Songs like I Keep Going to the River to Pray by Robin Berrygold
Based on a tempo of (+/- 10%) and a similar genre
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Robin Berrygold
Going to the River to Pray
105 bpm • F# min • 03:48 • -6.16db
24% Popularity • 60% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 60% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Meghan Trainor
Mr. Almost
105 bpm • A Maj • 03:16 • -6.85db
45% Popularity • 80% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 80% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Daryl Braithwaite
Love Songs
105 bpm • E Maj • 03:15 • -4.41db
46% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Conrad Sewell
Healing Hands
105 bpm • C Maj • 04:10 • -5db
45% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 68% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Delta Goodrem
Wish You Were Here
105 bpm • D Maj • 04:36 • -4.8db
33% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Erin Bowman
Hey Summer
105 bpm • E Maj • 03:27 • -8.94db
12% Popularity • 72% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 72% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Robin Berrygold
I Keep Going to the River to Pray
105 bpm • F# min • 03:35 • -5.89db
38% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 61% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Ella Henderson
Ghost
105 bpm • A Maj • 03:33 • -3.82db
58% Popularity • 68% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 68% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Allstar Weekend
Mr Wonderful
105 bpm • E Maj • 03:20 • -2.39db
31% Popularity • 69% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 69% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Megan & Liz
Bad for Me
105 bpm • G Maj • 03:03 • -3db
35% Popularity • 66% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 66% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Andy Grammer
Masterpiece
105 bpm • A# Maj • 03:34 • -5.3db
7% Popularity • 63% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 63% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Andy Brown
You Had Me At Hello
105 bpm • A Maj • 03:04 • -6.39db
9% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Elle Murphy
Beautiful Sensitive Boy
105 bpm • A Maj • 02:56 • -7db
20% Popularity • 85% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 85% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Jordie Ireland
Throw Away My Number
105 bpm • F Maj • 03:29 • -6.85db
26% Popularity • 60% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 60% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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Once Jameson
Marry Me (Extended Mix)
105 bpm • G Maj • 04:42 • -4.91db
23% Popularity • 57% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 57% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Conrad Sewell
Changing
104 bpm • G# Maj • 03:26 • -5.84db
34% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 44% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Mitch James
Sunday Morning
104 bpm • G# min • 03:23 • -5.75db
44% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Busby Marou
Sound of Summer
104 bpm • B Maj • 03:06 • -6.03db
32% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Alyssa Reid
Dangerous
104 bpm • A# Maj • 03:39 • -3.19db
33% Popularity • 70% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 70% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Justice Crew
Ride Until the Sun
106 bpm • C Maj • 02:44 • -4.73db
18% Popularity • 73% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 73% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Once Jameson
Marry Me
105 bpm • G Maj • 03:44 • -5db
43% Popularity • 53% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 53% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
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The Dartmouth Decibelles
Hold On for One More Day
106 bpm • F Maj • 03:19 • -6.03db
18% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Josh Bender
There Must Be Something In The Water
104 bpm • C# min • 03:35 • -10.85db
38% Popularity • 73% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 73% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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The Nicol Kings
Thats How You Know (Clean Version)
104 bpm • C# Maj • 04:11 • -6.55db
14% Popularity • 81% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 81% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Burning Orchard
If I Just Lay Here
104 bpm • A Maj • 04:30 • -6.01db
46% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Megan & Liz
Princess Charming
104 bpm • B Maj • 03:01 • -3.77db
19% Popularity • 71% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 71% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Adele Kraic
Loser Like Me
106 bpm • G# Maj • 03:22 • -9db
15% Popularity • 78% Danceability • 61% Energy • 2% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 78% Danceability • 61% Energy • 2% Liveness
0% Instrumentalness • 91% Positiveness
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Kelly Clarkson
Piece by Piece
106 bpm • C# Maj • 04:17 • -6.73db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Kate DeAraugo
Faded
106 bpm • A Maj • 03:30 • -4.07db
27% Popularity • 55% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 55% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Ella Henderson
Empire
104 bpm • A min • 03:49 • -4db
30% Popularity • 60% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 60% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Julianne Hough
Transform
106 bpm • D min • 03:08 • -5db
28% Popularity • 57% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 57% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Rector
Crazy
107 bpm • C Maj • 04:09 • -6.41db
33% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tufts Beelzebubs
Who Do You Love
107 bpm • C# Maj • 03:52 • -7db
36% Popularity • 71% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 71% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Nathan Carter
Wanna Dance
107 bpm • A# Maj • 04:43 • -6.58db
38% Popularity • 57% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 57% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Kaylee Bell
KEITH - Pop Remix
103 bpm • A Maj • 02:52 • -5.83db
44% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Brooke Fraser
Therapy
103 bpm • C Maj • 03:20 • -5.21db
