Songs like I Saw the Light by Carl Story
Based on a tempo of (+/- 10%) and a similar genre
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The Spinney Brothers
Grandpa's Way of Life
118 bpm • B Maj • 03:09 • -6.8db
22% Popularity • 60% Danceability • 80% Energy • 25% Liveness
11% Instrumentalness • 95% Positiveness
22% Popularity • 60% Danceability • 80% Energy • 25% Liveness
11% Instrumentalness • 95% Positiveness
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Merle Travis
Peach Pickin' Time In Georgia
118 bpm • C Maj • 03:14 • -9.43db
11% Popularity • 64% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 64% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Jim and Jesse and the Virginia Boys
Are You Washed in the Blood
118 bpm • A Maj • 02:33 • -14db
23% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Carl Story
Got A Lot To Tell My Jesus
118 bpm • B Maj • 02:16 • -10.01db
6% Popularity • 60% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
6% Popularity • 60% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Jim & Jesse
Are You Missing Me
118 bpm • G Maj • 02:27 • -13.92db
30% Popularity • 67% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 67% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Grandpa Jones
Eight More Miles To Louisville - Rerecor...
118 bpm • G Maj • 02:24 • -8.31db
19% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Russell Moore & IIIrd Tyme Out
The Eastern Gate
118 bpm • C Maj • 02:41 • -7.54db
24% Popularity • 74% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 74% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Gibson Brothers
Dying for Someone to Live For
118 bpm • A Maj • 02:55 • -8.71db
12% Popularity • 68% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 68% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Easter Brothers
Almost Home
118 bpm • B Maj • 02:00 • -10.67db
8% Popularity • 71% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 71% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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Carl Story
That Little Country Church
118 bpm • B Maj • 02:21 • -11.22db
1% Popularity • 52% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 52% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Hylo Brown
Truck Drivin' Man
118 bpm • A Maj • 02:07 • -8.5db
9% Popularity • 76% Danceability • 49% Energy • 36% Liveness
2% Instrumentalness • 83% Positiveness
9% Popularity • 76% Danceability • 49% Energy • 36% Liveness
2% Instrumentalness • 83% Positiveness
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The Nashville Bluegrass Band
Old Devil's Dream
119 bpm • F Maj • 02:32 • -15db
17% Popularity • 73% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 73% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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BlueRidge
What If (Then I'll Come Back To You)
119 bpm • B Maj • 02:43 • -6db
16% Popularity • 73% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 73% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Dry Branch Fire Squad
Power in the Blood
119 bpm • A Maj • 01:42 • -9db
34% Popularity • 84% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 84% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Bluegrass Cardinals
I Wonder Where You Are Tonight
117 bpm • G Maj • 02:41 • -8.73db
23% Popularity • 44% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 44% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Carl Story
I Saw The Light
118 bpm • A Maj • 02:25 • -12db
23% Popularity • 61% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 61% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Jim and Jesse and the Virginia Boys
Where the Soul Never Dies
117 bpm • D Maj • 02:26 • -11.41db
21% Popularity • 60% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 60% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Tennessee Mafia Jug Band
Open up Your Mouth (And Let the Moonshin...
117 bpm • A Maj • 02:41 • -10.51db
12% Popularity • 68% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 68% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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The Lonesome Pine Fiddlers
Windy Mountain
117 bpm • D Maj • 02:21 • -11.86db
21% Popularity • 60% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 60% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Merle Travis
Dark As A Dungeon
117 bpm • G# Maj • 03:59 • -16.21db
13% Popularity • 58% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 58% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Russell Moore & IIIrd Tyme Out
Old Kentucky Farmers
119 bpm • F# Maj • 02:43 • -10db
26% Popularity • 68% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 68% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Carl Story
My Lord Keeps a Record
117 bpm • A Maj • 02:52 • -15.98db
0% Popularity • 69% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 69% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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The Rice Brothers
Grapes On The Vine
119 bpm • F Maj • 03:16 • -14.76db
25% Popularity • 59% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 59% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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BlueRidge
My Lord's Going To Set Me Free
119 bpm • B Maj • 02:14 • -9db
27% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Boxcars
Log Cabin In The Lane
116 bpm • A# Maj • 03:16 • -7.36db
16% Popularity • 66% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 66% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Marshall Family
Children Go Where I Send Thee
116 bpm • F# Maj • 02:02 • -17.47db
20% Popularity • 65% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 65% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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John McEuen
Carolina Traveler
120 bpm • C Maj • 02:29 • -14db
28% Popularity • 30% Danceability • 50% Energy • 15% Liveness
94% Instrumentalness • 84% Positiveness
28% Popularity • 30% Danceability • 50% Energy • 15% Liveness
94% Instrumentalness • 84% Positiveness
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Carl Story
You Must Be Born Again
117 bpm • F Maj • 02:24 • -10.03db
2% Popularity • 63% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 63% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Appalachian Road Show
I Am Just a Pilgrim
120 bpm • C Maj • 03:16 • -9.13db
11% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Gibson Brothers
Ring the Bell
116 bpm • C Maj • 03:51 • -8db
12% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 66% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Josh Williams
Larry Sparks Medley: Dark Hollow / a Fac...
