Songs like "I Leapt out of the Closet..." by Jeanine Tesori
Based on a tempo of (+/- 10%) and a similar genre
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Jefferson Mays
Looking Down the Barrel of a Gun
102 bpm • F# Maj • 02:52 • -7.93db
19% Popularity • 47% Danceability • 38% Energy • 51% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 51% Liveness
0% Instrumentalness • 52% Positiveness
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Manoel Felciano
Minnie’s Testimony
102 bpm • D min • 01:11 • -9.22db
25% Popularity • 48% Danceability • 43% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 48% Danceability • 43% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
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Jeanine Tesori
"I Leapt out of the Closet..."
102 bpm • F# min • 02:45 • -21.04db
20% Popularity • 76% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 76% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alice Ripley
You Don't Know - Reprise
103 bpm • A min • 01:27 • -7.8db
29% Popularity • 70% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 70% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Gavin Creel
Agony (Reprise)
101 bpm • E Maj • 02:21 • -10.19db
32% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Allison Janney, Marc Kudisch and Ensemble
Potion Notion
101 bpm • C# Maj • 02:25 • -10.43db
25% Popularity • 61% Danceability • 32% Energy • 82% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 61% Danceability • 32% Energy • 82% Liveness
0% Instrumentalness • 46% Positiveness
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Wayne Alan Wilcox
Open Your Heart
103 bpm • F Maj • 01:54 • -6.58db
29% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Nathan Lane
Happy/Sad - 2010 Original Cast Recording...
101 bpm • C# Maj • 03:55 • -13.07db
36% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jeanine Tesori
Promise Me, Violet
101 bpm • A min • 03:38 • -11.92db
11% Popularity • 55% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 55% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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J. Robert Spencer
A Light in the Dark
101 bpm • G Maj • 02:45 • -13.93db
31% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Steven Pasquale
The World Inside a Frame
103 bpm • C# Maj • 02:48 • -10db
19% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Loser's Lounge
How Soon is Now?
100 bpm • C# min • 06:43 • -4.48db
0% Popularity • 51% Danceability • 95% Energy • 27% Liveness
67% Instrumentalness • 69% Positiveness
0% Popularity • 51% Danceability • 95% Energy • 27% Liveness
67% Instrumentalness • 69% Positiveness
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Michael Cerveris
Montage
103 bpm • D# min • 02:15 • -8.29db
12% Popularity • 47% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 47% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Nathan Lane
Live Before We Die - 2010 Original Cast ...
100 bpm • F# min • 02:48 • -15db
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 51% Danceability • 18% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Caissie Levy
Sheila Franklin / I Believe in Love
100 bpm • G# Maj • 01:13 • -8db
25% Popularity • 53% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 53% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Marin Mazzie
Journey On
100 bpm • B Maj • 04:13 • -11db
24% Popularity • 52% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 52% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Prayer of the Comfort Counselor
104 bpm • A min • 02:20 • -7.14db
31% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 49% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Victoria Clark
Dividing Day
104 bpm • D min • 03:01 • -22.31db
18% Popularity • 37% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 37% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Players
Entr'acte
105 bpm • C Maj • 01:54 • -7.05db
29% Popularity • 46% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 46% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 75% Positiveness
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Anthony Rosenthal
Another Miracle of Judaism
105 bpm • G Maj • 01:07 • -12.06db
33% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Judy Kuhn
Saturday Night (Is the Loneliest Night o...
105 bpm • A# Maj • 03:21 • -15.11db
5% Popularity • 63% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 63% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Samuel E. Wright
Under the Sea
99 bpm • A# Maj • 03:15 • -14.67db
69% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
69% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Jason Weaver
I Just Can't Wait to Be King
99 bpm • F# Maj • 02:50 • -14.21db
71% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Matthew Morrison
Aiutami
104 bpm • F Maj • 03:10 • -13.58db
15% Popularity • 49% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 49% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Rob McClure
The Mess I've Made
105 bpm • C Maj • 02:25 • -8.59db
21% Popularity • 63% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 63% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Richard H. Blake
Giving Back the Money
105 bpm • C# Maj • 02:13 • -7.31db
12% Popularity • 66% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 66% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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Kelli Barrett
My Child Will Forgive Me
99 bpm • D# Maj • 02:18 • -15.7db
24% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 42% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jennifer Smith
Message from a Nightingale
105 bpm • F min • 02:56 • -11db
18% Popularity • 73% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 73% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Laura Benanti
I Don't Know His Name
106 bpm • F# min • 03:58 • -9db
23% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Donna Murphy
I Don't Love You - Reprise
98 bpm • B min • 02:01 • -16.47db
2% Popularity • 49% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 49% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Jeanine Tesori
Lay Down Your Head
98 bpm • G Maj • 02:35 • -15.06db
13% Popularity • 34% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 34% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Maury Yeston
The Blame
98 bpm • A min • 04:46 • -17.64db
21% Popularity • 42% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 42% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Nathan Lane
Morticia - 2010 Original Cast Recording ...
