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I Remember When
Songs like
I Remember When
by
The Coral
Based on a tempo of (+/- 10%) and a similar genre
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The Coral
I Remember When
141 bpm • B min • 03:38 • -7.87db
29% Popularity • 29% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Primal Scream
Beautiful Future
141 bpm • A Maj • 05:09 • -4.47db
20% Popularity • 50% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The Verve
This Is Music - Remastered 2016
141 bpm • B min • 03:35 • -5.54db
38% Popularity • 27% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Larrikin Love
Happy as Annie - Master
141 bpm • B min • 02:20 • -4.5db
19% Popularity • 51% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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James Dean Bradfield
That's No Way To Tell A Lie
141 bpm • C Maj • 03:05 • -5db
23% Popularity • 42% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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The Cribs
I'm a Realist
142 bpm • A Maj • 03:03 • -4db
29% Popularity • 51% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Shed Seven
Getting Better
142 bpm • D Maj • 04:12 • -4.47db
32% Popularity • 31% Danceability • 97% Energy • 11% Liveness
29% Instrumentalness • 36% Positiveness
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The Ordinary Boys
Skull and Bones
140 bpm • C# min • 02:52 • -6.92db
15% Popularity • 62% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Marr
The Right Thing Right
142 bpm • B min • 03:41 • -5.72db
21% Popularity • 44% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Blur
I Broadcast
140 bpm • G Maj • 02:51 • -3.76db
29% Popularity • 64% Danceability • 98% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Doves
Sky Starts Falling
140 bpm • E Maj • 04:11 • -5.08db
28% Popularity • 55% Danceability • 87% Energy • 7% Liveness
36% Instrumentalness • 83% Positiveness
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Young Knives
Weekends and Bleak Days (Hot Summer)
140 bpm • B min • 02:47 • -5db
20% Popularity • 60% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
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Little Man Tate
Man I Hate Your Band
140 bpm • F Maj • 03:36 • -3.91db
25% Popularity • 47% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Larrikin Love
Edwould - Full Length Version
140 bpm • D Maj • 03:18 • -2db
11% Popularity • 34% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Manic Street Preachers
Jackie Collins Existential Question Time
139 bpm • C Maj • 02:24 • -5db
26% Popularity • 30% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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The Bluetones
Bluetonic
139 bpm • C Maj • 04:08 • -6.94db
38% Popularity • 28% Danceability • 90% Energy • 9% Liveness
31% Instrumentalness • 29% Positiveness
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Dodgy
Water Under The Bridge
139 bpm • G Maj • 03:43 • -9db
18% Popularity • 44% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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The Cribs
You Were Always the One
143 bpm • E Maj • 02:28 • -4db
28% Popularity • 35% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Franz Ferdinand
Eleanor Put Your Boots On - New Recordin...
144 bpm • G Maj • 03:15 • -7.43db
15% Popularity • 38% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Mystery Jets
You Can't Fool Me Dennis
138 bpm • D Maj • 03:32 • -3db
18% Popularity • 51% Danceability • 94% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Manic Street Preachers
Found That Soul
144 bpm • C# Maj • 03:05 • -5.58db
23% Popularity • 23% Danceability • 96% Energy • 40% Liveness
57% Instrumentalness • 48% Positiveness
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The Coral
Being Somebody Else
144 bpm • E Maj • 02:37 • -7.35db
20% Popularity • 53% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Dodgy
Staying Out For The Summer
144 bpm • G Maj • 03:12 • -6.23db
46% Popularity • 37% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Athlete
Westside
138 bpm • E min • 04:04 • -4.6db
25% Popularity • 46% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Cribs
Girls Like Mystery
144 bpm • D# Maj • 02:50 • -2.64db
19% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Reverend And The Makers
The State of Things
138 bpm • D Maj • 03:01 • -4.86db
30% Popularity • 51% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Cherry Ghost
Mountain Bird
137 bpm • C# min • 03:58 • -3.69db
17% Popularity • 20% Danceability • 94% Energy • 15% Liveness
30% Instrumentalness • 45% Positiveness
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Dodgy
Staying Out For The Summer (Summer '95)
144 bpm • G Maj • 03:05 • -6db
31% Popularity • 37% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Athlete
You Got the Style
144 bpm • F# min • 03:28 • -4db
32% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Rakes
Work Work Work - Pub Club Sleep
145 bpm • E Maj • 04:05 • -6db
23% Popularity • 63% Danceability • 88% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Pulp
Razzamatazz
137 bpm • A min • 03:40 • -4.16db
39% Popularity • 46% Danceability • 96% Energy • 57% Liveness
0% Instrumentalness • 51% Positiveness
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The Cribs
Another Number
145 bpm • F# Maj • 02:53 • -5.27db
31% Popularity • 66% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Coral
Goodbye
