Songs like I Wandered Lonely as a Cloud by Chad Lawson
Based on a tempo of (+/- 10%) and a similar genre
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Ola Gjeilo
Manhattan Sunrise
106 bpm • F Maj • 03:38 • -31.23db
32% Popularity • 29% Danceability • 13% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
32% Popularity • 29% Danceability • 13% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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VÃkingur Ólafsson
Reflection
106 bpm • C# Maj • 05:34 • -33db
47% Popularity • 43% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
47% Popularity • 43% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Peter Cavallo
Elegy for Viola
106 bpm • G min • 02:46 • -18db
41% Popularity • 20% Danceability • 14% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
41% Popularity • 20% Danceability • 14% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
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Chad Lawson
I Wandered Lonely as a Cloud
106 bpm • G min • 04:24 • -25.77db
25% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Mélanie Laurent
Fin
106 bpm • F# Maj • 02:11 • -26.42db
46% Popularity • 34% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
46% Popularity • 34% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Dalal
Einaudi: Le onde
106 bpm • D Maj • 05:22 • -23.18db
26% Popularity • 42% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
26% Popularity • 42% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Michael Forster
Forces of Attraction
105 bpm • G Maj • 01:58 • -24db
32% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
32% Popularity • 41% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Peter Sandberg
Balm (Scaled Down Version)
107 bpm • B Maj • 02:06 • -22.77db
40% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
40% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Annelie
Tuesday
105 bpm • E min • 03:11 • -30.33db
38% Popularity • 33% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
38% Popularity • 33% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Leonard Anderson
The Girl Plays
107 bpm • D# Maj • 03:08 • -25.19db
14% Popularity • 38% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
14% Popularity • 38% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
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Igor Longhi
Erouq
105 bpm • F Maj • 04:42 • -12.06db
22% Popularity • 30% Danceability • 42% Energy • 17% Liveness
94% Instrumentalness • 26% Positiveness
22% Popularity • 30% Danceability • 42% Energy • 17% Liveness
94% Instrumentalness • 26% Positiveness
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Ola Gjeilo
Winter Light
107 bpm • B min • 02:50 • -24.44db
35% Popularity • 30% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
35% Popularity • 30% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Chad Lawson
The Waning Moon
107 bpm • F# Maj • 02:56 • -29.2db
33% Popularity • 35% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
33% Popularity • 35% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Amy Lauren
Bed of Stars
105 bpm • G# Maj • 02:41 • -26.57db
41% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
41% Popularity • 48% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 21% Positiveness
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Jon Dahlander
Lost Maples
108 bpm • F# Maj • 04:03 • -18.61db
18% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Oskar Schuster
Fryderyk
104 bpm • C# Maj • 02:26 • -21db
29% Popularity • 51% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
29% Popularity • 51% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 36% Positiveness
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Finneas O'Connell
when the party's over - Slowed Remix
104 bpm • D Maj • 03:54 • -32db
27% Popularity • 41% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
27% Popularity • 41% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
36% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
36% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Martino Vergnaghi
Lady Charlotte's Tea Room
104 bpm • A min • 02:28 • -23.79db
34% Popularity • 29% Danceability • 13% Energy • 15% Liveness
93% Instrumentalness • 18% Positiveness
34% Popularity • 29% Danceability • 13% Energy • 15% Liveness
93% Instrumentalness • 18% Positiveness
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Amy Lauren
Circle of Steps
104 bpm • D# Maj • 03:51 • -23.29db
25% Popularity • 42% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 28% Positiveness
25% Popularity • 42% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 28% Positiveness
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Laura Sullivan
Lullaby Wind
104 bpm • D min • 04:22 • -20.92db
9% Popularity • 46% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
9% Popularity • 46% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Lake Isabel