23% Popularity • 65% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 65% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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The Reunion of Souls
Hey Leonardo (She Likes Me for Me)
103 bpm • D Maj • 03:32 • -10.85db
21% Popularity • 65% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 65% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Shane Piasecki
My Two Cents
103 bpm • C# Maj • 03:02 • -11.36db
21% Popularity • 80% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 80% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Johnny Ruffo
Let's Get Lost
103 bpm • G# min • 02:58 • -5.99db
26% Popularity • 58% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 58% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
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Sandi Thom
What If I'm Right
108 bpm • E Maj • 02:58 • -5.38db
31% Popularity • 70% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 70% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Hanson
Mmmbop
102 bpm • E Maj • 03:01 • -7.06db
40% Popularity • 64% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 64% Danceability • 60% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Gilman
Get It Got It Good
102 bpm • G# Maj • 02:57 • -6.94db
18% Popularity • 66% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 66% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Colbie Caillat
Never Gonna Let You Down
108 bpm • C Maj • 04:08 • -6.14db
43% Popularity • 65% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 65% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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When It's the End
What Do I Stand For
108 bpm • C Maj • 04:37 • -6.37db
26% Popularity • 68% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 68% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Tufts Beelzebubs
Hey Juliet
108 bpm • C# Maj • 02:35 • -6db
36% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Kyler Fisher
Wildfire
108 bpm • G# Maj • 02:47 • -6.88db
28% Popularity • 74% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 74% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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MKTO
Classic
102 bpm • C# Maj • 02:55 • -4.69db
84% Popularity • 72% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
84% Popularity • 72% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Finn Pearce
Just A Touch Of Your Love
102 bpm • E Maj • 03:30 • -8db
32% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
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Benny Tipene
Make You Mine
102 bpm • G# Maj • 03:00 • -8.21db
25% Popularity • 63% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 63% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Beets
Post Malone
108 bpm • D Maj • 02:52 • -5.12db
25% Popularity • 77% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 77% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Evans
Over It
108 bpm • A Maj • 02:34 • -6.51db
21% Popularity • 70% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 70% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Baby I'm Your's
You're so Classic
102 bpm • F# Maj • 02:56 • -6db
34% Popularity • 68% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 68% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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William Jacobs
Baby You're So Classic
102 bpm • C# Maj • 02:50 • -9db
29% Popularity • 71% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 71% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Gabz
Lighters (The One)
102 bpm • C min • 02:44 • -5db
34% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Alyssa Reid
Satisfaction Guaranteed
102 bpm • C# min • 02:49 • -5db
39% Popularity • 59% Danceability • 90% Energy • 37% Liveness
3% Instrumentalness • 46% Positiveness
39% Popularity • 59% Danceability • 90% Energy • 37% Liveness
3% Instrumentalness • 46% Positiveness
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JW Velly
Last Night We Let the Liquor Talk
102 bpm • F# Maj • 02:40 • -7.7db
39% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Something in the Night
I'm Not Fine at All
102 bpm • D Maj • 03:54 • -7.11db
13% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Nick Fradiani
Beautiful Life
109 bpm • F# Maj • 03:29 • -3.32db
33% Popularity • 59% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 59% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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MADAX
All Your'n (Sped Up) - Part of Me That A...
101 bpm • D Maj • 02:46 • -17.35db
19% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Andy Grammer
Crazy Beautiful
100 bpm • B min • 03:28 • -3.8db
22% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 62% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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On The Outside
Why Me
101 bpm • A# Maj • 03:19 • -8db
28% Popularity • 70% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 70% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Leighton Meester
Summer Girl
110 bpm • G# Maj • 03:22 • -4.35db
41% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Scouting For Girls
Butterflies
110 bpm • D Maj • 02:59 • -5.29db
42% Popularity • 70% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 70% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Carter
I Want Candy - Remix
110 bpm • B Maj • 02:53 • -4db
33% Popularity • 68% Danceability • 96% Energy • 12% Liveness
8% Instrumentalness • 68% Positiveness
33% Popularity • 68% Danceability • 96% Energy • 12% Liveness
8% Instrumentalness • 68% Positiveness
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The Superstarz Kids
Pocketful of Sunshine
110 bpm • A min • 03:23 • -9.07db
31% Popularity • 76% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 76% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Robin Berrygold
Gotta Stay High
110 bpm • F Maj • 03:26 • -7db
18% Popularity • 67% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 67% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Benny Tipene
Walking On Water
110 bpm • F# min • 02:56 • -5.7db
26% Popularity • 56% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 56% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Kaitlyn Dorff
Car Chase
110 bpm • A Maj • 02:58 • -8.76db
19% Popularity • 79% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 79% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Freddie Bailey
Edge of Midnight - The Voice Australia 2...
