Songs like I Don't Care (Just As Long As You Love Me) - 2006 Remastered Version by Buck Owens
Based on a tempo of (+/- 10%) and a similar genre
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Don Williams
(Turn Out The Light And) Love Me Tonight
170 bpm • D Maj • 02:25 • -13.5db
51% Popularity • 49% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
51% Popularity • 49% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Wynn Stewart
Slowly but Surely
170 bpm • E Maj • 02:12 • -11.48db
17% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Walker
Cattle Call
170 bpm • E Maj • 01:36 • -17.61db
25% Popularity • 32% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
25% Popularity • 32% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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George Jones
The Race Is On
170 bpm • A Maj • 02:07 • -7.73db
60% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Del Reeves
Women Do Funny Things To Me
171 bpm • C Maj • 02:29 • -10db
38% Popularity • 57% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 57% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Roger Miller
Chug-A-Lug
172 bpm • B Maj • 01:59 • -14.63db
48% Popularity • 72% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 72% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Cal Smith
The Lord Knows I'm Drinking
173 bpm • A Maj • 03:09 • -12.58db
27% Popularity • 57% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 57% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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David Allan Coe
Living on the Run
167 bpm • F# min • 02:32 • -9.11db
52% Popularity • 33% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
52% Popularity • 33% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Ed Bruce
This Old Hat
174 bpm • A Maj • 03:08 • -9db
40% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Buck Owens
Tired of Livin'
166 bpm • A Maj • 02:04 • -8.03db
13% Popularity • 62% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 62% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Del Reeves
This Must Be The Bottom
171 bpm • A# Maj • 02:14 • -15.35db
37% Popularity • 51% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 84% Positiveness
37% Popularity • 51% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 84% Positiveness
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Don Williams
Lord, I Hope This Day Is Good - Single V...
174 bpm • D Maj • 04:09 • -17.98db
56% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Carl Smith
(When You Feel Like You're in Love) Don'...
174 bpm • C Maj • 02:22 • -11.33db
20% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 56% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Tennessee Ernie Ford
The Shot Gun Boogie
175 bpm • C Maj • 02:35 • -15db
45% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Charlie Walker
Please Don't Squeeze My Sharmon
175 bpm • F Maj • 02:44 • -11.18db
31% Popularity • 46% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 46% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Roy Acuff
The Wabash Cannonball
165 bpm • A Maj • 02:38 • -11db
23% Popularity • 47% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 47% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Don Gibson
Just One Time
175 bpm • F min • 02:44 • -15.11db
26% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Hank Williams
Jambalaya (On The Bayou)
164 bpm • G Maj • 02:54 • -10.72db
58% Popularity • 50% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
58% Popularity • 50% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Cal Smith
It's Time To Pay The Fiddler
164 bpm • A Maj • 03:26 • -14.98db
26% Popularity • 58% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 58% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Junior Brown
My Baby Don't Dance To Nothing But Ernes...
177 bpm • A Maj • 02:12 • -13.6db
29% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Mel McDaniel
Louisiana Saturday Night
163 bpm • D Maj • 02:24 • -7.31db
72% Popularity • 69% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
72% Popularity • 69% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Jimmie Rodgers
In the Jailhouse Now
163 bpm • C Maj • 03:18 • -11.43db
37% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Mac Davis
It's Hard to Be Humble
163 bpm • D Maj • 04:16 • -14.18db
45% Popularity • 38% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 38% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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The Charlie Daniels Band
Drinkin' My Baby Goodbye
177 bpm • A Maj • 03:41 • -10.25db
55% Popularity • 54% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 54% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Del Reeves
A Dime At A Time
163 bpm • A Maj • 02:05 • -8.61db
45% Popularity • 54% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 54% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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John Anderson
I'm Just an Old Chunk of Coal (But I'm G...
163 bpm • E Maj • 03:47 • -15.93db
38% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 56% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Ricky Skaggs
Country Boy
162 bpm • G Maj • 03:49 • -11.91db
37% Popularity • 36% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
37% Popularity • 36% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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David Frizzell
I'm Gonna Hire A Wino To Decorate Our Ho...
