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I Saw Mommy Kissing Santa Claus
Songs like
I Saw Mommy Kissing Santa Claus
by
Teresa Brewer
Based on a tempo of (+/- 10%) and a similar genre
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Bobby Rydell
Volare
130 bpm • A min • 02:28 • -6.39db
26% Popularity • 50% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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michael holliday
My Heart Is an Open Book
130 bpm • A# Maj • 02:12 • -14.95db
14% Popularity • 62% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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The Crew Cuts
Sh-Boom (Life Could Be A Dream)
130 bpm • D min • 02:48 • -10.93db
53% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Frankie Vaughan
Come Softly to Me
131 bpm • D# Maj • 02:21 • -12.28db
14% Popularity • 57% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Diana Dors
Let There Be Love - Remastered
131 bpm • A# Maj • 02:12 • -10.09db
9% Popularity • 58% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Four Aces
Love Is a Many Splendored Thing
129 bpm • D Maj • 02:58 • -9.43db
47% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
11% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Lloyd Price
Personality
129 bpm • F Maj • 02:35 • -13db
50% Popularity • 60% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Teresa Brewer
Silver Dollar
129 bpm • D Maj • 02:38 • -7.94db
7% Popularity • 69% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Ronnie Hilton
Around the World
131 bpm • B min • 02:42 • -10.89db
23% Popularity • 30% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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michael holliday
In Love
131 bpm • B min • 02:06 • -14.66db
18% Popularity • 70% Danceability • 24% Energy • 5% Liveness
2% Instrumentalness • 61% Positiveness
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Gene McDaniels
A Hundred Pounds Of Clay
129 bpm • C Maj • 02:22 • -11db
45% Popularity • 68% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
26% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Jane Morgan
1-2-3
131 bpm • D# Maj • 02:34 • -15.96db
10% Popularity • 57% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Teresa Brewer
Bell Bottom Blues
129 bpm • A# Maj • 02:36 • -6.9db
6% Popularity • 72% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Dickie Valentine
Morgen (One More Sunrise)
131 bpm • A# Maj • 02:31 • -8.61db
9% Popularity • 33% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Linda Scott
Oh! Look At Me Now!
132 bpm • D# Maj • 02:19 • -13.2db
13% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Four Preps
Memories Are Made of This
132 bpm • A Maj • 02:29 • -14.72db
17% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Vic Dana
More (Theme From Mondo Cane)
133 bpm • A Maj • 02:21 • -7.98db
38% Popularity • 37% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Sarah Vaughan
Broken Hearted Melody
132 bpm • G Maj • 02:26 • -10.02db
51% Popularity • 43% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Teresa Brewer
Ricochet (Rick-O-Shay)
132 bpm • D# Maj • 02:42 • -6.97db
21% Popularity • 70% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Paul & Paula
Hey Baby
127 bpm • B Maj • 02:24 • -10db
20% Popularity • 49% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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The Four Preps
Dreamy Eyes
132 bpm • F# Maj • 02:16 • -12.72db
11% Popularity • 32% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Howard Keel
A Wooin' We Will Go
127 bpm • G# Maj • 02:28 • -11.58db
20% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ruby Murray
Softly Softly
127 bpm • D Maj • 02:29 • -13db
33% Popularity • 30% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kay Starr
Side By Side
126 bpm • A# Maj • 02:52 • -10db
44% Popularity • 70% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Duke Ellington
Don't Get Around Much Anymore
126 bpm • C# Maj • 02:53 • -10.33db
2% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Betty Hutton
She's a Lady
134 bpm • G Maj • 02:50 • -9.82db
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Connie Stevens
Spring Is Here
134 bpm • A# min • 01:56 • -10.36db
18% Popularity • 40% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Alma Cogan
I Can't Tell a Waltz from a Tango
126 bpm • C# Maj • 02:26 • -11db
13% Popularity • 85% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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The Four Preps
Big Man
126 bpm • D# Maj • 02:23 • -8db
31% Popularity • 52% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Teresa Brewer
Our Heartbreaking Waltz
125 bpm • A Maj • 02:42 • -12.88db
