Songs like I Lied (with Allison Ponthier) by Lord Huron
Based on a tempo of (+/- 10%) and a similar genre
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SYML
Where's My Love - Acoustic
104 bpm • D# Maj • 03:59 • -11.32db
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Snow Patrol
Chasing Cars
104 bpm • A Maj • 04:27 • -4.53db
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Harrison Storm
Feeling You
104 bpm • C# min • 03:21 • -9.37db
64% Popularity • 64% Danceability • 50% Energy • 12% Liveness
16% Instrumentalness • 16% Positiveness
64% Popularity • 64% Danceability • 50% Energy • 12% Liveness
16% Instrumentalness • 16% Positiveness
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Harry Styles
Sweet Creature
104 bpm • G Maj • 03:44 • -8.54db
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
73% Popularity • 43% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Lord Huron
Until the Night Turns
103 bpm • E Maj • 03:47 • -7db
40% Popularity • 54% Danceability • 89% Energy • 21% Liveness
31% Instrumentalness • 52% Positiveness
40% Popularity • 54% Danceability • 89% Energy • 21% Liveness
31% Instrumentalness • 52% Positiveness
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Sleeping At Last
Light
105 bpm • C Maj • 04:22 • -9.02db
56% Popularity • 22% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
56% Popularity • 22% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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SYML
Where’s My Love - Alternate Version
104 bpm • C min • 04:08 • -11.81db
65% Popularity • 38% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
65% Popularity • 38% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Novo Amor
Keep Me
105 bpm • C# Maj • 03:14 • -14.12db
66% Popularity • 57% Danceability • 13% Energy • 16% Liveness
6% Instrumentalness • 7% Positiveness
66% Popularity • 57% Danceability • 13% Energy • 16% Liveness
6% Instrumentalness • 7% Positiveness
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salvia palth
i was all over her
105 bpm • G Maj • 02:41 • -12.77db
78% Popularity • 54% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
78% Popularity • 54% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Harry Styles
Meet Me in the Hallway
104 bpm • D Maj • 03:47 • -6.53db
65% Popularity • 54% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
65% Popularity • 54% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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TV Girl
Lovers Rock
105 bpm • F min • 03:33 • -5.34db
88% Popularity • 56% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
88% Popularity • 56% Danceability • 87% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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The National
About Today - 2021 Remaster
105 bpm • A min • 04:10 • -13.7db
58% Popularity • 55% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 42% Positiveness
58% Popularity • 55% Danceability • 58% Energy • 12% Liveness
70% Instrumentalness • 42% Positiveness
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SYML
Where's My Love
104 bpm • C min • 03:22 • -10.11db
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Novo Amor
Co-Pathetic
103 bpm • C# Maj • 03:55 • -9.76db
49% Popularity • 41% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
49% Popularity • 41% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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Benson Boone
Beautiful Things
105 bpm • A# Maj • 03:00 • -5.69db
59% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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flora cash
You're Somebody Else
103 bpm • C# Maj • 03:39 • -9.06db
69% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
69% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Of Monsters and Men
Little Talks
103 bpm • C# Maj • 04:26 • -5.18db
81% Popularity • 46% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
81% Popularity • 46% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Dustin Tebbutt
The Breach
103 bpm • C# Maj • 04:13 • -7.48db
45% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
45% Popularity • 63% Danceability • 62% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
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Patrick Watson
The Great Escape
105 bpm • F# Maj • 03:07 • -16.83db
63% Popularity • 46% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 23% Positiveness
63% Popularity • 46% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 23% Positiveness
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Cigarettes After Sex
Heavenly
105 bpm • G# Maj • 04:46 • -9.19db
78% Popularity • 54% Danceability • 44% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
78% Popularity • 54% Danceability • 44% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
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Gigi Perez
Sometimes (Backwood)
105 bpm • D# Maj • 02:33 • -11.41db
65% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
65% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Lana Del Rey
Margaret
102 bpm • A Maj • 05:39 • -13.24db
81% Popularity • 45% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 22% Positiveness
81% Popularity • 45% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 22% Positiveness
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The Head And The Heart
Down in the Valley
106 bpm • C Maj • 05:03 • -11db
54% Popularity • 41% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
54% Popularity • 41% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Coldplay
Sparks
103 bpm • C# Maj • 03:47 • -10.51db
87% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
87% Popularity • 37% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 16% Positiveness
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Yoke Lore
Truly Madly Deeply - Recorded at Spotify...
