Songs like I Can't Stop by The Notations
Based on a tempo of (+/- 10%) and a similar genre
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Ronnie Walker
Really Really Love You
97 bpm • F Maj • 02:58 • -10.08db
32% Popularity • 45% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
32% Popularity • 45% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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The Notations
I Can't Stop
97 bpm • C Maj • 02:47 • -9db
13% Popularity • 53% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 53% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 93% Positiveness
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Chicago Gangsters
We've Been Together
97 bpm • D# Maj • 03:32 • -1.66db
20% Popularity • 27% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 27% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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The Festivals
You've Got the Makings of a Lover
97 bpm • A# Maj • 02:08 • -7.81db
38% Popularity • 27% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 27% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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The Soul Projections
It's up to You Girl
97 bpm • B min • 02:27 • -10.36db
17% Popularity • 55% Danceability • 46% Energy • 12% Liveness
56% Instrumentalness • 72% Positiveness
17% Popularity • 55% Danceability • 46% Energy • 12% Liveness
56% Instrumentalness • 72% Positiveness
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Patti Drew
Tell Him
97 bpm • G min • 02:31 • -8.42db
53% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
53% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Originals
You're The One
98 bpm • F min • 03:15 • -13db
31% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Renaldo Domino
Nevermore
97 bpm • B min • 02:35 • -10.42db
11% Popularity • 52% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 52% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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Brenton Wood
Just Like the First Time
96 bpm • A Maj • 03:52 • -7.51db
21% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Jhamels
Be True To Me
96 bpm • F Maj • 02:57 • -7db
12% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Class Mates
You Can Do Me Some Good
96 bpm • A# Maj • 02:51 • -11.16db
10% Popularity • 68% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 68% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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The Royal Jesters
I Want You Around
98 bpm • D Maj • 02:10 • -4.87db
13% Popularity • 42% Danceability • 78% Energy • 41% Liveness
55% Instrumentalness • 70% Positiveness
13% Popularity • 42% Danceability • 78% Energy • 41% Liveness
55% Instrumentalness • 70% Positiveness
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Dino Bazan
Don't Leave Me Baby
96 bpm • C Maj • 02:34 • -6.67db
16% Popularity • 66% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 66% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Sonia Ross
Let Me Be Free
96 bpm • B Maj • 01:49 • -8.09db
17% Popularity • 37% Danceability • 52% Energy • 10% Liveness
17% Instrumentalness • 79% Positiveness
17% Popularity • 37% Danceability • 52% Energy • 10% Liveness
17% Instrumentalness • 79% Positiveness
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Holly Maxwell
Only When Your Lonely
95 bpm • D# min • 02:33 • -7db
20% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The Newcomers
Girl, This Boy Loves You
96 bpm • D# Maj • 02:50 • -13db
21% Popularity • 58% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 58% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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The Originals
I'll Wait For You - Single Version
95 bpm • C min • 02:35 • -10.77db
31% Popularity • 49% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 49% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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The Ethics
Think About Tomorrow
95 bpm • G Maj • 02:59 • -8.39db
14% Popularity • 54% Danceability • 46% Energy • 10% Liveness
33% Instrumentalness • 78% Positiveness
14% Popularity • 54% Danceability • 46% Energy • 10% Liveness
33% Instrumentalness • 78% Positiveness
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The Classics
Looking for a Love (Of My Own)
99 bpm • A# min • 02:50 • -9.83db
15% Popularity • 60% Danceability • 47% Energy • 12% Liveness
30% Instrumentalness • 58% Positiveness
15% Popularity • 60% Danceability • 47% Energy • 12% Liveness
30% Instrumentalness • 58% Positiveness
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Bob & Gene
I Can Be Cool
95 bpm • C# min • 03:08 • -9.6db
38% Popularity • 42% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 42% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Sapphires
How Could I Say Goodbye
99 bpm • A Maj • 02:37 • -12.16db
24% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 66% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Eula Cooper
Try
99 bpm • A# Maj • 02:16 • -6.24db
17% Popularity • 33% Danceability • 80% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
17% Popularity • 33% Danceability • 80% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
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The Originals
I've Never Begged Before
95 bpm • C Maj • 02:43 • -10.46db
14% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Five Stairsteps
You Don't Love Me - Buddha Remastered 20...
