Songs like I Walk the Line - Live at Channel DR-TV, Copenhagen, Denmark - September 1971 by Johnny Cash
Based on a tempo of (+/- 10%) and a similar genre
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Marty Robbins
A White Sport Coat
114 bpm • C# Maj • 02:28 • -8.83db
49% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Tom T. Hall
A Week In A Country Jail
114 bpm • A Maj • 03:03 • -13db
45% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Carl Butler
Don't Let Me Cross Over
114 bpm • G Maj • 02:57 • -12.25db
39% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Foster Brooks
Comedy Routine - Live
114 bpm • D Maj • 04:50 • -15.36db
8% Popularity • 63% Danceability • 47% Energy • 98% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 63% Danceability • 47% Energy • 98% Liveness
0% Instrumentalness • 44% Positiveness
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Mel Tillis
Ode To The Little Brown Shack Out Back
114 bpm • D Maj • 02:59 • -12.39db
18% Popularity • 54% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 54% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Cash
This Side of the Law
114 bpm • C Maj • 02:11 • -10.4db
27% Popularity • 80% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 80% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Marty Robbins
Running Gun
114 bpm • E Maj • 02:10 • -9.48db
54% Popularity • 74% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 74% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Tom T. Hall
Ballad Of Forty Dollars
114 bpm • D Maj • 03:01 • -16db
49% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Johny Hortin
Horse Is Brave
113 bpm • C Maj • 03:10 • -15.54db
19% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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June Carter Cash
Juke Box Blues
113 bpm • F# Maj • 02:18 • -8.78db
31% Popularity • 85% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 85% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Don Williams
Where The Arkansas River Leaves Oklahoma
115 bpm • C Maj • 04:09 • -16.35db
16% Popularity • 60% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
16% Popularity • 60% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
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Johnny Cash
I Walk the Line - Live at Channel DR-TV,...
114 bpm • A# Maj • 02:27 • -12.87db
19% Popularity • 62% Danceability • 79% Energy • 98% Liveness
5% Instrumentalness • 86% Positiveness
19% Popularity • 62% Danceability • 79% Energy • 98% Liveness
5% Instrumentalness • 86% Positiveness
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Johnny Horton
Johnny Reb
115 bpm • E Maj • 02:19 • -13.33db
39% Popularity • 83% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 83% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Tom T. Hall
Faster Horses (The Cowboy And The Poet)
115 bpm • G Maj • 02:52 • -13db
51% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Loretta Lynn
Blue Kentucky Girl
113 bpm • B Maj • 02:43 • -9db
46% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Porter Wagoner
A Satisfied Mind
115 bpm • E Maj • 02:47 • -9.96db
25% Popularity • 73% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 73% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Oak Ridge Boys
I'm Settin' Fancy Free - Single Version
115 bpm • D Maj • 03:45 • -19db
41% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Cash
Hey Porter
115 bpm • C Maj • 02:20 • -11.84db
30% Popularity • 71% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 71% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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C.W. McCall
Crispy Critters
113 bpm • G Maj • 02:56 • -13db
33% Popularity • 71% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 71% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Marty Robbins
Big Iron
115 bpm • E Maj • 03:56 • -11.05db
19% Popularity • 70% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 70% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmy Dean
I Won't Go Huntin' with You Jake (But I'...
116 bpm • D Maj • 02:48 • -13db
30% Popularity • 68% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 68% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Mel McDaniel
Baby Got Her Blue Jeans On
112 bpm • A# Maj • 02:47 • -4.31db
34% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
112 bpm • A Maj • 02:14 • -11.49db
34% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Creedence Clearwater Revival
Born On The Bayou
116 bpm • E Maj • 03:50 • -7.06db
29% Popularity • 64% Danceability • 61% Energy • 9% Liveness
19% Instrumentalness • 43% Positiveness
29% Popularity • 64% Danceability • 61% Energy • 9% Liveness
19% Instrumentalness • 43% Positiveness
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Hank Thompson
The Wild Side Of Life
116 bpm • D Maj • 02:44 • -10.31db
46% Popularity • 60% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 60% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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C.W. McCall
Convoy
112 bpm • C min • 03:55 • -12.99db
31% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Tanya Tucker
San Antonio Stroll
116 bpm • A Maj • 02:50 • -16.82db
49% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
49% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Mel McDaniel
Real Good Feel Good Song
112 bpm • F# Maj • 02:25 • -18db
41% Popularity • 73% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 73% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Ray Price
Crazy Arms - Single Version
116 bpm • F Maj • 02:31 • -10.46db
35% Popularity • 39% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 81% Positiveness
35% Popularity • 39% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 81% Positiveness
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Marty Robbins
Big Iron
116 bpm • C# min • 03:55 • -7.83db
71% Popularity • 73% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
71% Popularity • 73% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Traveling Wilburys
Nobody's Child
112 bpm • D# Maj • 03:28 • -4.4db
38% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Lee Conway with Moose Malone
Living On Tulsa Time
116 bpm • F# min • 03:13 • -11db
22% Popularity • 72% Danceability • 66% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 72% Danceability • 66% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Cash
New Moon Over Jamaica
116 bpm • A Maj • 03:12 • -10.27db
25% Popularity • 64% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 64% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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C.W. McCall
Convoy
112 bpm • F Maj • 03:50 • -14.88db
62% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
62% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Don Williams
Amanda
116 bpm • A Maj • 03:07 • -11db
49% Popularity • 65% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
49% Popularity • 65% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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The Bellamy Brothers
No Country Music for Old Men
117 bpm • G Maj • 04:20 • -8db
37% Popularity • 75% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 75% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Moe Bandy
Hey Joe (Hey Moe)
117 bpm • F Maj • 02:18 • -7db
32% Popularity • 72% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 72% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Tom T. Hall
I Washed My Face In The Morning Dew - Si...
111 bpm • G Maj • 02:44 • -12db
41% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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U2
The Wanderer
117 bpm • B Maj • 05:41 • -16.21db
42% Popularity • 57% Danceability • 54% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
42% Popularity • 57% Danceability • 54% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
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Roger Miller
Hot Rod Lincoln
117 bpm • E Maj • 02:28 • -8.02db
25% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Hank Williams III
I Don't Know
117 bpm • B Maj • 03:23 • -8.31db
39% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Cash
A Boy Named Sue - Live at Channel DR-TV,...
110 bpm • A# Maj • 03:26 • -12.26db
27% Popularity • 68% Danceability • 58% Energy • 97% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 68% Danceability • 58% Energy • 97% Liveness
0% Instrumentalness • 92% Positiveness
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Dolly Parton
Jolene
111 bpm • C# min • 02:41 • -10.97db
78% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
78% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Tom T. Hall
Salute To A Switchblade - Single Version
118 bpm • F Maj • 03:26 • -13.42db
27% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 65% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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U2
The Wanderer
117 bpm • B Maj • 05:16 • -10.62db
34% Popularity • 58% Danceability • 64% Energy • 10% Liveness
84% Instrumentalness • 86% Positiveness
34% Popularity • 58% Danceability • 64% Energy • 10% Liveness
84% Instrumentalness • 86% Positiveness
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Roger Miller
King Of The Road
118 bpm • B Maj • 02:27 • -13.7db
64% Popularity • 67% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 67% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Marty Stuart
Cry Cry Cry
118 bpm • D Maj • 02:20 • -16.07db
30% Popularity • 61% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 61% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Joe Shaver
Old Five and Dimers Like Me
110 bpm • A Maj • 02:41 • -20db
27% Popularity • 62% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
27% Popularity • 62% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Dolly Parton
It Wasn't God Who Made Honky Tonk Angels
110 bpm • C# Maj • 02:51 • -7.89db
44% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Highwaymen
Angels Love Bad Men
110 bpm • G# Maj • 03:32 • -17.04db
37% Popularity • 76% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 76% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Ray Price
City Lights - Single Version
110 bpm • A# Maj • 02:58 • -9.38db
22% Popularity • 34% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 34% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Roy Orbison
Big Train
110 bpm • C Maj • 07:57 • -8.47db
18% Popularity • 63% Danceability • 82% Energy • 80% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 63% Danceability • 82% Energy • 80% Liveness
0% Instrumentalness • 56% Positiveness
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Don Gibson
Woman (Sensuous Woman) - Re-Recorded In ...
110 bpm • D Maj • 03:21 • -16.06db
29% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Wynn Stewart
It's Such A Pretty World Today
118 bpm • E Maj • 02:30 • -12.83db
45% Popularity • 62% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 62% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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C.W. McCall
Old Home Filler-Up An' Keep On A-Truckin...
110 bpm • F# Maj • 02:57 • -16db
36% Popularity • 58% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 58% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Bellamy Brothers
You Ain't Just Whistlin' Dixie
118 bpm • A Maj • 04:24 • -16db
39% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Bob Dylan
Girl from the North Country
119 bpm • G Maj • 03:40 • -23.46db
66% Popularity • 61% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 61% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tom T. Hall
Old Dogs, Children And Watermelon Wine
110 bpm • F Maj • 04:11 • -15.99db
50% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Cash
Sweeter Than The Flowers
119 bpm • A Maj • 02:56 • -12.89db
18% Popularity • 70% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
18% Popularity • 70% Danceability • 22% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Don Williams
'Till The Rivers All Run Dry
119 bpm • D Maj • 03:30 • -16.95db
46% Popularity • 66% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 66% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Barbara Mandrell
Tonight My Baby's Coming Home
109 bpm • B Maj • 02:03 • -8db
28% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Roy Orbison
Rock And Roll (Fais-Do-Do)
109 bpm • E Maj • 03:20 • -10.48db
17% Popularity • 62% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 62% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Ronnie Milsap
(I'm A) Stand by My Woman Man
119 bpm • D Maj • 02:57 • -9.99db
37% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Bob Dylan
Girl from the North Country - with The R...
119 bpm • G Maj • 04:44 • -11db
25% Popularity • 36% Danceability • 21% Energy • 53% Liveness
1% Instrumentalness • 7% Positiveness
25% Popularity • 36% Danceability • 21% Energy • 53% Liveness
1% Instrumentalness • 7% Positiveness
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Johnny Cash
The Big Light
119 bpm • C Maj • 02:42 • -8.88db
19% Popularity • 63% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 63% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Stonewall Jackson
I Started Loving You Again
109 bpm • E Maj • 02:53 • -9.11db
22% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Hank Locklin
Send Me the Pillow You Dream On
120 bpm • D# Maj • 02:27 • -11.63db
39% Popularity • 60% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 60% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Loretta Lynn
Sweet Thang
120 bpm • A Maj • 02:38 • -7.6db
36% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Linda Ronstadt
You're No Good - Live
109 bpm • A# min • 03:02 • -8db
24% Popularity • 54% Danceability • 89% Energy • 92% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 54% Danceability • 89% Energy • 92% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Dylan
Big River - Take 1
109 bpm • E Maj • 02:03 • -13db
48% Popularity • 74% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 74% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Cash
Folsom Prison Blues - Live at Channel DR...
120 bpm • F Maj • 02:25 • -11.72db
17% Popularity • 64% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 64% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Conway Twitty
Linda on My Mind
108 bpm • A Maj • 02:36 • -8.66db
36% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Paycheck
I'm the Only Hell (Mama Ever Raised)
108 bpm • C Maj • 03:09 • -13.89db
52% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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C.W. McCall
There Won't Be No Country Music
120 bpm • G Maj • 03:52 • -12.11db
20% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Highwaymen
Folsom Prison Blues - Live at Nassau Col...
