Songs like I Used To Be Loved by Sam Allen
Based on a tempo of (+/- 10%) and a similar genre
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Sam Allen
I Used To Be Loved
160 bpm • C Maj • 04:18 • -5.45db
5% Popularity • 28% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
5% Popularity • 28% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Flag Duty
A Little Late
160 bpm • C# Maj • 04:04 • -4.83db
17% Popularity • 45% Danceability • 83% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
17% Popularity • 45% Danceability • 83% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Loose Bricks
Diamonds
160 bpm • A Maj • 03:53 • -3.51db
20% Popularity • 34% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 34% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jack Gray
Down Side Of Up
160 bpm • E Maj • 02:17 • -3.66db
28% Popularity • 57% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 57% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Corella
Fever - Acoustic Version
160 bpm • B min • 03:44 • -14.07db
22% Popularity • 55% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 55% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Figurehead
On Repeat
160 bpm • D# Maj • 03:36 • -6.52db
22% Popularity • 48% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 48% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Art of Sleeping
I’m Not The One
160 bpm • B min • 04:13 • -9.95db
21% Popularity • 38% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
21% Popularity • 38% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
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Ghost Care
Bussell Hwy
159 bpm • A Maj • 03:11 • -6db
20% Popularity • 53% Danceability • 82% Energy • 12% Liveness
81% Instrumentalness • 66% Positiveness
20% Popularity • 53% Danceability • 82% Energy • 12% Liveness
81% Instrumentalness • 66% Positiveness
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Kookshill
Say It's So
162 bpm • D# min • 03:47 • -4.15db
8% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Frazer Holroyd
Symphony
158 bpm • A Maj • 03:29 • -10.93db
7% Popularity • 53% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 53% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Riley Pearce
Park Dogs
158 bpm • F# Maj • 03:44 • -10.07db
23% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Adam Newling
Morning Breath
162 bpm • C# Maj • 02:38 • -8.21db
33% Popularity • 44% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 44% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Tyne-James Organ
Sunday Suit
162 bpm • B Maj • 04:07 • -4.96db
37% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Camino Gold
A Heart Like Yours
162 bpm • A Maj • 03:56 • -4.07db
27% Popularity • 44% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 44% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Kingswood
Cigarettes In Bed
158 bpm • D Maj • 03:42 • -4db
16% Popularity • 43% Danceability • 85% Energy • 24% Liveness
6% Instrumentalness • 24% Positiveness
16% Popularity • 43% Danceability • 85% Energy • 24% Liveness
6% Instrumentalness • 24% Positiveness
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The Dreggs
Simple Question
158 bpm • C min • 04:32 • -10.76db
37% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Great Gable
Fireflies - triple j Like A Version
157 bpm • A# Maj • 04:04 • -11.3db
33% Popularity • 34% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 34% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Nana's Pie
Deja vu
156 bpm • A Maj • 05:08 • -10.33db
14% Popularity • 42% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 42% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Tyne-James Organ
The Fire
158 bpm • C# Maj • 03:05 • -5.39db
16% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Death by Denim
Ocean Lines
156 bpm • C Maj • 04:15 • -8db
15% Popularity • 48% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 48% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Mosa Wild
I Might Let You Down
156 bpm • F min • 03:38 • -5.01db
10% Popularity • 49% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Betty Taylor
Stallin'
156 bpm • C Maj • 04:25 • -6db
32% Popularity • 55% Danceability • 88% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
32% Popularity • 55% Danceability • 88% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
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Mitch Santiago
Talk To Me
156 bpm • C# Maj • 03:43 • -6.19db
20% Popularity • 45% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 45% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Nana's Pie
Fool for you
156 bpm • A# Maj • 03:22 • -8.2db
18% Popularity • 62% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
18% Popularity • 62% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 70% Positiveness
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Dear Sunday
Love Eyes
156 bpm • D# min • 03:39 • -8db
35% Popularity • 51% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 51% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Oly Sherman
Madness
156 bpm • F Maj • 03:44 • -12.29db
15% Popularity • 37% Danceability • 33% Energy • 10% Liveness
9% Instrumentalness • 21% Positiveness
15% Popularity • 37% Danceability • 33% Energy • 10% Liveness
9% Instrumentalness • 21% Positiveness
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Les Krills
Melting into You
156 bpm • C Maj • 03:10 • -6db
24% Popularity • 47% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 47% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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The Dardi Shades
Yeah You're Young
165 bpm • A# Maj • 03:17 • -5.47db
7% Popularity • 45% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 45% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Letters to Lions
Concrete Jungle
155 bpm • E min • 04:48 • -9db
23% Popularity • 36% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 36% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Nick Cunningham
Alibi
155 bpm • C Maj • 04:16 • -9.52db
26% Popularity • 60% Danceability • 40% Energy • 68% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 60% Danceability • 40% Energy • 68% Liveness
0% Instrumentalness • 20% Positiveness
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Ashgroove
Julia
155 bpm • G Maj • 02:29 • -8.35db
11% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Tyne-James Organ
Honey
155 bpm • C# Maj • 03:49 • -4.56db
18% Popularity • 56% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 43% Positiveness
18% Popularity • 56% Danceability • 86% Energy • 13% Liveness
3% Instrumentalness • 43% Positiveness
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Holy Holy
Amateurs
155 bpm • E Maj • 03:14 • -5.5db
26% Popularity • 42% Danceability • 81% Energy • 16% Liveness
18% Instrumentalness • 21% Positiveness
26% Popularity • 42% Danceability • 81% Energy • 16% Liveness
18% Instrumentalness • 21% Positiveness
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Oceanic
...You
155 bpm • G Maj • 04:19 • -6.73db
27% Popularity • 49% Danceability • 81% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
27% Popularity • 49% Danceability • 81% Energy • 14% Liveness
5% Instrumentalness • 32% Positiveness
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The Sunday Estate
Pray For Rain
154 bpm • G# Maj • 03:44 • -4.61db
11% Popularity • 43% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 43% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Pacific Avenue
Someday Soon
166 bpm • C Maj • 04:37 • -7.52db
48% Popularity • 35% Danceability • 69% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
48% Popularity • 35% Danceability • 69% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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Kookshill
Sorry
154 bpm • F Maj • 03:03 • -3.94db
19% Popularity • 35% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 35% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Tyne-James Organ
Overtime
154 bpm • F Maj • 03:25 • -6.29db
14% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Folk Road Show
Thought You'd Never Ask
168 bpm • A min • 03:55 • -7.1db
11% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Gecko Club
By the Pool
152 bpm • B min • 04:00 • -7.65db
19% Popularity • 56% Danceability • 67% Energy • 33% Liveness
2% Instrumentalness • 20% Positiveness
19% Popularity • 56% Danceability • 67% Energy • 33% Liveness
2% Instrumentalness • 20% Positiveness
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Highline
Enough for You and Me
152 bpm • A# Maj • 04:23 • -6.49db
14% Popularity • 41% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 41% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Gretta Ray
The Deepest Sighs, the Frankest Shadows ...
152 bpm • C# Maj • 05:14 • -10.65db
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Scoot the Loot
Nosebleed
152 bpm • F# min • 03:36 • -9.21db
10% Popularity • 47% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 47% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Tyne-James Organ
I’ll Get By
152 bpm • D# min • 03:01 • -5.61db
16% Popularity • 60% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 60% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Tom Harrington
Before You Go
152 bpm • D Maj • 04:50 • -8.91db
17% Popularity • 65% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 65% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Pacific Avenue
Give Me a Call
170 bpm • F# min • 03:59 • -6.74db
37% Popularity • 36% Danceability • 94% Energy • 6% Liveness
64% Instrumentalness • 51% Positiveness
37% Popularity • 36% Danceability • 94% Energy • 6% Liveness
64% Instrumentalness • 51% Positiveness
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Highline
Had to Be Said
151 bpm • A Maj • 05:17 • -5.99db
19% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Gecko Club
Rainbow
170 bpm • C# min • 03:52 • -6.92db
16% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Moving Stills
U and Me
170 bpm • F# min • 03:05 • -8db
24% Popularity • 54% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
24% Popularity • 54% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Letters to Lions
Skeleton
150 bpm • D min • 04:12 • -8.38db
26% Popularity • 44% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 44% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Make Friends
Knowing Makes it Worse
150 bpm • F min • 03:03 • -6.66db
12% Popularity • 55% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
12% Popularity • 55% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Carla Geneve
2001
150 bpm • D Maj • 03:49 • -7.83db
22% Popularity • 56% Danceability • 41% Energy • 43% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 56% Danceability • 41% Energy • 43% Liveness
0% Instrumentalness • 12% Positiveness
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Kingston County
Bottomless Hippopotamus
150 bpm • G# Maj • 03:47 • -6.98db
12% Popularity • 57% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 57% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Tyne-James Organ
Better Than This
150 bpm • B Maj • 03:48 • -5.44db
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
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Art of Sleeping
Jefferson
150 bpm • G Maj • 02:59 • -6.25db
16% Popularity • 46% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 46% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Camino Gold
Signs of True
150 bpm • B Maj • 03:33 • -5.41db
29% Popularity • 50% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 50% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Cunningham
Coming Down
150 bpm • C# Maj • 03:42 • -11.08db
30% Popularity • 50% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 50% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Seefelds
One For You
150 bpm • G Maj • 03:46 • -4.9db
16% Popularity • 47% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 47% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Les Krills
The General
150 bpm • D Maj • 02:42 • -7.83db
32% Popularity • 53% Danceability • 77% Energy • 20% Liveness
60% Instrumentalness • 78% Positiveness
32% Popularity • 53% Danceability • 77% Energy • 20% Liveness
60% Instrumentalness • 78% Positiveness
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Pierce Brothers
white caps
150 bpm • G Maj • 04:38 • -8.47db
18% Popularity • 38% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 38% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Kookshill
Ruby
149 bpm • G# Maj • 03:29 • -6.96db
10% Popularity • 42% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 42% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Callum Pitt
Fault Lines
172 bpm • C# min • 03:32 • -6.95db
9% Popularity • 34% Danceability • 64% Energy • 17% Liveness
7% Instrumentalness • 33% Positiveness
9% Popularity • 34% Danceability • 64% Energy • 17% Liveness
7% Instrumentalness • 33% Positiveness
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Siobhan Cotchin
Do You Know What I Mean?
172 bpm • D Maj • 03:39 • -7.87db
16% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 49% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Honeybee
Bank
172 bpm • F min • 03:01 • -9.16db
12% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Didirri
Loose Belt Drive
172 bpm • A Maj • 03:49 • -9.89db
8% Popularity • 53% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 53% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Cooks & Bakers
Lover Like Her
148 bpm • C min • 03:04 • -5.9db
8% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Somebody's Child
Toes
174 bpm • C# min • 03:43 • -5db
27% Popularity • 47% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 47% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Pacific Avenue
My Hero
174 bpm • C# min • 03:38 • -5.16db
35% Popularity • 42% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 42% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Tyne-James Organ
Hold Me Back
174 bpm • C Maj • 04:06 • -4.83db
22% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Monday Night Club
Corvette
147 bpm • G# Maj • 03:31 • -11.21db
17% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Moving Stills
Your Standards
147 bpm • G Maj • 02:41 • -5.53db
19% Popularity • 62% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 62% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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L. Hotel
Sit Around
175 bpm • B min • 02:50 • -9db
18% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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DICE
Wonderland
175 bpm • B min • 03:44 • -6db
34% Popularity • 27% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 27% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Shang
Here I Stand
175 bpm • G# min • 03:01 • -6.35db
13% Popularity • 34% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 34% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Special Friends
Big Sur
175 bpm • C Maj • 04:19 • -9.29db
11% Popularity • 47% Danceability • 83% Energy • 9% Liveness
58% Instrumentalness • 56% Positiveness
11% Popularity • 47% Danceability • 83% Energy • 9% Liveness
58% Instrumentalness • 56% Positiveness
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Dear Sunday
She Spoke
146 bpm • E Maj • 03:30 • -8.82db
20% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Spici Water
Drunk Texts
175 bpm • E Maj • 04:32 • -7db
27% Popularity • 36% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 36% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Dreggs
Keepsake
146 bpm • A Maj • 03:46 • -6.77db
47% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Rions
Got My Hopes Up
146 bpm • C# Maj • 05:29 • -6.92db
36% Popularity • 29% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 29% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Goodwill
Get Angry
146 bpm • F Maj • 04:02 • -8db
27% Popularity • 67% Danceability • 81% Energy • 21% Liveness
4% Instrumentalness • 67% Positiveness
27% Popularity • 67% Danceability • 81% Energy • 21% Liveness
4% Instrumentalness • 67% Positiveness
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Art of Sleeping
I Could Make You Happy
146 bpm • G# min • 04:20 • -7.87db
27% Popularity • 53% Danceability • 71% Energy • 12% Liveness
38% Instrumentalness • 38% Positiveness
27% Popularity • 53% Danceability • 71% Energy • 12% Liveness
38% Instrumentalness • 38% Positiveness
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bocce
saltpissed
145 bpm • C Maj • 04:06 • -8.23db
10% Popularity • 40% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 40% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Kim Churchill
Fighter
145 bpm • F# Maj • 03:17 • -8.53db
30% Popularity • 69% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 69% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Ra Ra Viper
Sometime
176 bpm • A Maj • 04:22 • -9.69db
32% Popularity • 45% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 45% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Late November
Landslide
145 bpm • D Maj • 04:57 • -7.55db
20% Popularity • 70% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 70% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Silky Roads
Green Eyed
145 bpm • C# Maj • 04:40 • -6.35db
23% Popularity • 66% Danceability • 64% Energy • 26% Liveness
1% Instrumentalness • 63% Positiveness
23% Popularity • 66% Danceability • 64% Energy • 26% Liveness
1% Instrumentalness • 63% Positiveness
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Clean Cut Kid
Say Nothin'
145 bpm • G# min • 03:22 • -7.37db
11% Popularity • 53% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 53% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Tyne-James Organ
In My Arms
145 bpm • E Maj • 03:47 • -6.81db
26% Popularity • 57% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
26% Popularity • 57% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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King Blue
Games
145 bpm • E Maj • 03:06 • -6.46db
30% Popularity • 65% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 65% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Vanns
Deranged
145 bpm • D Maj • 03:13 • -6.06db
27% Popularity • 31% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 31% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Rubber Jaw
Freaking Out
145 bpm • D Maj • 02:46 • -6.41db
18% Popularity • 35% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 35% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Salvador
Ordinary Love
145 bpm • E Maj • 04:16 • -7.91db
8% Popularity • 60% Danceability • 57% Energy • 14% Liveness
6% Instrumentalness • 13% Positiveness
8% Popularity • 60% Danceability • 57% Energy • 14% Liveness
6% Instrumentalness • 13% Positiveness
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Ruby Fields
Redneck Lullaby
145 bpm • G# Maj • 03:23 • -11db
30% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Mitch Santiago
How I See You
145 bpm • E Maj • 03:49 • -6.66db
23% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Paris Youth Foundation
The Back Seat
177 bpm • F# min • 04:12 • -4.93db
29% Popularity • 49% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 49% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Cooks & Bakers
Wax
145 bpm • A min • 04:05 • -4.23db
9% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Alexander Biggs
Figure It Out
144 bpm • D Maj • 02:52 • -9.54db
17% Popularity • 66% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
17% Popularity • 66% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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China Bears
Night Calls
144 bpm • A Maj • 04:12 • -7.55db
10% Popularity • 52% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 52% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
