Songs like I Could Be Happy by Altered Images
Based on a tempo of (+/- 10%) and a similar genre
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Landscape
Einstein a Go-Go
131 bpm • C Maj • 03:27 • -15db
27% Popularity • 96% Danceability • 81% Energy • 40% Liveness
3% Instrumentalness • 49% Positiveness
27% Popularity • 96% Danceability • 81% Energy • 40% Liveness
3% Instrumentalness • 49% Positiveness
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Voice Of The Beehive
I Say Nothing
131 bpm • G Maj • 03:27 • -7.37db
28% Popularity • 55% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 55% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Haircut 100
Marine Boy
131 bpm • E Maj • 03:28 • -17db
22% Popularity • 62% Danceability • 58% Energy • 14% Liveness
41% Instrumentalness • 86% Positiveness
22% Popularity • 62% Danceability • 58% Energy • 14% Liveness
41% Instrumentalness • 86% Positiveness
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Blancmange
I've Seen The Word
131 bpm • G Maj • 03:00 • -9.56db
21% Popularity • 81% Danceability • 74% Energy • 5% Liveness
3% Instrumentalness • 97% Positiveness
21% Popularity • 81% Danceability • 74% Energy • 5% Liveness
3% Instrumentalness • 97% Positiveness
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Altered Images
I Could Be Happy
131 bpm • C Maj • 03:30 • -6.33db
34% Popularity • 66% Danceability • 77% Energy • 10% Liveness
42% Instrumentalness • 62% Positiveness
34% Popularity • 66% Danceability • 77% Energy • 10% Liveness
42% Instrumentalness • 62% Positiveness
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Hazel O'Connor
D-Days
131 bpm • F Maj • 03:12 • -11.09db
20% Popularity • 76% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
20% Popularity • 76% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
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Japan
Quiet Life
131 bpm • E min • 04:49 • -12.45db
46% Popularity • 66% Danceability • 69% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
46% Popularity • 66% Danceability • 69% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
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Pete Wylie & The Mighty WAH!
Weekends
131 bpm • A min • 03:42 • -8.29db
9% Popularity • 46% Danceability • 85% Energy • 18% Liveness
11% Instrumentalness • 49% Positiveness
9% Popularity • 46% Danceability • 85% Energy • 18% Liveness
11% Instrumentalness • 49% Positiveness
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The Style Council
Speak Like A Child
131 bpm • A Maj • 03:17 • -11.76db
42% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Bow Wow Wow
Chihuahua
131 bpm • G# Maj • 05:45 • -6.09db
3% Popularity • 37% Danceability • 92% Energy • 39% Liveness
1% Instrumentalness • 54% Positiveness
3% Popularity • 37% Danceability • 92% Energy • 39% Liveness
1% Instrumentalness • 54% Positiveness
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Altered Images
Love & Kisses
131 bpm • G Maj • 02:18 • -14db
16% Popularity • 56% Danceability • 43% Energy • 9% Liveness
22% Instrumentalness • 36% Positiveness
16% Popularity • 56% Danceability • 43% Energy • 9% Liveness
22% Instrumentalness • 36% Positiveness
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The Psychedelic Furs
President Gas
131 bpm • G Maj • 05:19 • -4.56db
35% Popularity • 55% Danceability • 90% Energy • 7% Liveness
36% Instrumentalness • 77% Positiveness
35% Popularity • 55% Danceability • 90% Energy • 7% Liveness
36% Instrumentalness • 77% Positiveness
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The Icicle Works
Love Is A Wonderful Colour
131 bpm • E Maj • 04:34 • -9db
12% Popularity • 40% Danceability • 66% Energy • 22% Liveness
31% Instrumentalness • 36% Positiveness
12% Popularity • 40% Danceability • 66% Energy • 22% Liveness
31% Instrumentalness • 36% Positiveness
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Visage
The Damned Don't Cry
131 bpm • G Maj • 04:02 • -13db
28% Popularity • 54% Danceability • 84% Energy • 52% Liveness
70% Instrumentalness • 77% Positiveness
28% Popularity • 54% Danceability • 84% Energy • 52% Liveness
70% Instrumentalness • 77% Positiveness
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Lloyd Cole and the Commotions
Perfect Skin
131 bpm • G Maj • 03:16 • -10db
48% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The B-52's
Channel Z
131 bpm • C# Maj • 04:50 • -7.45db
41% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
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ABC
Many Happy Returns
131 bpm • F Maj • 03:57 • -4.97db
32% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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King
Won't You Hold My Hand Now
130 bpm • A min • 03:03 • -9.8db
16% Popularity • 54% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 54% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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Altered Images
A Days Wait
