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I Know Alone
Songs like
I Know Alone
by
HAIM
Based on a tempo of (+/- 10%) and a similar genre
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Phoenix
Identical
128 bpm • D Maj • 03:13 • -8.57db
36% Popularity • 63% Danceability • 76% Energy • 14% Liveness
84% Instrumentalness • 67% Positiveness
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The Big Moon
Your Light
128 bpm • G Maj • 05:07 • -8.9db
47% Popularity • 60% Danceability • 71% Energy • 24% Liveness
40% Instrumentalness • 40% Positiveness
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Romy
Lifetime
128 bpm • F# Maj • 03:17 • -5.39db
48% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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HAIM
I Know Alone
128 bpm • C Maj • 03:46 • -6.93db
39% Popularity • 77% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Maude Latour
Lovesick
128 bpm • C# Maj • 02:50 • -7.68db
31% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Denai Moore
Too Close
129 bpm • F# min • 02:54 • -8.03db
7% Popularity • 61% Danceability • 56% Energy • 5% Liveness
2% Instrumentalness • 13% Positiveness
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MisterWives
the end
127 bpm • A Maj • 03:14 • -3.64db
39% Popularity • 52% Danceability • 87% Energy • 29% Liveness
7% Instrumentalness • 27% Positiveness
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Christine and the Queens
5 dollars
129 bpm • D Maj • 03:28 • -6.2db
42% Popularity • 73% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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HAIM
Cherry Flavored Stomach Ache
127 bpm • B Maj • 02:31 • -7.6db
28% Popularity • 56% Danceability • 75% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Japanese Breakfast
Savage Good Boy
129 bpm • D Maj • 02:26 • -6db
48% Popularity • 71% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Tegan and Sara
Hold My Breath Until I Die
130 bpm • C# Maj • 03:42 • -6.66db
24% Popularity • 64% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Caroline Polachek
Breathless
130 bpm • E Maj • 03:02 • -7.74db
46% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Marika Hackman
hand solo
130 bpm • E min • 03:50 • -7.76db
22% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Alice Gray
Del Mar
130 bpm • D Maj • 04:02 • -8.18db
16% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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ASL
Hurt Me Now
130 bpm • B Maj • 03:41 • -4.53db
23% Popularity • 57% Danceability • 88% Energy • 25% Liveness
30% Instrumentalness • 81% Positiveness
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Future Islands
Moonlight
130 bpm • C Maj • 03:38 • -12.55db
46% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
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Syd Silvair
The Moth
130 bpm • F min • 04:28 • -7.68db
7% Popularity • 58% Danceability • 76% Energy • 49% Liveness
1% Instrumentalness • 40% Positiveness
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SOAK
Maybe
130 bpm • G Maj • 04:30 • -6.34db
32% Popularity • 56% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 24% Positiveness
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Maude Latour
Furniture
130 bpm • C min • 02:36 • -2.87db
38% Popularity • 72% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Tegan and Sara
Hey, I'm Just like You
126 bpm • G# Maj • 03:08 • -8db
29% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Bon Iver
PDLIF
126 bpm • F# Maj • 02:57 • -8.79db
46% Popularity • 33% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Jenn Champion
Turn Up the Radio
130 bpm • C# Maj • 03:18 • -8.15db
12% Popularity • 76% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Fickle Friends
Pretty Great
130 bpm • C# Maj • 03:33 • -6db
39% Popularity • 80% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Sister
Old Friend
126 bpm • A# min • 03:31 • -6.48db
14% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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TOPS
Colder & Closer
126 bpm • F# min • 03:04 • -5.38db
40% Popularity • 71% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Half Waif
Blinking Light
126 bpm • C# Maj • 03:15 • -7.66db
12% Popularity • 63% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
68% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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E^ST
FLIGHT PATH
131 bpm • C Maj • 02:45 • -8.71db
20% Popularity • 61% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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HAIM
If I Could Change Your Mind
125 bpm • D min • 03:50 • -5.56db
48% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Japanese House
Something Has to Change
125 bpm • A Maj • 03:11 • -8.86db
53% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Nilüfer Yanya
Baby Blu
125 bpm • A min • 04:41 • -7db
40% Popularity • 78% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Blood Orange
Best to You
125 bpm • C Maj • 03:45 • -8.51db
54% Popularity • 66% Danceability • 78% Energy • 72% Liveness
0% Instrumentalness • 34% Positiveness
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Maude Latour
Ride My Bike
131 bpm • G# Maj • 03:15 • -8.35db
33% Popularity • 61% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lorde
Supercut
125 bpm • C Maj • 04:37 • -10.23db
76% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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St. Vincent
Pay Your Way In Pain
125 bpm • A Maj • 03:03 • -6.8db
41% Popularity • 68% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
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ionnalee
swallow - KRONOLOGI version
125 bpm • G Maj • 04:37 • -8.81db
11% Popularity • 63% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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The Big Moon
Why
132 bpm • C# min • 03:29 • -8db
33% Popularity • 77% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Deep Sea Diver
Impossible Weight - Sharon Van Etten
124 bpm • G# Maj • 03:22 • -5.79db
41% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Alex Winston
Wash
132 bpm • A# Maj • 03:22 • -12.71db
8% Popularity • 42% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Caroline Polachek
Door
124 bpm • D# Maj • 05:22 • -8.31db
50% Popularity • 68% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Franny London
Dining With My Head at the Table
124 bpm • D min • 03:53 • -10db
14% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Orla Gartland
Flatline
124 bpm • D Maj • 03:21 • -5.67db
34% Popularity • 76% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Allie Crow Buckley
Hanging Tough
124 bpm • C Maj • 04:00 • -11.38db
10% Popularity • 51% Danceability • 62% Energy • 6% Liveness
23% Instrumentalness • 38% Positiveness
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Kacy Hill
Six
124 bpm • F min • 02:52 • -12.7db
22% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Dirty Projectors
Empty Vessel
124 bpm • G Maj • 02:19 • -9.38db
15% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Lorde
The Louvre
123 bpm • C Maj • 04:31 • -9.98db
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Half Waif
Clouds Rest
124 bpm • E Maj • 02:19 • -9.93db
9% Popularity • 40% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Nasty Cherry
Fuck Modern Love
133 bpm • G Maj • 03:10 • -5.48db
20% Popularity • 59% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.26db
61% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Lola Kirke
Omens
123 bpm • C Maj • 03:24 • -9db
10% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Barrie
Drag
123 bpm • E Maj • 02:11 • -8.79db
20% Popularity • 70% Danceability • 46% Energy • 10% Liveness
43% Instrumentalness • 92% Positiveness
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Twin Shadow
Too Many Colors
123 bpm • C# Maj • 03:46 • -7.03db
31% Popularity • 79% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
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Aluna
I've Been Starting To Love All The Thing...
123 bpm • G# Maj • 03:30 • -6.98db
20% Popularity • 65% Danceability • 59% Energy • 14% Liveness
8% Instrumentalness • 11% Positiveness
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Perfume Genius
Without You
134 bpm • A Maj • 02:35 • -5.33db
36% Popularity • 65% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 83% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.56db
41% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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James Vincent McMorrow
Headlights
134 bpm • G min • 03:38 • -9.54db
31% Popularity • 84% Danceability • 50% Energy • 6% Liveness
5% Instrumentalness • 56% Positiveness
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Geographer
Slave To The Rhythm
134 bpm • C Maj • 04:59 • -8.82db
14% Popularity • 55% Danceability • 57% Energy • 7% Liveness
68% Instrumentalness • 15% Positiveness
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Little Dragon
Sadness
134 bpm • C# Maj • 03:28 • -10.55db
28% Popularity • 73% Danceability • 58% Energy • 9% Liveness
27% Instrumentalness • 66% Positiveness
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Empress Of
Timberlands
122 bpm • B min • 03:21 • -8.23db
9% Popularity • 75% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Porches
I Wanna Ride
122 bpm • C# min • 02:47 • -8.11db
22% Popularity • 75% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 26% Positiveness
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HAIM
Send Me Down
123 bpm • C Maj • 04:19 • -7db
27% Popularity • 62% Danceability • 93% Energy • 9% Liveness
9% Instrumentalness • 68% Positiveness
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Bombay Bicycle Club
Good Day
122 bpm • C# Maj • 03:52 • -12db
40% Popularity • 82% Danceability • 50% Energy • 9% Liveness
8% Instrumentalness • 15% Positiveness
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Dirty Projectors
Lose Your Love
122 bpm • G# Maj • 02:48 • -4.97db
26% Popularity • 86% Danceability • 53% Energy • 20% Liveness
2% Instrumentalness • 55% Positiveness
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SOAK
Fall Asleep / Backseat
122 bpm • F# min • 03:24 • -6.72db
13% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Empress Of
Give Me Another Chance
122 bpm • G Maj • 02:40 • -2db
32% Popularity • 95% Danceability • 73% Energy • 15% Liveness
13% Instrumentalness • 92% Positiveness
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M. T. Hadley
Private Eye
122 bpm • E Maj • 03:17 • -5.86db
16% Popularity • 72% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Caroline Rose
Do You Think We’ll Last Forever?
122 bpm • E min • 04:14 • -5.72db
41% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Sorry Girls
Under Cover
122 bpm • G Maj • 03:50 • -7.79db
10% Popularity • 76% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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HAIM
Running If You Call My Name
134 bpm • C Maj • 04:03 • -5.36db
32% Popularity • 62% Danceability • 95% Energy • 6% Liveness
17% Instrumentalness • 45% Positiveness
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Geowulf
He's 31
122 bpm • F Maj • 04:28 • -6.12db
18% Popularity • 54% Danceability • 65% Energy • 20% Liveness
1% Instrumentalness • 31% Positiveness
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Låpsley
Sadness is a Shade of Blue
135 bpm • A min • 03:37 • -11db
21% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Big Moon
It's Easy Then
135 bpm • F Maj • 03:44 • -8.61db
24% Popularity • 48% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Japanese Breakfast
Essentially
135 bpm • F Maj • 03:16 • -9.05db
38% Popularity • 67% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Gus Dapperton
Bluebird
135 bpm • F# min • 03:47 • -4.87db
37% Popularity • 71% Danceability • 81% Energy • 30% Liveness
19% Instrumentalness • 76% Positiveness
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Future Islands
For Sure
135 bpm • A# Maj • 03:25 • -5.74db
54% Popularity • 59% Danceability • 77% Energy • 8% Liveness
25% Instrumentalness • 76% Positiveness
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Litany
Love Letter
135 bpm • A min • 03:35 • -6.51db
24% Popularity • 71% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Wolf Alice
Delicious Things
121 bpm • D Maj • 05:04 • -5.61db
28% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 28% Positiveness
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Perfume Genius
On the Floor - Initial Talk Remix
121 bpm • B min • 03:37 • -7db
22% Popularity • 36% Danceability • 93% Energy • 32% Liveness
7% Instrumentalness • 63% Positiveness
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Charli XCX
Cross You Out
121 bpm • E min • 03:28 • -5.21db
45% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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TOPS
Witching Hour
136 bpm • F# min • 03:13 • -5.27db
31% Popularity • 73% Danceability • 90% Energy • 12% Liveness
4% Instrumentalness • 88% Positiveness
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Future Islands
For Sure - Dan Deacon Remix - Edit
135 bpm • A# Maj • 04:04 • -10.29db
20% Popularity • 51% Danceability • 66% Energy • 20% Liveness
2% Instrumentalness • 16% Positiveness
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Samia
Fit N Full
136 bpm • E Maj • 02:46 • -4db
17% Popularity • 56% Danceability • 82% Energy • 36% Liveness
7% Instrumentalness • 46% Positiveness
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Better Oblivion Community Center
Sleepwalkin' - Daydreamin' Version
136 bpm • B Maj • 03:42 • -4.93db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Perfume Genius
Describe
136 bpm • D# Maj • 04:44 • -10.59db
35% Popularity • 23% Danceability • 36% Energy • 22% Liveness
90% Instrumentalness • 5% Positiveness
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Bombay Bicycle Club
Is It Real
136 bpm • E Maj • 03:05 • -7db
36% Popularity • 61% Danceability • 84% Energy • 74% Liveness
2% Instrumentalness • 60% Positiveness
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TOPS
I Feel Alive
136 bpm • C# min • 02:34 • -4.77db
41% Popularity • 57% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Miel
Must Be Fine
120 bpm • G# Maj • 02:30 • -9.86db
28% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Empress Of
What's The Point
120 bpm • B min • 02:28 • -8.53db
28% Popularity • 71% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Aunty Social
Cortex
120 bpm • C Maj • 03:49 • -6.86db
8% Popularity • 57% Danceability • 74% Energy • 21% Liveness
76% Instrumentalness • 14% Positiveness
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Perfume Genius
Describe - Edit
136 bpm • D# Maj • 02:43 • -7.3db
22% Popularity • 20% Danceability • 62% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
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Cardioid
Old Records
120 bpm • G# min • 04:32 • -10db
10% Popularity • 56% Danceability • 72% Energy • 18% Liveness
90% Instrumentalness • 47% Positiveness
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Allie X
Rings a Bell
120 bpm • D# min • 04:16 • -8db
35% Popularity • 73% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Christine and the Queens
La vita nuova
120 bpm • D Maj • 04:28 • -9db
47% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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The Flaming Lips
God and the Policeman
120 bpm • B min • 02:28 • -5.92db
20% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Litany
Starsign
120 bpm • F Maj • 03:28 • -9db
33% Popularity • 79% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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HAIM
Days Are Gone
120 bpm • A min • 03:33 • -4.75db
36% Popularity • 74% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Griff
1,000,000 X Better
120 bpm • C Maj • 03:11 • -7.87db
48% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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No Rome
Spinning
120 bpm • B Maj • 02:52 • -5.64db
52% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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I Know Alone