99 bpm • G# Maj • 02:32 • -7.89db
11% Popularity • 47% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 47% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Whatnauts
Tweedly Dum-Dum
99 bpm • F# Maj • 03:07 • -14.09db
25% Popularity • 64% Danceability • 48% Energy • 14% Liveness
7% Instrumentalness • 65% Positiveness
25% Popularity • 64% Danceability • 48% Energy • 14% Liveness
7% Instrumentalness • 65% Positiveness
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The Mad Lads
I Don't Want To Lose Your Love
99 bpm • A# Maj • 02:22 • -14.03db
19% Popularity • 76% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 76% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Archie Bell & The Drells
Go for What You Know
100 bpm • F Maj • 02:07 • -8.94db
27% Popularity • 61% Danceability • 50% Energy • 20% Liveness
1% Instrumentalness • 76% Positiveness
27% Popularity • 61% Danceability • 50% Energy • 20% Liveness
1% Instrumentalness • 76% Positiveness
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Johnson, Hawkins, Tatum & Durr
A World Without You
94 bpm • C# min • 03:18 • -5.04db
14% Popularity • 49% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 49% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Stewart
Sweet Senorita
100 bpm • C Maj • 02:31 • -8.24db
26% Popularity • 54% Danceability • 51% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 54% Danceability • 51% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
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Willie Cooper & The Webs
I Can't Take No More
94 bpm • C min • 02:07 • -7.88db
14% Popularity • 53% Danceability • 41% Energy • 27% Liveness
4% Instrumentalness • 54% Positiveness
14% Popularity • 53% Danceability • 41% Energy • 27% Liveness
4% Instrumentalness • 54% Positiveness
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La’Fez
This Is The Way That I Am
94 bpm • C Maj • 03:11 • -8.99db
20% Popularity • 48% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny and the Expressions
Something I Want to Tell You
94 bpm • A# Maj • 02:56 • -17.76db
31% Popularity • 57% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 57% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Timothy Wilson
These Are The Things That Make Me Know S...
100 bpm • D# Maj • 02:27 • -6.72db
15% Popularity • 56% Danceability • 79% Energy • 78% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 56% Danceability • 79% Energy • 78% Liveness
0% Instrumentalness • 73% Positiveness
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Al Castana
I Need and Love You
94 bpm • D Maj • 02:41 • -7.02db
11% Popularity • 55% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 66% Positiveness
11% Popularity • 55% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 66% Positiveness
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The Notations
I'm Your Puppet
94 bpm • A# Maj • 03:01 • -4.39db
6% Popularity • 64% Danceability • 66% Energy • 45% Liveness
68% Instrumentalness • 55% Positiveness
6% Popularity • 64% Danceability • 66% Energy • 45% Liveness
68% Instrumentalness • 55% Positiveness
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Entertainers IV
My Garden of Eden
94 bpm • A# Maj • 02:38 • -12.44db
14% Popularity • 58% Danceability • 51% Energy • 63% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 58% Danceability • 51% Energy • 63% Liveness
0% Instrumentalness • 88% Positiveness
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Bob & Gene
Which Love
100 bpm • D Maj • 03:03 • -7.43db
25% Popularity • 52% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 52% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Stewart
Love Me
101 bpm • G Maj • 02:53 • -6.75db
16% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Masqueraders
One More Chance
93 bpm • D# Maj • 02:39 • -15.83db
11% Popularity • 40% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
11% Popularity • 40% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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The Five Stairsteps
Danger! She's A Stranger - Buddha Remast...
93 bpm • A# min • 02:48 • -9db
29% Popularity • 48% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 48% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Eddy Arnold Smith
Barbara Allen
93 bpm • G Maj • 02:40 • -4.72db
1% Popularity • 52% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 78% Positiveness
1% Popularity • 52% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 78% Positiveness
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The Notations
Be Thankful
93 bpm • D Maj • 03:10 • -6.71db
8% Popularity • 75% Danceability • 52% Energy • 10% Liveness
14% Instrumentalness • 39% Positiveness
8% Popularity • 75% Danceability • 52% Energy • 10% Liveness
14% Instrumentalness • 39% Positiveness
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Royal Esquires
Our Love Used To Be
101 bpm • F min • 02:44 • -7.82db
11% Popularity • 42% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 42% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Lee Jones
Only True Love
101 bpm • C Maj • 01:55 • -7.83db
12% Popularity • 57% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 57% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Mike And The Censations
Victim of Circumstance, Pt. 1
93 bpm • G# Maj • 03:06 • -5.94db
26% Popularity • 41% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 41% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Archie Bell & The Drells
Mama Didn't Teach Me That Way
93 bpm • C Maj • 02:39 • -8.5db
19% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 56% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Bob & Gene
It's Not What You Know (It's Who You Kno...