108 bpm • E Maj • 03:39 • -10.09db
39% Popularity • 58% Danceability • 90% Energy • 99% Liveness
1% Instrumentalness • 57% Positiveness
39% Popularity • 58% Danceability • 90% Energy • 99% Liveness
1% Instrumentalness • 57% Positiveness
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Linda Ronstadt
Love Has No Pride - Live
120 bpm • A# Maj • 04:16 • -11.79db
20% Popularity • 39% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 39% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 20% Positiveness
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Johnny Cash
I Came to Believe
108 bpm • A Maj • 03:19 • -7.96db
27% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Porter Wagoner
Green, Green Grass of Home
108 bpm • F Maj • 02:23 • -14.52db
29% Popularity • 55% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 55% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Carl Perkins
Birth Of Rock And Roll
121 bpm • D Maj • 04:23 • -8.28db
35% Popularity • 64% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 64% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Dr. Hook
Queen of the Silver Dollar
121 bpm • A Maj • 04:42 • -10.49db
27% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Highwaymen
A Boy Named Sue - Live at Nassau Coliseu...
108 bpm • A Maj • 04:22 • -9.82db
35% Popularity • 57% Danceability • 78% Energy • 96% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 57% Danceability • 78% Energy • 96% Liveness
0% Instrumentalness • 50% Positiveness
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Roger Miller
King Of The Road
121 bpm • F# Maj • 02:24 • -15.06db
49% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Cash
Hey Porter
121 bpm • C Maj • 02:14 • -9.53db
50% Popularity • 81% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 81% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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C.W. McCall
There Won't Be No Country Music (There W...
121 bpm • G Maj • 03:47 • -17.04db
31% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Bobby Helms
Fraulein
121 bpm • G Maj • 02:41 • -8db
22% Popularity • 74% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 74% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Don Gibson
Oh, Lonsome Me
107 bpm • A# Maj • 02:28 • -13db
23% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Creedence Clearwater Revival
Down On The Corner - Jam With Booker T.
107 bpm • C Maj • 02:48 • -6.8db
34% Popularity • 80% Danceability • 60% Energy • 6% Liveness
78% Instrumentalness • 74% Positiveness
34% Popularity • 80% Danceability • 60% Energy • 6% Liveness
78% Instrumentalness • 74% Positiveness
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Kenny Rogers
Making Music For Money
121 bpm • G Maj • 03:21 • -10.07db
31% Popularity • 73% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 73% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Cash
That Old Wheel - Alternate Mix
107 bpm • E Maj • 02:49 • -10.13db
12% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Hank Williams III
Cocaine Blues
121 bpm • G Maj • 03:53 • -7.92db
42% Popularity • 67% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 67% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Linda Ronstadt
Desperado - Live
122 bpm • B Maj • 03:29 • -10.51db
26% Popularity • 41% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 41% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Bob Luman
Lonely Women Make Good Lovers
122 bpm • G# Maj • 03:12 • -10.35db
24% Popularity • 65% Danceability • 48% Energy • 47% Liveness
11% Instrumentalness • 64% Positiveness
24% Popularity • 65% Danceability • 48% Energy • 47% Liveness
11% Instrumentalness • 64% Positiveness
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Marty Robbins
El Paso
107 bpm • D Maj • 04:19 • -9.71db
64% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
64% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Horton
Whispering Pines
106 bpm • D Maj • 02:56 • -17db
34% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Johnny Cash
That Old Wheel
107 bpm • E Maj • 02:50 • -10.37db
50% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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John Conlee
Miss Emily's Picture
122 bpm • A Maj • 06:30 • -11.11db
35% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Faron Young
Alone With You
106 bpm • G Maj • 01:57 • -9.71db
30% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Orbison
Sixteen Candles
106 bpm • F Maj • 03:47 • -11.31db
33% Popularity • 64% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 64% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
