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I Found A New Baby
Songs like
I Found A New Baby
by
Dicky Wells & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Dicky Wells & His Orchestra
Dinah
111 bpm • B min • 02:59 • -14.38db
0% Popularity • 84% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
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Barney Bigard
Four and One Half Street
111 bpm • F Maj • 02:35 • -9.19db
0% Popularity • 77% Danceability • 57% Energy • 34% Liveness
83% Instrumentalness • 97% Positiveness
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Dixieland Band
Ring On Her Fingers
111 bpm • G# Maj • 02:19 • -15.78db
10% Popularity • 60% Danceability • 46% Energy • 14% Liveness
32% Instrumentalness • 97% Positiveness
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Eddie Condon
Jam Session Blues
111 bpm • A# Maj • 01:12 • -14.39db
14% Popularity • 44% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 81% Positiveness
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Sydney Clare
Keepin' Myself For You
111 bpm • D min • 03:15 • -6.45db
9% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Red McKenzie
I Can't Get Started with You
111 bpm • F Maj • 02:58 • -12.7db
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Clarence Williams & His Orchestra
Speakeasy
111 bpm • A# Maj • 02:58 • -12db
12% Popularity • 72% Danceability • 19% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
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Mezz Mezzrow And His Swing Band
The Panic is On
111 bpm • D min • 02:39 • -15.25db
12% Popularity • 68% Danceability • 28% Energy • 14% Liveness
72% Instrumentalness • 96% Positiveness
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Dicky Wells & His Orchestra
I Found A New Baby
111 bpm • A# min • 03:00 • -15.15db
0% Popularity • 78% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 96% Positiveness
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Eyal Vilner Big Band
Another Time
112 bpm • G# Maj • 03:54 • -6.31db
15% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Claude Hopkins
Harlem Rhythm Dance (01-11-34)
112 bpm • F min • 03:29 • -16.16db
7% Popularity • 68% Danceability • 28% Energy • 6% Liveness
89% Instrumentalness • 79% Positiveness
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Dave Harmer's New Orleans Hot Shots
I'm Comming Virginia
112 bpm • C min • 02:37 • -17.98db
11% Popularity • 70% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 56% Positiveness
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John Kirby
Then I'll Be Happy
112 bpm • C# Maj • 02:48 • -12.78db
11% Popularity • 68% Danceability • 40% Energy • 21% Liveness
82% Instrumentalness • 90% Positiveness
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Una Mae Carlisle
Anything
110 bpm • C Maj • 02:41 • -14.66db
9% Popularity • 77% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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DJ T0B1
Life
110 bpm • D min • 01:34 • -10.44db
12% Popularity • 80% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
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The Muscrat Ramblers
In the Good Old Summertime
112 bpm • G min • 03:08 • -14.47db
18% Popularity • 70% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Marco Bianchi Vibes 4tet
Spiteful
110 bpm • A# min • 02:20 • -9.8db
21% Popularity • 82% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Red Nichols and His Big Ten
At Last I'm Happy
110 bpm • D# Maj • 02:50 • -9.8db
11% Popularity • 69% Danceability • 33% Energy • 5% Liveness
38% Instrumentalness • 85% Positiveness
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Connie's In Orchestra
Low Down on the Bayou
110 bpm • C min • 03:03 • -7db
4% Popularity • 66% Danceability • 68% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
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George Lewis
Indian Sagua
112 bpm • A min • 02:20 • -9.31db
13% Popularity • 54% Danceability • 62% Energy • 55% Liveness
94% Instrumentalness • 96% Positiveness
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Candy Jacket Jazz Band
Don't Trip!