120 bpm • C Maj • 05:20 • -7.46db
12% Popularity • 48% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
12% Popularity • 48% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Dan Tyminski
How Many Times
120 bpm • A Maj • 02:31 • -5.47db
19% Popularity • 62% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 62% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Lost and Found
What A Friend We Have In Jesus
116 bpm • D Maj • 03:24 • -15.08db
11% Popularity • 62% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
11% Popularity • 62% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
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Carl Story
To A Cross On A Lonely Dark Hill
116 bpm • C Maj • 02:28 • -13.55db
2% Popularity • 52% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 52% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 66% Positiveness
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Flatt Lonesome
Just Any Moment
120 bpm • A# Maj • 02:34 • -5.21db
20% Popularity • 73% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 73% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Jim and Jesse and the Virginia Boys
Swing Low, Sweet Chariot
116 bpm • B Maj • 02:47 • -13.59db
14% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Stringbean
Barnyard Banjo Pickin'
116 bpm • G# Maj • 02:18 • -13.76db
22% Popularity • 72% Danceability • 62% Energy • 34% Liveness
4% Instrumentalness • 90% Positiveness
22% Popularity • 72% Danceability • 62% Energy • 34% Liveness
4% Instrumentalness • 90% Positiveness
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Pinnacle Boys
Bluegrass Melodies
116 bpm • A Maj • 02:09 • -12.81db
18% Popularity • 43% Danceability • 31% Energy • 13% Liveness
38% Instrumentalness • 50% Positiveness
18% Popularity • 43% Danceability • 31% Energy • 13% Liveness
38% Instrumentalness • 50% Positiveness
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Grandpa Jones
Eight More Miles to Louisville
120 bpm • G Maj • 02:18 • -13.86db
16% Popularity • 72% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 72% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Carl Story
Forty Days And Forty Nights (Our Lord Wa...
120 bpm • D Maj • 02:23 • -10.8db
1% Popularity • 49% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 49% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Stoneman Family
I'm Thinking Tonight of My Blue Eyes
121 bpm • G Maj • 02:05 • -5.93db
8% Popularity • 60% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 60% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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The Nashville Bluegrass Band
The Boys Are Back In Town
115 bpm • A Maj • 02:16 • -18.37db
31% Popularity • 65% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 65% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Jim Mills
Ground Hog
121 bpm • C Maj • 02:12 • -12.46db
12% Popularity • 60% Danceability • 50% Energy • 34% Liveness
60% Instrumentalness • 96% Positiveness
12% Popularity • 60% Danceability • 50% Energy • 34% Liveness
60% Instrumentalness • 96% Positiveness
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Hubert Cox
Lord Protect My Soul
115 bpm • C# Maj • 02:34 • -11.87db
18% Popularity • 56% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 56% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Uncle Dave Macon
When The Train Comes Along
121 bpm • D# Maj • 03:02 • -12db
15% Popularity • 76% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 76% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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The Grascals
Mystery Train
121 bpm • A Maj • 03:21 • -10.39db
18% Popularity • 66% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 66% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Jack Cooke
Let's All Go Down To The River
121 bpm • B Maj • 02:13 • -7.66db
9% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Carl Story
Old Country Baptizing
121 bpm • A Maj • 02:13 • -12.41db
2% Popularity • 56% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
2% Popularity • 56% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Kenny & Amanda Smith Band
Till I Get Home
121 bpm • C Maj • 03:25 • -8.5db
16% Popularity • 70% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 70% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Jim and Jesse and the Virginia Boys
Stay a Little Longer (The Hoe Down Fiddl...
121 bpm • A Maj • 02:23 • -11.32db
17% Popularity • 68% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 68% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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The Kentucky Colonels
There Ain't Nobody Gonna Miss Me When I'...
