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I Only Date Cowboys
Songs like
I Only Date Cowboys
by
Kylie Morgan
Based on a tempo of (+/- 10%) and a similar genre
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Kylie Morgan
I Only Date Cowboys
128 bpm • G# Maj • 02:56 • -2.45db
52% Popularity • 62% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 70% Positiveness
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Riley Green
I Hope She's Drinkin' Tonight
128 bpm • C# min • 03:08 • -5db
61% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Restless Road
Hometown Tonight
128 bpm • C min • 02:48 • -5.06db
36% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Kane Brown
Short Skirt Weather
128 bpm • A Maj • 03:14 • -5.41db
55% Popularity • 70% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Luke Combs
Outrunnin' Your Memory
128 bpm • C# min • 04:14 • -3.42db
65% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ashley Cooke
Sunday Morning Kinda Saturday Night
128 bpm • D Maj • 03:32 • -6.29db
45% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
62% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Megan Moroney
I'm Not Pretty
128 bpm • A# Maj • 03:01 • -5.56db
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Ian Munsick
I See Country
129 bpm • A# Maj • 04:04 • -6.26db
55% Popularity • 67% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Travis Denning
Call It Country
127 bpm • C# Maj • 02:31 • -3.55db
49% Popularity • 61% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Elle King
Lucky
129 bpm • E Maj • 03:14 • -5db
51% Popularity • 54% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Kyle Clark
Hope It's Hot Out
126 bpm • G# Maj • 02:47 • -6db
58% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Chayce Beckham
Keeping Me Up All Night
130 bpm • A Maj • 03:29 • -4.43db
56% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Chase McDaniel
Project
126 bpm • C# min • 02:59 • -5db
63% Popularity • 72% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Morgan Wallen
Neon Eyes
126 bpm • B min • 03:46 • -5.26db
66% Popularity • 58% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Ashley Cooke
Gettin' Somewhere
126 bpm • E Maj • 03:16 • -6.63db
35% Popularity • 64% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Mason Horne
Tonight I Need You
130 bpm • E Maj • 03:18 • -3.64db
33% Popularity • 52% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Nate Smith
Sleeve
126 bpm • C Maj • 04:21 • -6db
58% Popularity • 70% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Doleac
Don't It Sound Alright
130 bpm • G Maj • 03:38 • -4.92db
44% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Cole Swindell
Stereotype
130 bpm • G Maj • 03:42 • -5.42db
47% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Travis Denning
Strawberry Wine And A Cheap Six Pack
126 bpm • G# Maj • 03:32 • -4db
45% Popularity • 62% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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RaeLynn
She Chose Me
130 bpm • E Maj • 03:38 • -4.61db
41% Popularity • 67% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Kylie Morgan
That's My Man
130 bpm • D Maj • 02:59 • -2.81db
27% Popularity • 68% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Braden
Thank Me for That
131 bpm • C Maj • 03:41 • -2.94db
53% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Emily Ann Roberts
He Set Her Off
125 bpm • G Maj • 02:32 • -2.18db
52% Popularity • 68% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Corey Kent
Highways
125 bpm • A Maj • 03:24 • -6db
53% Popularity • 56% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Sophia Scott
Drink Too Much Wine
125 bpm • F Maj • 03:51 • -3.89db
43% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Kylie Morgan
Sugar Daddy
125 bpm • E Maj • 02:30 • -2.28db
31% Popularity • 60% Danceability • 92% Energy • 62% Liveness
0% Instrumentalness • 86% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
73% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Megan Moroney
Lucky
124 bpm • F# min • 02:41 • -4.29db
56% Popularity • 44% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Sean Stemaly
Z71
132 bpm • G Maj • 02:51 • -5db
63% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
64% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Robyn Ottolini
Tell You Everything
124 bpm • C# Maj • 02:55 • -6.83db
41% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
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Reba McEntire
Going Out Like That
124 bpm • F# Maj • 03:42 • -4.73db
49% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Gretchen Wilson
Here for the Party
124 bpm • C Maj • 03:16 • -4.87db
62% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
57% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Caylee Hammack
Redhead
124 bpm • G Maj • 02:43 • -4db
37% Popularity • 67% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
61% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
54% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Kylie Morgan
Mad I Need You
133 bpm • C Maj • 03:19 • -4db
32% Popularity • 65% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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RaeLynn
Love Triangle
133 bpm • D Maj • 03:45 • -6.72db
55% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
48% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Kassi Ashton
Drive You Out Of My Mind
123 bpm • C# min • 03:32 • -2.5db
59% Popularity • 66% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Combs
Call Me
134 bpm • G Maj • 03:20 • -4.57db
61% Popularity • 53% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Kameron Marlowe
Sober as a Drunk
134 bpm • B Maj • 03:30 • -3db
50% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Sam Hunt
Water Under The Bridge
134 bpm • F Maj • 02:49 • -2.7db
63% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Chase Matthew
County Line
134 bpm • D# min • 03:28 • -6.03db
72% Popularity • 54% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Trey Lewis
Dicked Down in Dallas - Remix
122 bpm • C# Maj • 03:42 • -5.51db
52% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Spencer Crandall
Didn't Do
122 bpm • B Maj • 03:17 • -2.35db
45% Popularity • 65% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Austin Snell
Excuse The Mess
122 bpm • A# min • 02:51 • -5.2db
58% Popularity • 59% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
36% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
59% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
66% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
70% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Elvie Shane
Love, Cold Beer, Cheap Smoke
122 bpm • A Maj • 03:19 • -3.75db
39% Popularity • 69% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Erin Kinsey
Vegas
135 bpm • C# Maj • 03:13 • -3.6db
40% Popularity • 51% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Miranda Lambert
I'll Be Lovin' You
135 bpm • B Maj • 03:09 • -5.57db
58% Popularity • 60% Danceability • 75% Energy • 9% Liveness
6% Instrumentalness • 82% Positiveness
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Brian Kelley
See You Next Summer
121 bpm • G# Maj • 02:37 • -4.35db
58% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Carrie Underwood
Crazy Angels
121 bpm • F# min • 02:36 • -5db
45% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Dylan Marlowe
Why'd We Break Up Again
136 bpm • C Maj • 02:49 • -3.46db
41% Popularity • 49% Danceability • 88% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Sean Stemaly
Come Back To Bed
136 bpm • C# min • 03:03 • -4.21db
52% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Dustin Lynch
Huntin' Land
136 bpm • E Maj • 03:01 • -3.64db
51% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
62% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Dalton Dover
You Got a Small Town
136 bpm • G# Maj • 02:59 • -4.26db
46% Popularity • 43% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Austin Burke
Wet Dream
120 bpm • G# Maj • 03:10 • -5.59db
47% Popularity • 76% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Ian Munsick
Humble
120 bpm • E Maj • 03:40 • -4.68db
47% Popularity • 76% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
74% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Dierks Bentley
Black
120 bpm • C# Maj • 03:31 • -6.69db
61% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Coffey Anderson
Bud Light Blue
120 bpm • B Maj • 02:49 • -4.8db
48% Popularity • 64% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Dylan Marlowe
When I Look Back
120 bpm • B Maj • 02:59 • -5db
50% Popularity • 57% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Kip Moore
Fire On Wheels
120 bpm • G Maj • 02:36 • -4.59db
51% Popularity • 71% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Levi Hummon
Good Riddance
120 bpm • A Maj • 02:22 • -5.3db
53% Popularity • 67% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Dean Brody
Can't Help Myself
120 bpm • D Maj • 02:38 • -3.45db
58% Popularity • 70% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Lauren Alaina
Thicc As Thieves
120 bpm • G Maj • 02:59 • -2.41db
47% Popularity • 69% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Graham Barham
BREAK IT IN A BAR
120 bpm • B min • 03:39 • -5.69db
67% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Chase Matthew
We Had It Good
120 bpm • E min • 03:32 • -7.42db
60% Popularity • 58% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
63% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Carrie Underwood
Cowboy Casanova
120 bpm • F Maj • 03:56 • -2.53db
62% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Erin Kinsey
Better On Me
120 bpm • C Maj • 02:29 • -4.05db
37% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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James Johnston
COUNTRY BOYS
120 bpm • C Maj • 03:14 • -5.36db
46% Popularity • 60% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Priscilla Block
Fake Names
120 bpm • C# min • 02:39 • -2.88db
49% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Ashley McBryde
Martha Divine
137 bpm • A min • 03:37 • -4.87db
52% Popularity • 59% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Morgan Wallen
Dangerous
119 bpm • G Maj • 02:27 • -4.83db
73% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
71% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Dalton Dover
Giving Up On That
138 bpm • D# Maj • 03:31 • -4.41db
51% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jenna Paulette
Slow Drawl
138 bpm • G Maj • 03:24 • -4.03db
37% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Megan Moroney
Hair Salon
138 bpm • A# Maj • 03:44 • -6db
59% Popularity • 49% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Langston
When You're Lonely
118 bpm • F# Maj • 03:14 • -4.77db
40% Popularity • 56% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan Wallen
Country A$$ Shit
138 bpm • A# Maj • 03:06 • -3.77db
62% Popularity • 62% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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George Birge
That Drink
118 bpm • B min • 02:52 • -4.48db
39% Popularity • 61% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Dalton Dover
Hear About a Girl
138 bpm • A# Maj • 03:08 • -4.08db
36% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Conner Smith
Summer On Your Lips
118 bpm • F Maj • 03:30 • -4.31db
46% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Ella Langley
If You Have To
118 bpm • F Maj • 03:19 • -6db
51% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Madeline Merlo
Slide
118 bpm • D Maj • 03:34 • -3.24db
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Miranda Lambert
Actin' Up
140 bpm • B Maj • 03:25 • -7.87db
47% Popularity • 68% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
47% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Dylan Marlowe
Record High
140 bpm • C# Maj • 03:28 • -5.32db
57% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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I Only Date Cowboys