162 bpm • G Maj • 03:57 • -12.4db
52% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
52% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Little Jimmy Dickens
A-Sleepin' At the Foot of the Bed
179 bpm • F Maj • 02:43 • -9.7db
17% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Rodriguez
Ridin' My Thumb To Mexico
180 bpm • C# Maj • 02:09 • -10.02db
55% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Del Reeves
Girl On The Billboard
162 bpm • D Maj • 02:47 • -12db
33% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Webb Pierce
In the Jailhouse Now
162 bpm • E Maj • 02:04 • -10.47db
29% Popularity • 60% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 60% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Charlie Walker
Don't Squeeze My Sharmon
180 bpm • F Maj • 02:38 • -10.53db
30% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmie Rodgers
Blue Yodel (T for Texas)
160 bpm • D# Maj • 03:23 • -7.83db
36% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 53% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 53% Positiveness
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Mickey Gilley
The Power Of Positive Drinkin'
181 bpm • F Maj • 02:24 • -11.21db
24% Popularity • 56% Danceability • 83% Energy • 24% Liveness
1% Instrumentalness • 90% Positiveness
24% Popularity • 56% Danceability • 83% Energy • 24% Liveness
1% Instrumentalness • 90% Positiveness
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Buck Owens
Rocky Top
159 bpm • G Maj • 02:31 • -8.68db
28% Popularity • 49% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 49% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Del Reeves
A Dime At A Time
159 bpm • A Maj • 02:07 • -11.66db
25% Popularity • 58% Danceability • 54% Energy • 32% Liveness
29% Instrumentalness • 74% Positiveness
25% Popularity • 58% Danceability • 54% Energy • 32% Liveness
29% Instrumentalness • 74% Positiveness
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Ed Bruce
My First Taste of Texas
158 bpm • A Maj • 03:54 • -8.96db
47% Popularity • 59% Danceability • 49% Energy • 25% Liveness
2% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 49% Energy • 25% Liveness
2% Instrumentalness • 52% Positiveness
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Charlie Walker
Little Ole Wine Drinker Me
160 bpm • G Maj • 02:06 • -11db
41% Popularity • 52% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 52% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Patsy Cline
Blue Moon Of Kentucky
159 bpm • C Maj • 02:09 • -12.28db
51% Popularity • 41% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 41% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Moe Bandy
Tell Ole I Ain't Here, He Better Get On ...
158 bpm • C Maj • 02:24 • -14.65db
30% Popularity • 65% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 65% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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John Anderson
Wild and Blue
158 bpm • A Maj • 02:50 • -11.59db
39% Popularity • 49% Danceability • 53% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 49% Danceability • 53% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
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Claude King
Wolverton Mountain
158 bpm • A Maj • 02:59 • -15.87db
43% Popularity • 66% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
43% Popularity • 66% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Buck Owens
Louisiana Man
158 bpm • D# Maj • 02:49 • -6.53db
22% Popularity • 57% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 57% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Gene Watson
Got No Reason Now For Goin' Home
157 bpm • G Maj • 02:44 • -12.94db
37% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Charlie Walker
Close All the Honky Tonks
158 bpm • A Maj • 02:10 • -9.21db
32% Popularity • 63% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 63% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Moe Bandy
I Just Started Hatin' Cheatin' Songs Tod...
158 bpm • F Maj • 02:57 • -12.36db
43% Popularity • 45% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 45% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Hank Thompson And His Brazos Valley Boys
Oklahoma Hills
184 bpm • A Maj • 02:46 • -7.09db
32% Popularity • 50% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 50% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Ferlin Husky
Wings Of A Dove
184 bpm • E Maj • 02:19 • -11.72db
49% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Roy Acuff
Wreck On The Highway - Re-Recorded In St...
156 bpm • E Maj • 02:29 • -13.76db
15% Popularity • 47% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 47% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Walker
'Cross the Brazos at Waco
185 bpm • C# Maj • 02:49 • -13.61db
33% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Hank Locklin
Geisha Girl
156 bpm • G Maj • 02:08 • -9.6db
28% Popularity • 61% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 61% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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John Anderson
Black Sheep
156 bpm • G Maj • 02:57 • -13db
52% Popularity • 60% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 60% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Webb Pierce
Don't Care
154 bpm • G Maj • 02:28 • -9.19db
15% Popularity • 54% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 54% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Little Jimmy Dickens
Country Boy
187 bpm • F Maj • 02:52 • -10.04db
24% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Del Reeves
Belles Of Southern Bell
187 bpm • A# Maj • 02:37 • -11.03db
40% Popularity • 47% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 47% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Buck Owens
I Washed My Hands In Muddy Water
153 bpm • A Maj • 02:35 • -7.35db
24% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Buck Owens & The Buckaroos
Under Your Spell Again - Mono Single Ver...
