Songs like I Lost a Friend by FINNEAS
Based on a tempo of (+/- 10%) and a similar genre
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FINNEAS
I Lost a Friend
169 bpm • B Maj • 03:57 • -11.92db
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Olivia Rodrigo
happier
169 bpm • F# Maj • 02:55 • -9.72db
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Joji
Glimpse of Us
170 bpm • G# Maj • 03:53 • -9.26db
76% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
76% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Amber Run
I Found - Acoustic
171 bpm • G min • 04:19 • -11.17db
51% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 39% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Phoebe Bridgers
Funeral
171 bpm • B Maj • 03:52 • -14.42db
67% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
67% Popularity • 22% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Anson Seabra
I Can't Carry This Anymore
167 bpm • D# Maj • 03:20 • -16.82db
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Taylor Swift
champagne problems
171 bpm • C Maj • 04:04 • -12.08db
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Noah Kahan
Call Your Mom
172 bpm • C Maj • 04:38 • -11.37db
67% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
67% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Styles
Keep Driving
165 bpm • A Maj • 02:20 • -9.67db
74% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
74% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Coldplay
Yellow
173 bpm • B Maj • 04:26 • -7.23db
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
89% Popularity • 43% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Lord Huron
The Night We Met
174 bpm • A Maj • 03:29 • -11.11db
67% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
67% Popularity • 42% Danceability • 36% Energy • 63% Liveness
18% Instrumentalness • 12% Positiveness
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Ber
Meant To Be
174 bpm • C# Maj • 02:43 • -11db
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
62% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
62% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Maeson
Dancing After Death
176 bpm • C# min • 03:57 • -6.35db
50% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Hozier
Work Song
178 bpm • A# Maj • 03:49 • -7.69db
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
76% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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dodie
Would You Be So Kind
160 bpm • E Maj • 03:00 • -9.62db
57% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Ruth B.
If This is Love
179 bpm • F# min • 03:49 • -4.39db
51% Popularity • 28% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 28% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Abe Parker
Butterflies
160 bpm • D# Maj • 03:03 • -7.04db
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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John K
ilym
179 bpm • C# min • 03:56 • -8.14db
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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girl in red
midnight love
180 bpm • D min • 03:13 • -9.89db
69% Popularity • 28% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
69% Popularity • 28% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
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Lizzy McAlpine
Apple Pie
180 bpm • A# Maj • 04:19 • -12.27db
59% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Madison Beer
Reckless
180 bpm • D# Maj • 03:23 • -6.64db
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Sadie Jean
WYD Now?
181 bpm • C# Maj • 02:24 • -10.99db
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Nessa Barrett
die first
183 bpm • G# min • 02:57 • -6.73db
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Stephen Sanchez
Lady by the Sea
186 bpm • G# Maj • 03:02 • -10.03db
61% Popularity • 44% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 44% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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girl in red
.
152 bpm • A# Maj • 02:46 • -7db
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
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Ricky Montgomery
Line Without a Hook
190 bpm • G# Maj • 04:09 • -4.97db
78% Popularity • 43% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 43% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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mehro
lightning
150 bpm • D# min • 03:08 • -8db
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.71db
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Rosenthal
It's Ok
148 bpm • G# min • 03:11 • -15.11db
67% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
67% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Sabrina Carpenter
because i liked a boy
147 bpm • B Maj • 03:16 • -7.3db
77% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
77% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Bruno Mars
Talking to the Moon
146 bpm • C# min • 03:37 • -4.72db
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
82% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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LÉON
Die For You
146 bpm • F# Maj • 03:37 • -5.87db
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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FINNEAS
What They'll Say About Us (Until The Rib...
145 bpm • C Maj • 03:32 • -4.43db
22% Popularity • 60% Danceability • 72% Energy • 37% Liveness
11% Instrumentalness • 50% Positiveness
22% Popularity • 60% Danceability • 72% Energy • 37% Liveness
11% Instrumentalness • 50% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Harry Styles
Girl Crush - Recorded at Metropolis Stud...
144 bpm • E Maj • 04:03 • -11.73db
66% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
66% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Adele
When We Were Young
144 bpm • D# Maj • 04:50 • -5.94db
77% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
77% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Luke Hemmings
Mum
144 bpm • D# Maj • 03:50 • -6.67db
53% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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mehro
chance with you
144 bpm • E min • 03:35 • -8.13db
64% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
64% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
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Anson Seabra
Emerald Eyes
200 bpm • E Maj • 03:59 • -17.04db
49% Popularity • 48% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 48% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Lizzy McAlpine
reckless driving
200 bpm • C Maj • 03:09 • -10db
64% Popularity • 53% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 53% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Lana Del Rey
Chemtrails Over The Country Club
201 bpm • E min • 04:31 • -13.13db
80% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
80% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