137 bpm • D Maj • 04:02 • -7db
26% Popularity • 30% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 47% Positiveness
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The Sunshine Underground
The Way It Is
137 bpm • E min • 05:14 • -4.38db
18% Popularity • 67% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Cherry Ghost
Here Come the Romans
137 bpm • D Maj • 04:00 • -4.51db
14% Popularity • 46% Danceability • 84% Energy • 14% Liveness
8% Instrumentalness • 54% Positiveness
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The Rakes
The Light from Your Mac
137 bpm • C Maj • 03:03 • -3.34db
20% Popularity • 69% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Johnny Marr
European Me
146 bpm • E min • 03:56 • -5.35db
22% Popularity • 15% Danceability • 74% Energy • 18% Liveness
3% Instrumentalness • 30% Positiveness
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The Cribs
Martell
137 bpm • A Maj • 02:57 • -3.95db
25% Popularity • 48% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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The Coral
Spanish Main
137 bpm • G# Maj • 01:51 • -7db
25% Popularity • 26% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Primal Scream
When the Bomb Drops
136 bpm • F min • 04:34 • -1.67db
13% Popularity • 29% Danceability • 94% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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Little Man Tate
European Lover
146 bpm • E Maj • 03:13 • -4.3db
28% Popularity • 32% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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The Rakes
When Tom Cruise Cries
137 bpm • G# min • 04:48 • -10.08db
15% Popularity • 67% Danceability • 66% Energy • 21% Liveness
81% Instrumentalness • 31% Positiveness
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The Magic Numbers
The Mule
136 bpm • C# min • 05:11 • -6.76db
20% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Thrills
One Horse Town
136 bpm • E Maj • 03:14 • -3.05db
34% Popularity • 53% Danceability • 95% Energy • 8% Liveness
8% Instrumentalness • 90% Positiveness
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The Coral
Rebecca You
146 bpm • B min • 03:50 • -7.05db
17% Popularity • 43% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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The Sunshine Underground
I Ain't Losing Any Sleep
136 bpm • A Maj • 04:19 • -4.24db
17% Popularity • 70% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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The Pigeon Detectives
This Is An Emergency
136 bpm • G Maj • 03:10 • -3.19db
25% Popularity • 25% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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The La's
Son Of A Gun
146 bpm • A# min • 01:56 • -15.39db
46% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Babyshambles
Pipedown
136 bpm • A Maj • 02:35 • -3.62db
32% Popularity • 40% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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The Thrills
Whatever Happened To Corey Haim
136 bpm • D# Maj • 03:34 • -4.57db
32% Popularity • 45% Danceability • 86% Energy • 10% Liveness
31% Instrumentalness • 52% Positiveness
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Longpigs
Lost Myself
146 bpm • A Maj • 05:04 • -7db
36% Popularity • 33% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Sunshine Underground
Borders
135 bpm • A Maj • 04:02 • -4.9db
34% Popularity • 54% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Pigeon Detectives
I Found Out
147 bpm • E Maj • 02:07 • -1.67db
45% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Young Knives
Fit 4 U
147 bpm • E min • 03:16 • -5db
18% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Coral
Remember Me
147 bpm • G Maj • 03:25 • -5.44db
8% Popularity • 36% Danceability • 74% Energy • 13% Liveness
13% Instrumentalness • 75% Positiveness
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The Thrills
Don't Steal Our Sun
135 bpm • G min • 02:50 • -4.46db
26% Popularity • 53% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Mystery Jets
Half in Love with Elizabeth
147 bpm • A min • 03:19 • -3db
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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The Sunshine Underground
My Army
147 bpm • D Maj • 04:09 • -4.58db
10% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Pigeon Detectives
Keep On Your Dress
135 bpm • C# min • 04:51 • -2.72db
11% Popularity • 43% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Young Knives
Terra Firma
135 bpm • E Maj • 02:47 • -3.37db
19% Popularity • 51% Danceability • 91% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
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James Dean Bradfield
Say Hello To The Pope
135 bpm • A Maj • 03:24 • -5.23db
10% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Milburn
The Genius And The Tramp
135 bpm • E Maj • 04:11 • -3.29db
17% Popularity • 42% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Coral
Something Inside of Me
135 bpm • B Maj • 02:24 • -6.14db
20% Popularity • 57% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Sunshine Underground
Coming To Save You
135 bpm • C# min • 04:26 • -5.31db
16% Popularity • 53% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Pigeon Detectives
Caught in Your Trap
148 bpm • A Maj • 02:03 • -1.38db
18% Popularity • 46% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Weller
