Songs like i wanna love somebody by We Three
Based on a tempo of (+/- 10%) and a similar genre
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We Three
i wanna love somebody
156 bpm • A Maj • 03:53 • -7.38db
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Tors
Anything Can Happen
156 bpm • D Maj • 03:09 • -6.33db
53% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alex Warren
Give You Love
155 bpm • C# Maj • 03:03 • -4.09db
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Blake Rose
Casanova
155 bpm • B Maj • 03:01 • -6db
45% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rachel Grae
Lived It Twice
158 bpm • A# Maj • 02:53 • -6.07db
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Tors
Empty Hands
157 bpm • E Maj • 03:35 • -7db
42% Popularity • 43% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 43% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Maddie Zahm
Blind Spot
158 bpm • C# min • 03:21 • -8.78db
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Munn
the reason i hate home
154 bpm • C min • 02:43 • -6.53db
50% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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We Three
Sweater Weather
154 bpm • D Maj • 04:25 • -4.53db
32% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 56% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Zach Hood
Pink Ferrari
158 bpm • D# Maj • 02:29 • -4.22db
45% Popularity • 50% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 50% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Lauren Weintraub
Not Like I’m In Love With You
154 bpm • B Maj • 03:05 • -6db
48% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 66% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Brooke Alexx
I Don’t Take Pictures Anymore
154 bpm • G Maj • 02:52 • -4.69db
30% Popularity • 71% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 71% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Little Hurt
Good As It Gets
154 bpm • F Maj • 02:33 • -4.42db
45% Popularity • 66% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 66% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Lost Stars
Blacklist
153 bpm • B Maj • 02:45 • -5.39db
50% Popularity • 65% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 65% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Tors
Don't Cry
160 bpm • E Maj • 03:02 • -7.74db
37% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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JORDY
Close To You
160 bpm • G# Maj • 02:59 • -8db
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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We Three
Us
160 bpm • G Maj • 02:52 • -6.95db
28% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
70% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
70% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Clara Mae
Crash
160 bpm • F# Maj • 03:10 • -7db
39% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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emma løv
Friends
152 bpm • C Maj • 02:50 • -6.73db
49% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
49% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Alec Benjamin
Alamo
160 bpm • D Maj • 02:24 • -7.56db
48% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
52% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Powfu
the long way home
152 bpm • D Maj • 03:09 • -9.69db
41% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Tors
How It Hurts
152 bpm • A Maj • 03:41 • -5.82db
34% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Blake Rose
Movie
160 bpm • F Maj • 04:07 • -9db
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Cate
Stupid
152 bpm • C min • 02:48 • -5.26db
41% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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JESSIA
One of the Guys
152 bpm • G Maj • 01:58 • -4.12db
54% Popularity • 76% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 76% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Hansen
break my heart
160 bpm • B min • 02:58 • -5.51db
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Leah Kate
F U Anthem
160 bpm • C Maj • 02:35 • -4.34db
55% Popularity • 53% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 53% Danceability • 76% Energy • 52% Liveness
0% Instrumentalness • 55% Positiveness
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Jax
90s Kids
152 bpm • C Maj • 02:43 • -6.44db
58% Popularity • 71% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 71% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Ian McConnell
Fine
161 bpm • A Maj • 02:25 • -6.45db
39% Popularity • 48% Danceability • 90% Energy • 1% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 48% Danceability • 90% Energy • 1% Liveness
0% Instrumentalness • 86% Positiveness
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We Three
Makeup
152 bpm • C# min • 03:14 • -4.11db
26% Popularity • 61% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 61% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
47% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jamie Miller
It Is What It Is
162 bpm • E Maj • 02:05 • -5.62db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Day
MASOCHIST
162 bpm • E Maj • 02:44 • -4.09db
45% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Lauren Weintraub
She's Mine
150 bpm • C Maj • 02:58 • -5.54db
40% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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We Three
You and I
151 bpm • B min • 02:53 • -7.19db
33% Popularity • 70% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 70% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
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BANNERS
Someone To You - Acoustic
150 bpm • D Maj • 03:34 • -5.87db
51% Popularity • 60% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 60% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
46% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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JORDY
IDK SH!T
150 bpm • D Maj • 02:51 • -4db
45% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Robert Grace
Fake Fine
150 bpm • F Maj • 02:50 • -8.54db
49% Popularity • 82% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 82% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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gavn!