110 bpm • A min • 02:35 • -7.59db
16% Popularity • 79% Danceability • 47% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Bengt Hallberg
Crooked happiness
112 bpm • F min • 01:59 • -15.09db
19% Popularity • 71% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
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King Oliver's Creole Jazz Band
Alligator Hop
112 bpm • A# Maj • 02:23 • -11.48db
23% Popularity • 72% Danceability • 46% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
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Vince Giordano
Flying Down to Rio
112 bpm • A# Maj • 02:34 • -14.98db
9% Popularity • 73% Danceability • 34% Energy • 4% Liveness
1% Instrumentalness • 89% Positiveness
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John Kirby
Temptation (05-27-40)
112 bpm • G# Maj • 03:10 • -22.22db
10% Popularity • 47% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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The Savoy Orpheans
The Blue Room
113 bpm • F Maj • 03:12 • -15.1db
9% Popularity • 79% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 72% Positiveness
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Woody Herman & His Orchestra
Blues on Parade (Alternate Take)
109 bpm • F# Maj • 03:06 • -11.94db
6% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Red Heads
Dynamite
109 bpm • G# Maj • 02:37 • -12.12db
9% Popularity • 83% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 66% Positiveness
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Louisiana Blues Band
Papa dip
109 bpm • F Maj • 03:40 • -6.4db
9% Popularity • 64% Danceability • 52% Energy • 55% Liveness
81% Instrumentalness • 93% Positiveness
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Edgar Hayes
Swingin' in the Promised Land (11-14-38)
113 bpm • F min • 02:39 • -11.31db
8% Popularity • 69% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Bob Fleming
Tammy
113 bpm • D# Maj • 02:38 • -14.33db
11% Popularity • 57% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 55% Positiveness
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W.C. Handy Preservation Band - Carl Wolfe
Golden Brown Blues
113 bpm • D min • 02:16 • -9.68db
14% Popularity • 82% Danceability • 13% Energy • 16% Liveness
96% Instrumentalness • 74% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Wendell Brunious
Down In Honky Tonk Town
109 bpm • F Maj • 06:48 • -11.22db
13% Popularity • 64% Danceability • 72% Energy • 68% Liveness
74% Instrumentalness • 92% Positiveness
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Ray Gelato
The Barnyard Boogie
109 bpm • C Maj • 02:38 • -8.85db
9% Popularity • 72% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Spirits of Rhythm
We've Got The Blues
109 bpm • A# Maj • 03:16 • -19.45db
8% Popularity • 80% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Kirby
Close Shave
113 bpm • D# Maj • 02:27 • -13.15db
16% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
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Barney Rapp and His Orchestra
Bagpipe Stomp
109 bpm • A# Maj • 02:45 • -11.36db
9% Popularity • 73% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 90% Positiveness
► Preview
Freddie Keppard
Stock Yards Strut
109 bpm • D# Maj • 02:33 • -12db
13% Popularity • 77% Danceability • 49% Energy • 27% Liveness
92% Instrumentalness • 97% Positiveness
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Original Dixieland Jazz Band
One Step 1 - Remastered
109 bpm • A# Maj • 02:34 • -7.76db
9% Popularity • 75% Danceability • 53% Energy • 4% Liveness
95% Instrumentalness • 96% Positiveness
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Jimmy O'Bryant
Clarinet Getaway
108 bpm • A# Maj • 02:36 • -16db
11% Popularity • 69% Danceability • 49% Energy • 6% Liveness
20% Instrumentalness • 91% Positiveness
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New Orleans Rhythm Kings
Bugle Call Blues
108 bpm • F Maj • 02:22 • -6db
14% Popularity • 56% Danceability • 62% Energy • 5% Liveness
92% Instrumentalness • 95% Positiveness
► Preview
Eyal Vilner Big Band
Big Apple Contest
108 bpm • A# Maj • 03:01 • -7.85db
8% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Dicky Wells & His Orchestra
Lady Be Good
114 bpm • G Maj • 02:57 • -13.2db
0% Popularity • 89% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 97% Positiveness
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Terry Waldo
Take A Picture of the Moon
114 bpm • C Maj • 04:25 • -14.41db
10% Popularity • 61% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Isham Jones
Rock Your Blues Away
108 bpm • F min • 02:33 • -11db
9% Popularity • 82% Danceability • 49% Energy • 36% Liveness
74% Instrumentalness • 86% Positiveness
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John Kirby
From A Flat To C (10-28-38)
108 bpm • B min • 02:36 • -14.8db
10% Popularity • 72% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 84% Positiveness
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Vincent Lopez and His Orchestra
Sing (It's Good for You)
114 bpm • D# Maj • 02:07 • -8.91db
8% Popularity • 32% Danceability • 82% Energy • 60% Liveness
10% Instrumentalness • 37% Positiveness
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Johnny Dodds
Sun
108 bpm • C min • 02:56 • -15.9db
11% Popularity • 84% Danceability • 20% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Louis Armstrong & His Savoy Ballroom Five
No (Papa, No)
108 bpm • D# Maj • 02:51 • -11.64db
10% Popularity • 82% Danceability • 28% Energy • 7% Liveness
82% Instrumentalness • 68% Positiveness
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Bud Freeman and his Windy City Five
The Buzzard
114 bpm • D# min • 03:10 • -10.46db
10% Popularity • 81% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 69% Positiveness
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Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • G Maj • 02:35 • -17.79db
10% Popularity • 76% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 65% Positiveness
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John Kirby
Blues Petite (05-27-40)
115 bpm • A# Maj • 03:12 • -17.97db
10% Popularity • 67% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 56% Positiveness
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Harry James & the Boogie Woogie Trio
Boo Woo
107 bpm • C Maj • 02:54 • -9.14db
8% Popularity • 65% Danceability • 80% Energy • 11% Liveness
87% Instrumentalness • 87% Positiveness
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Irving Aaronson and His Commanders
Hard to Get Gertie
115 bpm • F Maj • 02:43 • -10.62db
11% Popularity • 75% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
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Raymond Scott
The Penguin - 1938 Orchestral Version
107 bpm • F min • 02:34 • -7.51db
9% Popularity • 68% Danceability • 65% Energy • 7% Liveness
85% Instrumentalness • 89% Positiveness
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Gaucho
Linden Lullaby
107 bpm • G Maj • 03:10 • -12.35db
10% Popularity • 74% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 61% Positiveness
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Ella Logan
Love Is Here To Stay
115 bpm • A# min • 03:03 • -12.81db
12% Popularity • 75% Danceability • 15% Energy • 18% Liveness
3% Instrumentalness • 53% Positiveness
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Claude Thornhill
Robbin's Nest
115 bpm • C# Maj • 04:00 • -15.38db
8% Popularity • 62% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 36% Positiveness
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Bennie Green
Penthouse Blues
107 bpm • A# Maj • 04:46 • -10.17db
7% Popularity • 51% Danceability • 44% Energy • 10% Liveness
57% Instrumentalness • 72% Positiveness
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Johnny Dodds
Bucktown Stomp
115 bpm • E min • 03:14 • -12.11db
11% Popularity • 56% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
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Coffee Shop Jazz
Cool Jazz Memories
115 bpm • C Maj • 01:46 • -15.35db
19% Popularity • 70% Danceability • 10% Energy • 10% Liveness
44% Instrumentalness • 24% Positiveness
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Dicky Wells & His Orchestra
Linger Awhile
106 bpm • D min • 03:09 • -11.97db
1% Popularity • 70% Danceability • 44% Energy • 24% Liveness
68% Instrumentalness • 92% Positiveness
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Raymond Scott
Toonerville Trolley - 1946 Alternate Ver...
116 bpm • D# Maj • 03:02 • -10.61db
9% Popularity • 64% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 62% Positiveness
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The Three Keys
Song of the Islands
116 bpm • A Maj • 02:58 • -12.88db
9% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Ray McKinley
Big Boy
116 bpm • G# Maj • 03:11 • -14.54db
16% Popularity • 68% Danceability • 14% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
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Johnny Dodds
Red Onion Blues
107 bpm • C Maj • 02:53 • -6.4db
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
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Harold Weeks
Hindustan
116 bpm • G# Maj • 03:14 • -14.15db
8% Popularity • 70% Danceability • 44% Energy • 15% Liveness
82% Instrumentalness • 75% Positiveness
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The Dave Brubeck Quartet
Frenesi
106 bpm • F min • 02:36 • -10.92db
17% Popularity • 62% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
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Charlie Johnson And His Orchestra
Harlem Drag
116 bpm • F min • 03:16 • -14.6db
11% Popularity • 62% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 45% Positiveness
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Louis Armstrong & His Hot Seven
Knee Drops
106 bpm • A# Maj • 03:24 • -12.8db
13% Popularity • 83% Danceability • 37% Energy • 4% Liveness
72% Instrumentalness • 96% Positiveness
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Erroll Garner
I Surrender Dear
116 bpm • F min • 02:33 • -16.71db
9% Popularity • 66% Danceability • 25% Energy • 33% Liveness
78% Instrumentalness • 52% Positiveness
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Alix Combelle
Fariboles
106 bpm • A# Maj • 02:47 • -10db
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
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Raymond Scott
Two Studio Engineers Contemplating an Ac...
