Songs like I Surrender All by T.D. Jakes
Based on a tempo of (+/- 10%) and a similar genre
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Casey J
Let It Be Known
100 bpm • C# min • 05:03 • -6db
28% Popularity • 60% Danceability • 96% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 60% Danceability • 96% Energy • 97% Liveness
0% Instrumentalness • 47% Positiveness
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New Jersey Mass Choir
I'll Tell It All v1.1
100 bpm • C# Maj • 05:01 • -6.9db
12% Popularity • 77% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 77% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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The Barnes Family
That Other Shore
100 bpm • F# Maj • 08:09 • -5.82db
21% Popularity • 29% Danceability • 66% Energy • 97% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 29% Danceability • 66% Energy • 97% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Pace
High and Lifted Up
100 bpm • C# Maj • 02:15 • -5.26db
16% Popularity • 43% Danceability • 99% Energy • 76% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 43% Danceability • 99% Energy • 76% Liveness
0% Instrumentalness • 8% Positiveness
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Melinda Watts
Available To You
100 bpm • A Maj • 06:40 • -6db
25% Popularity • 46% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 46% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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T.D. Jakes
I Surrender All
100 bpm • C# Maj • 04:00 • -17db
18% Popularity • 39% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 39% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Daryl Coley
He's Preparing Me
100 bpm • D# Maj • 08:06 • -11.95db
34% Popularity • 32% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 32% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Preashea Hilliard
Something Happens
100 bpm • C# Maj • 05:04 • -5.29db
42% Popularity • 37% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 37% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Bishop Clarence E. McClendon
Let the Rain of Your Presence
100 bpm • F Maj • 04:48 • -7db
29% Popularity • 38% Danceability • 50% Energy • 82% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 38% Danceability • 50% Energy • 82% Liveness
0% Instrumentalness • 23% Positiveness
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Men Of Standard
Yet Will I Trust In Him
100 bpm • F Maj • 04:54 • -10.05db
25% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Stephen Hurd
Healed By the Power of His Word - Live
100 bpm • G# Maj • 02:11 • -6.11db
21% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Marvin Winans And The Perfected Praise Choir
Jesus Saves
100 bpm • G min • 09:01 • -10.9db
34% Popularity • 33% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 33% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Rev. Milton Brunson
I'm Free
100 bpm • C# Maj • 05:52 • -14db
26% Popularity • 38% Danceability • 42% Energy • 97% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 38% Danceability • 42% Energy • 97% Liveness
0% Instrumentalness • 36% Positiveness
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Donald Lawrence & Company
Let The Word Do The Work
100 bpm • C# min • 04:32 • -5db
23% Popularity • 69% Danceability • 89% Energy • 81% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 69% Danceability • 89% Energy • 81% Liveness
0% Instrumentalness • 36% Positiveness
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Micah Stampley
I Need Thee Every Hour - Live
101 bpm • G# Maj • 03:27 • -12.5db
25% Popularity • 28% Danceability • 35% Energy • 78% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 28% Danceability • 35% Energy • 78% Liveness
0% Instrumentalness • 20% Positiveness
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T.D. Jakes
Draw Me Nearer - Spoken Word
101 bpm • F min • 00:52 • -20.47db
7% Popularity • 39% Danceability • 30% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 39% Danceability • 30% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Anita Wilson
Have Your Way
99 bpm • A# min • 03:21 • -7.4db
43% Popularity • 29% Danceability • 59% Energy • 57% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 29% Danceability • 59% Energy • 57% Liveness
0% Instrumentalness • 32% Positiveness
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Youth For Christ
I Just Want To Thank You
101 bpm • C# Maj • 05:03 • -9.82db
21% Popularity • 71% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 71% Danceability • 63% Energy • 72% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Pace
I Will Bless the Lord At All Times
99 bpm • C Maj • 05:02 • -8.01db
27% Popularity • 73% Danceability • 80% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 73% Danceability • 80% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
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Joshua's Troop
He's A Mighty God Reprise
101 bpm • C Maj • 01:11 • -11.12db
42% Popularity • 41% Danceability • 33% Energy • 89% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 41% Danceability • 33% Energy • 89% Liveness
0% Instrumentalness • 30% Positiveness
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Joseph Pace II
High and Lifted Up
98 bpm • A# min • 03:58 • -3.95db
17% Popularity • 44% Danceability • 95% Energy • 65% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 44% Danceability • 95% Energy • 65% Liveness
0% Instrumentalness • 30% Positiveness
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Brian Courtney Wilson
All I Need
98 bpm • C# Maj • 04:58 • -7.39db
41% Popularity • 54% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 54% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
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Rev. Paul Jones
Don’t Want No Rocks
102 bpm • G min • 05:46 • -11.53db
32% Popularity • 30% Danceability • 49% Energy • 52% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 30% Danceability • 49% Energy • 52% Liveness
0% Instrumentalness • 14% Positiveness
