Songs like I Wanna Dance with Somebody by Mark Jones & Twenty Paces
Based on a tempo of (+/- 10%) and a similar genre
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Ross Ellis
Buy and Buy
114 bpm • B Maj • 03:47 • -5.99db
39% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
39% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Ray Fulcher
Anything Like You Dance - Stripped
114 bpm • B Maj • 03:19 • -3.86db
27% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Mark Jones & Twenty Paces
I Wanna Dance with Somebody
114 bpm • B Maj • 03:11 • -7.3db
36% Popularity • 71% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 71% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Noah Thompson
Stay
114 bpm • F# min • 03:45 • -6.49db
48% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Drake White
Waitin’ On The Whiskey To Work
114 bpm • E Maj • 03:59 • -13.11db
34% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bri Bagwell
Cheat on Me
114 bpm • A Maj • 03:38 • -6.73db
16% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Wade Bowen
Who I Am
114 bpm • A Maj • 04:35 • -7.18db
39% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ryan Hurd
To a T - Stripped
114 bpm • A Maj • 03:18 • -6.79db
46% Popularity • 60% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 60% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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James Barker Band
Good Together - Recorded At Revolution S...
114 bpm • C Maj • 03:15 • -5.76db
19% Popularity • 68% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 68% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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James Otto
Night Moves - Acoustic Version
114 bpm • C Maj • 06:27 • -7.19db
31% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ryan Robinette
What I Wasn't Lookin' for
113 bpm • F# Maj • 03:07 • -3.5db
28% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Mark Jones & Twenty Paces
Mountains
115 bpm • F# Maj • 03:25 • -5.71db
5% Popularity • 62% Danceability • 75% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
5% Popularity • 62% Danceability • 75% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
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Julia Cole
A Dance
115 bpm • C Maj • 03:13 • -7.26db
23% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Laci Kaye Booth
Don't Call Me
113 bpm • B Maj • 05:00 • -5.43db
23% Popularity • 72% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 72% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Sam Riggs
Second Hand Smoke - Acoustic
112 bpm • C Maj • 03:44 • -8.13db
21% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 53% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Tenille Arts
Mad Crazy Love
112 bpm • D# Maj • 04:06 • -6.82db
22% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hunter Brothers
I Still Fall
112 bpm • E Maj • 03:08 • -5.14db
19% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Jones & Twenty Paces
Home Tonight
112 bpm • D# Maj • 05:23 • -8.25db
2% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Tyler Blaine Mitchell
Whenever You Come Around
116 bpm • A Maj • 04:21 • -9.73db
23% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Austin Burke
Whole Lot in Love - Acoustic
112 bpm • G Maj • 02:36 • -8.84db
26% Popularity • 85% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 85% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Muscadine Bloodline
Enemy
116 bpm • C# Maj • 03:53 • -10.35db
23% Popularity • 80% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 80% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Beaver
When This World Ends
112 bpm • D# min • 03:14 • -4.17db
31% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Corey Smith
Where I Wish I Was - Acoustic
116 bpm • F Maj • 03:49 • -12.85db
37% Popularity • 62% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 62% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Granger Smith
You're In It (Acoustic)
112 bpm • G# min • 02:43 • -7.62db
23% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Caleb Lee Hutchinson
Better Now
117 bpm • D Maj • 04:44 • -5.21db
35% Popularity • 66% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 66% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Levon
Give Up Your Heart
117 bpm • G Maj • 03:42 • -9.34db
22% Popularity • 50% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 50% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Mark Jones & Twenty Paces
Fast and Free
111 bpm • C min • 02:54 • -7db
23% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan Wade
Wilder Days - Acoustic
111 bpm • E Maj • 04:11 • -5db
43% Popularity • 75% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 75% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Carly Pearce
I Hope You’re Happy Now - Acoustic
118 bpm • A# Maj • 03:16 • -5.55db
34% Popularity • 67% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 67% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Montana
Real Good People
118 bpm • G Maj • 03:02 • -6.03db
33% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Caleb Lee Hutchinson
Belle of the Bar
110 bpm • F Maj • 03:11 • -6db
17% Popularity • 53% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
17% Popularity • 53% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Matt Stell
Look at Me Now
118 bpm • A# Maj • 02:50 • -4.26db
27% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Jones & Twenty Paces
Best Of Me
118 bpm • F# Maj • 03:54 • -6.9db
2% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Petersen
Stealing Heaven
110 bpm • C Maj • 03:18 • -9db
21% Popularity • 60% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 60% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Dierks Bentley
Thinking Of You
118 bpm • E Maj • 07:01 • -11.07db
31% Popularity • 63% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 63% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Adam Doleac
Shady
118 bpm • C Maj • 02:46 • -3.43db
30% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 63% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Tisdale
She's the One
110 bpm • D# Maj • 04:40 • -11.36db
23% Popularity • 64% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 15% Positiveness
23% Popularity • 64% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 15% Positiveness
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Jordan Brooker
You Are
110 bpm • F Maj • 03:33 • -7.1db
17% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Jones & Twenty Paces
This Time
110 bpm • G# Maj • 04:38 • -9.08db
3% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 71% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Randy Houser
Evangeline
119 bpm • E Maj • 03:54 • -7.53db
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Brett Young
The Ship And The Bottle
110 bpm • D# Maj • 04:29 • -8.78db
34% Popularity • 62% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
34% Popularity • 62% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Mike Ryan
Sad Song
120 bpm • D Maj • 03:16 • -8db
30% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Brett Eldredge
Crowd My Mind
109 bpm • D# Maj • 03:08 • -8.95db
40% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Little Big Town
One More Song
120 bpm • D# Maj • 03:38 • -5.21db
33% Popularity • 66% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Jason Nix
Things a Man Oughta Know (Stripped)
120 bpm • G Maj • 03:44 • -9.38db
13% Popularity • 76% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 76% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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LANCO
Born to Love You - RISE Recording
120 bpm • G Maj • 03:31 • -7.89db
35% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Cadillac Three
Circles
120 bpm • C min • 03:14 • -6.43db
40% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Florida Georgia Line
Talk You Out Of It - Acoustic
120 bpm • E Maj • 03:11 • -6.27db
35% Popularity • 69% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 69% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Kip Moore
It Ain't California
120 bpm • A# Maj • 04:13 • -5.05db
38% Popularity • 69% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 69% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Caleb Lee Hutchinson
Left of Me
120 bpm • F Maj • 04:44 • -3.92db
20% Popularity • 55% Danceability • 92% Energy • 33% Liveness
49% Instrumentalness • 60% Positiveness
20% Popularity • 55% Danceability • 92% Energy • 33% Liveness
49% Instrumentalness • 60% Positiveness
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Tenille Arts
Slow It Down
120 bpm • B Maj • 03:23 • -6.48db
35% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Old Dominion
Hear You Now
120 bpm • G Maj • 04:21 • -5.91db
34% Popularity • 60% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 60% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Jordan Brooker
All She Wants Is the Moon
120 bpm • G min • 03:33 • -7.71db
17% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Texas Hill
Darkest Sky
120 bpm • E Maj • 03:02 • -8.95db
22% Popularity • 75% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 75% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Steve Moakler
How Have We Never
120 bpm • G Maj • 04:12 • -7.2db
28% Popularity • 76% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
28% Popularity • 76% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 83% Positiveness
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Cash Campbell
The in Between
121 bpm • B Maj • 03:40 • -4.84db
20% Popularity • 37% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 37% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Wade Bowen
My California
121 bpm • C# min • 04:45 • -8.12db
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Runaway June
We Were Rich
107 bpm • B Maj • 03:38 • -6.66db
32% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 57% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Kane Brown
Live Forever
107 bpm • E Maj • 03:06 • -8.19db
45% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Little Big Town
Forever And A Night
107 bpm • G Maj • 04:26 • -8.03db
34% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Travis Denning
After A Few - Acoustic
107 bpm • A# min • 03:32 • -7.13db
30% Popularity • 68% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 68% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Janson
Done - Stripped Down Acoustic
107 bpm • A Maj • 03:45 • -4.59db
21% Popularity • 65% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 65% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Jordan Fletcher
Smoke out the Window
122 bpm • C# Maj • 03:50 • -9.11db
19% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Swon Brothers
Travelin' on
122 bpm • G# Maj • 03:11 • -8.94db
6% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
6% Popularity • 68% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Brett Eldredge