121 bpm • C Maj • 02:51 • -10.42db
37% Popularity • 66% Danceability • 67% Energy • 80% Liveness
18% Instrumentalness • 94% Positiveness
37% Popularity • 66% Danceability • 67% Energy • 80% Liveness
18% Instrumentalness • 94% Positiveness
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Cliff Waldron
Just a Closer Walk with Thee
115 bpm • A Maj • 02:47 • -16.31db
18% Popularity • 54% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 54% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Grass Cats
High in the Mountains
115 bpm • B Maj • 03:01 • -6.86db
22% Popularity • 70% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 70% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Jim Mills
The Hide Head Blues
115 bpm • C Maj • 02:58 • -5.08db
24% Popularity • 58% Danceability • 76% Energy • 33% Liveness
91% Instrumentalness • 96% Positiveness
24% Popularity • 58% Danceability • 76% Energy • 33% Liveness
91% Instrumentalness • 96% Positiveness
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Carl Story
This Lonesome Road
121 bpm • D Maj • 02:06 • -9.51db
1% Popularity • 42% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
1% Popularity • 42% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Lost and Found
Harvest Time
115 bpm • B Maj • 02:10 • -12.78db
16% Popularity • 72% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
16% Popularity • 72% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
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Bobby Osborne
I'll Go Stepping Too
122 bpm • A# Maj • 02:17 • -12.4db
19% Popularity • 66% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 66% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Tyminski
Sunny Side of the Mountain
114 bpm • B Maj • 03:22 • -8.83db
32% Popularity • 65% Danceability • 63% Energy • 12% Liveness
69% Instrumentalness • 96% Positiveness
32% Popularity • 65% Danceability • 63% Energy • 12% Liveness
69% Instrumentalness • 96% Positiveness
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Ronnie Bowman
You Don't Love Me Anymore
122 bpm • A# Maj • 02:11 • -13.53db
18% Popularity • 72% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 72% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Hylo Brown & The Timberliners
Where The Soul Never Dies
114 bpm • D Maj • 02:00 • -14.1db
8% Popularity • 63% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 63% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Jim Hendricks
The Unclouded Day
122 bpm • G Maj • 02:40 • -9.93db
15% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Lost and Found
Giving Up On You
115 bpm • G Maj • 02:36 • -7.18db
13% Popularity • 60% Danceability • 68% Energy • 23% Liveness
2% Instrumentalness • 93% Positiveness
13% Popularity • 60% Danceability • 68% Energy • 23% Liveness
2% Instrumentalness • 93% Positiveness
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Charlie Monroe
Lord Build Me a Cabin
122 bpm • A Maj • 02:13 • -11.39db
23% Popularity • 68% Danceability • 51% Energy • 30% Liveness
10% Instrumentalness • 90% Positiveness
23% Popularity • 68% Danceability • 51% Energy • 30% Liveness
10% Instrumentalness • 90% Positiveness
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The Kody Norris Show
I'm Going Back to the Mountains
122 bpm • C Maj • 02:50 • -8.04db
10% Popularity • 53% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 53% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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The Bluegrass Cardinals
32 Acres
122 bpm • E Maj • 03:06 • -10.52db
13% Popularity • 47% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 47% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Grascals
Sweet Little Mountain Girl
114 bpm • B Maj • 02:42 • -6.74db
17% Popularity • 67% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 67% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Grandpa Jones
The Banjo Am the Instrument
122 bpm • A Maj • 02:02 • -11.96db
21% Popularity • 78% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 78% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Alan Bibey
Worried Man Blues
114 bpm • B Maj • 03:44 • -7.26db
10% Popularity • 60% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 60% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Charlie Monroe
Penitentiary Blues
114 bpm • G Maj • 01:51 • -7db
21% Popularity • 65% Danceability • 85% Energy • 31% Liveness
62% Instrumentalness • 91% Positiveness
21% Popularity • 65% Danceability • 85% Energy • 31% Liveness
62% Instrumentalness • 91% Positiveness
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Jim and Jesse and the Virginia Boys
The Old Camp Meeting Days
114 bpm • G Maj • 02:23 • -13.93db
16% Popularity • 70% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 70% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Red Smiley & The Bluegrass Cut-Ups
The Old Gospel Ship
113 bpm • D Maj • 01:23 • -13.13db
24% Popularity • 69% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 69% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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The Boxcars
When the Bluegrass Is Covered with Snow
123 bpm • F# Maj • 02:28 • -10.06db
18% Popularity • 64% Danceability • 62% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
18% Popularity • 64% Danceability • 62% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
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Grandpa Jones