130 bpm • D min • 04:20 • -14db
14% Popularity • 48% Danceability • 57% Energy • 9% Liveness
83% Instrumentalness • 74% Positiveness
14% Popularity • 48% Danceability • 57% Energy • 9% Liveness
83% Instrumentalness • 74% Positiveness
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Visage
The Damned Don't Cry
130 bpm • G Maj • 04:44 • -11.35db
33% Popularity • 60% Danceability • 73% Energy • 67% Liveness
76% Instrumentalness • 74% Positiveness
33% Popularity • 60% Danceability • 73% Energy • 67% Liveness
76% Instrumentalness • 74% Positiveness
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Japan
Quiet Life - 7" Version
130 bpm • E min • 03:51 • -12db
19% Popularity • 64% Danceability • 66% Energy • 16% Liveness
16% Instrumentalness • 84% Positiveness
19% Popularity • 64% Danceability • 66% Energy • 16% Liveness
16% Instrumentalness • 84% Positiveness
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Lene Lovich
Say When
132 bpm • E Maj • 02:51 • -14db
18% Popularity • 56% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 56% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Ultravox
The Thin Wall
132 bpm • A min • 04:26 • -11.33db
35% Popularity • 68% Danceability • 92% Energy • 19% Liveness
24% Instrumentalness • 44% Positiveness
35% Popularity • 68% Danceability • 92% Energy • 19% Liveness
24% Instrumentalness • 44% Positiveness
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The Associates
Club Country (2016 Remaster)
132 bpm • A min • 05:38 • -7.8db
23% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Altered Images
Song Sung Blue
130 bpm • C Maj • 04:12 • -10.75db
10% Popularity • 72% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 72% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Prefab Sprout
The King of Rock 'N' Roll
130 bpm • F min • 04:22 • -9.07db
44% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Slow Children
President I Am
132 bpm • G Maj • 03:00 • -9.17db
18% Popularity • 69% Danceability • 86% Energy • 74% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 69% Danceability • 86% Energy • 74% Liveness
0% Instrumentalness • 84% Positiveness
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Thomas Dolby
One of Our Submarines
130 bpm • C# min • 05:07 • -13.58db
30% Popularity • 67% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 67% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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Big Audio Dynamite
E=MC2
130 bpm • D min • 05:54 • -9.72db
46% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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The Teardrop Explodes
Bent Out Of Shape
132 bpm • C Maj • 03:29 • -8.47db
16% Popularity • 64% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 64% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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XTC
Senses Working Overtime - Remastered 200...
130 bpm • C Maj • 04:50 • -11.89db
49% Popularity • 68% Danceability • 66% Energy • 66% Liveness
3% Instrumentalness • 86% Positiveness
49% Popularity • 68% Danceability • 66% Energy • 66% Liveness
3% Instrumentalness • 86% Positiveness
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The Stranglers
Duchess
130 bpm • A Maj • 02:30 • -7.97db
40% Popularity • 47% Danceability • 80% Energy • 7% Liveness
26% Instrumentalness • 58% Positiveness
40% Popularity • 47% Danceability • 80% Energy • 7% Liveness
26% Instrumentalness • 58% Positiveness
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The Associates
Club Country
132 bpm • C Maj • 04:10 • -6.09db
19% Popularity • 54% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 54% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Missing Persons
Windows
132 bpm • F# Maj • 05:02 • -10db
26% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Pete Shelley
Yesterday's Not Here
130 bpm • D Maj • 04:09 • -6.5db
16% Popularity • 68% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 68% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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The Teardrop Explodes
Sleeping Gas
132 bpm • G min • 03:46 • -7.28db
27% Popularity • 58% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 58% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Japan
European Son
132 bpm • A# min • 03:39 • -11db
23% Popularity • 60% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
23% Popularity • 60% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Wire
Eardrum Buzz (12" Version)
130 bpm • G Maj • 04:15 • -12.06db
19% Popularity • 59% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 59% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Toyah
Good Morning Universe
132 bpm • F Maj • 03:24 • -9.51db
20% Popularity • 50% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 50% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Altered Images
Idols
132 bpm • G Maj • 02:37 • -14.39db
