Songs like I Put a Spell On You - Cover Version by Russian State Symphony Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Glazunov
Symphony No. 8 in E-Flat Major, Op. 83: ...
135 bpm • G Maj • 06:45 • -26.24db
1% Popularity • 21% Danceability • 12% Energy • 21% Liveness
94% Instrumentalness • 7% Positiveness
1% Popularity • 21% Danceability • 12% Energy • 21% Liveness
94% Instrumentalness • 7% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86, B.175: I. Kyrie
135 bpm • D Maj • 08:45 • -20.08db
1% Popularity • 16% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
36% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Alfred Schnittke
The Census List, "Gogol Suite": VI. The ...
134 bpm • C min • 02:43 • -14.26db
1% Popularity • 75% Danceability • 56% Energy • 6% Liveness
91% Instrumentalness • 85% Positiveness
1% Popularity • 75% Danceability • 56% Energy • 6% Liveness
91% Instrumentalness • 85% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
136 bpm • G min • 03:03 • -14db
52% Popularity • 35% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 67% Positiveness
52% Popularity • 35% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 67% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "L'amour est un oi...
134 bpm • D Maj • 04:22 • -17.33db
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Andre Kostelanetz
Carmen: Habanera - Instrumental
136 bpm • D Maj • 01:54 • -15db
47% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
47% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
54% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
54% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 2: 2. Habanera
134 bpm • D Maj • 02:02 • -29.61db
47% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Alexander Glazunov
Symphony No. 6 in C Minor, Op. 58: I. Ad...
133 bpm • C min • 10:39 • -18.23db
2% Popularity • 18% Danceability • 20% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
2% Popularity • 18% Danceability • 20% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Franz Liszt
Liebestraum No. 3 in A-Flat Major, S. 54...
137 bpm • G# Maj • 04:53 • -26.8db
63% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
63% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Symphony No. 1, Op. 26: VI. Andante
133 bpm • E Maj • 11:50 • -19.35db
1% Popularity • 21% Danceability • 13% Energy • 19% Liveness
10% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 13% Energy • 19% Liveness
10% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
137 bpm • G Maj • 03:02 • -20.31db
51% Popularity • 31% Danceability • 31% Energy • 16% Liveness
86% Instrumentalness • 57% Positiveness
51% Popularity • 31% Danceability • 31% Energy • 16% Liveness
86% Instrumentalness • 57% Positiveness
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Alfred Schnittke
Requiem: III. Dies Irae
137 bpm • G# Maj • 01:21 • -16.92db
1% Popularity • 30% Danceability • 33% Energy • 8% Liveness
6% Instrumentalness • 6% Positiveness
1% Popularity • 30% Danceability • 33% Energy • 8% Liveness
6% Instrumentalness • 6% Positiveness
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Lang Lang
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
133 bpm • A min • 03:26 • -27.7db
52% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
52% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
133 bpm • E min • 12:15 • -20db
52% Popularity • 24% Danceability • 11% Energy • 71% Liveness
90% Instrumentalness • 12% Positiveness
52% Popularity • 24% Danceability • 11% Energy • 71% Liveness
90% Instrumentalness • 12% Positiveness
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Alexander Glazunov
Introduction et la Danse de Salomée, Op...
138 bpm • E Maj • 08:06 • -19.6db
4% Popularity • 18% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
4% Popularity • 18% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
51% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Anton Arensky
Symphony No. 1 in B Minor, Op. 4: I. Ada...
139 bpm • B min • 11:24 • -21.64db
2% Popularity • 22% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
2% Popularity • 22% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Alexander Glazunov
Violin Concerto in A Minor, Op. 82: I. M...
138 bpm • F Maj • 04:41 • -23.61db
2% Popularity • 20% Danceability • 8% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 8% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
131 bpm • B min • 01:30 • -21.86db
60% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
60% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 15 in D...
130 bpm • C# Maj • 05:48 • -29.48db
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Anton Arensky
Variations on a Theme by Tchaikovsky, Op...
139 bpm • E min • 01:47 • -25.25db
2% Popularity • 15% Danceability • 4% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
2% Popularity • 15% Danceability • 4% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
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Alfred Schnittke
The Census List, "Gogol Suite": IV. The ...