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Full Gospel Baptist Church Fellowship International Ministry of Worship
Still Amazed
102 bpm • C Maj • 05:32 • -11.84db
21% Popularity • 49% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 49% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jason Nelson
Dominion
102 bpm • B Maj • 05:55 • -5.81db
22% Popularity • 30% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 30% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Stephen Hurd
Undiginfied
102 bpm • C Maj • 04:23 • -7.1db
23% Popularity • 76% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 76% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Dr. R. A. Vernon & "The Word" Church Praise Team
I Made It
98 bpm • C# Maj • 05:32 • -6db
32% Popularity • 36% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 36% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Trin-I-Tee 5:7
There He Is
98 bpm • A# Maj • 05:28 • -8.07db
28% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Canton Spirituals
I'm Coming Lord
97 bpm • A Maj • 03:02 • -9.92db
35% Popularity • 51% Danceability • 67% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 51% Danceability • 67% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
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Marvin Winans
Draw Me Close/Thy Will Be Done
103 bpm • C# Maj • 06:25 • -11.67db
46% Popularity • 51% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 51% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Jekalyn Carr
Greater is Coming
98 bpm • F min • 06:39 • -3.48db
39% Popularity • 43% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 43% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Jason Nelson
In the Room
97 bpm • F Maj • 07:40 • -8.37db
25% Popularity • 27% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 27% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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21:03
Sweet Spirit
97 bpm • A# min • 04:09 • -6db
23% Popularity • 34% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 34% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Erica Campbell
A Little More Jesus
97 bpm • G# Maj • 03:55 • -4db
29% Popularity • 70% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 70% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Kurt Carr
Nikki's Praise - God Blocked It (Reprise...
103 bpm • F Maj • 02:06 • -7.2db
36% Popularity • 39% Danceability • 75% Energy • 38% Liveness
13% Instrumentalness • 35% Positiveness
36% Popularity • 39% Danceability • 75% Energy • 38% Liveness
13% Instrumentalness • 35% Positiveness
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Earnest Pugh
I Need Your Glory
104 bpm • C# Maj • 04:59 • -5.49db
42% Popularity • 37% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 37% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 47% Positiveness
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Donald Lawrence & The Tri-City Singers
Bless Me (The Prayer Of Jabez)
97 bpm • D# Maj • 06:42 • -5.77db
41% Popularity • 26% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 26% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Walter Hawkins & The Love Center Choir
Thank You
104 bpm • A# min • 05:31 • -7db
41% Popularity • 44% Danceability • 72% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 44% Danceability • 72% Energy • 70% Liveness
0% Instrumentalness • 39% Positiveness
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Anita Wilson
Total Praise
104 bpm • G# Maj • 05:46 • -6.96db
40% Popularity • 44% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 44% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Hurd
Let It Rise
104 bpm • F min • 04:35 • -7db
26% Popularity • 58% Danceability • 81% Energy • 92% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 58% Danceability • 81% Energy • 92% Liveness
0% Instrumentalness • 77% Positiveness
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Alvin Slaughter
When I Praise
104 bpm • D# Maj • 07:00 • -5.63db
11% Popularity • 53% Danceability • 58% Energy • 72% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 53% Danceability • 58% Energy • 72% Liveness
0% Instrumentalness • 12% Positiveness
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John P. Kee & The New Life Community Choir
Oh How Wondrous
104 bpm • C# Maj • 05:18 • -7db
34% Popularity • 66% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 66% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 85% Positiveness
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T.D. Jakes
High in All the Earth (Live)
96 bpm • C# Maj • 06:05 • -5db
18% Popularity • 49% Danceability • 90% Energy • 91% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 49% Danceability • 90% Energy • 91% Liveness
0% Instrumentalness • 56% Positiveness
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Joshua Rogers
Peace Be Still
104 bpm • G Maj • 03:50 • -10.28db
43% Popularity • 34% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 34% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 29% Positiveness
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Troy Sneed
Lay It Down
96 bpm • C# Maj • 04:45 • -6.07db
23% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Anita Wilson
Keep On Praisin’
96 bpm • A# min • 04:39 • -5.62db
42% Popularity • 58% Danceability • 91% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 58% Danceability • 91% Energy • 98% Liveness
0% Instrumentalness • 49% Positiveness
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Vicki Yohe
Deliverance Is Available
105 bpm • F Maj • 05:01 • -5.48db
33% Popularity • 58% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 58% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Jessica Reedy
Moving Forward
96 bpm • C min • 04:20 • -7.52db
31% Popularity • 30% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 30% Danceability • 55% Energy • 62% Liveness
0% Instrumentalness • 35% Positiveness
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T.D. Jakes
We Need a Word
96 bpm • B min • 03:59 • -7.4db
0% Popularity • 73% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 73% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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John P. Kee & The New Life Community Choir
At The Cross
105 bpm • C# Maj • 04:59 • -6.3db
25% Popularity • 76% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 76% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Colorado Mass Choir
Glad About It
95 bpm • C# Maj • 05:16 • -8db
26% Popularity • 64% Danceability • 88% Energy • 26% Liveness
6% Instrumentalness • 82% Positiveness
26% Popularity • 64% Danceability • 88% Energy • 26% Liveness
6% Instrumentalness • 82% Positiveness
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Vickie Winans
How I Got Over
105 bpm • C# Maj • 05:33 • -7.01db
13% Popularity • 78% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 78% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Kevin Terry & Predestined
Great is the Day
105 bpm • F# Maj • 06:21 • -7db
18% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Douglas Miller
My Soul Has Been Anchored
105 bpm • C Maj • 07:20 • -11.51db
25% Popularity • 35% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 35% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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T.D. Jakes
What a Mighty God We Serve - Medley
95 bpm • C# Maj • 04:19 • -7.47db
17% Popularity • 66% Danceability • 85% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 66% Danceability • 85% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
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God's Chosen
Love (Melody)
95 bpm • G Maj • 06:48 • -10db
40% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Reed's Temple Choir
Keep On Making A Way
95 bpm • C# Maj • 04:53 • -5.78db
23% Popularity • 72% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 72% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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The Straight Gate Mass Choir
Holy One
95 bpm • F min • 06:05 • -4.83db
32% Popularity • 56% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 56% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 55% Positiveness
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Patrick Love
The Vision
106 bpm • C# Maj • 05:40 • -12db
23% Popularity • 34% Danceability • 47% Energy • 97% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 34% Danceability • 47% Energy • 97% Liveness
0% Instrumentalness • 28% Positiveness
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Kierra Sheard
Free - Live
106 bpm • C Maj • 09:07 • -8.68db
37% Popularity • 37% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 37% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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T.D. Jakes
Mighty God Medley
95 bpm • C# Maj • 03:52 • -5.77db
10% Popularity • 60% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 60% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 51% Positiveness
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Kevin Lemons & Higher Calling
Oil of the Lord
106 bpm • A# Maj • 09:58 • -8.85db
21% Popularity • 48% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 48% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Luther Barnes
Spirit Fall Down
106 bpm • E Maj • 06:36 • -6.23db
35% Popularity • 47% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 47% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Juanita Bynum
Peace
106 bpm • A# Maj • 05:48 • -14db
39% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Hurd
Lead Me To The Rock - Reprise
94 bpm • G# Maj • 01:39 • -11db
41% Popularity • 43% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 43% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jovonta Patton
Know Jesus
94 bpm • F min • 03:20 • -4.69db
43% Popularity • 41% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 41% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
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T.D. Jakes
Genesis of Transformation
105 bpm • A# min • 03:26 • -9.83db
6% Popularity • 84% Danceability • 64% Energy • 6% Liveness
2% Instrumentalness • 85% Positiveness
6% Popularity • 84% Danceability • 64% Energy • 6% Liveness
2% Instrumentalness • 85% Positiveness
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Joshua Rogers
Rain On Us
94 bpm • C min • 02:59 • -8.32db
45% Popularity • 35% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 35% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Bishop Clarence E. McClendon
Shout Hallelujah
106 bpm • G# Maj • 06:33 • -5.74db
18% Popularity • 40% Danceability • 97% Energy • 99% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 40% Danceability • 97% Energy • 99% Liveness
0% Instrumentalness • 48% Positiveness
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Joshua's Troop
Everybody Clap Your Hands
94 bpm • C# Maj • 04:50 • -6db
45% Popularity • 63% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 63% Danceability • 84% Energy • 80% Liveness
0% Instrumentalness • 89% Positiveness
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Kirk Franklin & The Family
You Are - Live
94 bpm • C Maj • 03:53 • -11.68db
36% Popularity • 66% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 66% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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LaShun Pace
He Keeps On Doing Great Things For Me
106 bpm • G# Maj • 04:10 • -11db
29% Popularity • 63% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 63% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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T.D. Jakes
Taking It Back
105 bpm • C# Maj • 02:38 • -6.96db
7% Popularity • 59% Danceability • 91% Energy • 96% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 59% Danceability • 91% Energy • 96% Liveness
0% Instrumentalness • 58% Positiveness
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New Birth Choir
Thank You For Your Grace
94 bpm • E min • 10:01 • -6db
27% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Jonathan Butler
We Need You Lord - Falling In Love With ...
