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I Love to Love
Songs like
I Love to Love
by
Always Friday
Based on a tempo of (+/- 10%) and a similar genre
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Always Friday
I Was Born to Love You (Backing Vocals)
139 bpm • G# Maj • 05:04 • -7.17db
0% Popularity • 53% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Wave and Wire
Blueprints
138 bpm • E min • 04:13 • -9.14db
0% Popularity • 46% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Downie Street Collective
Resolution
140 bpm • D Maj • 03:05 • -3.46db
26% Popularity • 58% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 73% Positiveness
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Skram
Serendripity
139 bpm • F# min • 03:22 • -6.25db
26% Popularity • 77% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Robert
Lonely Boy - Radio Edit
140 bpm • D Maj • 03:48 • -4.96db
8% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Lucie
Hands On Me
140 bpm • C Maj • 04:20 • -12.1db
16% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jay Garrett
Daytona Bound
138 bpm • G# Maj • 03:48 • -6.31db
27% Popularity • 49% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Jack West
21
140 bpm • A# Maj • 02:20 • -7.1db
9% Popularity • 70% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Jena
Lost in your eyes
138 bpm • D# Maj • 03:23 • -8.55db
21% Popularity • 64% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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MUHLBO
Old Dreams
140 bpm • G Maj • 03:27 • -9.7db
21% Popularity • 41% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Phil Young
Make You Happier
140 bpm • B Maj • 04:00 • -7.22db
18% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Sano Hill
Sing Out Loud
138 bpm • D Maj • 04:54 • -8.03db
20% Popularity • 54% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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Beau Stephenson
Cold Operation
140 bpm • C# min • 02:48 • -7.33db
9% Popularity • 68% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Robert
Lonely Boy
140 bpm • D Maj • 04:55 • -5.52db
20% Popularity • 58% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Gareth Dunlop
Train Driver
138 bpm • D Maj • 04:00 • -6.33db
12% Popularity • 72% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 82% Positiveness
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Daniel Bromander
Still Standing
140 bpm • D Maj • 02:46 • -10.12db
19% Popularity • 68% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Doug Schuhardt
Isn't That Enough?
138 bpm • G Maj • 03:24 • -10.06db
16% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Mattias Boman
Crossroads
140 bpm • G Maj • 03:42 • -8.11db
16% Popularity • 44% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Chewie
All I See
140 bpm • D Maj • 03:15 • -9.12db
21% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Kind Villain
Throw the Radio
138 bpm • G Maj • 04:17 • -10.01db
8% Popularity • 56% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Joachim Olsen
Tragedy song
140 bpm • G Maj • 02:36 • -3.5db
29% Popularity • 62% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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The Me In You
Oh No
140 bpm • B min • 03:31 • -7.03db
16% Popularity • 59% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Ambrosius
Shadow Logic
138 bpm • D Maj • 03:52 • -7.5db
24% Popularity • 62% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Conleth
Shooting Stars
138 bpm • D Maj • 03:42 • -9.53db
22% Popularity • 82% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Walk Off Hits
All They Gave Me Was You
140 bpm • F# Maj • 03:30 • -4.52db
13% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Epicure.
