Songs like (I Just Can't Help Myself) I Don't Want Nobody Else by Terry Callier
Based on a tempo of (+/- 10%) and a similar genre
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Terry Callier
(I Just Can't Help Myself) I Don't Want ...
101 bpm • E Maj • 03:16 • -12.62db
15% Popularity • 62% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 62% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 90% Positiveness
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Andy Bey
Judgment
101 bpm • A# min • 02:55 • -9.98db
9% Popularity • 60% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 60% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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The Whole Darn Family
Fly Away Love Bird
101 bpm • F Maj • 03:10 • -10.17db
18% Popularity • 49% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 49% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Frazier & the Shades of Madness
Loneliness
101 bpm • D Maj • 02:54 • -12.84db
10% Popularity • 56% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 56% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Al Hudson
I'm About Loving You
101 bpm • G# Maj • 02:54 • -6.06db
30% Popularity • 62% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 62% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Leroy Hutson
Don't It Make You Feel Good
101 bpm • G# Maj • 03:03 • -12db
21% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Jon Lucien
Who Will Buy?
102 bpm • D min • 02:26 • -8.1db
28% Popularity • 60% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 60% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Bob & Gene
It's Not What You Know (It's Who You Kno...
102 bpm • D Maj • 03:40 • -9.53db
27% Popularity • 61% Danceability • 75% Energy • 27% Liveness
24% Instrumentalness • 76% Positiveness
27% Popularity • 61% Danceability • 75% Energy • 27% Liveness
24% Instrumentalness • 76% Positiveness
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Roy Ayers Ubiquity
Life Is Just A Moment - Part 1
102 bpm • F# min • 04:08 • -13.67db
16% Popularity • 65% Danceability • 59% Energy • 7% Liveness
18% Instrumentalness • 93% Positiveness
16% Popularity • 65% Danceability • 59% Energy • 7% Liveness
18% Instrumentalness • 93% Positiveness
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Ollie & The Nightingales
You're Leaving Me
100 bpm • E Maj • 02:52 • -13.74db
12% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Annette Pointdexter & Pieces of Peace
Wayward Dream
100 bpm • F# Maj • 02:55 • -8db
16% Popularity • 69% Danceability • 47% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 69% Danceability • 47% Energy • 55% Liveness
0% Instrumentalness • 70% Positiveness
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Eugene McDaniels
Lovin' Man
100 bpm • D Maj • 04:49 • -11db
20% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Barbara Randolph
Can I Get A Witness - Single Version
102 bpm • C# Maj • 02:21 • -6db
28% Popularity • 73% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 73% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Archie Bell & The Drells
Show Me How to Dance
100 bpm • F Maj • 05:04 • -9.56db
14% Popularity • 71% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 71% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Wah Wah Watson
Love Ain't Somethin' (That You Get for F...
102 bpm • F min • 04:21 • -10.7db
10% Popularity • 58% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 58% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Ohio Players
Angel
100 bpm • G# Maj • 07:27 • -11db
24% Popularity • 51% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 51% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Minnie Riperton
Young Willing And Able
102 bpm • E min • 03:46 • -8.47db
19% Popularity • 70% Danceability • 76% Energy • 67% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 70% Danceability • 76% Energy • 67% Liveness
0% Instrumentalness • 74% Positiveness
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Terry Callier
African Violet
103 bpm • C Maj • 07:16 • -17.36db
6% Popularity • 51% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
6% Popularity • 51% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
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The Modulations
Rough Out Here
99 bpm • D Maj • 04:41 • -8db
15% Popularity • 60% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 60% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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The 3 Pieces
Backed Up Against The Wall
99 bpm • B Maj • 04:31 • -10.55db
24% Popularity • 72% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 72% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Linda Lewis
What Are You Asking Me For?
103 bpm • E min • 02:50 • -14.33db
15% Popularity • 75% Danceability • 19% Energy • 11% Liveness
49% Instrumentalness • 31% Positiveness
15% Popularity • 75% Danceability • 19% Energy • 11% Liveness
49% Instrumentalness • 31% Positiveness
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Martha Reeves & The Sweet Things
Keep On Movin' On
103 bpm • A min • 03:38 • -6.96db
10% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Darrow Fletcher
No Limit
103 bpm • A min • 03:17 • -11.91db
15% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Terry Callier
Just My Imagination - Love to Love You M...