139 bpm • D min • 02:20 • -16.13db
2% Popularity • 44% Danceability • 25% Energy • 33% Liveness
6% Instrumentalness • 51% Positiveness
2% Popularity • 44% Danceability • 25% Energy • 33% Liveness
6% Instrumentalness • 51% Positiveness
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Carl Maria von Weber
Andante e Rondo ungarese, Op. 35: I. And...
130 bpm • G# Maj • 03:49 • -23.08db
1% Popularity • 27% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
1% Popularity • 27% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Alexander Glazunov
Symphony No. 8 in E-Flat Major, Op. 83: ...
131 bpm • D# Maj • 10:57 • -24.24db
1% Popularity • 17% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
1% Popularity • 17% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
58% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Anton Arensky
Symphony No. 1 in B Minor, Op. 4: IV. Fi...
130 bpm • B Maj • 07:09 • -18.97db
1% Popularity • 50% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
1% Popularity • 50% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
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Baroque Festival Orchestra
Summer (L'Estate) Op.8 No.2 G Minor: Pre...
140 bpm • C min • 02:56 • -23db
61% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
61% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
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Ludwig Minkus
Paquita: Variation 5: Allegro non troppo...
140 bpm • E min • 01:05 • -23.2db
59% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
59% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VIII. Finale
141 bpm • F Maj • 01:58 • -15db
32% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 42% Energy • 7% Liveness
77% Instrumentalness • 67% Positiveness
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Anton Bruckner
Mass No. 2 in E Minor, WAB 27: I. Kyrie
141 bpm • E min • 09:35 • -26.39db
1% Popularity • 14% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
1% Popularity • 14% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
141 bpm • E Maj • 10:44 • -24.88db
62% Popularity • 19% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
62% Popularity • 19% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Léo Delibes
Sylvia, Suite: 3. Pizzicati
142 bpm • C min • 02:08 • -31db
33% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
33% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Silverwood Quartet
Vivaldi: Winter From The Four Seasons 1....
142 bpm • F min • 03:36 • -12.96db
49% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
49% Popularity • 49% Danceability • 17% Energy • 14% Liveness
88% Instrumentalness • 13% Positiveness
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Sergei Prokofiev
Pushkiniana (arr. G. Rozhdestvensky): Qu...
142 bpm • C Maj • 02:42 • -27.72db
1% Popularity • 19% Danceability • 3% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 3% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Altai Kai
Morning at the Golden Lake
128 bpm • D# Maj • 04:01 • -15.7db
5% Popularity • 34% Danceability • 40% Energy • 16% Liveness
87% Instrumentalness • 41% Positiveness
5% Popularity • 34% Danceability • 40% Energy • 16% Liveness
87% Instrumentalness • 41% Positiveness
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Wolfgang Amadeus Mozart
Le Nozze di Figaro, K. 492: Sinfonia
142 bpm • D Maj • 04:11 • -19db
54% Popularity • 38% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 17% Positiveness
54% Popularity • 38% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 17% Positiveness
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Aram Khachaturian
Masquerade Suite: Nocturne
128 bpm • A Maj • 03:53 • -25.53db
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): VI...
128 bpm • A Maj • 02:20 • -18.99db
36% Popularity • 32% Danceability • 31% Energy • 31% Liveness
97% Instrumentalness • 41% Positiveness
36% Popularity • 32% Danceability • 31% Energy • 31% Liveness
97% Instrumentalness • 41% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Baroque Festival Orchestra
Winter (L'Inverno) Op.8 No.4 F Minor: Al...
143 bpm • F min • 03:35 • -25.51db
61% Popularity • 48% Danceability • 4% Energy • 7% Liveness
23% Instrumentalness • 27% Positiveness
61% Popularity • 48% Danceability • 4% Energy • 7% Liveness
23% Instrumentalness • 27% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen Suite No. 1: 5. Les toréadors
127 bpm • F Maj • 02:18 • -16.13db
53% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
37% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
144 bpm • G min • 02:15 • -15.95db
58% Popularity • 32% Danceability • 13% Energy • 25% Liveness
81% Instrumentalness • 27% Positiveness
58% Popularity • 32% Danceability • 13% Energy • 25% Liveness
81% Instrumentalness • 27% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
► Preview
Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
126 bpm • D Maj • 05:16 • -25.26db
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
54% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
54% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
144 bpm • F min • 03:36 • -15db
53% Popularity • 47% Danceability • 21% Energy • 6% Liveness
42% Instrumentalness • 24% Positiveness
53% Popularity • 47% Danceability • 21% Energy • 6% Liveness
42% Instrumentalness • 24% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
145 bpm • G min • 02:18 • -16db
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
► Preview
Wolfgang Amadeus Mozart
Die Hochzeit des Figaro, K. 492, 3. Akt:...
