Songs like I Forgot To Be Your Lover (feat. Sam Moore) by Bruce Springsteen
Based on a tempo of (+/- 10%) and a similar genre
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Peter Gabriel
Panopticom - Bright Side Mix
140 bpm • C# min • 05:16 • -6.78db
46% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 68% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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John Oates
Pushin' A Rock
140 bpm • C Maj • 04:35 • -8.07db
14% Popularity • 66% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 66% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Pretenders
Forever Young
140 bpm • G Maj • 05:04 • -10.08db
38% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
38% Popularity • 45% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Hannah Aldridge
Dorero
140 bpm • C min • 04:05 • -16.34db
16% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Bruce Springsteen
I Forgot To Be Your Lover
140 bpm • F min • 02:28 • -6.28db
35% Popularity • 45% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 45% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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John Hiatt
Feels Like Rain
140 bpm • G Maj • 04:51 • -18.29db
44% Popularity • 69% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
44% Popularity • 69% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Mike Campbell & The Dirty Knobs
Electric Gypsy
140 bpm • D Maj • 04:35 • -5.09db
21% Popularity • 40% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 49% Positiveness
21% Popularity • 40% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 49% Positiveness
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Chris Rea
Angel of Love
141 bpm • C Maj • 04:29 • -6.62db
20% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 60% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Traveling Wilburys
Congratulations
139 bpm • C Maj • 03:29 • -7db
44% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Weeping Willows
The Dreams We Weave
139 bpm • D Maj • 02:48 • -14.9db
27% Popularity • 46% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 46% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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John Mellencamp
I Always Lie To Strangers
139 bpm • E min • 03:36 • -8.22db
21% Popularity • 52% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
21% Popularity • 52% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
33% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
33% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
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Sophie Zelmani
Travelling
141 bpm • G min • 03:44 • -11db
41% Popularity • 59% Danceability • 67% Energy • 26% Liveness
72% Instrumentalness • 82% Positiveness
41% Popularity • 59% Danceability • 67% Energy • 26% Liveness
72% Instrumentalness • 82% Positiveness
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The Cactus Blossoms
Ballad of an Unknown
139 bpm • D min • 03:19 • -10.02db
30% Popularity • 64% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
30% Popularity • 64% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 79% Positiveness
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The Killers
Dustland
138 bpm • C# Maj • 04:24 • -9db
51% Popularity • 28% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 28% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 10% Positiveness
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Dave Mason
Sad and Deep As You
142 bpm • C# Maj • 03:40 • -11.2db
9% Popularity • 54% Danceability • 44% Energy • 25% Liveness
3% Instrumentalness • 14% Positiveness
9% Popularity • 54% Danceability • 44% Energy • 25% Liveness
3% Instrumentalness • 14% Positiveness
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Joe Grushecky and the Houserockers
That's What Makes Us Great
138 bpm • D Maj • 03:23 • -5db
28% Popularity • 47% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 47% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Bruce Springsteen
Brown Eyed Girl - Live at Adelaide Enter...
138 bpm • G Maj • 03:57 • -5.12db
24% Popularity • 51% Danceability • 91% Energy • 98% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 51% Danceability • 91% Energy • 98% Liveness
0% Instrumentalness • 82% Positiveness
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Lee Clayton
A Little Cocaine
142 bpm • D Maj • 05:29 • -7.45db
13% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Dolly Parton
Baby, I Love Your Way
138 bpm • G Maj • 04:58 • -7db
33% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Mike Campbell & The Dirty Knobs
State Of Mind
142 bpm • G# Maj • 04:18 • -8.76db
22% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Mike Scott
Open
137 bpm • E min • 02:55 • -14db
50% Popularity • 55% Danceability • 37% Energy • 16% Liveness
10% Instrumentalness • 46% Positiveness
50% Popularity • 55% Danceability • 37% Energy • 16% Liveness
10% Instrumentalness • 46% Positiveness
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Mary Gauthier
Fall Apart World
143 bpm • A Maj • 04:37 • -9db
21% Popularity • 45% Danceability • 55% Energy • 11% Liveness
42% Instrumentalness • 71% Positiveness
21% Popularity • 45% Danceability • 55% Energy • 11% Liveness
42% Instrumentalness • 71% Positiveness
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Bruce Springsteen
Song For Orphans
142 bpm • F Maj • 06:13 • -6.62db
36% Popularity • 43% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 43% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Paal Flaata
It´s Hard to Sing This Song
137 bpm • A Maj • 03:20 • -12.36db
13% Popularity • 32% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
13% Popularity • 32% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Elton John
Levon - Mono Single Version
143 bpm • F Maj • 04:44 • -12.88db
23% Popularity • 33% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 33% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Gilbert O'Sullivan
You Can't Say I Didn't Try
137 bpm • C Maj • 03:18 • -6.13db
16% Popularity • 63% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 63% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Paula Cole
Mother, Son and Holy Ghost
136 bpm • G# Maj • 05:38 • -10.21db
29% Popularity • 47% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 47% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Tedeschi Trucks Band
Take Me As I Am
136 bpm • G Maj • 05:27 • -8.52db
26% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bruce Springsteen
For You - Live at C.W. Post College, Gre...