11% Popularity • 51% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 51% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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ABC
That Was Then But This Is Now
130 bpm • F Maj • 03:34 • -6.1db
32% Popularity • 61% Danceability • 93% Energy • 60% Liveness
3% Instrumentalness • 82% Positiveness
32% Popularity • 61% Danceability • 93% Energy • 60% Liveness
3% Instrumentalness • 82% Positiveness
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Pete Shelley
Telephone Operator
130 bpm • D Maj • 03:18 • -9db
31% Popularity • 66% Danceability • 94% Energy • 11% Liveness
8% Instrumentalness • 92% Positiveness
31% Popularity • 66% Danceability • 94% Energy • 11% Liveness
8% Instrumentalness • 92% Positiveness
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The Higsons
Run Me Down
130 bpm • C Maj • 03:45 • -5.35db
19% Popularity • 65% Danceability • 90% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 65% Danceability • 90% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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The Wild Swans
Bringing Home the Ashes
129 bpm • C Maj • 03:49 • -11db
32% Popularity • 57% Danceability • 75% Energy • 18% Liveness
8% Instrumentalness • 84% Positiveness
32% Popularity • 57% Danceability • 75% Energy • 18% Liveness
8% Instrumentalness • 84% Positiveness
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Scritti Politti
Lover To Fall
133 bpm • C Maj • 04:12 • -9.84db
18% Popularity • 75% Danceability • 65% Energy • 3% Liveness
8% Instrumentalness • 97% Positiveness
18% Popularity • 75% Danceability • 65% Energy • 3% Liveness
8% Instrumentalness • 97% Positiveness
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Altered Images
I Could Be Happy
130 bpm • A Maj • 05:39 • -12db
38% Popularity • 77% Danceability • 39% Energy • 25% Liveness
72% Instrumentalness • 60% Positiveness
38% Popularity • 77% Danceability • 39% Energy • 25% Liveness
72% Instrumentalness • 60% Positiveness
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The Boomtown Rats
Up All Night
133 bpm • G Maj • 03:37 • -4db
25% Popularity • 48% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 48% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Tubeway Army
Me, I Disconnect from You - 1998 Remaste...
133 bpm • G Maj • 03:22 • -12.2db
36% Popularity • 59% Danceability • 53% Energy • 51% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 59% Danceability • 53% Energy • 51% Liveness
0% Instrumentalness • 21% Positiveness
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Pete Shelley
Homosapien
133 bpm • D Maj • 04:34 • -8.08db
40% Popularity • 61% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 61% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 74% Positiveness
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The Associates
Waiting for the Loveboat
133 bpm • C Maj • 06:55 • -11.04db
12% Popularity • 68% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
12% Popularity • 68% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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China Crisis
Some People I Know To Lead Fantastic Liv...
133 bpm • G Maj • 03:33 • -15.37db
28% Popularity • 78% Danceability • 48% Energy • 5% Liveness
88% Instrumentalness • 92% Positiveness
28% Popularity • 78% Danceability • 48% Energy • 5% Liveness
88% Instrumentalness • 92% Positiveness
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Altered Images
Dead Pop Stars
133 bpm • B Maj • 03:14 • -5.99db
21% Popularity • 45% Danceability • 94% Energy • 35% Liveness
3% Instrumentalness • 5% Positiveness
21% Popularity • 45% Danceability • 94% Energy • 35% Liveness
3% Instrumentalness • 5% Positiveness
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Haircut 100
Boat Party
129 bpm • G# min • 03:49 • -17.82db
14% Popularity • 58% Danceability • 68% Energy • 5% Liveness
64% Instrumentalness • 92% Positiveness
14% Popularity • 58% Danceability • 68% Energy • 5% Liveness
64% Instrumentalness • 92% Positiveness
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The Colourfield
Things Could Be Beautiful
129 bpm • G Maj • 03:26 • -15.87db
16% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ultravox
Reap the Wild Wind - 2009 Remaster
133 bpm • C# Maj • 03:49 • -9db
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
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The Associates
Party Fears Two (7" Mix) (2022 Remaster)
129 bpm • E min • 04:08 • -3.39db
27% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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The House of Love
Christine - 2018 Remaster
129 bpm • E Maj • 03:27 • -8db
35% Popularity • 41% Danceability • 70% Energy • 16% Liveness
74% Instrumentalness • 53% Positiveness
35% Popularity • 41% Danceability • 70% Energy • 16% Liveness
74% Instrumentalness • 53% Positiveness
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Altered Images
Midnight
129 bpm • A Maj • 03:39 • -13.35db
10% Popularity • 48% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 65% Positiveness
10% Popularity • 48% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 65% Positiveness
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The Psychedelic Furs
Here Come Cowboys
128 bpm • E min • 03:57 • -15db
30% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 65% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Care
Flaming Sword
128 bpm • F Maj • 03:11 • -6.38db
27% Popularity • 62% Danceability • 96% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 96% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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The Teardrop Explodes
Ha Ha I'm Drowning
134 bpm • C Maj • 02:54 • -7db
30% Popularity • 51% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 51% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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The Associates
Party Fears Two (2016 Remaster)
129 bpm • G Maj • 05:35 • -6.58db
37% Popularity • 60% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 60% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Blue Zoo
Cry Boy Cry
134 bpm • B min • 04:27 • -3.02db
21% Popularity • 60% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 60% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 70% Positiveness
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Fine Young Cannibals
Ever Fallen in Love
128 bpm • A Maj • 03:53 • -11db
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Altered Images
Change of Heart
134 bpm • E Maj • 03:42 • -11.19db
7% Popularity • 53% Danceability • 55% Energy • 26% Liveness
45% Instrumentalness • 81% Positiveness
7% Popularity • 53% Danceability • 55% Energy • 26% Liveness
45% Instrumentalness • 81% Positiveness
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The Railway Children
Brighter
128 bpm • G Maj • 04:53 • -4.58db
27% Popularity • 49% Danceability • 94% Energy • 8% Liveness
3% Instrumentalness • 91% Positiveness
27% Popularity • 49% Danceability • 94% Energy • 8% Liveness
3% Instrumentalness • 91% Positiveness
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Gary Numan
Cars
128 bpm • D Maj • 03:58 • -8.75db
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Fuzzbox
International Rescue
128 bpm • F min • 03:29 • -6.85db
21% Popularity • 53% Danceability • 90% Energy • 17% Liveness
1% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 90% Energy • 17% Liveness
1% Instrumentalness • 56% Positiveness
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The Teardrop Explodes
When I Dream - Original Version
128 bpm • C Maj • 07:08 • -6db
25% Popularity • 49% Danceability • 73% Energy • 43% Liveness
2% Instrumentalness • 86% Positiveness
25% Popularity • 49% Danceability • 73% Energy • 43% Liveness
2% Instrumentalness • 86% Positiveness
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Echo & the Bunnymen
Seven Seas
134 bpm • C Maj • 03:19 • -5db
45% Popularity • 56% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 56% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Altered Images
Real Toys
135 bpm • G Maj • 03:22 • -14.24db
10% Popularity • 61% Danceability • 62% Energy • 11% Liveness
59% Instrumentalness • 70% Positiveness
10% Popularity • 61% Danceability • 62% Energy • 11% Liveness
59% Instrumentalness • 70% Positiveness
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Roxy Music
Over You
127 bpm • D Maj • 03:27 • -5.21db
46% Popularity • 57% Danceability • 79% Energy • 43% Liveness
5% Instrumentalness • 71% Positiveness
46% Popularity • 57% Danceability • 79% Energy • 43% Liveness
5% Instrumentalness • 71% Positiveness
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Gary Numan
We Are Glass
135 bpm • C Maj • 04:47 • -8.47db
33% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 65% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Thomas Dolby
Windpower
127 bpm • F# min • 04:19 • -13.61db
24% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Ultravox
White China - 2009 Remaster
127 bpm • F# min • 03:53 • -11db
37% Popularity • 64% Danceability • 70% Energy • 15% Liveness
6% Instrumentalness • 85% Positiveness
37% Popularity • 64% Danceability • 70% Energy • 15% Liveness
6% Instrumentalness • 85% Positiveness
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Flesh For Lulu
I Go Crazy
127 bpm • G Maj • 03:51 • -6.67db
42% Popularity • 63% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 63% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Altered Images
Leave Me Alone
128 bpm • B Maj • 04:07 • -11.53db
8% Popularity • 40% Danceability • 56% Energy • 22% Liveness
2% Instrumentalness • 29% Positiveness
8% Popularity • 40% Danceability • 56% Energy • 22% Liveness
2% Instrumentalness • 29% Positiveness
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The Beat
Too Nice to Talk to - 2012 Remaster
135 bpm • B min • 03:07 • -9.42db