106 bpm • G Maj • 03:49 • -11.91db
34% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Brian Blessed
Pressure Chant / Day After Day
98 bpm • C min • 04:20 • -16.12db
1% Popularity • 40% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 40% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Anthony Rosenthal
Canceling the Bar Mitzvah
107 bpm • C Maj • 03:32 • -12db
33% Popularity • 56% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 56% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Mary Callanan
Dwight Anson & Jean Ann
107 bpm • G Maj • 01:07 • -8.39db
15% Popularity • 57% Danceability • 38% Energy • 59% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 57% Danceability • 38% Energy • 59% Liveness
0% Instrumentalness • 71% Positiveness
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Steven Boyer
Happy for Her
107 bpm • A# Maj • 02:31 • -11db
27% Popularity • 60% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 60% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Hunter Foster
Hundred Story City
97 bpm • C Maj • 03:39 • -9.86db
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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'Come From Away' Company
Phoning Home
108 bpm • F Maj • 01:02 • -14.18db
39% Popularity • 58% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 58% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Laura Benanti
Where's My Shoe?
98 bpm • A# Maj • 01:53 • -6.68db
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Mandy Moore
When Will My Life Begin?
108 bpm • E Maj • 02:32 • -6.58db
63% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Brittain Ashford
Natasha Very Ill
108 bpm • E min • 01:08 • -15.98db
31% Popularity • 58% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 58% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Steven Boyer
Hello, Baby
108 bpm • A# Maj • 02:54 • -14.72db
23% Popularity • 51% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 51% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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John Behlmann
The Most Important Night
108 bpm • C min • 03:40 • -9.16db
15% Popularity • 90% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 90% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Krystal Joy Brown
The Blob - Part I
96 bpm • A# min • 01:35 • -7.79db
32% Popularity • 70% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 70% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Manoel Felciano
The Trial: Hammer of Justice
96 bpm • A min • 02:01 • -5.56db
27% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Rosalie Craig
Barcelona
96 bpm • C# Maj • 03:17 • -18.45db
20% Popularity • 34% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 34% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Maury Yeston
Mr. Andrews Vision
108 bpm • D Maj • 03:22 • -16db
21% Popularity • 39% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 39% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Ruthie Henshall
My Own Best Friend
96 bpm • G# Maj • 02:33 • -12.77db
15% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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David Mucci
The Trashing of the Car
96 bpm • D Maj • 01:09 • -10.71db
17% Popularity • 69% Danceability • 37% Energy • 69% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 69% Danceability • 37% Energy • 69% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Burnap
Camelot (Reprise)
95 bpm • F Maj • 01:12 • -13.47db
20% Popularity • 41% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 41% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Jeff Bowen
Part of It All
109 bpm • A# Maj • 03:04 • -8db
17% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jake Pedersen
Funeral Sequence: There is a Fountain / ...
95 bpm • A# Maj • 05:39 • -9.93db
29% Popularity • 30% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 30% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Alli Mauzey
Hello, Darling
109 bpm • D# Maj • 02:18 • -10db
28% Popularity • 72% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 72% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Marcia Mitzman
It's a Boy (reprise)/There's a Doctor
95 bpm • F Maj • 01:12 • -19.28db
19% Popularity • 52% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 52% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Bob Martin
Hello
110 bpm • G# Maj • 01:16 • -13.32db
23% Popularity • 71% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 71% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jerry Orbach
Razzle Dazzle
110 bpm • D Maj • 03:09 • -9.38db
21% Popularity • 51% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 51% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Woe Is Me - Reprise
95 bpm • F Maj • 01:00 • -13.28db
28% Popularity • 63% Danceability • 8% Energy • 36% Liveness
1% Instrumentalness • 36% Positiveness
28% Popularity • 63% Danceability • 8% Energy • 36% Liveness
1% Instrumentalness • 36% Positiveness
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Tovah Feldshuh
Henry Street
110 bpm • G Maj • 02:39 • -8.2db
20% Popularity • 67% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 67% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Original Broadway Cast Of Jagged Little Pill
Lancer's Party (So Pure)
110 bpm • B Maj • 01:32 • -4.28db
25% Popularity • 58% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 58% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Jeanine Tesori
It All Comes Back (Opening)
95 bpm • F Maj • 05:05 • -12db
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Maury Yeston
The Proposal / The Night Was Alive
110 bpm • A# Maj • 04:40 • -21db
27% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Cerveris
SPCA
95 bpm • G Maj • 04:46 • -4.74db
1% Popularity • 45% Danceability • 91% Energy • 9% Liveness
21% Instrumentalness • 32% Positiveness
1% Popularity • 45% Danceability • 91% Energy • 9% Liveness
21% Instrumentalness • 32% Positiveness
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Terrence Mann
The Story of the Man in the Yellow Suit
94 bpm • B min • 02:14 • -15.15db
24% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jason Tam
Be More Chill, Pt. 2
110 bpm • E Maj • 02:14 • -7.56db
25% Popularity • 55% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 55% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Laura Benanti
No More Candy
94 bpm • G# Maj • 01:37 • -11.75db
22% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 43% Danceability • 23% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Judy Kuhn
I Love the Way You're Breaking My Heart
110 bpm • G# Maj • 02:46 • -10.09db
6% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
6% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Maury Yeston
Overture / Prologue: In Every Age
94 bpm • D Maj • 03:25 • -23.49db
25% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
25% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
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Bertie Carvel
Chalk Writing
94 bpm • C Maj • 01:24 • -11.09db
25% Popularity • 40% Danceability • 44% Energy • 88% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 40% Danceability • 44% Energy • 88% Liveness
0% Instrumentalness • 54% Positiveness
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Jeanine Tesori
"Shortly After We Were Married..."