94 bpm • A Maj • 05:22 • -9.8db
18% Popularity • 28% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 28% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 16% Positiveness
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Anita Wilson
More of You
94 bpm • G# Maj • 07:41 • -9db
32% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 33% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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James Moss
I Wanna Be
107 bpm • C# Maj • 03:41 • -4.27db
33% Popularity • 63% Danceability • 97% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 63% Danceability • 97% Energy • 43% Liveness
0% Instrumentalness • 59% Positiveness
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Darwin Hobbs
We Worship You Today
107 bpm • A# min • 06:23 • -7.37db
32% Popularity • 54% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 54% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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T.D. Jakes
Let's Just Praise the Lord
106 bpm • F# Maj • 05:41 • -4.5db
5% Popularity • 56% Danceability • 96% Energy • 99% Liveness
0% Instrumentalness • 48% Positiveness
5% Popularity • 56% Danceability • 96% Energy • 99% Liveness
0% Instrumentalness • 48% Positiveness
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Kevin LeVar & One Sound
Atmosphere of Faith
107 bpm • C# Maj • 05:06 • -3.64db
38% Popularity • 38% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 38% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 19% Positiveness
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Bishop T.D. Jakes and the Potter's House Mass Choir
When My Season Comes
107 bpm • C# Maj • 04:36 • -6.47db
12% Popularity • 67% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 67% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Hurd
Lead Me To The Rock
93 bpm • G# Maj • 05:44 • -12.7db
28% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 39% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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Dallas Fort Worth Mass Choir
Blessed Assurance
93 bpm • C# Maj • 03:00 • -12db
30% Popularity • 66% Danceability • 66% Energy • 37% Liveness
1% Instrumentalness • 76% Positiveness
30% Popularity • 66% Danceability • 66% Energy • 37% Liveness
1% Instrumentalness • 76% Positiveness
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Lamar Campbell
It's All About The Love
93 bpm • F# Maj • 05:14 • -5db
33% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 66% Danceability • 92% Energy • 98% Liveness
0% Instrumentalness • 69% Positiveness
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T.D. Jakes
It Shall Be Done
106 bpm • F# Maj • 05:44 • -4.4db
6% Popularity • 53% Danceability • 98% Energy • 96% Liveness
0% Instrumentalness • 29% Positiveness
6% Popularity • 53% Danceability • 98% Energy • 96% Liveness
0% Instrumentalness • 29% Positiveness
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James Cleveland
Can't Nobody Do Me Like Jesus
108 bpm • C# Maj • 06:07 • -3.74db
31% Popularity • 51% Danceability • 100% Energy • 44% Liveness
52% Instrumentalness • 39% Positiveness
31% Popularity • 51% Danceability • 100% Energy • 44% Liveness
52% Instrumentalness • 39% Positiveness
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John P. Kee & The New Life Community Choir
That's Why I Praise You
108 bpm • F min • 05:38 • -6.99db
24% Popularity • 36% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 36% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Great Faith
The Blood Still Works
108 bpm • G# Maj • 04:11 • -7.73db
40% Popularity • 69% Danceability • 94% Energy • 14% Liveness
52% Instrumentalness • 88% Positiveness
40% Popularity • 69% Danceability • 94% Energy • 14% Liveness
52% Instrumentalness • 88% Positiveness
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Stephen Hurd
Zion (Zion Is Calling)
108 bpm • A# Maj • 02:59 • -8db
29% Popularity • 62% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 62% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Myron Williams
I Praise Your Name
108 bpm • A min • 04:45 • -7.39db
24% Popularity • 68% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 68% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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T.D. Jakes
Let's Just Praise the Lord (Live)
106 bpm • F# Maj • 06:14 • -5.52db
23% Popularity • 59% Danceability • 95% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 59% Danceability • 95% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Pace
Lord I Lift Your Name On High
92 bpm • G Maj • 03:16 • -7.67db
22% Popularity • 46% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 46% Danceability • 53% Energy • 88% Liveness
0% Instrumentalness • 18% Positiveness
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Bishop Clarence E. McClendon
May the Lord God Bless You Real Good
109 bpm • C# Maj • 06:03 • -4.6db
16% Popularity • 46% Danceability • 100% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 46% Danceability • 100% Energy • 39% Liveness
0% Instrumentalness • 14% Positiveness
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J Moss
Good & Bad
109 bpm • C# Maj • 04:49 • -5db
34% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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John P. Kee & The New Life Community Choir
He's the Greatest - Live
109 bpm • B Maj • 04:59 • -6.75db
19% Popularity • 63% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 63% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Stephen Hurd
Above All / Lord I Lift Your Name On Hig...
109 bpm • G Maj • 06:43 • -8.94db
24% Popularity • 42% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 42% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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T.D. Jakes
Introduction 5
106 bpm • F# Maj • 01:29 • -19.47db
5% Popularity • 41% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 18% Positiveness
5% Popularity • 41% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 18% Positiveness
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The Florida Mass Choir
Jesus Is The Light
109 bpm • G# Maj • 04:01 • -9db
32% Popularity • 45% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 45% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