106 bpm • C min • 03:10 • -14.07db
62% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
62% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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The Head And The Heart
All We Ever Knew
102 bpm • C Maj • 03:45 • -5.91db
61% Popularity • 49% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 49% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Hollow Coves
The Woods
106 bpm • A Maj • 04:02 • -11.83db
46% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Caamp
By and By
101 bpm • A Maj • 04:40 • -7.98db
71% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
71% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Lord Huron
Ace Up My Sleeve
107 bpm • G Maj • 03:50 • -7.7db
38% Popularity • 48% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 34% Positiveness
38% Popularity • 48% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 34% Positiveness
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Stephen Sanchez
Until I Found You - Em Beihold Version
101 bpm • A# Maj • 02:56 • -5.34db
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
86% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Kodaline
Love Like This - Acoustic
107 bpm • E Maj • 04:01 • -14.4db
54% Popularity • 40% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
54% Popularity • 40% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Lana Del Rey
Brooklyn Baby
108 bpm • C# Maj • 05:51 • -6.7db
81% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
81% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Hollow Coves
Coastline
100 bpm • D Maj • 03:53 • -11.29db
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Novo Amor
From Gold
100 bpm • F Maj • 03:34 • -13.31db
65% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
65% Popularity • 39% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Mitski
First Love/Late Spring
100 bpm • C Maj • 04:38 • -8.2db
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
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Frank Ocean
White Ferrari
109 bpm • C Maj • 04:08 • -15.61db
80% Popularity • 50% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
80% Popularity • 50% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Lana Del Rey
Say Yes To Heaven
100 bpm • F# min • 03:29 • -11.58db
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
86% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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City and Colour
The Girl
109 bpm • A# Maj • 06:00 • -8db
38% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Edith Whiskers
Home - Slowed
109 bpm • C Maj • 03:37 • -12.32db
61% Popularity • 70% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 70% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Vancouver Sleep Clinic
Someone To Stay
109 bpm • C# Maj • 04:14 • -7.24db
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lord Huron
Time to Run
109 bpm • A# Maj • 05:23 • -7.94db
48% Popularity • 54% Danceability • 86% Energy • 11% Liveness
57% Instrumentalness • 30% Positiveness
48% Popularity • 54% Danceability • 86% Energy • 11% Liveness
57% Instrumentalness • 30% Positiveness
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Stephen Sanchez
Evangeline
109 bpm • D# Maj • 02:57 • -7.13db
70% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Hollow Coves
Interlude
99 bpm • G Maj • 01:00 • -21.38db
48% Popularity • 56% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
48% Popularity • 56% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Angus & Julia Stone
Big Jet Plane
110 bpm • A# min • 03:59 • -8.62db
61% Popularity • 77% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
61% Popularity • 77% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Labrinth
Never Felt So Alone
98 bpm • F Maj • 02:40 • -4.44db
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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BØRNS
Past Lives
110 bpm • E Maj • 04:34 • -6.86db
70% Popularity • 74% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
70% Popularity • 74% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Chance Peña
War
110 bpm • G# Maj • 02:38 • -11.38db
72% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 20% Positiveness
72% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 20% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Gregory Alan Isakov
Big Black Car
110 bpm • D# Maj • 03:37 • -15.93db
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Shakey Graves
Tomorrow
98 bpm • G Maj • 04:00 • -10.85db
64% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 56% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Swift
mirrorball
110 bpm • D Maj • 03:28 • -10.04db
77% Popularity • 55% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
77% Popularity • 55% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Rainbow Kitten Surprise
It's Called: Freefall
98 bpm • D Maj • 02:32 • -6.37db
81% Popularity • 74% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 28% Positiveness
81% Popularity • 74% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 28% Positiveness
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Bon Iver
For Emma
111 bpm • E min • 03:40 • -11.12db
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
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Novo Amor
Haven
111 bpm • E Maj • 02:52 • -11.67db
67% Popularity • 56% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
67% Popularity • 56% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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Of Monsters and Men
Love Love Love
111 bpm • G Maj • 03:58 • -10db
54% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 32% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Cigarettes After Sex