152 bpm • A Maj • 02:44 • -5.83db
42% Popularity • 55% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 55% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Junior Brown
Highway Patrol
152 bpm • A Maj • 02:35 • -9db
45% Popularity • 64% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 64% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Webb Pierce
Why, Baby, Why
152 bpm • G Maj • 02:32 • -8.84db
22% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Bob Wills
Across The Alley From The Alamo
151 bpm • D# Maj • 02:11 • -13.34db
31% Popularity • 44% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 44% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Moe Bandy
Just Good Ol' Boys
151 bpm • A# Maj • 02:38 • -14db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Lee
Cherokee Fiddle
151 bpm • D Maj • 04:05 • -12.42db
41% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Ronnie Milsap
Pure Love
151 bpm • D Maj • 02:21 • -8db
51% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 53% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Sonny James
Young Love
150 bpm • D Maj • 02:30 • -10db
47% Popularity • 44% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 44% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Warner Mack
The Bridge Washed Out
151 bpm • G Maj • 02:18 • -13.12db
28% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Gene Watson
You Could Know As Much About A Stranger
150 bpm • D Maj • 02:50 • -8.19db
35% Popularity • 57% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 57% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Ricky Skaggs
Heartbroke
193 bpm • D Maj • 03:14 • -10.71db
42% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Kitty Wells
As Long As I Live - 1955 Single Version
150 bpm • G Maj • 02:33 • -13.78db
29% Popularity • 61% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 61% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Carl Smith
Deep Water
148 bpm • F Maj • 02:15 • -11.49db
23% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Webb Pierce
Tupelo County Jail
148 bpm • G Maj • 01:56 • -11.04db
36% Popularity • 37% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 37% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Buck Owens
Above And Beyond
147 bpm • G# Maj • 02:22 • -3.65db
43% Popularity • 42% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 42% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Gene Watson
Fourteen Carat Mind
194 bpm • F Maj • 02:33 • -5.29db
51% Popularity • 50% Danceability • 80% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 50% Danceability • 80% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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Roger Miller
Dang Me
197 bpm • A Maj • 01:42 • -14.47db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Eddie Noack
Relief Is Just a Swallow Away
146 bpm • G Maj • 02:06 • -7.86db
31% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Moe Bandy
Here I Am, I'm Drunk Again
146 bpm • A Maj • 02:33 • -11.22db
30% Popularity • 57% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 57% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Junior Brown
Baby Let The Bad Times Be
147 bpm • D Maj • 02:52 • -11.59db
23% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Henson Cargill
Skip a Rope
146 bpm • F# min • 02:40 • -13db
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Lefty Frizzell
Saginaw, Michigan
145 bpm • A# Maj • 03:06 • -14db
44% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Red Sovine
Phantom 309
145 bpm • C Maj • 03:29 • -11db
47% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Kitty Wells
One By One - 1954 Single Version
145 bpm • D# Maj • 02:57 • -13db
30% Popularity • 51% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 51% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Webb Pierce
I'm Walking The Dog
145 bpm • A Maj • 02:23 • -8.98db
26% Popularity • 38% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 38% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Buck Owens
Rollin' in My Sweet Baby's Arms
144 bpm • B Maj • 02:20 • -8.51db
19% Popularity • 56% Danceability • 73% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
19% Popularity • 56% Danceability • 73% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
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Bill Anderson
I Get The Fever
144 bpm • D Maj • 02:21 • -14.53db
33% Popularity • 65% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 65% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Junior Brown
Doin' What Comes Easy To A Fool
144 bpm • E Maj • 02:42 • -13.13db
21% Popularity • 44% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 44% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Tommy Collins
You Gotta Have a License
201 bpm • B Maj • 02:27 • -11.39db
33% Popularity • 60% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 60% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Ricky Van Shelton
From A Jack To A King
201 bpm • D Maj • 02:21 • -10db
45% Popularity • 40% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 40% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Del Reeves
A Lover's Question
202 bpm • G Maj • 02:47 • -9.07db
33% Popularity • 37% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 37% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Wills
Deep In The Heart Of Texas
201 bpm • G min • 02:13 • -16.17db
32% Popularity • 41% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 41% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Buck Owens
Streets Of Bakersfield
203 bpm • A Maj • 02:38 • -6.94db
45% Popularity • 48% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 48% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Little Jimmy Dickens
Take an Old Cold 'Tater (and Wait)
204 bpm • F Maj • 02:46 • -9.99db
26% Popularity • 57% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 57% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Tommy Collins
You Better No Do That
202 bpm • D Maj • 02:28 • -9.98db
39% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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George Hamilton IV
Early Mornin Rain
203 bpm • F Maj • 02:49 • -10.85db
33% Popularity • 36% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 36% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Kris Kristofferson
From the Bottle to the Bottom
205 bpm • G Maj • 02:58 • -14.1db
40% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Roy Acuff
Back In The Country
206 bpm • A Maj • 02:16 • -14.74db
7% Popularity • 36% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 36% Danceability • 44% Energy • 45% Liveness
0% Instrumentalness • 94% Positiveness
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![(Don't Put Me In) The Ex Files [feat. Buck Owens] {Extended Mix} cover art](https://i.scdn.co/image/ab67616d00001e02a235d061b199d766eaff2b79)
The Bellamy Brothers
(Don't Put Me In) The Ex Files {Extende...
206 bpm • D Maj • 04:24 • -7.07db
7% Popularity • 52% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 52% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Lefty Frizzell
If You've Got the Money I've Got the Tim...
208 bpm • D Maj • 02:59 • -10.09db
43% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 55% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness