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I Thought We Broke Up
Songs like
I Thought We Broke Up
by
Spencer Crandall
Based on a tempo of (+/- 10%) and a similar genre
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Kelsey Lamb
Me & the Bar
172 bpm • G Maj • 03:01 • -5.77db
22% Popularity • 42% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Renee Blair
You Did
172 bpm • E Maj • 03:24 • -4.72db
37% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Drew Baldridge
She's Somebody's Daughter (Remix)
172 bpm • C# Maj • 03:29 • -6.45db
48% Popularity • 46% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Sophia Scott
Lipstick on You
172 bpm • C Maj • 02:58 • -3.98db
45% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Tigirlily Gold
Somebody Does
170 bpm • F Maj • 03:04 • -5.46db
42% Popularity • 50% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Conner Smith
I Hate Alabama
172 bpm • E Maj • 03:34 • -5db
50% Popularity • 20% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Tyler Rich
Leave Her Wild
174 bpm • C Maj • 03:19 • -5.1db
56% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Maddie & Tae
Woman You Got
170 bpm • A# Maj • 02:57 • -3.55db
46% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Drew Baldridge
She's Somebody's Daughter (The Wedding V...
172 bpm • F# Maj • 03:30 • -7.29db
58% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Waters Band
Tomorrow's Not Tonight
170 bpm • G# Maj • 02:50 • -8db
54% Popularity • 48% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Jordan Davis
Trying
170 bpm • F# Maj • 02:56 • -7db
59% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Lily Rose
Stronger Than I Am
170 bpm • E Maj • 03:51 • -5db
36% Popularity • 43% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Schnacky
Maybe We Will
170 bpm • E Maj • 03:09 • -8.02db
45% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dan + Shay
You
170 bpm • C Maj • 03:16 • -6.21db
61% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Justin Champagne
Number to Heaven
170 bpm • D# min • 03:43 • -8db
47% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
54% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Cooper Alan
Keep It to Myself
169 bpm • C# Maj • 03:31 • -8.04db
54% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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MacKenzie Porter
These Days
176 bpm • A Maj • 02:52 • -3db
47% Popularity • 46% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Riggs
Obsessed
176 bpm • D Maj • 02:57 • -5.62db
47% Popularity • 59% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Chase McDaniel
Drop Your Tailgate
176 bpm • D Maj • 03:08 • -5db
51% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Trevor Martin
Small Town Love
176 bpm • G min • 02:56 • -6.52db
25% Popularity • 52% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Lauren Duski
Loved Me That Way
168 bpm • E Maj • 03:44 • -7.34db
47% Popularity • 36% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Kelsey Lamb
Heartbreak Away
168 bpm • D# Maj • 03:11 • -5db
44% Popularity • 41% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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SixForty1
Somebody's Gonna
176 bpm • C# Maj • 02:58 • -5.66db
35% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Moreno
Used to This
176 bpm • G# Maj • 03:11 • -3.92db
40% Popularity • 39% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Dylan Schneider
Right Girl
176 bpm • E Maj • 02:49 • -5.1db
45% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Greylan James
My Future
168 bpm • C# Maj • 02:35 • -6.92db
44% Popularity • 55% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Lauren Duski
Costume Party
168 bpm • D# Maj • 02:56 • -7db
44% Popularity • 38% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Gabby Barrett
You're the Only Reason
168 bpm • F# Maj • 02:59 • -5db
40% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Drew Green
Good Ol' Man
168 bpm • F# Maj • 03:22 • -7.09db
54% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Noah Schnacky
She Broke My Heart
168 bpm • C# Maj • 03:00 • -3db
29% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Trevor Martin
Thinkin' Bout
168 bpm • G# Maj • 03:00 • -6.14db
35% Popularity • 59% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Levi Hummon
Paying For It
178 bpm • D Maj • 03:11 • -4db
49% Popularity • 53% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Russell Dickerson
Sorry
178 bpm • G min • 03:08 • -4db
47% Popularity • 51% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Spencer Crandall
My Person
166 bpm • G Maj • 02:57 • -5.29db
59% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Walker Montgomery
She Don't Know
176 bpm • C# Maj • 03:49 • -4.28db
39% Popularity • 44% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ashley Cooke
Chasin’ You (Acoustic)
179 bpm • A# Maj • 03:44 • -8.78db
37% Popularity • 39% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Trevor Martin
Dream Girl
166 bpm • A# Maj • 03:28 • -6db
25% Popularity • 48% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Dan + Shay
Steal My Love
180 bpm • D Maj • 02:42 • -5.45db
55% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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CHASE WRIGHT
Hurt No More
180 bpm • F# Maj • 02:56 • -3db
58% Popularity • 45% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Noah Hicks
I Can Tell You're Small Town
164 bpm • F# Maj • 03:02 • -4db
53% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Jordan Davis
Almost Maybes
180 bpm • B Maj • 02:59 • -4.03db
67% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Cooper Alan
Let Her Talk
164 bpm • A Maj • 02:57 • -8db
44% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Braden
Friends
164 bpm • C min • 03:26 • -5.7db
59% Popularity • 44% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Trevor Martin
Wife You Up
164 bpm • G Maj • 03:29 • -6db
37% Popularity • 51% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Spencer Crandall
Looking for It
164 bpm • G# min • 02:36 • -3.99db
30% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Adam Doleac
Somewhere Cool With You
164 bpm • D# Maj • 02:48 • -5.14db
39% Popularity • 52% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Erin Kinsey
I Got You
164 bpm • E Maj • 02:57 • -4db
34% Popularity • 49% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Austin Burke
Let It Burn
164 bpm • G Maj • 03:26 • -7.1db
46% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Alexandra Kay
More Than You
163 bpm • G# Maj • 04:01 • -4.63db
50% Popularity • 41% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Trevor Martin
Closer to You
164 bpm • F# min • 03:09 • -6.55db
35% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tenille Arts
Over You is You
162 bpm • D Maj • 03:04 • -3.87db
37% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Nate Smith
Better Boy
162 bpm • G Maj • 02:55 • -6db
53% Popularity • 39% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Erin Kinsey
Hate This Hometown
184 bpm • F# Maj • 03:13 • -6.04db
35% Popularity • 40% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Kaylee Rose
Almost There
184 bpm • A# min • 02:40 • -5.95db
39% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Spencer Crandall
Worth the Wait
161 bpm • C Maj • 03:09 • -3.94db
58% Popularity • 33% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Trevor Martin
Wife You Up - The Wedding Version
164 bpm • G Maj • 03:35 • -7.87db
22% Popularity • 41% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Rayne Johnson
Last Name
160 bpm • F# Maj • 03:30 • -4db
24% Popularity • 61% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Avery Anna
Just Cause I Love You
184 bpm • E Maj • 03:19 • -6.54db
47% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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CHASE WRIGHT
She Ain't Takin Your Call
160 bpm • A min • 03:13 • -3.4db
44% Popularity • 44% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Restless Road
Last Rodeo
160 bpm • B min • 03:15 • -3.95db
55% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Tyler Rich
Real Love
160 bpm • A Maj • 03:02 • -5.57db
34% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Sophia Scott
She Ain't Me
160 bpm • D Maj • 03:16 • -17db
47% Popularity • 51% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Tiera Kennedy
Found It In You
160 bpm • F min • 03:03 • -5db
46% Popularity • 43% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Ross
Do What You Love
160 bpm • A Maj • 03:30 • -7db
42% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Trevor Martin
Girl Like You
160 bpm • A# Maj • 02:34 • -6.47db
40% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Roads Below
I Want Us
160 bpm • A# Maj • 04:06 • -6db
41% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Todd Cameron
Waiting on You
160 bpm • D Maj • 03:10 • -5db
49% Popularity • 35% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Brandon Davis
Destiny
160 bpm • C# Maj • 03:21 • -5db
37% Popularity • 39% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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CHASE WRIGHT
Lying with You
160 bpm • C# Maj • 02:59 • -3db
49% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Sophia Scott
One Of These Days
160 bpm • E Maj • 03:27 • -7.1db
38% Popularity • 58% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Trevor Martin
Promise You That
160 bpm • B Maj • 02:58 • -5.87db
47% Popularity • 46% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Nate Smith
Wildfire
160 bpm • F# Maj • 03:10 • -4.99db
56% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Cooper Alan
Too Soon
186 bpm • C# Maj • 02:49 • -9.13db
48% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
63% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Kelsey Lamb
Little by Little
158 bpm • D# Maj • 03:14 • -4.14db
34% Popularity • 58% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Canaan Cox
Greener
158 bpm • B Maj • 03:39 • -3.15db
33% Popularity • 44% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Trevor Martin
What If We Were?
186 bpm • A Maj • 02:30 • -4.05db
37% Popularity • 36% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Avery Anna
I Will (When You Do)
156 bpm • C# Maj • 03:27 • -5.31db
70% Popularity • 44% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Bandi
Man Enough Now
156 bpm • D Maj • 03:05 • -6.11db
47% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Troy Cartwright
Unlove You
156 bpm • D Maj • 02:57 • -3.79db
54% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Ruediger
When You Don't
156 bpm • B Maj • 03:33 • -5.19db
37% Popularity • 57% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Canaan Cox
As You Leave
156 bpm • A min • 02:06 • -4db
56% Popularity • 59% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Spencer Crandall
When You Think of Me
156 bpm • C# Maj • 03:05 • -6.22db
22% Popularity • 49% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
41% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Murphy Elmore
Whoever Broke Your Heart
156 bpm • F# Maj • 03:14 • -5.25db
51% Popularity • 48% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Trey Lewis
How Bout We Don't
156 bpm • G Maj • 02:59 • -4.98db
44% Popularity • 52% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Canaan Cox
As You Leave (undone)
156 bpm • C Maj • 02:07 • -5.54db
57% Popularity • 68% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Avery Anna
Can't Miss You Anymore
190 bpm • F Maj • 02:52 • -7.15db
45% Popularity • 39% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
46% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Burgett
Love It All Goodbye
156 bpm • A# Maj • 03:28 • -6.28db
35% Popularity • 48% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Shaylen
Do It Right The First Time
155 bpm • D# Maj • 03:05 • -5.36db
44% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Morgan Wallen
Bandaid On A Bullet Hole
155 bpm • D Maj • 03:54 • -6.75db
69% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Canaan Cox
Break It
156 bpm • D Maj • 03:05 • -4.63db
40% Popularity • 54% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Troy Cartwright
Boys Like Trucks
154 bpm • C# Maj • 02:10 • -5db
49% Popularity • 52% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Spencer Crandall
Good Thing
154 bpm • G# Maj • 03:19 • -4.82db
28% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Alexandra Kay
I Kinda Don't
154 bpm • D# Maj • 03:46 • -8db
48% Popularity • 55% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Tyler Braden
Brother
154 bpm • A Maj • 03:56 • -7.08db
43% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Haley Mae Campbell
Thank You Card
154 bpm • D Maj • 03:10 • -4.74db
32% Popularity • 55% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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I Thought We Broke Up