At Least You Tried
140 bpm • A min • 02:24 • -6.7db
13% Popularity • 56% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Ephie Lowinger
This Is The Real You
138 bpm • C Maj • 03:19 • -3.85db
10% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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The Escape Society
Pretty City
138 bpm • E Maj • 03:05 • -10.06db
15% Popularity • 55% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
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Casey Mifsud
UFO
140 bpm • B Maj • 04:06 • -9.25db
18% Popularity • 59% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jonas Hackner
Freiheit
140 bpm • B Maj • 02:25 • -6.98db
18% Popularity • 59% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Turone
Moving to the Moon
140 bpm • C min • 03:30 • -9.44db
17% Popularity • 56% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Zach Miller
on the internet
140 bpm • A Maj • 03:22 • -13.76db
22% Popularity • 59% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Phil Young
Make Your Mind Up - Acoustic
141 bpm • B Maj • 02:39 • -9.23db
11% Popularity • 78% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Aldrich Sherwood
Speeding On The Path
138 bpm • F Maj • 02:26 • -17.37db
18% Popularity • 38% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Sam Nelson
Shout It Out Loud
137 bpm • D Maj • 02:43 • -4.66db
10% Popularity • 66% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Marshutes
Whiplash
142 bpm • G Maj • 02:33 • -7.06db
16% Popularity • 60% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Safari Room
Strength to Stand
142 bpm • G# Maj • 04:08 • -8.51db
24% Popularity • 49% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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The Berry Lane
Someone (Touch Me)
142 bpm • G Maj • 03:10 • -7.58db
8% Popularity • 59% Danceability • 79% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
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Dimitri Dean
The Phoenix
142 bpm • B min • 03:05 • -8db
16% Popularity • 58% Danceability • 57% Energy • 5% Liveness
4% Instrumentalness • 13% Positiveness
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YOSI
FAKE NEWS
136 bpm • F# min • 04:21 • -6.78db
10% Popularity • 67% Danceability • 63% Energy • 5% Liveness
2% Instrumentalness • 48% Positiveness
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Nikolaj Diaz
Run Fast
136 bpm • A min • 03:49 • -8.28db
29% Popularity • 57% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 22% Positiveness
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Cultures
Flags
136 bpm • E min • 03:37 • -7.66db
9% Popularity • 53% Danceability • 69% Energy • 62% Liveness
5% Instrumentalness • 29% Positiveness
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Frank Marsilio
The Devil Went Down to Georgia
135 bpm • D min • 03:36 • -7.17db
9% Popularity • 48% Danceability • 75% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
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Phil Young
A Side Of You
135 bpm • A Maj • 02:15 • -4.95db
14% Popularity • 78% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Pool Club
Play The Game
135 bpm • C Maj • 03:29 • -10.55db
13% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Adam Wedd
fomo
135 bpm • C Maj • 03:25 • -9.63db
33% Popularity • 64% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Zebra
Melissa
135 bpm • E min • 03:25 • -7.38db
9% Popularity • 71% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Lukas Utech
Buyable
135 bpm • B min • 03:45 • -6.96db
10% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Nick Dache
Autumn Eyes
135 bpm • C# min • 03:49 • -7.73db
13% Popularity • 68% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Phil Cooper
Without a Sound
135 bpm • G Maj • 03:20 • -8.76db
10% Popularity • 62% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Lyons Lane
Stoplight Kissing
135 bpm • C Maj • 03:12 • -5.84db
23% Popularity • 57% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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WEDNESDAY.
Tummy Butterflies
135 bpm • C Maj • 03:43 • -7.96db
14% Popularity • 61% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Phil Young
A Side Of You - Acoustic
135 bpm • G Maj • 02:14 • -8.29db
11% Popularity • 69% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sweet N' Juicy
Pet Names
135 bpm • A# Maj • 04:11 • -6.46db
15% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Sunset Radio
Eighteen
144 bpm • C Maj • 04:31 • -5.85db
28% Popularity • 57% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Combo Villains
Top of the Hill
144 bpm • G Maj • 03:42 • -7.76db
16% Popularity • 47% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Aspy Jones
Madhouse
144 bpm • E Maj • 03:27 • -7.46db
8% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Band CORDERO
I Still Love You
134 bpm • D Maj • 04:25 • -7.88db
12% Popularity • 60% Danceability • 75% Energy • 6% Liveness
81% Instrumentalness • 33% Positiveness
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Sam Chick
Dance with me
144 bpm • B min • 04:40 • -5.71db
28% Popularity • 46% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Kasper Buch
Running My Own Way
134 bpm • A Maj • 02:54 • -6.35db
13% Popularity • 66% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Klondike
Shot Down
145 bpm • C# min • 03:15 • -6.43db
8% Popularity • 60% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Even Water
An Ocean Between Us
145 bpm • A min • 03:08 • -4.84db
12% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Deron Daum
Are You Ready for the Next One
145 bpm • C min • 03:01 • -7.67db
19% Popularity • 44% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Pop Noir
Santa Ana
145 bpm • A min • 02:59 • -6.61db
25% Popularity • 52% Danceability • 97% Energy • 15% Liveness
40% Instrumentalness • 63% Positiveness
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Used
Black and Blue
145 bpm • C# Maj • 03:05 • -5.68db
8% Popularity • 58% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Perry Moon Band
Vampire Hour
145 bpm • G Maj • 02:56 • -7db
13% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Rhett Repko
Don't Throw Our Love Away
133 bpm • A min • 03:13 • -6.09db
9% Popularity • 66% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Party Boots
Hardly Ever Happens
133 bpm • A Maj • 05:22 • -8.85db
8% Popularity • 43% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 27% Positiveness
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Johnny Raz
If I Don't Have You
146 bpm • C# Maj • 03:13 • -9.09db
12% Popularity • 69% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Tom Tikka & The Missing Hubcaps
Rainbows and Dead Flowers
146 bpm • A min • 04:03 • -10.63db
23% Popularity • 53% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Collins
Casting Smiles
132 bpm • D# Maj • 03:32 • -5.81db
12% Popularity • 60% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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VOLO
Just Good Is Never Enough
132 bpm • C# Maj • 02:46 • -10.9db
19% Popularity • 55% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Armes
Lord Let Me Run
132 bpm • B min • 03:24 • -3.17db
14% Popularity • 48% Danceability • 89% Energy • 23% Liveness
7% Instrumentalness • 46% Positiveness
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Angus Court
Everytime
132 bpm • D min • 03:56 • -7.7db
10% Popularity • 61% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Shark Smith
Toy Dog
132 bpm • B Maj • 03:26 • -7.29db
11% Popularity • 59% Danceability • 84% Energy • 26% Liveness
21% Instrumentalness • 50% Positiveness
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Aldrich Sherwood
You're Sick
131 bpm • D# Maj • 03:50 • -10.94db
18% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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The Sun Kings
Do You Want To Believe (2022)
147 bpm • A Maj • 03:30 • -9.24db
13% Popularity • 39% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Cooltime
Fart Song
147 bpm • G min • 02:53 • -5.79db
22% Popularity • 62% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Khaya
Growing Pains
131 bpm • C min • 05:20 • -6.55db
29% Popularity • 68% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Justin Utley
Survivors
131 bpm • G Maj • 03:42 • -8.04db
23% Popularity • 56% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Joel James Live
Memory Lane
148 bpm • C Maj • 03:24 • -8.72db
10% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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In Case of Elimination
Partner in Crime
148 bpm • A min • 03:09 • -7.34db
15% Popularity • 52% Danceability • 73% Energy • 27% Liveness
20% Instrumentalness • 80% Positiveness
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Winnie Lane
Dear PM
148 bpm • E Maj • 03:08 • -10.83db
10% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Cøsmix
Start Again
148 bpm • F Maj • 03:52 • -4.9db
10% Popularity • 50% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
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James Hatem
All The Same To You
148 bpm • G# Maj • 03:38 • -14.74db
28% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Urban Bossa Club
Shaun the Sheep
130 bpm • B min • 02:24 • -12.76db
10% Popularity • 79% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Pios Phantom
The Celtic Rock
130 bpm • C# Maj • 02:57 • -8.95db
13% Popularity • 70% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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TAHM
B-Sides
130 bpm • G# Maj • 04:08 • -7.09db
9% Popularity • 48% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Bankes Brothers
Walkin'
130 bpm • C Maj • 03:46 • -6.43db
21% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Matthew Presidente
Different Dreams
130 bpm • B min • 04:27 • -8.24db
12% Popularity • 54% Danceability • 76% Energy • 34% Liveness
5% Instrumentalness • 38% Positiveness
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Tom Tikka & The Missing Hubcaps
The Loveliest Rose
130 bpm • E Maj • 03:19 • -7.71db
24% Popularity • 67% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Electric Sol
Hummingbird
130 bpm • A Maj • 02:14 • -3.86db
14% Popularity • 71% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Bradley Cowtan
This Ain't Fair on Me
130 bpm • B Maj • 02:44 • -5.77db
10% Popularity • 67% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Crimson Disc
Moments
130 bpm • A Maj • 03:32 • -7.38db
30% Popularity • 63% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Friends From Work
On My Way
130 bpm • G Maj • 03:30 • -5.7db
18% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gustav Gille
August feeling
130 bpm • A Maj • 03:48 • -8.37db
13% Popularity • 65% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Mike Delph
Those Three Words
130 bpm • D Maj • 04:12 • -7.93db
7% Popularity • 68% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Paco DÃaz
The Prey
130 bpm • C Maj • 03:45 • -9.18db
15% Popularity • 68% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Buckley Storms
American Movie
130 bpm • E Maj • 03:40 • -9.22db
10% Popularity • 58% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Wilbur Haywood
Imagination
129 bpm • G Maj • 04:09 • -7.5db
8% Popularity • 60% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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I Love to Love