Songs like I Think About You All the Time by Gatlin
Based on a tempo of (+/- 10%) and a similar genre
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Julianna Joy
Cherry Bomb
145 bpm • A# Maj • 03:48 • -11.72db
37% Popularity • 41% Danceability • 47% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
37% Popularity • 41% Danceability • 47% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Sophie Holohan
butterfly effect - demo
145 bpm • F# Maj • 02:11 • -7.49db
46% Popularity • 49% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 49% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Cloe Wilder
House by the Water
145 bpm • E Maj • 03:16 • -9.07db
32% Popularity • 42% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
32% Popularity • 42% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 32% Positiveness
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King Princess
All Dressed In White
146 bpm • C# Maj • 02:00 • -4.9db
29% Popularity • 58% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 58% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Sydney Rose
If I Were a Dog
146 bpm • A# Maj • 03:49 • -13.03db
16% Popularity • 46% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 46% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Allison Ponthier
Chasing A Feeling
146 bpm • D Maj • 02:50 • -9.27db
21% Popularity • 60% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 60% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Molly Payton
I'm Too Smart
144 bpm • D Maj • 05:04 • -8db
19% Popularity • 37% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 37% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Laura Elliott
Stages
144 bpm • B Maj • 04:21 • -12.1db
12% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Etta Marcus
Heart-Shaped Bruise
144 bpm • A Maj • 04:04 • -11db
22% Popularity • 47% Danceability • 40% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
22% Popularity • 47% Danceability • 40% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
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Grace Enger
It's No Fun
146 bpm • D Maj • 02:43 • -6.98db
44% Popularity • 47% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 47% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Annika Bennett
over
146 bpm • C# Maj • 02:14 • -9.63db
27% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sophie Holohan
Real Person
144 bpm • A# min • 02:32 • -8.14db
18% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Faith Zapata
crash on the couch
146 bpm • G Maj • 04:25 • -12.36db
22% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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ella jane
bored&blind
146 bpm • C# Maj • 03:41 • -9.77db
36% Popularity • 73% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 73% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
49% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Gracie Abrams
Hard to Sleep
144 bpm • A Maj • 04:15 • -15.07db
53% Popularity • 51% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 51% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Genevieve Stokes
Parking Lot - Stripped
144 bpm • C Maj • 02:39 • -15db
27% Popularity • 53% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 53% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Sydney Rose
We Don't Talk Anymore
146 bpm • B Maj • 04:06 • -17.48db
15% Popularity • 30% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 30% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Holly Humberstone
London Is Lonely
143 bpm • A# Maj • 03:54 • -7.22db
45% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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ella jane
Thief
147 bpm • D Maj • 03:26 • -9.97db
21% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Elliott
For Now
143 bpm • C Maj • 03:37 • -17.17db
15% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Carol Ades
I Can't Wait to Be British
147 bpm • G# Maj • 03:25 • -4.99db
21% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gatlin
Really Funny
143 bpm • C min • 03:21 • -7.72db
22% Popularity • 70% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 70% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Babygirl
Sore Eyes
143 bpm • D# Maj • 03:13 • -9.06db
33% Popularity • 56% Danceability • 58% Energy • 15% Liveness
58% Instrumentalness • 55% Positiveness
33% Popularity • 56% Danceability • 58% Energy • 15% Liveness
58% Instrumentalness • 55% Positiveness
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Taylor Bickett
i should’ve guessed
143 bpm • E Maj • 04:01 • -7.42db
31% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
38% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Allison Ponthier
Hell Is A Crowded Room
143 bpm • F# min • 03:10 • -10db
16% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Carol Ades
Unlearn Me
142 bpm • G Maj • 03:12 • -9db
25% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Isabel Pless
Jude Law
148 bpm • D Maj • 03:32 • -13.53db
17% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Moody Joody
Talk It Out
148 bpm • E Maj • 03:39 • -10.17db
26% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Etta Marcus
