Songs like I Finally Found Someone by Jamie Lancaster
Based on a tempo of (+/- 10%) and a similar genre
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Jamie Lancaster
I Finally Found Someone
75 bpm • F Maj • 03:12 • -15db
41% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Cassandra Beck
Good 4 U
75 bpm • C Maj • 02:50 • -7.39db
39% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Dinah York
Enjoy the Silence
75 bpm • D# Maj • 04:29 • -12db
23% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jazzystics
Snow (Hey Oh)
75 bpm • D min • 04:06 • -18db
26% Popularity • 58% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 58% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Groovy Waters
Delicate
75 bpm • C Maj • 03:44 • -19db
29% Popularity • 61% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 61% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Beluga's Trio
It Ain't over Til' It's Over
75 bpm • C Maj • 04:02 • -13.71db
50% Popularity • 73% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 73% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Jamie Lancaster
It Ain't Over 'Til It's Over
75 bpm • E min • 03:01 • -15.02db
37% Popularity • 42% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 42% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Bossanatics
Eternal Flame
76 bpm • E Maj • 03:29 • -11.93db
29% Popularity • 56% Danceability • 32% Energy • 12% Liveness
5% Instrumentalness • 27% Positiveness
29% Popularity • 56% Danceability • 32% Energy • 12% Liveness
5% Instrumentalness • 27% Positiveness
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Nenei
Peaches
75 bpm • C Maj • 03:34 • -13db
35% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Eduardo Braga
Woman
76 bpm • A Maj • 03:53 • -16.57db
25% Popularity • 58% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 58% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Alana Marie
Let Her Go
74 bpm • G Maj • 03:40 • -11.34db
49% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Beluga's Trio
Physical
76 bpm • C Maj • 02:28 • -9.91db
55% Popularity • 69% Danceability • 46% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
55% Popularity • 69% Danceability • 46% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Lifuki
That's All Right
76 bpm • E min • 02:26 • -9.52db
46% Popularity • 72% Danceability • 60% Energy • 11% Liveness
5% Instrumentalness • 59% Positiveness
46% Popularity • 72% Danceability • 60% Energy • 11% Liveness
5% Instrumentalness • 59% Positiveness
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Franco Sattamini
I'll Be There For You - Bossa Version
74 bpm • G# Maj • 03:49 • -14.32db
41% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Les Crossaders
The Long and Winding Road
77 bpm • D min • 03:12 • -11.6db
27% Popularity • 38% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 38% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Brazilian Jazz Cuts
Are You Gonna Go My Way?
78 bpm • C Maj • 04:04 • -14.13db
29% Popularity • 58% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 58% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 22% Positiveness
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Rever Sound
Good Riddance (Time of Your Life)
72 bpm • B Maj • 02:24 • -15.78db
27% Popularity • 64% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
27% Popularity • 64% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Beluga's Trio
Love You Inside Out
77 bpm • D min • 03:42 • -14.77db
50% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Nenei
I'm Not the Only One
72 bpm • G Maj • 03:46 • -14db
31% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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The Molsbees
Never Say Never
80 bpm • A min • 03:09 • -15.95db
17% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Les Crossaders
Focus
78 bpm • E min • 03:03 • -15.95db
25% Popularity • 66% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 29% Positiveness
25% Popularity • 66% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 29% Positiveness
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Shirley Adamson
Just the Way It is, Baby
80 bpm • C min • 04:08 • -15.87db
38% Popularity • 63% Danceability • 18% Energy • 13% Liveness
15% Instrumentalness • 38% Positiveness
38% Popularity • 63% Danceability • 18% Energy • 13% Liveness
15% Instrumentalness • 38% Positiveness
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The Moleskins
In the Waiting Line - Da Break Remix
80 bpm • F Maj • 03:16 • -11.7db
40% Popularity • 70% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 70% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Groove Messengers
Blame It on the Rain
80 bpm • D min • 04:02 • -18.69db
12% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Apollinare Rossi
You're so Vain
80 bpm • A min • 04:06 • -13.29db
43% Popularity • 78% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 78% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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George White Group
Superstition
80 bpm • E min • 03:29 • -15.36db
46% Popularity • 74% Danceability • 37% Energy • 21% Liveness
1% Instrumentalness • 33% Positiveness
46% Popularity • 74% Danceability • 37% Energy • 21% Liveness
1% Instrumentalness • 33% Positiveness
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Anekka
I Touch Myself
80 bpm • D Maj • 03:20 • -13.35db
51% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Urban Aires
Something - Flamenco Chill Mix
82 bpm • C Maj • 02:26 • -13.93db
51% Popularity • 77% Danceability • 45% Energy • 12% Liveness
31% Instrumentalness • 54% Positiveness
51% Popularity • 77% Danceability • 45% Energy • 12% Liveness
31% Instrumentalness • 54% Positiveness
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The Chillout Connection
Can't Take My Eyes off You
82 bpm • F# min • 03:54 • -10.45db
48% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Urselle
Everybody Wants to Rule the World
82 bpm • A min • 03:54 • -17.32db
32% Popularity • 63% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 63% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Apollinare Rossi
What's Love Got to Do with It
82 bpm • C# Maj • 03:32 • -13.65db
50% Popularity • 75% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 75% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Julie Benson
Lost
83 bpm • F# Maj • 03:20 • -11.56db
41% Popularity • 80% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 80% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Bossa de Carnaval
Easy
83 bpm • G# Maj • 03:45 • -11.6db
45% Popularity • 69% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 69% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Lizette
Mary's Prayer
68 bpm • C Maj • 03:14 • -15db
39% Popularity • 67% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
39% Popularity • 67% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Jamie Lancaster
Woman in Chains
83 bpm • E Maj • 04:28 • -16.7db
29% Popularity • 20% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 20% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
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Shirley Adamson
Us and Them
84 bpm • B min • 03:51 • -9.85db
25% Popularity • 39% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 39% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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George White Group
Sahara Night
85 bpm • F Maj • 02:56 • -15db
47% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Cooltrane Quartet
Put Your Records On
85 bpm • G Maj • 03:26 • -18.1db
31% Popularity • 65% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 65% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Nenei
No Tears Left to Cry
85 bpm • C Maj • 03:30 • -9.74db
29% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Celso Mendes
What's My Name?