102 bpm • D Maj • 03:40 • -9.53db
27% Popularity • 61% Danceability • 75% Energy • 27% Liveness
24% Instrumentalness • 76% Positiveness
27% Popularity • 61% Danceability • 75% Energy • 27% Liveness
24% Instrumentalness • 76% Positiveness
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Bobbi Row And The English Men
Why'd You Put Me On
93 bpm • G Maj • 02:41 • -11.73db
35% Popularity • 56% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 56% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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The Ultimates
Why I Love You
93 bpm • C Maj • 03:48 • -5.33db
22% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Patti Drew
Workin' On A Groovy Thing
102 bpm • G Maj • 03:11 • -7db
45% Popularity • 36% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 36% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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Mike And The Censations
Victim Of Circumstance
93 bpm • G# Maj • 03:05 • -5.1db
11% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Fuller Bros.
Stranger at My Door
92 bpm • C Maj • 02:19 • -10db
42% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Lovelites
Oh My Love
92 bpm • C Maj • 02:34 • -9.14db
27% Popularity • 47% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 47% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Mad Lads
Come Closer to Me
92 bpm • A# Maj • 02:39 • -11.22db
26% Popularity • 74% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 74% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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The Lovations
I Keep Singing (La La La Ooh)
92 bpm • D min • 02:58 • -5.58db
24% Popularity • 41% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 41% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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The Notations
In the Morning
92 bpm • F# Maj • 02:41 • -6.43db
5% Popularity • 71% Danceability • 70% Energy • 14% Liveness
6% Instrumentalness • 87% Positiveness
5% Popularity • 71% Danceability • 70% Energy • 14% Liveness
6% Instrumentalness • 87% Positiveness
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Jato Von Del
Just A Few Steps Up The Isle
92 bpm • A Maj • 03:59 • -10.37db
11% Popularity • 46% Danceability • 53% Energy • 17% Liveness
4% Instrumentalness • 43% Positiveness
11% Popularity • 46% Danceability • 53% Energy • 17% Liveness
4% Instrumentalness • 43% Positiveness
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Eddie Holman
I'll Be Forever Loving You
102 bpm • A Maj • 02:53 • -10.13db
14% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Bobby Moore & The Rhythm Aces
I Wanna Be Your Man
92 bpm • C min • 02:37 • -9.33db
13% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Charles Brimmer
The Feeling Is in My Heart
92 bpm • A# Maj • 03:34 • -10.45db
14% Popularity • 54% Danceability • 49% Energy • 61% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 54% Danceability • 49% Energy • 61% Liveness
1% Instrumentalness • 72% Positiveness
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Reverb LTD
Please Love Me - Mono
92 bpm • D# min • 02:30 • -8.11db
17% Popularity • 40% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 40% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Four Mints
Too Far Gone
103 bpm • C# Maj • 02:06 • -8.04db
16% Popularity • 56% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 56% Danceability • 83% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Elvin Spencer
Lift This Hurt
92 bpm • F min • 02:41 • -9db
23% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Cynthia
Hey Boy (I Love You)
103 bpm • A# min • 02:58 • -4.76db
17% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Billy Stewart
Tell Me The Truth
91 bpm • C Maj • 02:49 • -7.09db
12% Popularity • 70% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 70% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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The Royal Jesters
Gee Whiz
91 bpm • E Maj • 02:29 • -7.09db
22% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Brothers Of Soul
Dream
103 bpm • F min • 03:02 • -9.89db
19% Popularity • 50% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 50% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Renee Acker
If I Had a Magic Wand
103 bpm • G# Maj • 02:46 • -13.46db
16% Popularity • 46% Danceability • 36% Energy • 10% Liveness
19% Instrumentalness • 76% Positiveness
16% Popularity • 46% Danceability • 36% Energy • 10% Liveness
19% Instrumentalness • 76% Positiveness
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Sonia Ross
Every Now and Then
91 bpm • A min • 02:39 • -8.94db
12% Popularity • 24% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 24% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Kaldirons
To Love Someone (That Don't Love You)
91 bpm • F Maj • 03:21 • -9db
23% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Chapells
You're Acting Kind of Strange
90 bpm • D min • 03:24 • -5db
24% Popularity • 28% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 28% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Five Stairsteps
You Make Me So Mad
104 bpm • F Maj • 02:26 • -12.27db
12% Popularity • 58% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 58% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
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The Brothers Of Soul
You Better Believe It
104 bpm • F min • 03:11 • -12.54db
15% Popularity • 66% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 66% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Lovelites
My Conscience
104 bpm • B min • 02:37 • -7.62db
18% Popularity • 47% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 47% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Malik Malo
Smile Now, Cry Later
90 bpm • G Maj • 02:08 • -4.75db
9% Popularity • 54% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 54% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 36% Positiveness
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Young Ladies
I'm Tired of Running Around
105 bpm • D Maj • 02:13 • -7.8db
15% Popularity • 71% Danceability • 60% Energy • 51% Liveness
3% Instrumentalness • 96% Positiveness
15% Popularity • 71% Danceability • 60% Energy • 51% Liveness
3% Instrumentalness • 96% Positiveness
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Brenda And The Tabulations
Oh Lord, What Are You Doing to Me
90 bpm • G Maj • 03:19 • -10.56db
9% Popularity • 52% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 54% Positiveness
9% Popularity • 52% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 54% Positiveness
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The Five Stairsteps
You Waited Too Long - Buddha Remastered ...