110 bpm • B min • 02:01 • -5.31db
30% Popularity • 69% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 69% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Cassa Jackson
Sophie
110 bpm • C Maj • 03:14 • -11.53db
17% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Kelly Clarkson
Piece by Piece - Radio Mix
110 bpm • G# Maj • 03:44 • -7.31db
32% Popularity • 63% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 63% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Hannah Stow
Fast Cars Mash up Cover
100 bpm • A Maj • 02:44 • -8.03db
30% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 66% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Royston Noell
Invincible
100 bpm • G# Maj • 03:26 • -3.61db
29% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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DJ You Will
Say You'll Never Let Me Go
100 bpm • A Maj • 03:40 • -2.79db
33% Popularity • 83% Danceability • 63% Energy • 9% Liveness
4% Instrumentalness • 19% Positiveness
33% Popularity • 83% Danceability • 63% Energy • 9% Liveness
4% Instrumentalness • 19% Positiveness
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Dani Rose
Got It from My Mama
100 bpm • E Maj • 03:17 • -6db
35% Popularity • 64% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 64% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Virginia To Vegas
We Are Stars
100 bpm • B Maj • 03:54 • -7db
42% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Hearn
Not Walkin' Away
100 bpm • C# Maj • 03:06 • -6db
25% Popularity • 59% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 59% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Justice Crew
Que Sera
100 bpm • G# Maj • 03:32 • -4.02db
48% Popularity • 58% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 58% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Tiffany Houghton
Love Like That
100 bpm • B Maj • 03:19 • -5db
27% Popularity • 66% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 66% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Superchick
Get Up - Heelside Mix
100 bpm • C Maj • 04:01 • -5.49db
26% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 66% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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G.R.L.
Show Me What You Got
100 bpm • G Maj • 03:26 • -5.07db
31% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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G-Force Drivers & Becky Doom
Can't Stop Dancing
100 bpm • G min • 03:13 • -6.85db
23% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Adrian Acosta
I'm Not Gonna Write You a Love Song
100 bpm • F Maj • 05:11 • -13.06db
12% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 60% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The World's Cause
I'm on Top of the World
100 bpm • C Maj • 03:14 • -6db
42% Popularity • 60% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 60% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Andy Grammer
Back Home
100 bpm • B Maj • 03:19 • -6.5db
41% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Cause
I Need You Here with Me
100 bpm • G# Maj • 02:33 • -6.51db
35% Popularity • 59% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 59% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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DJ Till I Tasted You
I Didn't Know That I Was Starving
100 bpm • E Maj • 03:00 • -11.1db
23% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
33% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Dami Im
Beauty in the World
111 bpm • E Maj • 02:55 • -3.85db
9% Popularity • 77% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 77% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Tim Halperin
Dance
111 bpm • F Maj • 03:04 • -2.93db
44% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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True Scientizts
Hope It Gives You Hell - E.l.i.
99 bpm • B min • 02:48 • -9.26db
17% Popularity • 76% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 76% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Keith Urban
Somebody Like You
111 bpm • E Maj • 03:50 • -4.92db
25% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Kelsea Ballerini
Miss Me More - Summer Mix
99 bpm • D Maj • 03:05 • -4.01db
38% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 66% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Brighter Brightest
Way Back Down
111 bpm • C# Maj • 02:54 • -3.96db
28% Popularity • 48% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 48% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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MKTO
Goodbye Song
99 bpm • C Maj • 03:51 • -5.22db
45% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 72% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Shane Filan
Knee Deep In My Heart
99 bpm • A Maj • 03:06 • -6db
39% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 63% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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The 15th Floor
Time Is Up
99 bpm • D Maj • 03:40 • -6.46db
7% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Train
Play That Song
99 bpm • C min • 04:03 • -2.07db
64% Popularity • 39% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
64% Popularity • 39% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