4% Popularity • 47% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Tab Hunter
Ninety-Nine Ways
125 bpm • E Maj • 01:47 • -8.35db
18% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Buddy Holly
You Are My One Desire
125 bpm • D Maj • 02:25 • -10.85db
39% Popularity • 45% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Dion & The Belmonts
It's Only A Paper Moon
125 bpm • G Maj • 01:56 • -7.04db
35% Popularity • 46% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Gene McDaniels
The Secret
125 bpm • E Maj • 02:22 • -13db
12% Popularity • 51% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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The Four Preps
Jamaica Farewell
125 bpm • E Maj • 02:43 • -13.19db
15% Popularity • 64% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Tommy Edwards
Take These Chains From My Heart
135 bpm • C# Maj • 02:28 • -9.48db
28% Popularity • 38% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Teresa Brewer
Where The Black-Eyed Susans Grow
125 bpm • D# Maj • 02:39 • -9.17db
2% Popularity • 63% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Anita Bryant
Wishing It Was You
125 bpm • C# Maj • 02:25 • -12.78db
20% Popularity • 38% Danceability • 25% Energy • 13% Liveness
7% Instrumentalness • 30% Positiveness
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Gene McDaniels
Chip Chip
135 bpm • C# Maj • 02:21 • -11db
30% Popularity • 66% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Max Bygraves
Meet Me on the Corner
125 bpm • A min • 02:30 • -10.04db
8% Popularity • 74% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Helen Shapiro
Beyond the Sea (La Mer)
125 bpm • A# Maj • 03:29 • -8.79db
24% Popularity • 63% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Teresa Brewer
Rhode Island Redhead (Here! Chick! Chick...
125 bpm • D Maj • 02:13 • -10.31db
3% Popularity • 87% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Vic Dana
I Love You Drops
124 bpm • C Maj • 02:50 • -11.53db
33% Popularity • 50% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Helen O'Connell
Slow poke
136 bpm • D# Maj • 02:32 • -14.45db
9% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Max Bygraves
Meet Me on the Corner
124 bpm • A min • 02:28 • -10.2db
20% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Alma Cogan
Bell Bottom Blues
124 bpm • A Maj • 02:35 • -10.25db
30% Popularity • 80% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
41% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Teresa Brewer
Lula Rock a Hula
136 bpm • D Maj • 02:07 • -13.09db
0% Popularity • 76% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Paul & Paula
A Perfect Pair
124 bpm • C Maj • 02:12 • -8.79db
17% Popularity • 47% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Gale Storm
Memories Are Made Of This
136 bpm • C Maj • 02:20 • -9.56db
29% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Tommy Edwards
My Melancholy Baby
124 bpm • D min • 02:40 • -7.26db
26% Popularity • 47% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 34% Positiveness
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Johnny Tillotson
Dreamy Eyes
124 bpm • E Maj • 02:24 • -9.91db
37% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Teresa Brewer
Empty Arms
135 bpm • C# Maj • 02:51 • -8.79db
9% Popularity • 29% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Ruby Murray
Evermore
137 bpm • C Maj • 02:26 • -12.88db
16% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ray Peterson
Why Don't You Write Me
123 bpm • E Maj • 02:23 • -8.93db
26% Popularity • 29% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Duke Ellington
Satin Doll
123 bpm • F min • 02:27 • -11.2db
0% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Carmen McRae
Ev'ry Time We Say Goodbye
137 bpm • G# Maj • 03:02 • -16.47db
42% Popularity • 34% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Teresa Brewer
Basin Street Blues
124 bpm • C# Maj • 03:20 • -12.94db
10% Popularity • 52% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Bobby Rydell
Sway
123 bpm • E min • 02:22 • -5.36db
32% Popularity • 66% Danceability • 81% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
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Sue Thompson
If The Boy Only Knew
123 bpm • E Maj • 02:46 • -11.71db
24% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmy Clanton
Go, Jimmy, Go
137 bpm • C Maj • 02:09 • -4.78db
41% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Roger Williams
Near You
123 bpm • G Maj • 02:47 • -15db
30% Popularity • 77% Danceability • 16% Energy • 8% Liveness
69% Instrumentalness • 55% Positiveness
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Billy Williams
I'm Gonna Sit Right Down and Write Mysel...