Come On/Let's Go
148 bpm • E Maj • 03:16 • -5.03db
28% Popularity • 52% Danceability • 91% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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The Bees
Horsemen
135 bpm • A min • 03:29 • -4.24db
20% Popularity • 42% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The La's
I Can't Sleep
135 bpm • G# Maj • 02:37 • -10db
40% Popularity • 50% Danceability • 88% Energy • 37% Liveness
24% Instrumentalness • 93% Positiveness
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The Rakes
Little Superstitions
134 bpm • D Maj • 03:51 • -9.12db
17% Popularity • 63% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Sunshine Underground
Commercial Breakdown
135 bpm • A Maj • 03:50 • -5.22db
30% Popularity • 42% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jarvis Cocker
Angela
134 bpm • A Maj • 02:56 • -9.57db
15% Popularity • 49% Danceability • 71% Energy • 2% Liveness
0% Instrumentalness • 48% Positiveness
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Reverend And The Makers
Sundown on the Empire
148 bpm • E min • 04:00 • -4.44db
17% Popularity • 44% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Badly Drawn Boy
40 Days, 40 Fights
148 bpm • B min • 03:55 • -7.33db
21% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Athlete
El Salvador
148 bpm • D Maj • 03:25 • -4.38db
36% Popularity • 66% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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The Pigeon Detectives
Stop and Go
134 bpm • A min • 03:12 • -2.17db
16% Popularity • 50% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Manic Street Preachers
Europa Geht Durch Mich
134 bpm • A Maj • 03:24 • -4.36db
16% Popularity • 53% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Klaxons
Two Receivers
134 bpm • E min • 04:18 • -4.68db
36% Popularity • 50% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Young Knives
Here Comes the Rumour Mill
134 bpm • G Maj • 03:34 • -4.43db
12% Popularity • 54% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Gaz Coombes
Detroit
134 bpm • D Maj • 05:40 • -4.92db
30% Popularity • 66% Danceability • 70% Energy • 11% Liveness
13% Instrumentalness • 28% Positiveness
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The Coral
Calendars and Clocks
134 bpm • G min • 03:51 • -9.12db
19% Popularity • 37% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Razorlight
Vice
134 bpm • A Maj • 03:13 • -4.41db
31% Popularity • 44% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Gene
Fighting Fit
133 bpm • F# min • 03:54 • -5.04db
31% Popularity • 34% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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The Holloways
Two Left Feet
150 bpm • D Maj • 03:01 • -3db
21% Popularity • 49% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Young Knives
The Decision
133 bpm • D Maj • 03:24 • -5.39db
15% Popularity • 60% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The Cribs
Hey Scenesters!
150 bpm • B min • 03:11 • -3.56db
35% Popularity • 30% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Coral
The Operator
133 bpm • D Maj • 02:19 • -5.54db
9% Popularity • 52% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Twisted Wheel
We Are Us
150 bpm • D Maj • 03:37 • -2.66db
16% Popularity • 23% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Maximo Park
Graffiti
150 bpm • E Maj • 03:05 • -3db
38% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
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Super Furry Animals
Demons
150 bpm • D Maj • 05:12 • -8.12db
25% Popularity • 28% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Manic Street Preachers
From Despair to Where
132 bpm • G Maj • 03:34 • -8.48db
35% Popularity • 38% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Seahorses
Round The Universe
150 bpm • A Maj • 03:46 • -8.08db
30% Popularity • 43% Danceability • 89% Energy • 45% Liveness
0% Instrumentalness • 48% Positiveness
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Reverend And The Makers
Mr Glassalfempty
132 bpm • F# min • 02:35 • -8.81db
16% Popularity • 70% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Razorlight
I Can't Stop This Feeling I've Got
132 bpm • A Maj • 03:25 • -7.21db
39% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Coral
Who's Gonna Find Me
132 bpm • B min • 03:27 • -5.2db
20% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Thrills
Santa Cruz (You're Not That Far)
132 bpm • C Maj • 04:13 • -3.55db
32% Popularity • 42% Danceability • 83% Energy • 44% Liveness
1% Instrumentalness • 53% Positiveness
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The Electric Soft Parade
Empty At The End
132 bpm • A Maj • 03:01 • -6.89db
23% Popularity • 57% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 30% Positiveness
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Badly Drawn Boy
You Were Right
131 bpm • D Maj • 04:52 • -6db
32% Popularity • 57% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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James
Waltzing Along - Single Version
131 bpm • D min • 03:35 • -5.15db
40% Popularity • 53% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
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Razorlight
Leave Me Alone
151 bpm • C min • 03:49 • -5.93db
25% Popularity • 40% Danceability • 94% Energy • 46% Liveness
2% Instrumentalness • 49% Positiveness
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I Remember When