142 bpm • F Maj • 08:40 • -9.4db
31% Popularity • 38% Danceability • 24% Energy • 90% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 90% Liveness
0% Instrumentalness • 13% Positiveness
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Colin Hay
Man Without a Name
144 bpm • C# min • 03:38 • -7.36db
7% Popularity • 63% Danceability • 65% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
7% Popularity • 63% Danceability • 65% Energy • 18% Liveness
1% Instrumentalness • 77% Positiveness
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Chris Rea
Gone Fishing
144 bpm • C Maj • 04:42 • -13db
43% Popularity • 46% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
43% Popularity • 46% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Gretchen Peters
When All You Got Is a Hammer
144 bpm • A min • 03:48 • -7.85db
30% Popularity • 57% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 57% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Roy Buchanan
Baby, Baby, Baby
144 bpm • G Maj • 04:27 • -10db
35% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 55% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Bonnie Raitt
Livin' for the Ones
136 bpm • G# Maj • 03:04 • -3.31db
25% Popularity • 52% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 52% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Bruce Springsteen
Drive All Night - Live at Madison Square...
137 bpm • F Maj • 09:37 • -7.82db
23% Popularity • 39% Danceability • 50% Energy • 95% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 39% Danceability • 50% Energy • 95% Liveness
0% Instrumentalness • 47% Positiveness
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David Bowie
Space Oddity - Moonage Daydream Mix
135 bpm • D min • 03:39 • -14.44db
27% Popularity • 51% Danceability • 39% Energy • 76% Liveness
1% Instrumentalness • 28% Positiveness
27% Popularity • 51% Danceability • 39% Energy • 76% Liveness
1% Instrumentalness • 28% Positiveness
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Lucinda Williams
Where The Song Will Find Me
135 bpm • G Maj • 06:34 • -7.6db
20% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
20% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Gilbert O'Sullivan
Let Me Know
135 bpm • F Maj • 02:57 • -7.5db
19% Popularity • 60% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 60% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Winslow-King
Love At First Sight
135 bpm • F Maj • 03:28 • -9.47db
36% Popularity • 38% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 38% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Katie Melua
Love & Money
145 bpm • C Maj • 03:20 • -12.84db
28% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Bruce Springsteen
Thunder Road - Live at Madison Square Ga...
136 bpm • F Maj • 05:26 • -7.72db
34% Popularity • 27% Danceability • 91% Energy • 93% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 27% Danceability • 91% Energy • 93% Liveness
0% Instrumentalness • 52% Positiveness
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Elton John
Madman Across The Water - BBC Sounds For...
145 bpm • G Maj • 10:55 • -11.59db
19% Popularity • 49% Danceability • 52% Energy • 31% Liveness
20% Instrumentalness • 69% Positiveness
19% Popularity • 49% Danceability • 52% Energy • 31% Liveness
20% Instrumentalness • 69% Positiveness
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Robert Plant
Trouble with My Lover
135 bpm • A# min • 04:03 • -12.84db
30% Popularity • 66% Danceability • 33% Energy • 11% Liveness
43% Instrumentalness • 27% Positiveness
30% Popularity • 66% Danceability • 33% Energy • 11% Liveness
43% Instrumentalness • 27% Positiveness
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Jennifer Warnes
Joan of Arc - Digitally Remastered
135 bpm • F# Maj • 08:00 • -13db
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 55% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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The Notting Hillbillies
Feel Like Going Home
134 bpm • D Maj • 04:52 • -18.67db
40% Popularity • 45% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 45% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Joe Henry
All the Eye Can See
146 bpm • E Maj • 03:28 • -9.56db
8% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bruce Springsteen
Sherry Darling - Live at Wembley Arena, ...