138 bpm • C# Maj • 02:07 • -17db
33% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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The Four Preps
Gidget
123 bpm • G# Maj • 01:47 • -10.57db
16% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Petula Clark
The Little Shoemaker
122 bpm • C# Maj • 02:18 • -10.25db
33% Popularity • 67% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Sue Thompson
James Hold The Ladder
138 bpm • A# Maj • 02:15 • -10db
21% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Georgia Gibbs
Dance With Me Henry
138 bpm • G Maj • 02:21 • -4.92db
5% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Teresa Brewer
A Tear Fell
138 bpm • D Maj • 02:35 • -11.42db
41% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Russ Hamilton
Rainbow
122 bpm • D Maj • 02:43 • -9db
33% Popularity • 70% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Tommy Edwards
Don't Fence Me In
139 bpm • G# Maj • 02:28 • -8db
17% Popularity • 62% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Lloyd Price
No If's - No And's
122 bpm • G# Maj • 02:22 • -5.94db
18% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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michael holliday
The Story of My Life
139 bpm • A Maj • 02:15 • -13db
39% Popularity • 70% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Ronnie Hilton
Veni Vidi Vici
121 bpm • A# Maj • 02:30 • -10.36db
14% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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The Four Preps
26 Miles (Santa Catalina)
121 bpm • A Maj • 02:26 • -12.73db
34% Popularity • 64% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Jane Morgan
Summer Wind
121 bpm • C Maj • 02:30 • -11.79db
13% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Tommy Edwards
Isle Of Capri
139 bpm • D# Maj • 02:18 • -13.43db
36% Popularity • 59% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Betty Hutton
Hit The Road To Dreamland - 1995 Remaste...
140 bpm • C Maj • 01:59 • -12.52db
33% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Sue Thompson
Willie Can
140 bpm • D# Maj • 02:19 • -9.73db
19% Popularity • 74% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Frank Ifield
Just One More Chance
121 bpm • G# Maj • 02:05 • -10.64db
23% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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michael holliday
Starry Eyed - Single Version
121 bpm • D Maj • 02:23 • -10db
23% Popularity • 62% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Dorothy Dandridge
Smooth Operator
140 bpm • A# min • 03:06 • -10.52db
32% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Teresa Brewer
I Love Mickey
120 bpm • F Maj • 01:48 • -8.97db
10% Popularity • 74% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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The Four Lads
There's Only One of You
120 bpm • F# Maj • 02:52 • -10.35db
13% Popularity • 56% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Duke Ellington
It Don't Mean a Thing If It Ain't Got Th...
120 bpm • G# Maj • 02:05 • -10.68db
4% Popularity • 48% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Frankie Vaughan
The Heart of a Man
120 bpm • B Maj • 02:18 • -9db
10% Popularity • 44% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Frank Ifield
I'm Confessin'
120 bpm • A Maj • 02:05 • -12.79db
30% Popularity • 58% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Dorsey
Green Eyes
120 bpm • F min • 03:19 • -12.75db
25% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Bobby Rydell
It's A Sin To Tell A Lie
120 bpm • C Maj • 02:33 • -8.17db
27% Popularity • 50% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Jerry Wallace
Primrose Lane
120 bpm • G# min • 02:23 • -13.63db
33% Popularity • 56% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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michael holliday
Have I Told You Lately That I Love You
120 bpm • A Maj • 02:30 • -13db
14% Popularity • 45% Danceability • 27% Energy • 16% Liveness
28% Instrumentalness • 27% Positiveness
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Lloyd Price
I'm Gonna Get Married
120 bpm • G Maj • 02:20 • -12.75db
39% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Frank Ifield
Confessin' (That I Love You)
120 bpm • A Maj • 02:03 • -9.62db
23% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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I Saw Mommy Kissing Santa Claus