Songs like i got u by Noah Vernon
Based on a tempo of (+/- 10%) and a similar genre
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CRONIN
Fool For You
125 bpm • F min • 02:53 • -6.81db
17% Popularity • 72% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 72% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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STRUAN
Drunk and Emotional
125 bpm • D# Maj • 02:50 • -6.82db
25% Popularity • 64% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 64% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Jodie Knight
Now or Never
125 bpm • C Maj • 03:21 • -5.3db
31% Popularity • 62% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 62% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Noah Vernon
i got u
125 bpm • B min • 02:43 • -5.49db
3% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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POLYDRIVE
By My Side
125 bpm • E Maj • 03:25 • -7.8db
11% Popularity • 67% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 67% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Jack Duff
Fine... - Daycore
125 bpm • C# Maj • 02:45 • -6.87db
17% Popularity • 71% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 71% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Joshua Now
You Got Me
125 bpm • F# Maj • 03:12 • -5.94db
8% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Ángel Lumbreras
How
126 bpm • D min • 04:38 • -6.5db
19% Popularity • 65% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 65% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 12% Positiveness
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HXRT
All I Kno
124 bpm • F# min • 03:30 • -8.37db
7% Popularity • 73% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 73% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Kip Wolfe
Best of Me
124 bpm • G# Maj • 03:16 • -8.81db
15% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Electric Football
Oxygen
126 bpm • C Maj • 02:57 • -5.61db
23% Popularity • 65% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 65% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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a2k
I.T.L - Alex Dicconson Remix
126 bpm • C# min • 03:21 • -6.27db
0% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Middle Child
The Morning
127 bpm • D# Maj • 03:07 • -8.76db
17% Popularity • 71% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 71% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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RILEY
COLD SHOULDERS
123 bpm • C Maj • 02:49 • -4.3db
12% Popularity • 72% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 72% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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RudyWade
High to Low
127 bpm • B min • 01:57 • -4.73db
34% Popularity • 82% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 82% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kinz
Better Alone
122 bpm • G# min • 02:38 • -8.1db
17% Popularity • 67% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 67% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
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August Royals
Overdose
123 bpm • F# Maj • 03:35 • -7.44db
13% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 72% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Douglas .T
Turn The Dice (Riggs Remix)
128 bpm • D Maj • 02:37 • -9.55db
23% Popularity • 57% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 57% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Shawn Hook
Stay With You
128 bpm • D Maj • 02:28 • -5.71db
7% Popularity • 77% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 77% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Noah Vernon
work of art
128 bpm • F# min • 02:42 • -5.7db
4% Popularity • 80% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 80% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Nvsh
summer nights
128 bpm • C# Maj • 02:37 • -8.51db
29% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Companyon
Alchemist
128 bpm • C# Maj • 02:17 • -6.36db
22% Popularity • 88% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 88% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Omstead
deleteyou
128 bpm • B Maj • 01:59 • -7.77db
31% Popularity • 93% Danceability • 73% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
31% Popularity • 93% Danceability • 73% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
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Munn
i'm fucked, i know - ry flora Remix
122 bpm • C# Maj • 02:31 • -6.57db
11% Popularity • 61% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 61% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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.wavrunner
Camera Shy
122 bpm • G# Maj • 02:21 • -7.08db
32% Popularity • 75% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 75% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Schou
Ashes (Sunrise)
129 bpm • C min • 03:09 • -7.97db
11% Popularity • 57% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 57% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lost Stars
Legacy - Stripped
122 bpm • B min • 03:38 • -7.93db
12% Popularity • 75% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 75% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Noah Vernon
DONNIE DARKO
121 bpm • B min • 02:20 • -5.77db
25% Popularity • 77% Danceability • 67% Energy • 87% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 77% Danceability • 67% Energy • 87% Liveness
0% Instrumentalness • 75% Positiveness
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Hei$t
Hey Love
129 bpm • C Maj • 02:22 • -5.86db
30% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Indiana Williams
Ruin Love Again
130 bpm • E min • 03:01 • -6.25db
33% Popularity • 44% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 44% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Dan Aura
Living Room
130 bpm • A# Maj • 03:00 • -7.46db
9% Popularity • 77% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 77% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Allain
DOWNFALL
130 bpm • C# min • 01:46 • -6.45db
34% Popularity • 68% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 68% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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DrownMili