145 bpm • D Maj • 04:04 • -17.32db
57% Popularity • 31% Danceability • 14% Energy • 18% Liveness
92% Instrumentalness • 30% Positiveness
57% Popularity • 31% Danceability • 14% Energy • 18% Liveness
92% Instrumentalness • 30% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
► Preview
Sergei Prokofiev
Cello Concertino in G Minor, Op. 132: II...
145 bpm • C min • 04:35 • -18.75db
1% Popularity • 42% Danceability • 15% Energy • 13% Liveness
49% Instrumentalness • 38% Positiveness
1% Popularity • 42% Danceability • 15% Energy • 13% Liveness
49% Instrumentalness • 38% Positiveness
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Antonio Vivaldi
Cello Concerto in E Minor, RV 409: II. A...
145 bpm • E min • 01:01 • -19db
60% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness
60% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Franz Liszt
La Campanella
124 bpm • G# min • 04:47 • -17.19db
49% Popularity • 37% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 31% Positiveness
49% Popularity • 37% Danceability • 30% Energy • 12% Liveness
83% Instrumentalness • 31% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Niccolò Paganini
Sonata for Violin and Guitar in A Minor,...
147 bpm • A min • 01:38 • -16.74db
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Carl Orff
Orff: Carmina Burana, Introduction, Fort...
124 bpm • G Maj • 02:48 • -16.25db
39% Popularity • 35% Danceability • 24% Energy • 35% Liveness
31% Instrumentalness • 26% Positiveness
39% Popularity • 35% Danceability • 24% Energy • 35% Liveness
31% Instrumentalness • 26% Positiveness
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Alfred Schnittke
The Census List, "Gogol Suite": II. Chic...
147 bpm • G Maj • 02:18 • -23.11db
2% Popularity • 52% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 46% Positiveness
2% Popularity • 52% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 46% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Habanera. "...
124 bpm • D Maj • 04:35 • -22db
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Altai Kai
Kai Throatsinging
147 bpm • A# Maj • 04:21 • -11.89db
6% Popularity • 30% Danceability • 38% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
6% Popularity • 30% Danceability • 38% Energy • 28% Liveness
5% Instrumentalness • 55% Positiveness
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Sergei Prokofiev
Pushkiniana (arr. G. Rozhdestvensky): Qu...
147 bpm • F Maj • 05:33 • -30.22db
1% Popularity • 38% Danceability • 4% Energy • 9% Liveness
69% Instrumentalness • 13% Positiveness
1% Popularity • 38% Danceability • 4% Energy • 9% Liveness
69% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
The Swan
123 bpm • G Maj • 02:54 • -18.17db
63% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
63% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 2 in G Mi...
147 bpm • G min • 05:22 • -18.46db
44% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Wolfgang Amadeus Mozart
Serenade In G Major "Eine Kleine Nachtmu...
148 bpm • F# Maj • 07:46 • -24.18db
47% Popularity • 39% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 39% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Carl Orff
Carmina Burana: I. O Fortuna
123 bpm • D Maj • 02:47 • -20db
47% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
47% Popularity • 34% Danceability • 9% Energy • 25% Liveness
29% Instrumentalness • 46% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
149 bpm • G min • 02:53 • -15.39db
58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness
58% Popularity • 36% Danceability • 57% Energy • 33% Liveness
91% Instrumentalness • 75% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Altai Kai
Golden Fall Season
149 bpm • C min • 04:09 • -11.67db
3% Popularity • 34% Danceability • 55% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
3% Popularity • 34% Danceability • 55% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Prelude in C Major, BWV 846
122 bpm • C Maj • 02:28 • -27db
50% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
50% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