135 bpm • F Maj • 04:54 • -5.67db
20% Popularity • 45% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 45% Danceability • 93% Energy • 47% Liveness
0% Instrumentalness • 89% Positiveness
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Otis Redding
I've Been Loving You Too Long - Live 196...
146 bpm • A Maj • 04:10 • -10.19db
21% Popularity • 28% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 28% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 20% Positiveness
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Don Henley
That Old Flame
134 bpm • D Maj • 04:25 • -9.19db
33% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Elton John
Rocket Man ( I Think It's Going To Be A ...
147 bpm • A# Maj • 04:26 • -10.32db
33% Popularity • 40% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 40% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmy LaFave
I Walk Along With You
147 bpm • A# Maj • 03:11 • -10.24db
20% Popularity • 43% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 43% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Natalie Merchant
Big Girls
147 bpm • B Maj • 04:56 • -8.15db
35% Popularity • 32% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 32% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bruce Springsteen
Jungleland - Live at Madison Square Gard...
135 bpm • A# Maj • 09:48 • -9.41db
30% Popularity • 25% Danceability • 72% Energy • 94% Liveness
1% Instrumentalness • 21% Positiveness
30% Popularity • 25% Danceability • 72% Energy • 94% Liveness
1% Instrumentalness • 21% Positiveness
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Yusuf / Cat Stevens
All Nights, All Days
133 bpm • C Maj • 02:22 • -6.11db
47% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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U2
Beautiful Day - Songs Of Surrender
133 bpm • D Maj • 03:53 • -9.71db
42% Popularity • 47% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 47% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Dire Straits
Wild West End
133 bpm • D Maj • 04:41 • -12.09db
64% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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a-ha
You Have What It Takes
148 bpm • G Maj • 04:21 • -8.6db
29% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Elton John
Tiny Dancer - BBC Sounds For Saturday / ...
148 bpm • C Maj • 06:11 • -13db
26% Popularity • 46% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 46% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Bruce Springsteen
Do I Love You (Indeed I Do)
134 bpm • B Maj • 02:27 • -3db
49% Popularity • 55% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 55% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Tedeschi Trucks Band
I Am The Moon
132 bpm • G Maj • 05:14 • -8.48db
27% Popularity • 35% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
27% Popularity • 35% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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U2
Who's Gonna Ride Your Wild Horses - Song...
133 bpm • E Maj • 05:17 • -8.11db
38% Popularity • 61% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 61% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Santana
Whiter Shade Of Pale
148 bpm • C Maj • 04:53 • -6db
39% Popularity • 67% Danceability • 72% Energy • 67% Liveness
3% Instrumentalness • 79% Positiveness
39% Popularity • 67% Danceability • 72% Energy • 67% Liveness
3% Instrumentalness • 79% Positiveness
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Ray Davies
Better Things
132 bpm • D Maj • 03:12 • -4.72db
25% Popularity • 49% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 49% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Mink DeVille
Heaven Stood Still
132 bpm • A min • 02:54 • -20db
27% Popularity • 36% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 36% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Leo Sayer
Tradewinds
132 bpm • G# Maj • 03:29 • -8.05db
13% Popularity • 62% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 62% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Leonard Cohen
You Got Me Singing
132 bpm • D# Maj • 03:31 • -12db
48% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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U2
Where The Streets Have No Name - Songs O...
132 bpm • E Maj • 04:17 • -12.13db
40% Popularity • 32% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
40% Popularity • 32% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Elton John
Levon - BBC Sounds For Saturday / 29th A...
149 bpm • F Maj • 04:57 • -11.08db
20% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Marie Fredriksson
Crazy 'Bout You Baby
132 bpm • B min • 03:40 • -7.42db
12% Popularity • 63% Danceability • 55% Energy • 24% Liveness
2% Instrumentalness • 67% Positiveness
12% Popularity • 63% Danceability • 55% Energy • 24% Liveness
2% Instrumentalness • 67% Positiveness
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John Hiatt
Adios to California
149 bpm • B min • 03:47 • -10.57db
41% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
41% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Billy Joel
Shameless - Live at Yankee Stadium, Bron...