Hideaway - Studio Version
122 bpm • G# Maj • 02:56 • -6.58db
44% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Little Big Town
Throw Your Love Away
122 bpm • C Maj • 03:44 • -6.34db
24% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sundance Head
Close Enough to Walk
106 bpm • A min • 03:29 • -4.34db
25% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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BRELAND
Strawberry Wine - Spotify Singles
122 bpm • A Maj • 04:20 • -8.27db
40% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Brandon Davis
Forever and Always (Acoustic)
123 bpm • G Maj • 03:10 • -7.44db
39% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Nate Smith
I Don’t Want to Go To Heaven
105 bpm • C Maj • 03:25 • -6.06db
44% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Jones & Twenty Paces
What's the Point
105 bpm • A# min • 04:29 • -7.8db
4% Popularity • 62% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 30% Positiveness
4% Popularity • 62% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 30% Positiveness
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Eric Van Houten
Kiss Her
105 bpm • G# Maj • 02:52 • -3db
29% Popularity • 56% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 56% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Walker Hayes
Tulips
105 bpm • A# Maj • 03:44 • -7.31db
16% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Adam Doleac
Whiskey's Fine
124 bpm • F Maj • 03:28 • -3.67db
37% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Dillon Carmichael
Son Of A (Acoustic)
124 bpm • C Maj • 03:16 • -8.18db
15% Popularity • 72% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 72% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Curtis Grimes
Heaven Sent
124 bpm • C# Maj • 04:30 • -7.43db
25% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 58% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rob Mayes
Don't Give up on Me
104 bpm • D Maj • 02:53 • -5.51db
21% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Mark Jones & Twenty Paces
Scars
125 bpm • G Maj • 04:09 • -7.17db
3% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Thompson Square
With or Without You
105 bpm • C# Maj • 03:55 • -9.57db
27% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Old Dominion
Do It With Me
125 bpm • C# Maj • 03:36 • -6.12db
36% Popularity • 77% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 77% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Ian Janes
Can't Remember Never Loving You
126 bpm • D# Maj • 03:29 • -12db
19% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Chuck Wicks
Whole Damn Thing
126 bpm • A Maj • 04:01 • -7.06db
36% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Wade Bowen
I Wish It Would Rain Down
126 bpm • G# Maj • 05:11 • -7.54db
13% Popularity • 49% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 49% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mark Jones & Twenty Paces
Falling From Grace
125 bpm • D Maj • 04:44 • -8.81db
2% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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American Young
Seminole Wind
126 bpm • C Maj • 03:36 • -7db
20% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Logan Mize
Something Just Like This (Acoustic)
103 bpm • D Maj • 03:43 • -4.9db
27% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Drake White
Hurts the Healing
103 bpm • G# Maj • 02:43 • -4.6db
41% Popularity • 59% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 59% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Brett Eldredge
Fall For Me
103 bpm • F Maj • 03:35 • -7.81db
29% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Lee Brice
Hard To Love - Acoustic
103 bpm • A Maj • 03:06 • -7db
32% Popularity • 68% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 68% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Kyle Daniel
That Somebody Ain't Me
126 bpm • F# Maj • 03:29 • -11.78db
20% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Luke Combs
Beautiful Crazy - Acoustic
103 bpm • B Maj • 03:13 • -10.42db
51% Popularity • 45% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 45% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Sean McConnell
Shotgun
127 bpm • F# Maj • 03:25 • -9.89db
24% Popularity • 56% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 56% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Ashland Craft
Your Place Or Mine
127 bpm • G# min • 03:44 • -6.66db
24% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jeffrey East
Because Of Yours
127 bpm • F# Maj • 04:00 • -7db
27% Popularity • 53% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 53% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Kerry Degman
You're My Person
102 bpm • D Maj • 02:40 • -8db
22% Popularity • 67% Danceability • 60% Energy • 37% Liveness
3% Instrumentalness • 53% Positiveness
22% Popularity • 67% Danceability • 60% Energy • 37% Liveness
3% Instrumentalness • 53% Positiveness
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Logan Mize
Prettiest Girl in the World (Acoustic)
102 bpm • A Maj • 03:09 • -7.91db
27% Popularity • 65% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 65% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Old Dominion
Hotel Key - Recorded at Sound Stage Stud...
102 bpm • E Maj • 04:01 • -5.37db
28% Popularity • 75% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 75% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