Saving Daylight
108 bpm • C min • 02:50 • -20.55db
37% Popularity • 34% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
37% Popularity • 34% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Solomon Keal
Surrender
109 bpm • A min • 05:48 • -19db
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Denise Young
Above the Clouds
109 bpm • C min • 04:31 • -21.64db
30% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
30% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Charles Bolt
Seasons Changing
110 bpm • D Maj • 02:19 • -24.33db
40% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
40% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Amy Lauren
Waterline
104 bpm • F# min • 03:30 • -17.3db
32% Popularity • 46% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 46% Danceability • 40% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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VÃkingur Ólafsson
Prelude in G Major
102 bpm • G Maj • 03:54 • -34.4db
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Laura Sullivan
Winds of Magic
110 bpm • G min • 04:13 • -14.63db
17% Popularity • 31% Danceability • 23% Energy • 8% Liveness
30% Instrumentalness • 14% Positiveness
17% Popularity • 31% Danceability • 23% Energy • 8% Liveness
30% Instrumentalness • 14% Positiveness
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Rachel LaFond
Your Beauty Calls Me
110 bpm • A# Maj • 05:00 • -15.65db
5% Popularity • 36% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
5% Popularity • 36% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Gabrielle Aapri
Beauty of Life (Instrumental)
110 bpm • C Maj • 03:29 • -14.84db
15% Popularity • 61% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
15% Popularity • 61% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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GabrÃel Ólafs
The Lily - Piano Version
110 bpm • G Maj • 01:56 • -34db
49% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
49% Popularity • 44% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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James Spiteri
Travelling
110 bpm • D# min • 03:57 • -19.33db
49% Popularity • 40% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
49% Popularity • 40% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Gabriel Parker
Intervention
111 bpm • D Maj • 02:19 • -17.61db
38% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
38% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Peter Cavallo
Of Night and Light and the Half Light
101 bpm • C min • 03:05 • -15.89db
43% Popularity • 33% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
43% Popularity • 33% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Chad Lawson
Nocturne in a Minor
101 bpm • A min • 06:02 • -27.42db
50% Popularity • 19% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
50% Popularity • 19% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Sophie Hutchings
Tail Lights
111 bpm • G# Maj • 03:26 • -27.09db
30% Popularity • 34% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
30% Popularity • 34% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Black Elk
Intro
111 bpm • F min • 01:38 • -19.64db
47% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Sigvaldi Kaldalóns
Ave MarÃa (Arr. VÃkingur Ólafsson) - ...
101 bpm • D# Maj • 03:36 • -33.14db
62% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
62% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Vincent Corver
Sleeping Piano
101 bpm • C# Maj • 03:10 • -27.38db
23% Popularity • 44% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
23% Popularity • 44% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Rhonda Mackert
Dreamer's Lament
112 bpm • E min • 04:29 • -20.93db
15% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
15% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Chad Lawson
Prelude in D-Flat Major, Op. 28, No. 15 ...
112 bpm • D# min • 06:32 • -24.43db
12% Popularity • 24% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
12% Popularity • 24% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Piano Novel
Fendre l'écorce
112 bpm • A# min • 03:23 • -18.7db
21% Popularity • 35% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
21% Popularity • 35% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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GÃ…EL
Mid Air
112 bpm • C Maj • 02:27 • -29db
58% Popularity • 52% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
58% Popularity • 52% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Luke Howard
A Bad Dream That Will Pass Away
112 bpm • A# Maj • 02:56 • -31db
57% Popularity • 39% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
57% Popularity • 39% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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David Clavijo
Où Est Mon Bonheur?