Provider
148 bpm • D Maj • 03:05 • -9.35db
21% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
27% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Abby Cates
Lawrence
142 bpm • E Maj • 04:22 • -8.33db
19% Popularity • 30% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 30% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Charli Adams
Seventeen Again
141 bpm • D# Maj • 03:24 • -10.9db
35% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Isabel Pless
More to Give
148 bpm • G# Maj • 02:26 • -10.25db
33% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rachael Jenkins
Allergy Season
149 bpm • B Maj • 03:41 • -11.41db
29% Popularity • 31% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 31% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Sydney Rose
Less than Lovers
149 bpm • G# Maj • 04:14 • -12.03db
20% Popularity • 39% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 39% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Kristiane
Better On Your Own
141 bpm • D Maj • 02:23 • -8.15db
24% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Sophie Holohan
in loving
149 bpm • E Maj • 01:39 • -13.97db
28% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Madi Diaz
Crying In Public
141 bpm • A Maj • 04:00 • -8.85db
20% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Alix Page
Automatic
150 bpm • F Maj • 02:33 • -9db
25% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Isabel Pless
Politics of Lonely
140 bpm • C# Maj • 04:18 • -11.75db
18% Popularity • 57% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 57% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Charli Adams
how do u know how to love me
150 bpm • G# Maj • 03:21 • -9.76db
16% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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TOMI
If I Wasn't Yours, Who Was I
150 bpm • G min • 03:50 • -10.46db
28% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Abby Cates
saw ur mom at the grocery store
140 bpm • G Maj • 04:13 • -18.04db
32% Popularity • 56% Danceability • 27% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
32% Popularity • 56% Danceability • 27% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Grace Gardner
Deny Me
140 bpm • D Maj • 05:07 • -16.78db
36% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
38% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Gatlin
Paris
140 bpm • C Maj • 02:47 • -7.36db
19% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Miel
Columbus Day
140 bpm • F Maj • 02:03 • -13.33db
25% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Charli Adams
Bad Caffeine
140 bpm • C# min • 04:13 • -5.04db
28% Popularity • 46% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 46% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Orla Gartland
Heavy
140 bpm • F Maj • 04:04 • -12.02db
35% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Grace Gardner
deny me (lovesong version)
140 bpm • D Maj • 05:13 • -19.66db
26% Popularity • 47% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 47% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sophie Holohan
Your New Girlfriend
150 bpm • F# Maj • 03:56 • -10db
17% Popularity • 45% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
17% Popularity • 45% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Beulahbelle
Being You
140 bpm • A# Maj • 02:35 • -12.93db
18% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gatlin
Still Not Me
139 bpm • F# Maj • 02:32 • -8.63db
30% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Charli Adams
Black Tee Shirt
140 bpm • G min • 03:44 • -6.93db
12% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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ella jane
Sore Loser
139 bpm • C Maj • 03:08 • -7.81db
18% Popularity • 61% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 61% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Annika Bennett
Only Emotion
139 bpm • A min • 03:46 • -9.92db
16% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Laura Elliott
Blue
139 bpm • D Maj • 04:12 • -13db
31% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Beulahbelle
Raleigh
151 bpm • C Maj • 03:50 • -12db
19% Popularity • 52% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 52% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Tommy Lefroy
Jericho Beach
152 bpm • A Maj • 02:56 • -10db
33% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
33% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
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Gatlin
Sugarcoated - Audiotree Live version
151 bpm • G# Maj • 02:25 • -10.22db
3% Popularity • 57% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 57% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Kristiane
State Lines
152 bpm • C Maj • 02:32 • -8.64db
25% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Gracie Abrams
The blue
142 bpm • C Maj • 05:00 • -7.73db
54% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Sydney Rose
I’ll Never Get Over It
138 bpm • A Maj • 04:03 • -14.21db
20% Popularity • 57% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 57% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Cece Coakley
Monday Morning
138 bpm • D Maj • 03:16 • -8.91db
33% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Delacey
Boy With The Blues
138 bpm • A Maj • 02:55 • -11.53db
39% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gatlin
Sugarcoated
151 bpm • C# Maj • 02:26 • -7.8db
29% Popularity • 62% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 62% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Elliott
Caroline
138 bpm • G min • 03:43 • -12.28db
11% Popularity • 56% Danceability • 35% Energy • 13% Liveness
14% Instrumentalness • 21% Positiveness
11% Popularity • 56% Danceability • 35% Energy • 13% Liveness
14% Instrumentalness • 21% Positiveness
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Rosie Carney
Anthems For A Seventeen Year Old Girl
138 bpm • E Maj • 03:20 • -12.6db
22% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Gracie Abrams
I should hate you
138 bpm • F Maj • 04:18 • -8.07db
60% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Julianna Joy
Garden of Eden
138 bpm • C# Maj • 04:06 • -8.98db
8% Popularity • 45% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 45% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Sydney Rose
Skydive
138 bpm • A# Maj • 04:14 • -11.87db
16% Popularity • 40% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
16% Popularity • 40% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Gatlin
Hospital
138 bpm • C Maj • 02:48 • -17.16db
19% Popularity • 60% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 60% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Abby Cates
Rainbowfish
138 bpm • F# Maj • 03:10 • -9.58db
25% Popularity • 33% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 33% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Elliott
God Complex
137 bpm • E Maj • 04:37 • -9.33db
15% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Susannah Joffe
Halloween
137 bpm • D Maj • 03:56 • -7.98db
12% Popularity • 44% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 44% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Faith Zapata
party in the alps
154 bpm • A# Maj • 05:13 • -23.3db
18% Popularity • 29% Danceability • 8% Energy • 13% Liveness
6% Instrumentalness • 14% Positiveness
18% Popularity • 29% Danceability • 8% Energy • 13% Liveness
6% Instrumentalness • 14% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
55% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Gatlin
Lonely Life
138 bpm • C Maj • 03:06 • -7.51db
18% Popularity • 57% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 57% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Annika Bennett
Madwoman
154 bpm • C Maj • 03:17 • -8.7db
32% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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THEM
Baby Please
154 bpm • G Maj • 03:56 • -14.22db
16% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Phoebe Bridgers
Chinese Satellite (Copycat Killer Versio...
136 bpm • A# Maj • 03:30 • -13.67db
38% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
38% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
45% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Babygirl
I Won't Ever Get Over You
136 bpm • B Maj • 04:42 • -13.11db
14% Popularity • 32% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
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Gatlin
Hospital - Audiotree Live version
138 bpm • C Maj • 02:18 • -18.6db
3% Popularity • 54% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 54% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Lexi Jayde
what's the matter with you
136 bpm • C Maj • 03:16 • -6.59db
34% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 69% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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buffchick
Over & Again
136 bpm • B Maj • 03:07 • -7db
22% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Sydney Rose
Phoebe Told Me
155 bpm • A Maj • 03:56 • -9.38db
27% Popularity • 37% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 37% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Ashe
Fun While It Lasted
136 bpm • A Maj • 02:26 • -7.59db
43% Popularity • 49% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 49% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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MUNA
Grow
135 bpm • C# Maj • 01:47 • -10db
28% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 32% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
41% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Ella Hunt
Magpie
135 bpm • A# Maj • 03:35 • -11.55db
23% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Trousdale
Any Day Now
135 bpm • D Maj • 03:21 • -6.51db
43% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Grace Gardner
Radio Silence
135 bpm • D# Maj • 04:03 • -13.48db
16% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Madi Diaz
New Person, Old Place
135 bpm • C Maj • 04:06 • -8db
32% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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ella jane
Dog Years
156 bpm • A# Maj • 02:21 • -12.29db
23% Popularity • 63% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 63% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
