Songs like I Don't Wanna Love Somebody Else by A Great Big World
Based on a tempo of (+/- 10%) and a similar genre
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A Great Big World
When the Morning Comes
127 bpm • B Maj • 03:45 • -7.82db
20% Popularity • 62% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 62% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Lauren Aquilina
Wonder
127 bpm • B Maj • 03:58 • -12db
28% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Rusty Clanton
I Can't Help Falling In Love
127 bpm • F# Maj • 03:48 • -11.6db
14% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Smith
Lay Me Down
127 bpm • E Maj • 03:39 • -10.86db
68% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Guthrie
Adore
128 bpm • C# Maj • 03:09 • -11.67db
7% Popularity • 49% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 49% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Michelle Limanni
Alix's Song
128 bpm • G Maj • 04:31 • -10.15db
12% Popularity • 73% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 73% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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A Great Big World
I Don't Wanna Love Somebody Else
127 bpm • F Maj • 02:43 • -11.16db
38% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Belle
In My Veins - Erin Mccarley
128 bpm • C Maj • 05:18 • -7.84db
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Joy Williams
We Can Never Go Back (Acoustic)
128 bpm • F# Maj • 04:09 • -9.28db
26% Popularity • 62% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 62% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Roberts
Forever With You
126 bpm • F# Maj • 02:55 • -10.56db
18% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Keeley Valentino
Nashville
126 bpm • G Maj • 03:44 • -15db
21% Popularity • 65% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 65% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Nate Ruess
Moment
126 bpm • D# Maj • 04:12 • -4.18db
30% Popularity • 63% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Us The Duo
Already Mine
129 bpm • G# Maj • 04:33 • -12db
38% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ellie Goulding
How Long Will I Love You
126 bpm • C Maj • 02:34 • -9.28db
72% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
72% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Nathanson
Bulletproof Weeks
129 bpm • D# Maj • 04:01 • -11db
30% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Alex & Sierra
Give Me Something
125 bpm • B Maj • 03:12 • -7db
27% Popularity • 79% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 79% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Chase Coy
Never Change
125 bpm • D Maj • 02:50 • -8.03db
23% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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James TW
When You Love Someone - Acoustic
125 bpm • G Maj • 03:30 • -8.36db
59% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Us The Duo
I Will Wait For You
125 bpm • C Maj • 03:44 • -11.79db
35% Popularity • 57% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 57% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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The Wanted
Heartbreak Story
129 bpm • B Maj • 03:00 • -7.02db
37% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Reeves
Photographs & Memories.
130 bpm • G Maj • 05:27 • -9.47db
24% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Fray
Vienna
124 bpm • F min • 03:51 • -7.25db
45% Popularity • 44% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 44% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Beta Radio
Return To Darden Road
130 bpm • G# Maj • 03:21 • -10db
25% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Barnes
Come Undone
130 bpm • D# Maj • 04:00 • -9.96db
16% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Erin McCarley
Re-Arrange Again
130 bpm • A Maj • 04:04 • -7db
18% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Narrative
Eyes Closed
130 bpm • D Maj • 04:30 • -11db
24% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Reeves
Photographs & Memories (acoustic)
130 bpm • G Maj • 05:15 • -13.93db
19% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Nick Santino
I Just Wanted You to Know
124 bpm • C# Maj • 03:44 • -8.71db
18% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Nate Ruess
Harsh Light
130 bpm • F# Maj • 04:50 • -3.64db
30% Popularity • 60% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 60% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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A Great Big World
Cheer Up! - Commentary
130 bpm • A min • 01:05 • -22.31db
2% Popularity • 71% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 71% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Kodaline
Love Like This
124 bpm • C Maj • 03:36 • -5db
57% Popularity • 46% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Belle
The Ladder
124 bpm • G# Maj • 03:47 • -8db
41% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Jason Mraz
Lucky
130 bpm • C Maj • 03:09 • -8.7db
71% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
71% Popularity • 62% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Damien Rice
Long Long Way
124 bpm • C Maj • 06:21 • -9.88db
29% Popularity • 28% Danceability • 28% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
29% Popularity • 28% Danceability • 28% Energy • 12% Liveness
8% Instrumentalness • 8% Positiveness
