Songs like I Had a Dream About You by Maury Yeston
Based on a tempo of (+/- 10%) and a similar genre
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Hunter Foster
Hundred Story City
97 bpm • C Maj • 03:39 • -9.86db
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lisa O'Hare
I Don't Know What I'd Do
97 bpm • G Maj • 02:02 • -12db
27% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 64% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Moonfall
97 bpm • A min • 02:20 • -14.02db
23% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Maury Yeston
Epilogue: In Every Age (Reprise) / Final...
97 bpm • C Maj • 04:37 • -17.81db
22% Popularity • 24% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 24% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Original Cast of Amélie
Blue Arrow Suite
97 bpm • F Maj • 02:44 • -9.8db
17% Popularity • 32% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 32% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Louise and June
If Momma Was Married
97 bpm • G# Maj • 02:56 • -5.34db
22% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Gwen Verdon
Funny Honey
97 bpm • G Maj • 03:26 • -18.32db
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 51% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Isabelle Georges
My Grandmother's Love Letters
97 bpm • D# Maj • 03:50 • -9.16db
1% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Brent Barrett
Roses at the Station
98 bpm • E Maj • 02:49 • -12db
8% Popularity • 38% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 38% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 27% Positiveness
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Charles Kimbrough
No Life
98 bpm • C Maj • 01:23 • -12.73db
23% Popularity • 56% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 56% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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John Cameron Mitchell
Wick
96 bpm • F Maj • 04:11 • -13.67db
22% Popularity • 47% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 47% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Preshy Marker
Lovely
98 bpm • G Maj • 03:08 • -16.85db
8% Popularity • 38% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 38% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Rose Hemingway
Happy To Keep His Dinner Warm
96 bpm • A Maj • 02:43 • -13db
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Harvey Schmidt
Is It Really Me?
96 bpm • C Maj • 03:23 • -14.36db
15% Popularity • 31% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 31% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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Jill Santoriello
You'll Never Be Alone
98 bpm • C# Maj • 02:22 • -14.88db
15% Popularity • 22% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Laura Benanti
Where's My Shoe?
98 bpm • A# Maj • 01:53 • -6.68db
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Maury Yeston
The Blame
98 bpm • A min • 04:46 • -17.64db
21% Popularity • 42% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 42% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Kate Baldwin
Your Texas
98 bpm • C Maj • 03:29 • -8db
10% Popularity • 30% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Norbert Leo Butz
The Man Inside the Clues
98 bpm • D Maj • 04:12 • -11.65db
25% Popularity • 43% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 43% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Chad Kimball
Prayer
96 bpm • D Maj • 03:25 • -10db
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Julia Murney
Out of the Blue
96 bpm • B Maj • 04:02 • -6.45db
21% Popularity • 46% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 46% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Gwen Verdon
Nowadays
99 bpm • C Maj • 04:47 • -17.29db
23% Popularity • 54% Danceability • 8% Energy • 49% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 54% Danceability • 8% Energy • 49% Liveness
0% Instrumentalness • 28% Positiveness
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2021 London Cast of Cabaret
So What
98 bpm • A Maj • 03:43 • -12.29db
29% Popularity • 58% Danceability • 28% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 58% Danceability • 28% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Ramin Karimloo
Temporary Arrangement
99 bpm • G Maj • 02:46 • -9.03db
22% Popularity • 43% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 43% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Maury Yeston
How Will I Know?