85 bpm • E min • 03:46 • -20db
25% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jamie Lancaster
Something Just Like This
85 bpm • D Maj • 03:08 • -14.97db
20% Popularity • 55% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 55% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Chillout Connection
Upside Down
85 bpm • F Maj • 03:48 • -9.2db
44% Popularity • 64% Danceability • 62% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
44% Popularity • 64% Danceability • 62% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
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Lizette
Missing You
85 bpm • F# Maj • 03:29 • -10.36db
50% Popularity • 70% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 70% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Cassandra Beck
In Too Deep
85 bpm • C Maj • 04:43 • -16.78db
15% Popularity • 70% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 70% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Moleskins
Caught up in the Rapture
87 bpm • E min • 05:23 • -13db
38% Popularity • 71% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 71% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Corcovado Frequency
Anti-Hero
87 bpm • G# Maj • 03:18 • -12.07db
47% Popularity • 80% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
47% Popularity • 80% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Nenei
What a Difference a Day Makes
88 bpm • C Maj • 03:25 • -11.32db
37% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Lifuki
Bring on the Night
88 bpm • E min • 02:53 • -9.87db
34% Popularity • 63% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 51% Positiveness
34% Popularity • 63% Danceability • 68% Energy • 9% Liveness
28% Instrumentalness • 51% Positiveness
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Rio Branco
Dancing Queen
88 bpm • A Maj • 04:31 • -14.49db
60% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Brothers of Bossa
For Once In My Life
88 bpm • B Maj • 03:25 • -9.82db
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jamie Lancaster
Slide
89 bpm • C# min • 03:10 • -14.6db
34% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
34% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Jazzystics
Anticipation
90 bpm • C min • 05:28 • -15.24db
20% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Cooltrane Quartet
Human
90 bpm • G# Maj • 03:05 • -12.39db
40% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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SÃ loa Farah
Wonderful Tonight - Bossa Version
90 bpm • E min • 03:54 • -16.36db
26% Popularity • 67% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
26% Popularity • 67% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
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Dinah Eastwood
Sleeping Satellite
90 bpm • C min • 02:39 • -14.03db
34% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Nikki Ocean
Girls Like You
90 bpm • C Maj • 03:49 • -20db
34% Popularity • 60% Danceability • 24% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
34% Popularity • 60% Danceability • 24% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
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Dinah York
No One Can
90 bpm • E Maj • 03:49 • -16db
21% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Nenei
No One
90 bpm • C# min • 03:18 • -12.81db
32% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Brazil XXI
I Just Can't Stop Loving
90 bpm • G Maj • 03:48 • -12.52db
42% Popularity • 70% Danceability • 58% Energy • 12% Liveness
37% Instrumentalness • 46% Positiveness
42% Popularity • 70% Danceability • 58% Energy • 12% Liveness
37% Instrumentalness • 46% Positiveness
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George White Group
Come Go with Me
90 bpm • C Maj • 04:03 • -11db
45% Popularity • 75% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 75% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Cassandra Beck
Too Good at Goodbyes
90 bpm • F Maj • 04:02 • -13db
42% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Les Crossaders
Time
90 bpm • G# Maj • 03:48 • -18db
20% Popularity • 68% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 34% Positiveness
20% Popularity • 68% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 34% Positiveness
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Dinah York
You and I
90 bpm • B min • 04:17 • -10.81db
35% Popularity • 77% Danceability • 50% Energy • 12% Liveness
30% Instrumentalness • 64% Positiveness
35% Popularity • 77% Danceability • 50% Energy • 12% Liveness
30% Instrumentalness • 64% Positiveness
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Lizette
Heaven Give Me Words - Bossa Nova Versio...