103 bpm • F min • 05:14 • -11.84db
6% Popularity • 74% Danceability • 62% Energy • 18% Liveness
60% Instrumentalness • 97% Positiveness
6% Popularity • 74% Danceability • 62% Energy • 18% Liveness
60% Instrumentalness • 97% Positiveness
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Timmy Thomas
I've Got to See You Tonight - 2004 Remas...
103 bpm • F min • 03:18 • -11.13db
11% Popularity • 89% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
11% Popularity • 89% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
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The Albert
One Life
103 bpm • F Maj • 03:03 • -5.99db
10% Popularity • 64% Danceability • 66% Energy • 11% Liveness
9% Instrumentalness • 57% Positiveness
10% Popularity • 64% Danceability • 66% Energy • 11% Liveness
9% Instrumentalness • 57% Positiveness
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Mark Capanni
I Believe In Miracles
99 bpm • G min • 03:02 • -7db
32% Popularity • 58% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 58% Danceability • 78% Energy • 55% Liveness
0% Instrumentalness • 90% Positiveness
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Sam Dees
We Always Come Back Strong
103 bpm • F Maj • 02:27 • -13.81db
25% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Sly & The Family Stone
Remember Who You Are
103 bpm • A# min • 03:17 • -15db
37% Popularity • 77% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 77% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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New Holidays
Maybe so Maybe No
99 bpm • C# Maj • 03:02 • -9db
16% Popularity • 64% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 64% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Rotary Connection
Love Is - Remastered
99 bpm • A Maj • 05:17 • -12.57db
10% Popularity • 35% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 35% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Alice Clark
Looking At Life
104 bpm • F# Maj • 03:09 • -5db
15% Popularity • 51% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 51% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Summits
It Takes Two
99 bpm • A Maj • 03:00 • -6.37db
9% Popularity • 58% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 58% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Barrett Strong
Man up in the Sky (2023 Remastered)
98 bpm • F min • 04:10 • -10.24db
16% Popularity • 63% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 63% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny "Guitar" Watson
I Don't Want To Be A Lone Ranger
98 bpm • D# Maj • 03:28 • -11db
26% Popularity • 69% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 69% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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The Modulations
I Can't Fight Your Love
104 bpm • C Maj • 04:08 • -7.22db
16% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Terry Callier
Sunset Boulevard
104 bpm • D Maj • 05:10 • -11.91db
7% Popularity • 44% Danceability • 36% Energy • 9% Liveness
7% Instrumentalness • 14% Positiveness
7% Popularity • 44% Danceability • 36% Energy • 9% Liveness
7% Instrumentalness • 14% Positiveness
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O.V. Wright
We're Still Together
98 bpm • D# min • 03:46 • -8.71db
12% Popularity • 57% Danceability • 84% Energy • 82% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 57% Danceability • 84% Energy • 82% Liveness
0% Instrumentalness • 81% Positiveness
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Linda Lewis
Sideway Shuffle
98 bpm • A# min • 03:15 • -9.53db
13% Popularity • 74% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 74% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Raw Soul Express
The Way We Live
98 bpm • G Maj • 03:39 • -12.33db
15% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jon Lucien
Would You Believe In Me
97 bpm • C# min • 02:26 • -11db
38% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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The Blackbyrds
The Baby
105 bpm • A# min • 05:18 • -13.08db
26% Popularity • 66% Danceability • 51% Energy • 3% Liveness
84% Instrumentalness • 98% Positiveness
26% Popularity • 66% Danceability • 51% Energy • 3% Liveness
84% Instrumentalness • 98% Positiveness
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Rufus
Circles
97 bpm • D min • 03:57 • -10db
23% Popularity • 74% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
23% Popularity • 74% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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The Marvelettes
Here I Am Baby
97 bpm • C Maj • 02:49 • -8.32db
30% Popularity • 66% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Leon Ware
Sure Do Want You Now
105 bpm • F# Maj • 03:46 • -12.81db
12% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Eugene Record
Overdose of Joy
97 bpm • B min • 04:17 • -8db
36% Popularity • 62% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 62% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Timmy Thomas
Opportunity
97 bpm • G min • 03:08 • -15.17db
9% Popularity • 88% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
9% Popularity • 88% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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The Sweet Inspirations
Why Marry
105 bpm • G Maj • 06:30 • -14.74db
20% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Commodores
Girl, I Think The World About You