Dressed 2 Kill
130 bpm • G# min • 02:18 • -5.69db
10% Popularity • 77% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 77% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Austin Awake
Ghost Town
130 bpm • A Maj • 03:01 • -7.28db
30% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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QUIETLOVE
(I Hate) The Way You Make Me Feel
130 bpm • D# Maj • 02:24 • -5.79db
33% Popularity • 76% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 76% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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52prime
Supercuts
130 bpm • B Maj • 03:10 • -6.89db
10% Popularity • 91% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 91% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Bradley Kim
growing pains
130 bpm • A# Maj • 03:11 • -9.14db
9% Popularity • 77% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 77% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Anthony Ortiz
Fall For You
130 bpm • C# min • 02:16 • -9.28db
33% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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harley
halloween
130 bpm • E min • 03:09 • -7.91db
13% Popularity • 68% Danceability • 64% Energy • 53% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 68% Danceability • 64% Energy • 53% Liveness
0% Instrumentalness • 42% Positiveness
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good problem
Driving Away
120 bpm • F Maj • 02:33 • -8.17db
29% Popularity • 76% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 76% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Femi
Secrets
120 bpm • F# min • 02:10 • -6.15db
33% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 81% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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leftquiet
klondike
120 bpm • A# min • 02:50 • -7.25db
26% Popularity • 80% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 80% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The EverLove
Innocent
120 bpm • E min • 02:46 • -7.43db
26% Popularity • 76% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 76% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Montreals
PKP
120 bpm • F Maj • 02:15 • -4.48db
8% Popularity • 66% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 66% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Emerson Vernon
Call Your Bluff
120 bpm • D# Maj • 02:54 • -6.47db
13% Popularity • 77% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 77% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Saife
Needles & Roses
120 bpm • D Maj • 02:08 • -7.1db
18% Popularity • 64% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 64% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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nickspat
nightswithyou
120 bpm • B Maj • 03:24 • -7.11db
11% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Joshua Sheppard
If I Make It
120 bpm • A Maj • 02:46 • -7.77db
14% Popularity • 79% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 79% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Raphael Ruggero
Made Me To Be
120 bpm • G Maj • 02:21 • -8.04db
17% Popularity • 69% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 69% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
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Cooper Hill
Earth Wind Fire
120 bpm • D Maj • 02:44 • -5.11db
21% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Bradley Kim
happy alone
120 bpm • C Maj • 02:40 • -6.27db
20% Popularity • 62% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 62% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Evans
BITE ME!
120 bpm • F# min • 03:21 • -12.27db
20% Popularity • 77% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 77% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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AWIN
play it off
131 bpm • D Maj • 02:19 • -7.15db
25% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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SUM SUN
Wishbone
131 bpm • A# Maj • 02:53 • -6.14db
29% Popularity • 77% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 77% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Mykyl
Murphy's Law
120 bpm • C# Maj • 02:58 • -5.49db
28% Popularity • 68% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 68% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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MAIH
Red Sleeves
119 bpm • A# min • 03:09 • -8.8db
28% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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THE DLX
ILTO (I Like This One)
119 bpm • D Maj • 02:49 • -8.15db
10% Popularity • 91% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 91% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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good problem
Bloodbath
132 bpm • C Maj • 02:56 • -6db
16% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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FRISH
modern nostalgia
132 bpm • D Maj • 02:35 • -7.53db
13% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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drest
motionsick
118 bpm • D# Maj • 03:17 • -5.95db
13% Popularity • 79% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 79% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Streeter Jons
Retrograde
118 bpm • C# Maj • 03:09 • -6.53db
29% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Israel McFarland
Get Me (Anytime)
133 bpm • F# min • 02:32 • -8.74db
14% Popularity • 75% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 75% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Quinn Lewis
Sixteen
118 bpm • C# Maj • 02:47 • -7.97db
12% Popularity • 78% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 78% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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HurriDinks
Bussy Hunters
133 bpm • G min • 01:59 • -10.51db
16% Popularity • 80% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 80% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Daniel Schulz
Miami
133 bpm • D# Maj • 02:57 • -6.36db
10% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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SUM SUN
Sippin' Serotonin
133 bpm • G# Maj • 03:13 • -3.34db