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Rosi Golan
Say It Anyway
124 bpm • A# Maj • 03:28 • -9.64db
28% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Dave Thomas Junior
I Can't Make You Love Me
124 bpm • D# min • 05:30 • -14.02db
47% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
47% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Katy Perry
The One That Got Away - Acoustic
124 bpm • E Maj • 04:19 • -11.57db
56% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Caylin Cervetti
You Make Me Happy
124 bpm • B Maj • 03:16 • -10.56db
20% Popularity • 46% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 46% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Luke Sital-Singh
Nearly Morning - Demo
123 bpm • C Maj • 05:42 • -11.78db
10% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Colbie Caillat
In Love Again
123 bpm • F Maj • 03:30 • -9.62db
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Joy Williams
What a Good Woman Does
130 bpm • A min • 03:26 • -11db
23% Popularity • 35% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 35% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Phillip Phillips
Searchlight
123 bpm • B min • 04:12 • -5db
39% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Oh Honey
Until You Let Me
123 bpm • F# Maj • 03:42 • -10.6db
19% Popularity • 64% Danceability • 60% Energy • 46% Liveness
2% Instrumentalness • 59% Positiveness
19% Popularity • 64% Danceability • 60% Energy • 46% Liveness
2% Instrumentalness • 59% Positiveness
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A Great Big World
Boys In The Street
123 bpm • A Maj • 03:38 • -10.51db
25% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Luke Sital-Singh
Nearly Morning
132 bpm • C Maj • 04:32 • -11db
29% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Chase Coy
I Fell In Love Once
132 bpm • F Maj • 03:36 • -9.12db
21% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Joy Williams
Don't Let Me Down
131 bpm • B Maj • 03:00 • -14.9db
48% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alex & Sierra
All for You
132 bpm • B min • 03:11 • -7db
22% Popularity • 71% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 71% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Corey Kilgannon
Hospital Hymns
122 bpm • D# Maj • 05:12 • -18.24db
23% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 45% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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A Great Big World
Mama
132 bpm • C Maj • 03:51 • -10.46db
11% Popularity • 45% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 45% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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James Vincent McMorrow
And If My Heart Should Somehow Stop
122 bpm • D Maj • 04:34 • -9.82db
11% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
11% Popularity • 57% Danceability • 43% Energy • 16% Liveness
42% Instrumentalness • 21% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lily Kershaw
Marlboro Man
122 bpm • A# Maj • 03:42 • -12db
17% Popularity • 66% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 66% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ira Wolf
One More Chance
133 bpm • B Maj • 04:13 • -12db
28% Popularity • 45% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jason Reeves
You're My Best Friend
122 bpm • A Maj • 04:43 • -10.32db
21% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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A Great Big World
I Really Want It
133 bpm • C# Maj • 03:22 • -5.77db
19% Popularity • 77% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 77% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Kodaline
Brand New Day - Acoustic Version
121 bpm • E Maj • 03:41 • -12.14db
23% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 54% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Agin
Please Don't Leave Quite Yet
121 bpm • E Maj • 03:29 • -7.92db
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 53% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Oh Honey
Don't You Worry
121 bpm • F Maj • 03:46 • -8db
22% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Luke Sital-Singh
Benediction
121 bpm • D Maj • 03:39 • -11.37db
27% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Barcelona
Come Back When You Can
134 bpm • C Maj • 03:44 • -8.92db
38% Popularity • 49% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 49% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Jill Andrews
Rust or Gold
134 bpm • C# Maj • 04:33 • -13.82db
27% Popularity • 46% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 46% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Alex & Sierra
Back to You
134 bpm • F Maj • 03:52 • -9db
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Mraz
A Beautiful Mess
120 bpm • E Maj • 05:37 • -12.04db
42% Popularity • 49% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 49% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Matt Walters
I Would Die For You
134 bpm • A min • 06:26 • -13db
5% Popularity • 51% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
5% Popularity • 51% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Nat & Alex Wolff
Cities
120 bpm • E Maj • 04:17 • -8.6db
15% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Echosmith
Tell Her You Love Her
120 bpm • G Maj • 04:06 • -7.63db
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kodaline
Talk
120 bpm • C# Maj • 04:28 • -7.31db
46% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Belle
The Daylight
120 bpm • C# Maj • 04:42 • -6db
28% Popularity • 72% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 57% Positiveness
28% Popularity • 72% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 57% Positiveness
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Alex & Sierra
Scarecrow
120 bpm • B Maj • 03:26 • -5db
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Lauren Aquilina
Irrelevant
120 bpm • F Maj • 04:32 • -8db
26% Popularity • 43% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 43% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Andrew James
I Can't Keep from Loving You
120 bpm • C# Maj • 04:12 • -13.33db
31% Popularity • 67% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 67% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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John Legend
All of Me
120 bpm • G# Maj • 04:29 • -7.06db
86% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
86% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Rescues
My Heart With You
120 bpm • C# Maj • 04:24 • -15.98db
31% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Andrew Belle
Signs Of Life
120 bpm • G Maj • 04:25 • -7.14db
25% Popularity • 60% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 60% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mary Lambert
Sing To Me
120 bpm • F Maj • 03:53 • -14.53db
11% Popularity • 49% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 49% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Cam Nacson
Maybe, Maybe.
135 bpm • E Maj • 03:47 • -9db
21% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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A Fine Frenzy
Almost Lover
120 bpm • C Maj • 04:28 • -7.78db
51% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Nathan Angelo
Follow Your Heart
135 bpm • E Maj • 03:55 • -9db
13% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Lily & Madeleine
Sounds Like Somewhere
135 bpm • A# Maj • 03:34 • -11db
2% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Captains & Captives
Anchor Holds the Sea
119 bpm • D Maj • 03:49 • -12.02db
15% Popularity • 37% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 37% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Mary Lambert
When You Sleep
135 bpm • F# Maj • 03:47 • -12db
34% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Us The Duo
Heartbreak
136 bpm • E Maj • 04:56 • -15db
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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A Great Big World
Shorty Don't Wait
136 bpm • F Maj • 04:11 • -8.28db
23% Popularity • 68% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 68% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 62% Positiveness
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Kenzie Nimmo
For a Moment (Acoustic Version)
119 bpm • C Maj • 03:48 • -12db
19% Popularity • 80% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 80% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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John Mayer
Dreaming with a Broken Heart
136 bpm • C Maj • 04:05 • -9.32db
59% Popularity • 61% Danceability • 35% Energy • 20% Liveness
1% Instrumentalness • 16% Positiveness
59% Popularity • 61% Danceability • 35% Energy • 20% Liveness
1% Instrumentalness • 16% Positiveness
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The Sweeplings
Hold Me
136 bpm • G Maj • 04:04 • -10.92db
39% Popularity • 55% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 55% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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SafetySuit
Gone Away
118 bpm • D Maj • 05:36 • -6db
27% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Matthew Perryman Jones
I Don't Want to Leave
118 bpm • G Maj • 03:25 • -12.09db
20% Popularity • 53% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 53% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jason Reeves
Someone Somewhere.
118 bpm • F Maj • 04:28 • -4.83db
20% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Logen
Breaking Your Own Heart
118 bpm • G Maj • 03:44 • -12.16db
10% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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The Fray
Break Your Plans
137 bpm • C Maj • 03:47 • -7db
37% Popularity • 61% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 61% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Andrew Belle
Make It Without You
118 bpm • C# Maj • 04:32 • -8.44db
41% Popularity • 46% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 46% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Jacob Whitesides
Rules of Beautiful
137 bpm • E Maj • 03:58 • -9.07db
12% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Dia Frampton
The Broken Ones
118 bpm • E Maj • 04:14 • -7db
23% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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A Great Big World
Shorty Don't Wait - Live from Spotify NY...
137 bpm • C Maj • 04:06 • -14.49db
10% Popularity • 62% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 62% Danceability • 12% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
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Jason Mraz
A World with You
117 bpm • D Maj • 04:39 • -13.21db
28% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 50% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