97 bpm • D Maj • 04:32 • -12db
27% Popularity • 54% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 54% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Freda Payne
We’ve Gotta Find A Way Back to Love
97 bpm • G Maj • 03:06 • -7db
17% Popularity • 72% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 72% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Sweet Charles
Yes It's You
97 bpm • G Maj • 03:10 • -8.21db
23% Popularity • 68% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 68% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
40% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
40% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Leon Ware
On the Island
106 bpm • F Maj • 04:20 • -6.93db
13% Popularity • 60% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 60% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
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Tamiko Jones
Creepin'
97 bpm • F Maj • 03:54 • -10.62db
11% Popularity • 64% Danceability • 62% Energy • 13% Liveness
7% Instrumentalness • 89% Positiveness
11% Popularity • 64% Danceability • 62% Energy • 13% Liveness
7% Instrumentalness • 89% Positiveness
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Terry Callier
Where A Lark Is Singing
97 bpm • A min • 04:27 • -17.14db
6% Popularity • 62% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
6% Popularity • 62% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
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Barbara Mason
You Better Stop It
106 bpm • G Maj • 02:45 • -6.06db
20% Popularity • 46% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 46% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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D.J. Rogers
Love You Forever
96 bpm • C Maj • 03:30 • -11.71db
10% Popularity • 75% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 75% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Leroy Hutson
Love to Hold You Close
96 bpm • B Maj • 03:21 • -11.82db
19% Popularity • 60% Danceability • 53% Energy • 17% Liveness
6% Instrumentalness • 70% Positiveness
19% Popularity • 60% Danceability • 53% Energy • 17% Liveness
6% Instrumentalness • 70% Positiveness
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Odyssey
Our Lives Are Shaped By What We Love
96 bpm • E min • 03:37 • -7.33db
37% Popularity • 54% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 54% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Holland-Dozier
Don’t Leave Me
106 bpm • A min • 03:16 • -11db
10% Popularity • 86% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 86% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Terry Callier
Butterfly
106 bpm • A Maj • 03:49 • -18.23db
6% Popularity • 28% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 28% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Richard Levitt
Hit and Run Lover
96 bpm • D Maj • 02:32 • -7.17db
11% Popularity • 58% Danceability • 83% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
11% Popularity • 58% Danceability • 83% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
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Roosevelt Matthews
You Got Me Diggin' You
96 bpm • F# min • 01:53 • -11.88db
12% Popularity • 60% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 60% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Minnie Riperton
Adventures In Paradise
96 bpm • A# min • 03:13 • -9db
37% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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William Bell
My Whole World Is Falling Down
96 bpm • D Maj • 03:09 • -15.26db
12% Popularity • 49% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 49% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The Minits
Still A Part Of Me
96 bpm • F Maj • 02:33 • -7.03db
11% Popularity • 68% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 68% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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The Charmels
Lovin' Feeling
96 bpm • G# Maj • 02:52 • -10.01db
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
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Leon Ware
Got to Be Loved
96 bpm • G min • 03:49 • -10.42db
13% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Honey Cone
Sunday Morning People
96 bpm • A# min • 02:45 • -9.42db
11% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Sandra Wright
I Come Running Back
96 bpm • F Maj • 02:48 • -7db
11% Popularity • 42% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 42% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Gwen McCrae
Move Me Baby
106 bpm • A Maj • 04:45 • -15.62db
17% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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The Minits
Still a Part of Me
96 bpm • F Maj • 02:34 • -10db
20% Popularity • 70% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 70% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Martha Reeves
Sweet Misery
96 bpm • E Maj • 03:52 • -7.76db
10% Popularity • 72% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 72% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Leon Ware
What's Your World
96 bpm • D# min • 04:25 • -11.5db
10% Popularity • 45% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 45% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Margie Joseph
I Can't Move No Mountains
107 bpm • C# Maj • 02:46 • -13.33db