90 bpm • E min • 03:52 • -14db
35% Popularity • 72% Danceability • 55% Energy • 11% Liveness
64% Instrumentalness • 56% Positiveness
35% Popularity • 72% Danceability • 55% Energy • 11% Liveness
64% Instrumentalness • 56% Positiveness
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Jazzystics
Free
90 bpm • F min • 03:29 • -12.78db
41% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bossanatics
Holding Back the Years
90 bpm • A min • 04:19 • -11db
41% Popularity • 74% Danceability • 40% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
41% Popularity • 74% Danceability • 40% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
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George White Group
Mr. Jones
90 bpm • G min • 06:24 • -10.45db
32% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Nara
Shape of You
90 bpm • G min • 03:34 • -10.6db
60% Popularity • 53% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
60% Popularity • 53% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Nenei
Cherry
91 bpm • A Maj • 02:26 • -11.35db
56% Popularity • 50% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
56% Popularity • 50% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Lizette
The Promise
90 bpm • F Maj • 02:37 • -14.09db
27% Popularity • 56% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 56% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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The Moleskins
Remind Me
92 bpm • A min • 04:13 • -12.23db
39% Popularity • 69% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 69% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Trio Musical
I Want You Back
92 bpm • G# Maj • 03:17 • -10.81db
46% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Le Griser
These Boots Are Made for Walkin'
92 bpm • F min • 02:23 • -14.28db
43% Popularity • 54% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 54% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Nikki Ocean
Magic- Single
93 bpm • A Maj • 03:13 • -14.84db
19% Popularity • 57% Danceability • 42% Energy • 11% Liveness
36% Instrumentalness • 13% Positiveness
19% Popularity • 57% Danceability • 42% Energy • 11% Liveness
36% Instrumentalness • 13% Positiveness
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Alana Marie
Waterfalls
93 bpm • G# Maj • 03:49 • -11.39db
32% Popularity • 69% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 69% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Lizette
Heroes
92 bpm • G Maj • 03:12 • -12.96db
31% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Julie Benson
Say You'll Be There
93 bpm • A# Maj • 03:12 • -14.55db
42% Popularity • 48% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 48% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Style Project
Brothers in Arms
94 bpm • G# min • 03:25 • -15.73db
47% Popularity • 76% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 48% Positiveness
47% Popularity • 76% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 48% Positiveness
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Beluga's Trio
Living in a Ghost Town
94 bpm • D min • 03:13 • -14.68db
43% Popularity • 72% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 33% Positiveness
43% Popularity • 72% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 33% Positiveness
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Nova Bossa Ltd.
IDGAF - Bossa Nova Version
94 bpm • C# min • 02:51 • -9.62db
52% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 72% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Daniela Procopio
Do You Really Want to Hurt Me? (Bossa Ve...
94 bpm • A# Maj • 03:22 • -11.55db
36% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Roger Beck
Flowers
94 bpm • F# min • 02:55 • -10.91db
58% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Nenei
Say My Name
95 bpm • F# Maj • 03:29 • -12.13db
48% Popularity • 82% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 82% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Les Crossaders
What Do You Mean?
95 bpm • F Maj • 03:30 • -15.83db
19% Popularity • 61% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 61% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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The Cooltrane Quartet
Heaven is a Place on Earth
95 bpm • A# min • 04:06 • -13.17db
46% Popularity • 69% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 69% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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BossArt Ensemble
Again
95 bpm • A Maj • 02:48 • -11.74db
55% Popularity • 90% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 90% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Spanish Flow
Imagine
95 bpm • D Maj • 02:03 • -11.34db
46% Popularity • 72% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
46% Popularity • 72% Danceability • 58% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Lifuki
Living For The City
95 bpm • C Maj • 02:58 • -10.18db
41% Popularity • 73% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 73% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Nenei
One Kiss
95 bpm • D# Maj • 03:18 • -11.85db
34% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Stella Starlight Trio
Sunrise
95 bpm • C min • 03:22 • -16.05db
32% Popularity • 67% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 67% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Les Crossaders
Think for a Minute
95 bpm • B min • 04:09 • -13.42db
31% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Nikki Ocean
Perfect Strangers
95 bpm • A# Maj • 03:27 • -18.31db
38% Popularity • 72% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 72% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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George White Group
You Really Got Me
95 bpm • A# min • 02:34 • -13.92db
41% Popularity • 73% Danceability • 36% Energy • 56% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 73% Danceability • 36% Energy • 56% Liveness
0% Instrumentalness • 76% Positiveness
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Lifuki
Do It Again
95 bpm • A min • 03:02 • -13.2db
45% Popularity • 77% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
45% Popularity • 77% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Bob Tostes
Strangers in the Night
95 bpm • D Maj • 03:47 • -13.19db
38% Popularity • 51% Danceability • 49% Energy • 10% Liveness
10% Instrumentalness • 68% Positiveness
38% Popularity • 51% Danceability • 49% Energy • 10% Liveness
10% Instrumentalness • 68% Positiveness
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Jamie Lancaster
I Want It That Way
96 bpm • F# min • 03:27 • -16.19db
18% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cassandra Beck
Undercover of the Night
96 bpm • F# min • 04:32 • -12.1db
21% Popularity • 82% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 82% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Shirley Adamson
Rolling in the Deep
96 bpm • A# min • 04:06 • -7.48db
42% Popularity • 77% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 77% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