100 bpm • E Maj • 02:59 • -12.72db
40% Popularity • 52% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
40% Popularity • 52% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Franco Robert
The Beauty of Obscurity
100 bpm • B min • 02:01 • -25.06db
36% Popularity • 42% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
36% Popularity • 42% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Chad Lawson
What Gorgeous Thing
100 bpm • B min • 03:00 • -33.32db
31% Popularity • 34% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
31% Popularity • 34% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Denise Young
Passionata
112 bpm • D min • 05:21 • -19.75db
29% Popularity • 34% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Janie Becker
Evening Whispers
100 bpm • F Maj • 02:09 • -22.53db
50% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
50% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Piano Novel
Enchantement
100 bpm • C min • 02:57 • -22.42db
32% Popularity • 35% Danceability • 6% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 35% Danceability • 6% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Elijah Bossenbroek
Rest
113 bpm • F# min • 03:49 • -18.73db
31% Popularity • 28% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
31% Popularity • 28% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Charles Bolt
Deco
99 bpm • F# Maj • 01:32 • -29.92db
38% Popularity • 23% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
38% Popularity • 23% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Tim Neumark
With Wonder
113 bpm • D# Maj • 03:46 • -19.12db
24% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Niall Byrne
From the First Moment
114 bpm • G min • 02:40 • -22.39db
21% Popularity • 48% Danceability • 7% Energy • 19% Liveness
94% Instrumentalness • 31% Positiveness
21% Popularity • 48% Danceability • 7% Energy • 19% Liveness
94% Instrumentalness • 31% Positiveness
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Karen FitzGerald
Winter's Flight
99 bpm • D Maj • 06:14 • -20.62db
13% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
13% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Rhiannon Bannenberg
Pain Has a Memory
114 bpm • G# min • 01:03 • -19.25db
42% Popularity • 36% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 19% Positiveness
42% Popularity • 36% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 19% Positiveness
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Annelie
A World
114 bpm • D# min • 04:30 • -28.26db
18% Popularity • 34% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Robin Spielberg
Another Time, Another Place
98 bpm • D min • 05:56 • -11.8db
12% Popularity • 41% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 41% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Janie Becker
The Dance
98 bpm • D Maj • 03:14 • -20db
47% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
47% Popularity • 42% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Andy Gbormittah
Help
115 bpm • G# Maj • 01:34 • -25.76db
35% Popularity • 45% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
35% Popularity • 45% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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George Nascimento
A Sense of Freedom
98 bpm • D# Maj • 04:55 • -24.46db
20% Popularity • 44% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Tim Neumark
Ice
115 bpm • G# min • 04:39 • -20.69db
15% Popularity • 31% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
15% Popularity • 31% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Luke Howard
In Metaphor, Solace
116 bpm • A# min • 02:33 • -22.3db
38% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
38% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Amy Lauren
I'll Follow You
97 bpm • A Maj • 05:04 • -21.14db
24% Popularity • 48% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
24% Popularity • 48% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Chad Lawson
Nocturne in E-Flat Major, Op. 9, No. 2 (...
116 bpm • D# Maj • 05:26 • -31.55db
11% Popularity • 30% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 30% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Brique a Braq
Le 15 decembre
97 bpm • D Maj • 02:38 • -25.77db
41% Popularity • 59% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
41% Popularity • 59% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Angus MacRae
Spring Nocturne
116 bpm • G min • 04:32 • -18.92db
34% Popularity • 22% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Akins
A Southern Sun
97 bpm • C Maj • 04:16 • -16.14db
29% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 37% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Dagmar Krug
The Flow of Love
116 bpm • A# Maj • 02:44 • -20.06db
17% Popularity • 33% Danceability • 29% Energy • 16% Liveness
95% Instrumentalness • 28% Positiveness
17% Popularity • 33% Danceability • 29% Energy • 16% Liveness
95% Instrumentalness • 28% Positiveness
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Denise Young
There
116 bpm • A# Maj • 03:32 • -18.69db
41% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
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Chad Lawson
Loves Me, Loves Me Not, Loves Me
116 bpm • A Maj • 06:14 • -33.95db
8% Popularity • 45% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
8% Popularity • 45% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Gian Marco La Serra
A Secret Inside Me
116 bpm • C min • 04:36 • -17.48db
34% Popularity • 32% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Robin Spielberg
On the Edge of a Dream
96 bpm • C Maj • 04:48 • -21.69db
18% Popularity • 44% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 44% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Yiruma
Far Away
117 bpm • F Maj • 03:21 • -25.7db
46% Popularity • 45% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
46% Popularity • 45% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
David Lanz
Improvisation: Gli Uccelli Di Carpi (The...