25% Popularity • 48% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 48% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Voices Of East Harlem
Little People
96 bpm • C# Maj • 03:31 • -6db
10% Popularity • 48% Danceability • 93% Energy • 29% Liveness
4% Instrumentalness • 72% Positiveness
10% Popularity • 48% Danceability • 93% Energy • 29% Liveness
4% Instrumentalness • 72% Positiveness
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Leroy Hutson
Love the Feeling
96 bpm • G# Maj • 02:53 • -12db
23% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 64% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Brian Auger & Julie Tippetts
Git Up
95 bpm • F Maj • 03:48 • -6.89db
14% Popularity • 70% Danceability • 78% Energy • 23% Liveness
17% Instrumentalness • 77% Positiveness
14% Popularity • 70% Danceability • 78% Energy • 23% Liveness
17% Instrumentalness • 77% Positiveness
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Terry Callier
Fool Me Fool You
107 bpm • A# min • 03:34 • -10.43db
6% Popularity • 78% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 78% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Sandra Wright
I'll Come Running Back (Mr Scruff Edit)
95 bpm • F Maj • 02:05 • -12.29db
29% Popularity • 49% Danceability • 57% Energy • 53% Liveness
2% Instrumentalness • 37% Positiveness
29% Popularity • 49% Danceability • 57% Energy • 53% Liveness
2% Instrumentalness • 37% Positiveness
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The Supremes
Bad Weather
107 bpm • B min • 03:04 • -6db
22% Popularity • 62% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 62% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Lamont Dozier
Breaking Out All Over
107 bpm • A min • 05:02 • -9.4db
23% Popularity • 52% Danceability • 78% Energy • 11% Liveness
4% Instrumentalness • 86% Positiveness
23% Popularity • 52% Danceability • 78% Energy • 11% Liveness
4% Instrumentalness • 86% Positiveness
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Procedures
Give Me One More Chance
95 bpm • A min • 04:58 • -8db
7% Popularity • 43% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 43% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Stevens & Foster
I Want to Be Love
107 bpm • C Maj • 03:17 • -6.68db
13% Popularity • 62% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 62% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Terry Callier
We Are Not Alone
107 bpm • F Maj • 05:00 • -8.14db
11% Popularity • 82% Danceability • 59% Energy • 7% Liveness
9% Instrumentalness • 66% Positiveness
11% Popularity • 82% Danceability • 59% Energy • 7% Liveness
9% Instrumentalness • 66% Positiveness
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Alice Clark
Never Did I Stop Loving You
95 bpm • F Maj • 02:34 • -6.14db
34% Popularity • 46% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 46% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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The Hesitations
Is This the Way to Treat a Girl (You Bet...
95 bpm • F# Maj • 02:57 • -9db
11% Popularity • 49% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 49% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Spice
Sweet Norma Jones
95 bpm • E min • 02:25 • -9.41db
11% Popularity • 55% Danceability • 64% Energy • 27% Liveness
32% Instrumentalness • 92% Positiveness
11% Popularity • 55% Danceability • 64% Energy • 27% Liveness
32% Instrumentalness • 92% Positiveness
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Jean Wells
What Have I Got to Lose
95 bpm • A Maj • 02:26 • -4.27db
13% Popularity • 60% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 60% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Barbara Mason
World In a Crisis
95 bpm • C# min • 03:25 • -14.19db
13% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Gene Williams
Don't Let Your Love Fade Away
95 bpm • E min • 02:46 • -7.15db
27% Popularity • 38% Danceability • 60% Energy • 18% Liveness
16% Instrumentalness • 70% Positiveness
27% Popularity • 38% Danceability • 60% Energy • 18% Liveness
16% Instrumentalness • 70% Positiveness
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Milton Wright
Be With Me
108 bpm • G Maj • 02:42 • -10.31db
28% Popularity • 68% Danceability • 50% Energy • 7% Liveness
34% Instrumentalness • 90% Positiveness
28% Popularity • 68% Danceability • 50% Energy • 7% Liveness
34% Instrumentalness • 90% Positiveness
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Marva Whitney
Nothing I'd Rather Be (Than Your Weaknes...
95 bpm • E min • 03:11 • -7.35db
37% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Latimore
Are You Where You Wanna Be
95 bpm • G# min • 04:02 • -9.34db
11% Popularity • 75% Danceability • 56% Energy • 16% Liveness
4% Instrumentalness • 68% Positiveness
11% Popularity • 75% Danceability • 56% Energy • 16% Liveness
4% Instrumentalness • 68% Positiveness
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The Staple Singers
Trippin' On Your Love
108 bpm • D Maj • 04:27 • -12db
9% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Gwen McCrae
Mechanical Body
94 bpm • A# Maj • 02:51 • -3db
30% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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David Ruffin
Blood Donors Needed (Give All You Can)
108 bpm • A min • 05:51 • -9.75db
14% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 67% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Darondo
Do You Really Love Me
94 bpm • G min • 02:58 • -7.65db
29% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