Nothing's Gonna Hurt You Baby
97 bpm • E Maj • 04:46 • -14.07db
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
75% Popularity • 51% Danceability • 33% Energy • 11% Liveness
15% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
I Know The End
112 bpm • C# Maj • 05:44 • -10.27db
72% Popularity • 32% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 26% Positiveness
72% Popularity • 32% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 26% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Dawes
Teenage Dream
112 bpm • A# Maj • 02:58 • -9.07db
72% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
72% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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John Vincent III
Lover of Mine
112 bpm • G# Maj • 03:47 • -9.46db
60% Popularity • 42% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
60% Popularity • 42% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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Of Monsters and Men
Dirty Paws
112 bpm • D# Maj • 04:38 • -7.06db
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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Cigarettes After Sex
Sweet
97 bpm • F# Maj • 04:52 • -9.07db
82% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
82% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The 1975
About You
96 bpm • D Maj • 05:26 • -7.39db
81% Popularity • 42% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 46% Positiveness
81% Popularity • 42% Danceability • 76% Energy • 6% Liveness
80% Instrumentalness • 46% Positiveness
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Harry Styles
Cherry
96 bpm • G Maj • 04:19 • -9.26db
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Conan Gray
Memories
113 bpm • B Maj • 04:08 • -6.31db
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Clairo
Sofia
113 bpm • C Maj • 03:08 • -9.81db
79% Popularity • 74% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
79% Popularity • 74% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Stephen Sanchez
Until I Found You - Piano Version
95 bpm • G Maj • 03:04 • -10.45db
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Lord Huron
Brother
113 bpm • G Maj • 04:00 • -7.83db
40% Popularity • 56% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 56% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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The Head And The Heart
Lost in My Mind
95 bpm • D Maj • 04:19 • -9db
60% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Bright Eyes
First Day of My Life
95 bpm • C# min • 03:08 • -14.37db
68% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
68% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Howard
I Forget Where We Were
113 bpm • C Maj • 04:41 • -9.57db
55% Popularity • 30% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
55% Popularity • 30% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
73% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
73% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Mitski
My Love Mine All Mine
114 bpm • A Maj • 02:17 • -14.96db
94% Popularity • 50% Danceability • 31% Energy • 16% Liveness
14% Instrumentalness • 12% Positiveness
94% Popularity • 50% Danceability • 31% Energy • 16% Liveness
14% Instrumentalness • 12% Positiveness
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The Neighbourhood
Reflections
114 bpm • B min • 04:04 • -7.03db
83% Popularity • 65% Danceability • 59% Energy • 12% Liveness
5% Instrumentalness • 54% Positiveness
83% Popularity • 65% Danceability • 59% Energy • 12% Liveness
5% Instrumentalness • 54% Positiveness
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Cage The Elephant
Cigarette Daydreams
114 bpm • D Maj • 03:28 • -3.44db
81% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
81% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Lana Del Rey
Young And Beautiful
114 bpm • B min • 03:56 • -8.92db
85% Popularity • 32% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
85% Popularity • 32% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Noah Kahan
Forever
95 bpm • C Maj • 04:28 • -10.86db
80% Popularity • 40% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
80% Popularity • 40% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Harry Styles
Matilda
114 bpm • D Maj • 04:05 • -10db
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Bon Iver
Beach Baby
114 bpm • C Maj • 02:40 • -17.28db
75% Popularity • 67% Danceability • 8% Energy • 11% Liveness
41% Instrumentalness • 9% Positiveness
75% Popularity • 67% Danceability • 8% Energy • 11% Liveness
41% Instrumentalness • 9% Positiveness
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Daughter
Medicine
95 bpm • D# Maj • 04:18 • -12.2db
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
65% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
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JVKE
golden hour
94 bpm • E Maj • 03:29 • -4.8db
81% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
81% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
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Cigarettes After Sex
Apocalypse
94 bpm • F Maj • 04:50 • -9.01db
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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Delaney Bailey
j's lullaby (darlin' i'd wait for you)
115 bpm • G# Maj • 04:49 • -20.08db
65% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Novo Amor
Euphor
115 bpm • A# min • 04:03 • -14.01db
67% Popularity • 30% Danceability • 28% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
67% Popularity • 30% Danceability • 28% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness