Songs like I Like Musicals by Laura Benanti
Based on a tempo of (+/- 10%) and a similar genre
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Laura Benanti
I Like Musicals
140 bpm • G Maj • 03:21 • -4.05db
20% Popularity • 56% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 56% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
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Barrett Wilbert Weed
I'd Rather Be Me
140 bpm • E Maj • 02:50 • -3.33db
55% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Lana Parrilla
Love Doesn't Stand a Chance
140 bpm • G Maj • 02:02 • -7db
39% Popularity • 63% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 63% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Analise Scarpaci
What The Hell
140 bpm • F# Maj • 03:16 • -6.86db
35% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Crazy Ex-Girlfriend Cast
Let's Generalize About Men
140 bpm • E min • 02:38 • -3.98db
37% Popularity • 81% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 81% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
22% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
30% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Benanti
In The Beginning (Eve)
140 bpm • C Maj • 03:45 • -8.48db
4% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Original Broadway Cast Of School Of Rock
Where Did the Rock Go
141 bpm • A# Maj • 04:14 • -7.58db
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
33% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
8% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Rosario Dawson
Out Tonight
139 bpm • A Maj • 03:54 • -2.83db
48% Popularity • 53% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 53% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Joey Contreras
Love Wildly
141 bpm • C Maj • 03:09 • -4.8db
16% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Crazy Ex-Girlfriend Cast
I Hate Everything But You
141 bpm • D Maj • 02:47 • -4.21db
31% Popularity • 73% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 73% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Porter
Not My Father's Son
141 bpm • A Maj • 05:57 • -13.62db
33% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Steven Pasquale
The Streets of Dublin
141 bpm • E Maj • 03:25 • -9db
25% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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SMASH Cast
Don't Forget Me (SMASH Cast Version)
139 bpm • B Maj • 03:14 • -7db
35% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Laura Benanti
I Could Have Danced All Night
139 bpm • C Maj • 03:48 • -11db
7% Popularity • 38% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 38% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Beth Malone
It's My Party
141 bpm • D Maj • 02:36 • -5.8db
9% Popularity • 66% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 66% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Stark Sands
Step One
138 bpm • C# Maj • 02:48 • -5db
33% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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StarKid
Rogues Medley
138 bpm • B min • 07:53 • -5.54db
25% Popularity • 44% Danceability • 81% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 44% Danceability • 81% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
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Richard H. Blake
All About the Green
142 bpm • C Maj • 04:36 • -5.97db
10% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 60% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Anthony Rapp
Losing My Religion
142 bpm • A min • 03:06 • -8.53db
11% Popularity • 56% Danceability • 40% Energy • 62% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 56% Danceability • 40% Energy • 62% Liveness
0% Instrumentalness • 28% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Gavin Creel
Noise
142 bpm • D min • 04:37 • -5.31db
9% Popularity • 46% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 46% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Andrew Durand
Mad About You
142 bpm • A Maj • 02:35 • -5db
23% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
32% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Laura Benanti
My Time of Day - Live
138 bpm • A# Maj • 02:37 • -9.93db
1% Popularity • 36% Danceability • 53% Energy • 73% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 36% Danceability • 53% Energy • 73% Liveness
0% Instrumentalness • 17% Positiveness
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Voctave
Poor Unfortunate Souls / I Put a Spell o...
142 bpm • D# Maj • 03:35 • -11.75db
32% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Meryl Streep
Changing Lives
142 bpm • F# Maj • 03:09 • -6db
32% Popularity • 61% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 61% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Crazy Ex-Girlfriend Cast
After Everything You Made Me Do (That Yo...
138 bpm • F Maj • 02:00 • -4.78db
28% Popularity • 60% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 60% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Jessie Mueller
So Far Away
137 bpm • D Maj • 01:42 • -7db
29% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Janet Dacal
Welcome to Wonderland
137 bpm • E min • 03:27 • -8.88db
35% Popularity • 75% Danceability • 64% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 75% Danceability • 64% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
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Laura Benanti
The Boy From...
138 bpm • D Maj • 03:48 • -12.06db
3% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
3% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Lynn Ahrens
Alone In The Universe - Original Broadwa...
143 bpm • C Maj • 04:49 • -12.83db
35% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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And the World Goes 'Round Ensemble
Coffee in a Cardboard Cup
143 bpm • F min • 02:46 • -16.93db
15% Popularity • 64% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 64% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
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Scott Burkell
I Really, Really Love You (Stalker)
143 bpm • D Maj • 04:41 • -9.23db
10% Popularity • 56% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 56% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Sawyer Nunes
We're All Made Of Stars - Original Broad...
137 bpm • G Maj • 01:56 • -7db
30% Popularity • 64% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 64% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jeremy Kushnier
Almost Paradise
143 bpm • G Maj • 03:20 • -14db
30% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Antonio Banderas
What I Did For Love - Bonus Track / Orig...
143 bpm • C Maj • 05:17 • -12.56db
4% Popularity • 20% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 20% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Will Shish
Songs from Amberland: Edie's Reckoning
137 bpm • C Maj • 02:40 • -10.94db
2% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Katrina Lenk
Omar Sharif
143 bpm • B min • 03:24 • -10.5db
31% Popularity • 33% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 33% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Robert Joy
Come Look at the Freaks
144 bpm • B Maj • 06:47 • -9.16db
13% Popularity • 51% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 51% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Alan Cumming
Wig in a Box/Wicked Little Town
136 bpm • G Maj • 04:13 • -7.07db
9% Popularity • 46% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 46% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
38% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
35% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Write Out Loud
Android Ashley
136 bpm • E Maj • 04:19 • -12db
29% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Stephen Lynch
Not That Kind of Thing
144 bpm • F# Maj • 03:14 • -6.72db
10% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 74% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
49% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
48% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Amy Spanger
Pop!
144 bpm • C# Maj • 03:09 • -4.79db
11% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Blaemire
We Beseech Thee
136 bpm • G Maj • 03:23 • -8.29db
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme a & B
136 bpm • G# Maj • 08:28 • -5db
24% Popularity • 48% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 48% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Liz Callaway
Everybody Says Don't (Anyone Can Whistle...
136 bpm • B Maj • 02:35 • -5.83db
15% Popularity • 55% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 55% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Dahan
A New Horizon
145 bpm • B Maj • 04:38 • -9db
24% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Crazy Ex-Girlfriend Cast
The Moment Is Me
145 bpm • G Maj • 02:08 • -7.43db
24% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Laura Benanti
Someday
136 bpm • A Maj • 03:30 • -4db
15% Popularity • 68% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 68% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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36 Questions
Hear Me Out
135 bpm • A Maj • 03:35 • -9db
33% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme
135 bpm • G# Maj • 06:59 • -5db
47% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Karr
Two Strangers
145 bpm • G min • 05:05 • -10.32db
14% Popularity • 35% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 35% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Caissie Levy
Dangerous to Dream
134 bpm • A Maj • 04:55 • -11.92db
19% Popularity • 33% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 33% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
23% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Bonnie Milligan
Automatic Rainy Day
134 bpm • G Maj • 03:16 • -4.68db
22% Popularity • 65% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 65% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Alice Ripley
Bubble Boy
134 bpm • F Maj • 05:38 • -8db
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Elizabeth Stanley
Uninvited
134 bpm • D Maj • 03:45 • -5.4db
28% Popularity • 46% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 46% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Amy Spanger
Right in Front of Your Eyes
146 bpm • E Maj • 03:24 • -5.2db
13% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Laura Benanti
The Ukulele Song - Live
134 bpm • E Maj • 03:31 • -10.91db
9% Popularity • 59% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 59% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 59% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
39% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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SMASH Cast
Let Me Be Your Star (SMASH Cast Version)...
147 bpm • B Maj • 03:43 • -7.97db
38% Popularity • 34% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 34% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Matthew Morrison
If The World Turned Upside Down - Origin...
147 bpm • A Maj • 01:43 • -8.76db
29% Popularity • 38% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 38% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Steven McRae
Skimbleshanks: The Railway Cat
147 bpm • E Maj • 04:00 • -6.61db
31% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Isabelle McCalla
Alyssa Greene
133 bpm • G# Maj • 02:30 • -10.69db
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Laura Benanti
Wives and Lovers
134 bpm • G min • 03:56 • -14.01db
3% Popularity • 47% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
3% Popularity • 47% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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Barri McPherson
Once upon a Time
147 bpm • G# Maj • 03:11 • -9db
20% Popularity • 34% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 34% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Rachel Bloom
Feelin' Kinda Naughty
133 bpm • A# min • 01:49 • -4.73db
32% Popularity • 86% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 86% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Miller
Spring Cleaning
133 bpm • F Maj • 03:02 • -7db
12% Popularity • 71% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 71% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
32% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
25% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Sherie Rene Scott
Still Hurting
133 bpm • C Maj • 05:01 • -13.04db
34% Popularity • 34% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 34% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
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Celeste Rose
Before the Breakdown
148 bpm • C# Maj • 03:59 • -6.75db
24% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Allen
Not The Boy Next Door - The Boy From Oz/...
132 bpm • C# Maj • 02:21 • -6.98db
26% Popularity • 57% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 57% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Rachel Bloom
West Covina - Reprise
132 bpm • B Maj • 01:14 • -10.84db
27% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Susan Egan
Momsense
148 bpm • D Maj • 03:00 • -4.85db
16% Popularity • 71% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 71% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Lynne Shankel
Anytime, Anywhere, Any Day
132 bpm • G min • 02:38 • -4.52db
11% Popularity • 73% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 73% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
34% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