94 bpm • D# min • 00:52 • -24.74db
20% Popularity • 64% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 64% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Benj Pasek
Hometown Hero's Ticker Tape Parade
94 bpm • F min • 03:17 • -4.31db
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Stephen Flaherty
How Lucky You Are (Mayzie's Reprise) - O...
94 bpm • D# Maj • 01:36 • -15.34db
31% Popularity • 68% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 68% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin Creel
Goodbye, Georg
94 bpm • D# min • 01:58 • -10.87db
21% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 64% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Michele Pawk
Tomorrow Belongs to Me (Reprise)
111 bpm • A# Maj • 02:27 • -11.11db
28% Popularity • 60% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 60% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Denée Benton
The Ball
93 bpm • F Maj • 05:49 • -8.98db
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jeanine Tesori
Not Too Bad
111 bpm • E min • 00:35 • -15.37db
23% Popularity • 67% Danceability • 7% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 67% Danceability • 7% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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J. Robert Spencer
I've Been
93 bpm • C# Maj • 02:44 • -8.33db
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Premiere Cast
Why Not Me?
93 bpm • A Maj • 03:18 • -7db
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Zachary Levi
Finale
111 bpm • D# Maj • 01:23 • -7.59db
22% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sharon Wheatley
Costume Party
112 bpm • F Maj • 05:18 • -9db
40% Popularity • 72% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 72% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Alexander Nolan
The Man I'll Never Be
112 bpm • G# Maj • 01:34 • -13.72db
21% Popularity • 46% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 46% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Jeanine Tesori
M&M's
94 bpm • F Maj • 01:31 • -16.15db
14% Popularity • 66% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 50% Positiveness
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Carolee Carmello
The Story of the Tucks
93 bpm • G# Maj • 02:43 • -12.96db
29% Popularity • 75% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 75% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Bonnie Milligan
How to Wash a Check
93 bpm • C Maj • 04:30 • -7.49db
28% Popularity • 68% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 68% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
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Laura Benanti
Mr. Nowack, Will You Please...
112 bpm • F Maj • 01:03 • -7.99db
21% Popularity • 60% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 60% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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'[title of show]' Original Cast
Monkeys and Playbills
93 bpm • D Maj • 03:26 • -9.36db
16% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 61% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Kirby Ward
Could You Use Me?
93 bpm • F Maj • 01:20 • -23.02db
20% Popularity • 49% Danceability • 8% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 49% Danceability • 8% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
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Jeanine Tesori
Come to the Fun Home
93 bpm • G Maj • 02:56 • -10.35db
30% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Anthony Barrile
Sally Simpson
93 bpm • G Maj • 03:35 • -13.75db
18% Popularity • 48% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 48% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
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'Come From Away' Company
Lead Us Out Of The Night
112 bpm • F# Maj • 01:12 • -21.66db
40% Popularity • 57% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 57% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Marin Mazzie
Nothing Like the City
113 bpm • D# Maj • 02:27 • -16.83db
20% Popularity • 61% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 61% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Krystal Joy Brown
Gussie's Opening Number
92 bpm • A# min • 02:07 • -7.22db
33% Popularity • 41% Danceability • 41% Energy • 94% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 41% Danceability • 41% Energy • 94% Liveness
0% Instrumentalness • 45% Positiveness
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Michael McGrath
Sounds While Selling
92 bpm • E Maj • 02:02 • -8db
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jeanine Tesori
Welcome to Our House on Maple Avenue
112 bpm • G Maj • 04:30 • -11.46db
27% Popularity • 63% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 63% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Brian Blessed
Elitists' Dance
92 bpm • A# Maj • 02:09 • -22.62db
1% Popularity • 79% Danceability • 15% Energy • 17% Liveness
41% Instrumentalness • 24% Positiveness
1% Popularity • 79% Danceability • 15% Energy • 17% Liveness
41% Instrumentalness • 24% Positiveness
► Preview
Mandy Patinkin
Scene: Archibald's Library / A Bit of Ea...
92 bpm • A Maj • 03:46 • -18.59db
21% Popularity • 33% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 33% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Norm Lewis
Go to the Mirror/Listening to You
113 bpm • E Maj • 03:35 • -12.76db
21% Popularity • 58% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 58% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