106 bpm • C min • 07:56 • -17.88db
10% Popularity • 65% Danceability • 40% Energy • 73% Liveness
0% Instrumentalness • 47% Positiveness
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New Orleans Rhythm Kings
Tin Roof Blues
106 bpm • A min • 02:29 • -5db
26% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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Lena Horne
Old-Fashioned Love
117 bpm • C min • 02:47 • -11.74db
11% Popularity • 73% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Benny Goodman Septet
Charlie's Dream
106 bpm • F min • 03:14 • -8db
11% Popularity • 77% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
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Stockholm Swing All Stars
Don’t Get Around Much Anymore
117 bpm • F# Maj • 03:58 • -12.35db
7% Popularity • 65% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Phil Ohman
Manhattan
117 bpm • G min • 02:43 • -12.83db
11% Popularity • 70% Danceability • 29% Energy • 14% Liveness
3% Instrumentalness • 77% Positiveness
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New Orleans Rhythm Kings
Maple Leaf
117 bpm • G Maj • 02:34 • -6.72db
9% Popularity • 52% Danceability • 63% Energy • 25% Liveness
88% Instrumentalness • 92% Positiveness
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Eddie Condon and his Orchestra
Toogaloo Shout
105 bpm • G# Maj • 02:57 • -13.95db
10% Popularity • 83% Danceability • 39% Energy • 43% Liveness
72% Instrumentalness • 86% Positiveness
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Earl Hines & His Orchestra
Call Me Happy
117 bpm • G# Maj • 02:37 • -8.76db
9% Popularity • 61% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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Dicky Wells & His Orchestra
Lady Be Good
105 bpm • C# Maj • 03:09 • -14.62db
0% Popularity • 89% Danceability • 38% Energy • 14% Liveness
91% Instrumentalness • 97% Positiveness
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Kay Kyser & His Orchestra
Can't You Read Between the Lines?
105 bpm • C# Maj • 03:15 • -17.47db
11% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Charlie Barnet
E Bob o Lee Bob
105 bpm • G Maj • 02:29 • -13.81db
18% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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New Orleans Rhythm Kings
Golden Leaf Strut
105 bpm • C# Maj • 02:51 • -11db
8% Popularity • 70% Danceability • 39% Energy • 23% Liveness
63% Instrumentalness • 90% Positiveness
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Dave Nelson And The King's Men
When the Day Is Done
118 bpm • G Maj • 03:32 • -16.97db
9% Popularity • 72% Danceability • 18% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
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The Jungle Band
Jazz Convulsions
105 bpm • A# Maj • 02:52 • -11db
13% Popularity • 69% Danceability • 48% Energy • 5% Liveness
84% Instrumentalness • 74% Positiveness
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Roy Eldridge
The Gasser
118 bpm • F Maj • 02:56 • -15.83db
10% Popularity • 66% Danceability • 26% Energy • 20% Liveness
57% Instrumentalness • 88% Positiveness
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Buddy Johnson
Li'l Dog
118 bpm • F min • 03:06 • -7.95db
14% Popularity • 65% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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The Three Tenors Of Swing
Bean Stalking - Idaho
118 bpm • F Maj • 01:58 • -14.59db
22% Popularity • 60% Danceability • 41% Energy • 68% Liveness
1% Instrumentalness • 88% Positiveness
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Yerkes Famous Flotilla Orchestra
That Bran' New Gal O' Mine
105 bpm • D# Maj • 02:53 • -12.77db
10% Popularity • 54% Danceability • 32% Energy • 31% Liveness
68% Instrumentalness • 67% Positiveness
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Bennie Moten's Kansas City Orchestra
Kater Street Rag
105 bpm • F min • 02:36 • -10db
8% Popularity • 61% Danceability • 47% Energy • 19% Liveness
88% Instrumentalness • 77% Positiveness
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Raymond Scott
Hemi-Semi-Demi Quaver - 1942
118 bpm • G min • 02:46 • -9.73db
11% Popularity • 73% Danceability • 55% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Vic Dickenson
Nice and Easy Blues
118 bpm • G# Maj • 06:01 • -15.74db
9% Popularity • 67% Danceability • 35% Energy • 28% Liveness
1% Instrumentalness • 54% Positiveness
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John Kirby
Schubert's Serenade (c. 10/11-41)
118 bpm • D min • 02:31 • -11.58db
8% Popularity • 46% Danceability • 25% Energy • 17% Liveness
59% Instrumentalness • 69% Positiveness
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Ray Anthony
Cook's Tour
118 bpm • C# Maj • 03:04 • -14.79db
9% Popularity • 58% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Jazz Kissa Louis Lastenlauluja
Jos Olet Onnellinen Ja Tiedät Sen - Tru...
118 bpm • D# Maj • 01:00 • -11.18db
25% Popularity • 91% Danceability • 24% Energy • 9% Liveness
29% Instrumentalness • 85% Positiveness
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Ray McKinley
Hard Hearted Hannah
118 bpm • G# Maj • 03:17 • -14.39db
16% Popularity • 74% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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I Found A New Baby