25% Popularity • 80% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 80% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Jack Rourke
Call It Love
133 bpm • F# min • 02:18 • -5.85db
8% Popularity • 65% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 65% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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October Tuesday
Wonder in Your Eyes
117 bpm • A Maj • 02:32 • -6.68db
26% Popularity • 72% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 69% Positiveness
26% Popularity • 72% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 69% Positiveness
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WYATT
Everything Has Changed
117 bpm • C Maj • 04:35 • -5.45db
12% Popularity • 85% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 85% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Hips
photograph
117 bpm • B Maj • 02:17 • -8.82db
22% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Nvsh
intoxicated
134 bpm • C Maj • 02:59 • -9.93db
10% Popularity • 71% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 71% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Kelly Roudriguez
Touch of Love
117 bpm • A# Maj • 02:29 • -14.1db
20% Popularity • 48% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 48% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Young Bombs
Summer in Brooklyn - Ruhde Remix
134 bpm • C Maj • 02:35 • -5.77db
15% Popularity • 62% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 62% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Mykyl
HONEST WITH MYSELF
134 bpm • G# Maj • 03:21 • -8.18db
21% Popularity • 60% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 60% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Peace Reyes
Never Leave
134 bpm • C# Maj • 03:00 • -6.25db
14% Popularity • 67% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 67% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Aditi Ajoy
couch
116 bpm • F Maj • 02:11 • -9.52db
14% Popularity • 76% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 76% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Alex Shera
Daybreak
116 bpm • E Maj • 03:14 • -7.32db
13% Popularity • 73% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 73% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Jesse Ranson
Oh Wait, Oh...
116 bpm • F# min • 02:35 • -13.64db
14% Popularity • 64% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 64% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Sam Pape
WHO AM I?
116 bpm • C Maj • 03:37 • -7.46db
14% Popularity • 69% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 69% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Raphael Lam
somehow
135 bpm • C Maj • 02:41 • -7.09db
14% Popularity • 75% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 75% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Silent Boyz
Until The End
135 bpm • F# min • 02:07 • -5.97db
16% Popularity • 84% Danceability • 65% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
16% Popularity • 84% Danceability • 65% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
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Lost Stars
Hoodie
135 bpm • B min • 03:22 • -4.53db
37% Popularity • 68% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 68% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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MoonLander
Don’t Go
135 bpm • A# Maj • 02:26 • -9.94db
34% Popularity • 71% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 71% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Baby Bennett
Here We Go Again
135 bpm • F# Maj • 03:12 • -4.72db
17% Popularity • 71% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 71% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Noah Andres
the end
135 bpm • C Maj • 02:50 • -8.7db
22% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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LAYNE
All These Scars
135 bpm • A# Maj • 03:03 • -10.03db
8% Popularity • 75% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 75% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Ryan Nealon
Lights Out
135 bpm • A Maj • 02:45 • -7db
31% Popularity • 71% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 71% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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GUNNAR
You Shouldn't Know
135 bpm • C Maj • 03:15 • -6.18db
16% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tom Emberly
From The Outside
135 bpm • B min • 03:12 • -6.65db
21% Popularity • 71% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 71% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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shamlo
all for u
135 bpm • G# Maj • 02:08 • -4.3db
19% Popularity • 74% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 74% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Succinct
Falling Back Apart
135 bpm • C min • 04:07 • -9.2db
9% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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JORDY
Story of a Boy (sped up version)
115 bpm • A# Maj • 02:11 • -4.29db
15% Popularity • 58% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 58% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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John Michael Howell
stupid
135 bpm • F Maj • 03:28 • -6.81db
45% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Porsche Love
Reaching Out
115 bpm • B min • 02:44 • -8.1db
27% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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elijah lane
once
115 bpm • G# Maj • 01:52 • -5.8db
35% Popularity • 69% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 69% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Durow
Saturn
115 bpm • C Maj • 03:13 • -8.9db
33% Popularity • 82% Danceability • 64% Energy • 30% Liveness
3% Instrumentalness • 76% Positiveness
33% Popularity • 82% Danceability • 64% Energy • 30% Liveness
3% Instrumentalness • 76% Positiveness
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Cam Robertson
Calling Closure
115 bpm • G Maj • 02:54 • -5.87db
18% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Noah Vernon
BACK N FORTH
115 bpm • A# min • 02:09 • -6.61db
6% Popularity • 88% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
6% Popularity • 88% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