149 bpm • G Maj • 04:28 • -4.87db
26% Popularity • 33% Danceability • 91% Energy • 99% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 33% Danceability • 91% Energy • 99% Liveness
0% Instrumentalness • 30% Positiveness
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Bruce Cockburn
The Whole Night Sky - Alternate Version
149 bpm • C Maj • 03:49 • -8.48db
10% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Paula Cole
Ricochet
131 bpm • C Maj • 03:27 • -10.18db
18% Popularity • 65% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 65% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Paul McCartney
Women And Wives - Studio Outtake
131 bpm • C Maj • 03:14 • -10db
18% Popularity • 46% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 46% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jo Harman
Loving Arms - (radio edit), Masterlink S...
131 bpm • A# Maj • 05:26 • -10.01db
27% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Jennifer Warnes
First We Take Manhattan - Digitally Rema...
130 bpm • G min • 03:46 • -9db
49% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Bob Seger
We've Got Tonight
130 bpm • B Maj • 04:41 • -6.42db
58% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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The Gaslight Anthem
History Books
150 bpm • D Maj • 03:53 • -5.04db
50% Popularity • 47% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 47% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jesse Malin
Broken Radio '22
130 bpm • E Maj • 03:41 • -5.27db
31% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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John Mellencamp
I Am A Man That Worries
130 bpm • B min • 04:33 • -7.57db
17% Popularity • 58% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 58% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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John Hiatt
What Do We Do Now
130 bpm • D Maj • 02:58 • -10.81db
46% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Robert Plant
If I Were a Carpenter - 2006 Remaster
130 bpm • G# Maj • 03:45 • -11.2db
52% Popularity • 55% Danceability • 55% Energy • 39% Liveness
4% Instrumentalness • 21% Positiveness
52% Popularity • 55% Danceability • 55% Energy • 39% Liveness
4% Instrumentalness • 21% Positiveness
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Tedeschi Trucks Band
Emmaline
130 bpm • A min • 03:35 • -8.46db
28% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Elton John
Tiny Dancer - Piano Demo
151 bpm • C Maj • 06:00 • -11.64db
30% Popularity • 43% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 43% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Chris Rea
I Can't Dance to That - 2019 Remaster
151 bpm • G Maj • 04:19 • -7.89db
18% Popularity • 56% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 56% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Olivia Vedder
My Father's Daughter
129 bpm • A# Maj • 02:50 • -11.25db
53% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Lucinda Williams
Rock N Roll Heart
129 bpm • C Maj • 03:47 • -4.88db
23% Popularity • 46% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 46% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Simply Red
Slapbang
152 bpm • G Maj • 02:14 • -7.43db
33% Popularity • 46% Danceability • 82% Energy • 33% Liveness
8% Instrumentalness • 54% Positiveness
33% Popularity • 46% Danceability • 82% Energy • 33% Liveness
8% Instrumentalness • 54% Positiveness
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Jeff Lynne
Save Me Now
152 bpm • D Maj • 01:54 • -14.91db
36% Popularity • 56% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
36% Popularity • 56% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Bruce Springsteen
Badlands - Live at Madison Square Garden...
129 bpm • E Maj • 05:45 • -7.93db
34% Popularity • 27% Danceability • 96% Energy • 96% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 27% Danceability • 96% Energy • 96% Liveness
0% Instrumentalness • 38% Positiveness
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Natalie Merchant
Song of Himself
129 bpm • A Maj • 04:51 • -11.6db
30% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Rea
Windy Town
129 bpm • D min • 04:25 • -9db
38% Popularity • 62% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
38% Popularity • 62% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Steve Earle
Mr. Bojangles
128 bpm • D Maj • 05:17 • -5.56db
10% Popularity • 28% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 28% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Imelda May
Diamonds
153 bpm • D Maj • 02:59 • -11.35db
29% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Creedence Clearwater Revival
Proud Mary - At The Royal Albert Hall / ...
128 bpm • D Maj • 03:00 • -7.92db
34% Popularity • 58% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 58% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
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Bruce Springsteen
Janey Needs A Shooter
152 bpm • A Maj • 06:49 • -5.73db
37% Popularity • 36% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 36% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Natalie Merchant
Eye of the Storm
152 bpm • F Maj • 05:30 • -9.52db
25% Popularity • 43% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 43% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