95 bpm • G# Maj • 03:09 • -10db
14% Popularity • 40% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 40% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Laura Benanti
No More Candy
94 bpm • G# Maj • 01:37 • -11.75db
22% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Caissie Levy
Sheila Franklin / I Believe in Love
100 bpm • G# Maj • 01:13 • -8db
24% Popularity • 53% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 53% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Isabelle Georges
Booksellar in the Rain
94 bpm • A# min • 03:04 • -9.66db
1% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Hunter Foster
You're Never Alone
93 bpm • A min • 02:56 • -7.12db
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Maury Yeston
The Launching: I Must Get on That Ship
94 bpm • F Maj • 02:37 • -15.51db
24% Popularity • 47% Danceability • 27% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 47% Danceability • 27% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
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Gavin Creel
Goodbye, Georg
94 bpm • D# min • 01:58 • -10.87db
20% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Samantha Massell
Far from the Home I Love
93 bpm • C Maj • 02:48 • -9.48db
26% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 31% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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J. Robert Spencer
A Light in the Dark
101 bpm • G Maj • 02:45 • -13.93db
31% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Honk! Original Demo Cast
Every Tear a Mother Cries
101 bpm • C# Maj • 03:05 • -18.54db
15% Popularity • 40% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
15% Popularity • 40% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
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Jessica Molaskey
The Flagmaker, 1775
93 bpm • G Maj • 04:25 • -12.93db
13% Popularity • 37% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 37% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Maury Yeston
Unusual Way
101 bpm • G# min • 03:18 • -14.28db
4% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
4% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Gavin Creel
Agony (Reprise)
101 bpm • E Maj • 02:21 • -10.19db
32% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Douglas Sills
Believe (Reprise)
101 bpm • D Maj • 01:14 • -9.23db
17% Popularity • 21% Danceability • 36% Energy • 22% Liveness
72% Instrumentalness • 35% Positiveness
17% Popularity • 21% Danceability • 36% Energy • 22% Liveness
72% Instrumentalness • 35% Positiveness
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Henry Krieger
Side Show: You Should Be Loved - Voice
102 bpm • D min • 05:54 • -11.01db
11% Popularity • 35% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 35% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
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Michael McGrath
Sounds While Selling
92 bpm • E Maj • 02:02 • -8db
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jefferson Mays
Looking Down the Barrel of a Gun
102 bpm • F# Maj • 02:52 • -7.93db
19% Popularity • 47% Danceability • 38% Energy • 51% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 51% Liveness
0% Instrumentalness • 52% Positiveness
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Maury Yeston
To the Lifeboats / Getting in the Lifebo...
93 bpm • G min • 02:38 • -17.32db
22% Popularity • 35% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 35% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 26% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Jerry Herman
Look over There (Reprise)
92 bpm • F# Maj • 01:57 • -17.05db
11% Popularity • 62% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 62% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Evan Pappas
Big News!
102 bpm • C Maj • 03:05 • -7.89db
17% Popularity • 55% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 55% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Faith Prince
Adelaide's Lament
92 bpm • C# Maj • 03:40 • -19.09db
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 58% Danceability • 12% Energy • 87% Liveness
0% Instrumentalness • 32% Positiveness
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Jessica Stone
Buddie Beware
103 bpm • G# Maj • 03:28 • -9.04db
24% Popularity • 48% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 48% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Maury Yeston
My Husband Makes Movies
93 bpm • G# Maj • 04:01 • -11.89db
11% Popularity • 43% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 43% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Alice Ripley
Over at the Frankenstein Place
103 bpm • D# Maj • 03:20 • -8.18db
23% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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'[title of show]' Original Cast
Untitled Opening Number
91 bpm • D Maj • 02:15 • -8.98db
17% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Daniel Radcliffe
I Believe In You
91 bpm • C Maj • 03:15 • -12.56db
19% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Faith Prince
Adelaide's Lament (Reprise)
92 bpm • F# Maj • 01:26 • -19.44db
24% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Steven Pasquale
The World Inside a Frame
103 bpm • C# Maj • 02:48 • -10db
19% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Maury Yeston
I Can't Make This Movie
102 bpm • C min • 02:08 • -7.94db
6% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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2021 London Cast of Cabaret
What Would You Do?
91 bpm • B Maj • 03:49 • -14.91db
25% Popularity • 33% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 33% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Daisy Eagan
Show Me the Key
90 bpm • A Maj • 03:35 • -21.14db
21% Popularity • 44% Danceability • 8% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 44% Danceability • 8% Energy • 61% Liveness
0% Instrumentalness • 40% Positiveness
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Angela Lansbury
Miracle Song
104 bpm • D Maj • 04:27 • -8.4db
8% Popularity • 47% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 47% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 57% Positiveness
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Brent Carver
Leo at Work / What Am I Waiting For?