36% Popularity • 61% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
36% Popularity • 61% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
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Re-Flex
The Politics of Dancing
127 bpm • B Maj • 03:57 • -8db
44% Popularity • 68% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 68% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Visage
Visage
135 bpm • D Maj • 03:53 • -13.06db
32% Popularity • 43% Danceability • 68% Energy • 16% Liveness
34% Instrumentalness • 43% Positiveness
32% Popularity • 43% Danceability • 68% Energy • 16% Liveness
34% Instrumentalness • 43% Positiveness
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China Crisis
The Highest High
135 bpm • G Maj • 04:15 • -13.93db
30% Popularity • 74% Danceability • 51% Energy • 29% Liveness
50% Instrumentalness • 74% Positiveness
30% Popularity • 74% Danceability • 51% Energy • 29% Liveness
50% Instrumentalness • 74% Positiveness
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The House of Love
I Don't Know Why I Love You
135 bpm • B Maj • 03:29 • -10.72db
38% Popularity • 51% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 51% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Altered Images
Legionaire
127 bpm • A Maj • 03:29 • -14.71db
9% Popularity • 65% Danceability • 52% Energy • 13% Liveness
88% Instrumentalness • 89% Positiveness
9% Popularity • 65% Danceability • 52% Energy • 13% Liveness
88% Instrumentalness • 89% Positiveness
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Soft Cell
Tears Run Rings
135 bpm • A# Maj • 05:43 • -15.02db
41% Popularity • 67% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
41% Popularity • 67% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Heaven 17
Temptation - 12" Version / Remastered 20...
127 bpm • D# min • 04:43 • -6db
48% Popularity • 73% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 73% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Visage
Blocks On Blocks
135 bpm • G Maj • 04:00 • -15.02db
24% Popularity • 68% Danceability • 44% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 68% Danceability • 44% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Lene Lovich
I Think We're Alone Now
127 bpm • B Maj • 02:48 • -9.36db
25% Popularity • 72% Danceability • 57% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
25% Popularity • 72% Danceability • 57% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
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Talk Talk
Talk Talk - 1997 Remaster
135 bpm • G min • 03:23 • -7.78db
49% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
49% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
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Altered Images
Sentimental
135 bpm • A min • 03:22 • -8.12db
6% Popularity • 53% Danceability • 86% Energy • 15% Liveness
1% Instrumentalness • 67% Positiveness
6% Popularity • 53% Danceability • 86% Energy • 15% Liveness
1% Instrumentalness • 67% Positiveness
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Simple Minds
I Travel - Remastered 2002
127 bpm • C Maj • 04:04 • -8db
39% Popularity • 59% Danceability • 96% Energy • 18% Liveness
34% Instrumentalness • 96% Positiveness
39% Popularity • 59% Danceability • 96% Energy • 18% Liveness
34% Instrumentalness • 96% Positiveness
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New Musik
Living by Numbers
135 bpm • G Maj • 03:28 • -11.92db
33% Popularity • 66% Danceability • 74% Energy • 10% Liveness
22% Instrumentalness • 91% Positiveness
33% Popularity • 66% Danceability • 74% Energy • 10% Liveness
22% Instrumentalness • 91% Positiveness
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The Icicle Works
Love Is a Wonderful Colour
135 bpm • E Maj • 04:10 • -9.76db
34% Popularity • 48% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 48% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Bow Wow Wow
W.O.R.K. (N.O. Nah No No My Daddy Don't)
135 bpm • D# min • 02:41 • -10.8db
15% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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The Wild Swans
Young Manhood
135 bpm • A Maj • 03:50 • -10.23db
19% Popularity • 50% Danceability • 94% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
19% Popularity • 50% Danceability • 94% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Altered Images
Funny Funny Me
135 bpm • A Maj • 03:23 • -9db
11% Popularity • 69% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 69% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Sparks
Music That You Can Dance To
127 bpm • A min • 04:23 • -12.19db
26% Popularity • 70% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 70% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Big Audio Dynamite
James Brown
136 bpm • C# min • 05:08 • -10.3db
22% Popularity • 69% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 69% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
