% Danceability • 80% Energy • 18% Liveness
10% Instrumentalness • 89% Positiveness
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Tim Bowman
Summer Groove
93 bpm • G Maj • 04:39 • -9db
41% Popularity • 58% Danceability • 83% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Freddie Ravel
Sunny Side Up
97 bpm • B min • 04:17 • -8.49db
42% Popularity • 57% Danceability • 74% Energy • 4% Liveness
74% Instrumentalness • 83% Positiveness
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Gail Jhonson
Pacific Breeze
97 bpm • F min • 03:44 • -9.92db
50% Popularity • 77% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
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Jay Soto
Sunday Smile
97 bpm • E min • 03:45 • -7db
26% Popularity • 68% Danceability • 88% Energy • 6% Liveness
60% Instrumentalness • 81% Positiveness
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Bob James
Mind Games
97 bpm • C# Maj • 04:38 • -9db
34% Popularity • 63% Danceability • 64% Energy • 25% Liveness
66% Instrumentalness • 76% Positiveness
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Marcus Johnson
18th Street Loungin'
98 bpm • A# min • 05:43 • -15.85db
21% Popularity • 48% Danceability • 69% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
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Chris Standring
As Luck Would Have It
98 bpm • A min • 03:58 • -8db
28% Popularity • 67% Danceability • 60% Energy • 9% Liveness
85% Instrumentalness • 64% Positiveness
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Freddie Ravel
A Perfect Day
92 bpm • D Maj • 04:39 • -14.77db
29% Popularity • 71% Danceability • 66% Energy • 7% Liveness
91% Instrumentalness • 86% Positiveness
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Jazz Holdouts
Morning Breeze
98 bpm • C Maj • 04:12 • -9db
45% Popularity • 72% Danceability • 62% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Jeffery Smith
Let's Get It Started
98 bpm • C min • 06:16 • -14db
47% Popularity • 70% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 57% Positiveness
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Kevin Toney
110 Degrees and Rising
98 bpm • C Maj • 06:05 • -7db
16% Popularity • 73% Danceability • 88% Energy • 4% Liveness
86% Instrumentalness • 95% Positiveness
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Four80East
Cookie Strut
98 bpm • F min • 05:28 • -9db
46% Popularity • 74% Danceability • 66% Energy • 9% Liveness
81% Instrumentalness • 84% Positiveness
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Chris Standring
Soul Express
98 bpm • C Maj • 04:38 • -9.79db
41% Popularity • 70% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 63% Positiveness
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Everette Harp
Wait 4 U
92 bpm • F min • 05:18 • -7.3db
24% Popularity • 68% Danceability • 73% Energy • 21% Liveness
24% Instrumentalness • 54% Positiveness
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Keith Andrew
Cielo
98 bpm • A min • 03:52 • -8.57db
14% Popularity • 67% Danceability • 68% Energy • 10% Liveness
31% Instrumentalness • 42% Positiveness
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Bobby Lyle
Aruban Nights
92 bpm • G Maj • 05:10 • -12db
37% Popularity • 66% Danceability • 49% Energy • 4% Liveness
85% Instrumentalness • 31% Positiveness
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Kevin Toney
Just Like The First Time
98 bpm • G Maj • 04:39 • -7.4db
40% Popularity • 72% Danceability • 59% Energy • 9% Liveness
69% Instrumentalness • 57% Positiveness
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Jeffery Smith
Enjoy the Ride
98 bpm • C# Maj • 05:40 • -16.27db
17% Popularity • 88% Danceability • 40% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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Chris Standring
Mumbo Jumbo
98 bpm • A min • 04:17 • -9.49db
24% Popularity • 76% Danceability • 34% Energy • 8% Liveness
86% Instrumentalness • 90% Positiveness
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Michael Lington
Another Time
92 bpm • G# Maj • 04:23 • -8.68db
32% Popularity • 65% Danceability • 62% Energy • 30% Liveness
93% Instrumentalness • 72% Positiveness
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Jonathan Fritzén
In Motion
98 bpm • A# min • 04:18 • -10.7db
49% Popularity • 76% Danceability • 56% Energy • 20% Liveness
92% Instrumentalness • 84% Positiveness
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Darren Rahn
Tale of Two Cities
92 bpm • A Maj • 04:15 • -8db
36% Popularity • 62% Danceability • 70% Energy • 7% Liveness
70% Instrumentalness • 41% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Always There
92 bpm • G Maj • 04:59 • -11db
50% Popularity • 78% Danceability • 74% Energy • 5% Liveness
51% Instrumentalness • 74% Positiveness
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Jessy J
You're Makin' Me High
92 bpm • C# Maj • 06:23 • -9db
31% Popularity • 86% Danceability • 42% Energy • 21% Liveness
51% Instrumentalness • 66% Positiveness
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Oli Silk
Tokyo
92 bpm • D Maj • 05:35 • -8db
26% Popularity • 65% Danceability • 79% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Dan Siegel
Sphere
92 bpm • G# Maj • 04:35 • -13.72db
23% Popularity • 66% Danceability • 49% Energy • 9% Liveness
84% Instrumentalness • 57% Positiveness
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Chuck Loeb
High Five
92 bpm • G min • 04:55 • -8.88db
45% Popularity • 59% Danceability • 49% Energy • 28% Liveness
52% Instrumentalness • 67% Positiveness
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Ronny Jordan
Nite And Day
92 bpm • A Maj • 04:10 • -9db
34% Popularity • 80% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
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Warren Hill
Tell Me All Your Secrets
92 bpm • F min • 06:02 • -7db
35% Popularity • 67% Danceability • 66% Energy • 4% Liveness
51% Instrumentalness • 54% Positiveness
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Brian Tarquin
Tangled Web
92 bpm • F# Maj • 04:02 • -8db
30% Popularity • 73% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Avenue Blue (Featuring Jeff Golub)
Seventh Heaven
92 bpm • F Maj • 05:10 • -12db
49% Popularity • 64% Danceability • 62% Energy • 20% Liveness
93% Instrumentalness • 60% Positiveness
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Acoustic Alchemy
Milo
92 bpm • A# min • 04:49 • -15db
38% Popularity • 73% Danceability • 38% Energy • 8% Liveness
81% Instrumentalness • 65% Positiveness
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Michael Lington
Pacifica
99 bpm • A Maj • 04:16 • -6db
47% Popularity • 56% Danceability • 83% Energy • 13% Liveness
79% Instrumentalness • 45% Positiveness
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The Sax Pack
The Sax Pack
99 bpm • G Maj • 03:34 • -6db
47% Popularity • 78% Danceability • 69% Energy • 7% Liveness
73% Instrumentalness • 71% Positiveness
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Michael Manson
Outer Drive
99 bpm • F min • 04:54 • -11.18db
24% Popularity • 68% Danceability • 47% Energy • 5% Liveness
91% Instrumentalness • 84% Positiveness
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Larry Carlton
Kid Gloves
91 bpm • G# Maj • 04:09 • -10db
34% Popularity • 68% Danceability • 76% Energy • 6% Liveness
86% Instrumentalness • 57% Positiveness
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I Cant Help Myself