96 bpm • D Maj • 02:39 • -28.12db
39% Popularity • 35% Danceability • 2% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
39% Popularity • 35% Danceability • 2% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
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Piano Novel
Sous l'ondée
96 bpm • F Maj • 01:37 • -21.13db
12% Popularity • 30% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
12% Popularity • 30% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Finneas O'Connell
when the party's over
117 bpm • E Maj • 03:28 • -31.88db
34% Popularity • 40% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
34% Popularity • 40% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Jane Leslie
Cherished Times
96 bpm • F# min • 03:08 • -24.68db
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
42% Popularity • 36% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Ola Gjeilo
Sleepless
96 bpm • C Maj • 03:05 • -26db
31% Popularity • 32% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Chad Lawson
Promise Made On Signal Mountain
117 bpm • D# Maj • 06:52 • -22.12db
9% Popularity • 43% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
9% Popularity • 43% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Denise Young
Awakened
117 bpm • G min • 03:50 • -22.25db
29% Popularity • 28% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Joseph Akins
Castle Moon
117 bpm • D min • 04:16 • -14.25db
30% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
30% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
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Kathryn Toyama
Understanding Each Other
117 bpm • C Maj • 04:16 • -13.94db
35% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
35% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Jennifer Haines
Thoughts And Dreams
118 bpm • G Maj • 03:25 • -18.89db
18% Popularity • 35% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
18% Popularity • 35% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Amy Lauren
Mahogany Cider
118 bpm • F min • 02:59 • -18.74db
34% Popularity • 54% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
34% Popularity • 54% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 16% Positiveness
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Edvard Kravchuk
Journey
118 bpm • A# Maj • 02:08 • -13.94db
40% Popularity • 24% Danceability • 22% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
40% Popularity • 24% Danceability • 22% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Laura Sullivan
Moonlight Romance
95 bpm • A Maj • 04:21 • -16.57db
18% Popularity • 29% Danceability • 14% Energy • 11% Liveness
67% Instrumentalness • 11% Positiveness
18% Popularity • 29% Danceability • 14% Energy • 11% Liveness
67% Instrumentalness • 11% Positiveness
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Kylian Rebour
Fields
118 bpm • C min • 02:03 • -20.72db
31% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Elena Kats-Chernin
Lullaby for Nick
95 bpm • A min • 03:23 • -32.45db
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Kevin Kern
Pearls of Joy
118 bpm • F# min • 03:53 • -18.83db
38% Popularity • 41% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
38% Popularity • 41% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
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James Spiteri
The Forest
118 bpm • B Maj • 06:15 • -15.81db
35% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
35% Popularity • 33% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Joe Yamada
Chasing the Dream
118 bpm • E Maj • 02:38 • -17.3db
46% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
46% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Sophie Hutchings
Whisper To Closeness
118 bpm • D min • 04:16 • -22.97db
27% Popularity • 43% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
27% Popularity • 43% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Matt Stewart-Evans
Opus #25 Reprise
119 bpm • C# Maj • 01:55 • -20.61db
42% Popularity • 39% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
42% Popularity • 39% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Elijah Bossenbroek
On The Wings
119 bpm • G Maj • 02:45 • -19db
24% Popularity • 36% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
24% Popularity • 36% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Kevin Kern
Fairy Wings
119 bpm • B min • 04:29 • -21.07db
38% Popularity • 44% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
38% Popularity • 44% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 21% Positiveness
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William Ogmundson
Great Expectations
95 bpm • A Maj • 04:13 • -18db
9% Popularity • 48% Danceability • 26% Energy • 19% Liveness
89% Instrumentalness • 38% Positiveness
9% Popularity • 48% Danceability • 26% Energy • 19% Liveness
89% Instrumentalness • 38% Positiveness
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James Spiteri
Easy To Let Go
118 bpm • C# Maj • 03:53 • -22.11db
38% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