Rosalee
114 bpm • G Maj • 02:05 • -7.23db
10% Popularity • 64% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 64% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Jim & Jesse
Better Times A Coming
113 bpm • F Maj • 02:27 • -9.06db
21% Popularity • 73% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 73% Danceability • 55% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Junior Sisk
Best Female Actress
113 bpm • A Maj • 02:39 • -7.76db
9% Popularity • 83% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 83% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Jim and Jesse and the Virginia Boys
Salty Dog Blues
123 bpm • E Maj • 02:08 • -11.48db
15% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 58% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Carl Story
Precious Memories
123 bpm • A Maj • 03:27 • -11.08db
0% Popularity • 47% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 47% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Stanley Brothers
The Little Glass Of Wine
123 bpm • D Maj • 03:05 • -15.33db
9% Popularity • 58% Danceability • 29% Energy • 22% Liveness
89% Instrumentalness • 54% Positiveness
9% Popularity • 58% Danceability • 29% Energy • 22% Liveness
89% Instrumentalness • 54% Positiveness
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Grandpa Jones
My Little Nagging Wife
123 bpm • A Maj • 02:31 • -10.51db
8% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Bluegrass Cardinals
Shine Hallelujah Shine
123 bpm • A# Maj • 02:14 • -7db
24% Popularity • 73% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 73% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Earl Taylor
Foggy Mountain Top
123 bpm • G Maj • 02:12 • -9.08db
10% Popularity • 53% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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Easter Brothers
They're Holding Up The Ladder
113 bpm • A Maj • 02:55 • -10.03db
31% Popularity • 64% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 64% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Ronnie Bowman
Drifting With The Tide
113 bpm • F min • 02:31 • -13.2db
24% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Osborne Brothers
I'll Fly Away
113 bpm • G Maj • 02:24 • -10.7db
12% Popularity • 48% Danceability • 58% Energy • 18% Liveness
57% Instrumentalness • 96% Positiveness
12% Popularity • 48% Danceability • 58% Energy • 18% Liveness
57% Instrumentalness • 96% Positiveness
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Ricky Skaggs and John Starling
Drifting Too Far From The Shore
113 bpm • F# Maj • 02:11 • -14db
22% Popularity • 56% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 56% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jim Mills
John Henry Blues
112 bpm • D# Maj • 04:13 • -10.48db
8% Popularity • 60% Danceability • 52% Energy • 23% Liveness
1% Instrumentalness • 86% Positiveness
8% Popularity • 60% Danceability • 52% Energy • 23% Liveness
1% Instrumentalness • 86% Positiveness
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Jim and Jesse and the Virginia Boys
Better Times A-Coming
113 bpm • F Maj • 02:28 • -11.26db
18% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 72% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Carl Story
Light At the River
124 bpm • A Maj • 02:07 • -12.01db
4% Popularity • 69% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 69% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Stonemans
Blue Ridge Mountain Blues
124 bpm • G Maj • 02:00 • -7.46db
17% Popularity • 58% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 58% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Big Country Bluegrass
Me and Becky (Hand in Hand)
112 bpm • A# Maj • 03:23 • -5.62db
8% Popularity • 67% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Grascals
Long List Of Heartaches
112 bpm • A Maj • 02:40 • -6.12db
28% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Mills
Cowboys And Indians
124 bpm • C Maj • 03:06 • -5.89db
19% Popularity • 56% Danceability • 70% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
19% Popularity • 56% Danceability • 70% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
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Jim and Jesse and the Virginia Boys
Diesel on My Tail
124 bpm • D Maj • 02:22 • -12.93db
23% Popularity • 65% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 65% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Reno & Smiley
Country Boy Rock & Roll
124 bpm • D Maj • 02:31 • -8.1db
11% Popularity • 43% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 43% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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The Boxcars
Don't Fall In Love With A Girl Like That
112 bpm • A Maj • 02:22 • -9.59db
18% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Russell Moore & IIIrd Tyme Out
Carolina's Arms
112 bpm • A# Maj • 02:16 • -6.73db
34% Popularity • 71% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 71% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Carl Story
Tramp On The Street
125 bpm • G# Maj • 03:22 • -16.38db
2% Popularity • 66% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 66% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jim Mills
Standing In The Need Of Prayer
112 bpm • G Maj • 02:35 • -4.83db
29% Popularity • 66% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 66% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