90 bpm • C min • 02:41 • -13.9db
16% Popularity • 31% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 31% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Victoria Clark
Dividing Day
104 bpm • D min • 03:01 • -22.31db
17% Popularity • 37% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 37% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
No Moon
103 bpm • A min • 03:48 • -24.54db
23% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Marin Mazzie
What Kind of Woman
90 bpm • F min • 02:35 • -16.65db
21% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Ruth Kobart
That Dirty Old Man
104 bpm • E min • 02:13 • -17.34db
4% Popularity • 43% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 43% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Paul Alexander Nolan
What Does She Mean by Love?
90 bpm • B min • 02:25 • -8.63db
21% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Maury Yeston
I Have Danced
91 bpm • F Maj • 01:58 • -22.7db
20% Popularity • 30% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 30% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Audra McDonald
Sarah Brown Eyes
90 bpm • C Maj • 03:27 • -19db
25% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Brent Carver
Dressing Them Up
105 bpm • A# min • 02:34 • -18db
17% Popularity • 64% Danceability • 26% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 64% Danceability • 26% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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Pia Douwes
Am Fluss
90 bpm • C Maj • 04:44 • -10.02db
1% Popularity • 26% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 26% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Players
Entr'acte
105 bpm • C Maj • 01:54 • -7.05db
29% Popularity • 46% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 46% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
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Kay Walbye
Final Storm
90 bpm • C Maj • 02:14 • -13.89db
19% Popularity • 28% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Maury Yeston
Reprises
90 bpm • A# Maj • 03:21 • -14.37db
6% Popularity • 23% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
6% Popularity • 23% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Julia Murney
Tell Me Something
105 bpm • B min • 03:15 • -10.06db
15% Popularity • 37% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 37% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 14% Positiveness
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Jennifer Smith
Message from a Nightingale
105 bpm • F min • 02:56 • -11db
19% Popularity • 73% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 73% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Laura Benanti
I Don't Know His Name
106 bpm • F# min • 03:58 • -9db
23% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Victoria Clark
When Your Love Is New
106 bpm • B Maj • 02:30 • -9.12db
1% Popularity • 44% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 44% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Stephanie J. Block, Marc Kudisch and Ensemble
The Dance o' Death
89 bpm • D Maj • 03:35 • -8.71db
28% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 44% Danceability • 39% Energy • 92% Liveness
0% Instrumentalness • 38% Positiveness
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Maury Yeston
Salt 'n' pepper
90 bpm • C Maj • 02:45 • -7.65db
0% Popularity • 57% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 57% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Patina Miller
Sister Act (Reprise)
106 bpm • B Maj • 02:04 • -10.29db
26% Popularity • 33% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 33% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
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Megan McGinnis
Graduation Day
89 bpm • C# Maj • 02:37 • -12.14db
20% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 42% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Carolee Carmello
You Don't Know This Man
89 bpm • C min • 02:12 • -11.76db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Maury Yeston
The Launching: There She Is / Loading In...
105 bpm • C Maj • 03:56 • -17.91db
25% Popularity • 38% Danceability • 17% Energy • 57% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 38% Danceability • 17% Energy • 57% Liveness
0% Instrumentalness • 31% Positiveness
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Original Broadway Cast Of 'Passion'
Farewell Letter
89 bpm • C# min • 03:09 • -18.49db
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Original Broadway Cast Of 'Curtains'
It's A Business
106 bpm • F min • 04:42 • -14db
20% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
33% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Jessie Mueller
What's The Use Of Wond'rin'?
88 bpm • C# Maj • 03:19 • -15db
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
Be on Your Own
105 bpm • C Maj • 03:16 • -8.17db
9% Popularity • 36% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 36% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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David Aaron Baker
Man to Man Talk
88 bpm • A Maj • 04:37 • -15.9db
16% Popularity • 46% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 46% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sophie Hayden
Somebody, Somewhere
88 bpm • F Maj • 02:12 • -16db
11% Popularity • 40% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 40% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The Original Broadway Cast Of 'Curtains'
In The Same Boat #2
107 bpm • G# Maj • 01:03 • -16.27db
23% Popularity • 85% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 85% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Maury Yeston
The Bells of St. Sebastian
89 bpm • F# min • 04:50 • -10.89db
9% Popularity • 33% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 33% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