90 bpm • D min • 02:53 • -7db
28% Popularity • 33% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 33% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Mad Lads
Patch My Heart
105 bpm • C# Maj • 02:31 • -12.64db
28% Popularity • 81% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 92% Positiveness
28% Popularity • 81% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 92% Positiveness
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The Whatnauts
What's Left to Give
90 bpm • A# Maj • 03:40 • -11.16db
31% Popularity • 36% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 36% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Gene Chandler
The Girl Don't Care
90 bpm • A min • 02:48 • -9db
20% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Royal Jesters
I’ve Got Soul
105 bpm • E Maj • 02:53 • -4.68db
13% Popularity • 48% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 48% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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Brenton Wood
I Think You've Got Your Fools Mixed Up
105 bpm • A# min • 02:15 • -7.94db
52% Popularity • 85% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 85% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Wardell Quezerque
I've Learned My Lesson
105 bpm • C min • 02:31 • -3.9db
13% Popularity • 56% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
13% Popularity • 56% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Eddie Holman
Since My Love Has Gone
105 bpm • A# min • 02:41 • -8.31db
18% Popularity • 37% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 37% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Bob & Gene
Gotta Find a Way
89 bpm • F# Maj • 02:57 • -7.34db
33% Popularity • 52% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 52% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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The Notations
All Day Music
106 bpm • A Maj • 04:01 • -5.02db
5% Popularity • 50% Danceability • 66% Energy • 26% Liveness
60% Instrumentalness • 53% Positiveness
5% Popularity • 50% Danceability • 66% Energy • 26% Liveness
60% Instrumentalness • 53% Positiveness
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The Royal Jesters
I’m so Sorry
89 bpm • D Maj • 02:25 • -5.15db
16% Popularity • 50% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 50% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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The Escorts
By the Time I Get to Phoenix
106 bpm • G Maj • 03:47 • -6.92db
13% Popularity • 59% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 59% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Brenton Wood
Best Thing I Ever Had
106 bpm • F Maj • 02:27 • -8.46db
37% Popularity • 81% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 81% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Billy Stewart
Look Back And Smile
107 bpm • G Maj • 02:52 • -4.67db
22% Popularity • 81% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 81% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Lovelites
I've Got Love
88 bpm • F# min • 02:14 • -6.79db
15% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Notations
A New Day
107 bpm • G Maj • 03:10 • -8.62db
25% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Wee
Try Me (45 Version)
107 bpm • A min • 02:49 • -9.03db
19% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Dimas III
You’ve Succeeded
88 bpm • C Maj • 03:13 • -5.34db
25% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Escorts
Little Green Apples
106 bpm • G Maj • 04:34 • -8.06db
11% Popularity • 42% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 42% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Brenton Wood
Catch You On The Rebound
106 bpm • G Maj • 02:11 • -8.36db
44% Popularity • 80% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
44% Popularity • 80% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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Hunts Determination Band
Are We Through
88 bpm • D min • 02:52 • -5.58db
12% Popularity • 49% Danceability • 70% Energy • 35% Liveness
24% Instrumentalness • 72% Positiveness
12% Popularity • 49% Danceability • 70% Energy • 35% Liveness
24% Instrumentalness • 72% Positiveness
