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I Should Probably Go To Bed
Songs like
I Should Probably Go To Bed
by
Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Schneider
Ain't Missin' You
132 bpm • F# Maj • 02:56 • -5.59db
63% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Rascal Flatts
Back To Life
132 bpm • E Maj • 03:34 • -5db
53% Popularity • 47% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Parker McCollum
Pretty Heart
132 bpm • G Maj • 04:05 • -4.45db
68% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Scotty McCreery
The Trouble With Girls
132 bpm • A# Maj • 03:49 • -7.27db
46% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Hurd
Chasing After You
132 bpm • E Maj • 03:27 • -6.36db
65% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Dan + Shay
I Should Probably Go To Bed
132 bpm • C# Maj • 02:50 • -8.82db
56% Popularity • 71% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Aldean
You Make It Easy
132 bpm • G Maj • 03:13 • -5.3db
74% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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RaeLynn
Love Triangle
133 bpm • D Maj • 03:45 • -6.72db
55% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kacey Musgraves
Rainbow
130 bpm • D# Maj • 03:34 • -7.7db
68% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Luke Combs
Dive - Recorded At Sound Stage Nashville
131 bpm • C# Maj • 04:20 • -8.19db
73% Popularity • 74% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Dan + Shay
Million Reasons - Live Session at Sound ...
130 bpm • C Maj • 03:14 • -6.44db
45% Popularity • 60% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Russell Dickerson
Yours - Wedding Edition
134 bpm • B Maj • 03:36 • -7.97db
52% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Bryan
Light It Up
130 bpm • F# min • 02:57 • -2.72db
61% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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RaeLynn
Queens Don't
134 bpm • C Maj • 03:05 • -5.5db
54% Popularity • 66% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Hurd
Platonic
130 bpm • A# Maj • 02:31 • -7db
42% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Carly Pearce
we don't fight anymore
130 bpm • E Maj • 03:40 • -6.52db
73% Popularity • 62% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Dan + Shay
Save Me The Trouble
135 bpm • A Maj • 03:20 • -4.44db
56% Popularity • 44% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Rascal Flatts
My Wish
136 bpm • E Maj • 04:08 • -4.85db
64% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Aldean
Burnin' It Down
136 bpm • F# Maj • 03:39 • -6.65db
66% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Bailey Zimmerman
Fall In Love
136 bpm • A Maj • 03:52 • -6.06db
77% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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ERNEST
Flower Shops
128 bpm • G Maj • 03:34 • -6db
72% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dan + Shay
Speechless
135 bpm • F# Maj • 03:28 • -6.06db
55% Popularity • 56% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Rascal Flatts
Bless The Broken Road
136 bpm • C Maj • 03:46 • -6.37db
72% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Megan Moroney
I'm Not Pretty
128 bpm • A# Maj • 03:01 • -5.56db
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
64% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
81% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Parmalee
Be Alright
128 bpm • A# Maj • 03:21 • -3.22db
49% Popularity • 60% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Dan + Shay
Speechless
136 bpm • C# Maj • 03:33 • -5.97db
70% Popularity • 62% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Rascal Flatts
What Hurts The Most
136 bpm • F min • 03:34 • -5.13db
69% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Wallen
Cover Me Up
128 bpm • G Maj • 04:53 • -8.19db
76% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Muscadine Bloodline
Porch Swing Angel
136 bpm • D Maj • 03:50 • -7.9db
67% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dan + Shay
Keeping Score
136 bpm • E Maj • 03:40 • -4db
56% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Maddie & Tae
Lay Here With Me
127 bpm • G Maj • 02:58 • -6db
41% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
61% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Morgan Wallen
Somebody’s Problem
137 bpm • F Maj • 02:41 • -8db
73% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Blake Shelton
Sure Be Cool If You Did
137 bpm • B Maj • 03:35 • -4.63db
55% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jason Aldean
Big Green Tractor
137 bpm • E Maj • 03:24 • -5.01db
68% Popularity • 62% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Dan + Shay
Keeping Score - Acoustic
136 bpm • E Maj • 03:32 • -6db
33% Popularity • 65% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Russell Dickerson
She Likes It
127 bpm • E Maj • 02:43 • -12db
61% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Grammer
I Found You
138 bpm • C# Maj • 02:31 • -6.58db
38% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jason Aldean
Dirt Road Anthem
127 bpm • D Maj • 03:49 • -5.06db
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Dan + Shay
What Keeps You Up At Night
137 bpm • G min • 03:21 • -6.14db
47% Popularity • 59% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
77% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Do I
138 bpm • A Maj • 03:59 • -5.33db
61% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Niko Moon
GOOD TIME
138 bpm • F Maj • 03:34 • -7.19db
66% Popularity • 80% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Morgan Wallen
More Than My Hometown
126 bpm • F# Maj • 03:36 • -5.48db
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Dan + Shay
One Direction
137 bpm • C Maj • 03:17 • -6.09db
38% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Carrie Underwood
Only Us
138 bpm • E Maj • 03:45 • -7.33db
43% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Old Dominion
Never Be Sorry
126 bpm • B Maj • 03:23 • -5db
50% Popularity • 73% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Walker Hayes
90's Country
125 bpm • C# min • 02:52 • -5.78db
49% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
76% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Dan + Shay
Make or Break
126 bpm • F Maj • 02:35 • -3.92db
44% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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LANCO
Born to Love You
125 bpm • G Maj • 03:50 • -6.19db
55% Popularity • 66% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lonestar
Amazed
140 bpm • C# Maj • 04:00 • -8db
69% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Combs
Love You Anyway
140 bpm • E Maj • 03:49 • -7.42db
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Shelton
Mine Would Be You
140 bpm • C Maj • 03:59 • -7db
58% Popularity • 57% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Dan + Shay
Bigger Houses
140 bpm • G Maj • 03:17 • -6.43db
67% Popularity • 63% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
73% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Stell
Prayed For You - Wedding Version
140 bpm • A Maj • 03:25 • -5.67db
44% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Billy Currington
Details
140 bpm • F Maj • 03:21 • -4db
46% Popularity • 68% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Blake Shelton
God's Country
140 bpm • A# Maj • 03:24 • -5.1db
67% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Carrie Underwood
Heartbeat
140 bpm • C# Maj • 03:29 • -4.48db
53% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Ella Langley
Country Boy's Dream Girl
140 bpm • G# Maj • 03:05 • -4.56db
63% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Seaforth
Good and Gone
140 bpm • E Maj • 03:07 • -6db
33% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
59% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Lainey Wilson
Watermelon Moonshine
140 bpm • C# Maj • 03:28 • -6.71db
77% Popularity • 74% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Carly Pearce
Finish Your Sentences
124 bpm • D Maj • 02:49 • -4.7db
41% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Carrie Underwood
All-American Girl
124 bpm • A Maj • 03:32 • -2.63db
61% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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RaeLynn
Say
124 bpm • G# Maj • 02:58 • -4.49db
43% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
60% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Brad Paisley
Remind Me
141 bpm • F Maj • 04:31 • -4.2db
57% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Young
Tomorrow
142 bpm • B Maj • 03:40 • -5.77db
62% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
52% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Kacey Musgraves
Butterflies
142 bpm • E min • 03:39 • -6.14db
69% Popularity • 69% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Darius Rucker
For The First Time
142 bpm • F# Maj • 03:17 • -5db
56% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Morgan Wallen
One Thing At A Time
142 bpm • G Maj • 03:26 • -5.15db
75% Popularity • 61% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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I Should Probably Go To Bed