Emerald City
150 bpm • B Maj • 02:46 • -10.5db
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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We Three
Fall for You
162 bpm • A# Maj • 04:28 • -6.6db
33% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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BLÜ EYES
you'd never know
150 bpm • G# Maj • 03:05 • -9.7db
54% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Munn
this house is not a home
150 bpm • G# Maj • 02:38 • -7.06db
54% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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emlyn
right?
150 bpm • G# Maj • 04:36 • -8.18db
33% Popularity • 61% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 61% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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We Three
Same Way Too
150 bpm • C# Maj • 02:53 • -6.73db
38% Popularity • 77% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 77% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Robert Grace
Fake Fine
150 bpm • F Maj • 02:50 • -8.17db
34% Popularity • 80% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 80% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Summer Set
Street Lightning
148 bpm • C# Maj • 03:36 • -5db
43% Popularity • 57% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 57% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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We Three
Body Fat Percentage
150 bpm • D Maj • 03:11 • -8db
31% Popularity • 67% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 67% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Ian McConnell
Casual
148 bpm • F# Maj • 02:43 • -8.86db
28% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Clinton Kane
I WISH I COULD HATE YOU FOR BREAKING ME ...
164 bpm • B Maj • 02:14 • -3.17db
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Chord Overstreet
Love You To Death
148 bpm • E Maj • 03:19 • -9db
44% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
44% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Beth McCarthy
No Hard Feelings
148 bpm • D Maj • 03:36 • -6db
34% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 60% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Kays
Bored
148 bpm • A# Maj • 02:46 • -7.33db
41% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Lauren Weintraub
Me Over You
148 bpm • A# Maj • 03:44 • -5db
26% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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BLÜ EYES
healing hurts
148 bpm • G# Maj • 02:56 • -7db
49% Popularity • 45% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 45% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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BANNERS
I Wasn't Ready
147 bpm • D Maj • 03:03 • -6.98db
33% Popularity • 62% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 62% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Sody
Maybe It Was Me
166 bpm • F Maj • 02:59 • -9.76db
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Anson Seabra
I Can't Carry This Anymore
167 bpm • D# Maj • 03:20 • -16.82db
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Alex Sampson
And Then Some
146 bpm • A# Maj • 03:09 • -8db
40% Popularity • 56% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 56% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Jax
papercuts
145 bpm • F Maj • 03:12 • -7db
37% Popularity • 78% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 78% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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NERIAH
AT LEAST I'M GOOD AT IT
145 bpm • D# Maj • 02:28 • -4.45db
42% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Metta
ADHD Music
145 bpm • E min • 02:07 • -7.71db
5% Popularity • 72% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
5% Popularity • 72% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 56% Positiveness
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Caleb Hearn
Eye Of The Storm
145 bpm • A Maj • 02:58 • -10db
48% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Knox
Sneakers
168 bpm • C# Maj • 03:04 • -4.98db
62% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
62% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Alex Warren
Headlights
145 bpm • C# Maj • 02:53 • -7db
55% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Blake Rose
Lady
168 bpm • G# Maj • 04:02 • -4db
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chord Overstreet
Beautiful Disaster
145 bpm • G# min • 04:01 • -14db
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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renforshort
fuck, i luv my friends
168 bpm • E Maj • 02:43 • -5.67db
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 44% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Maddie Zahm
Family Reunions
144 bpm • F Maj • 03:51 • -7.65db
36% Popularity • 44% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 44% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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BLÜ EYES
rest in peace
144 bpm • D Maj • 03:11 • -11db
40% Popularity • 63% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 63% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Camylio
bones
170 bpm • G# Maj • 02:35 • -6.72db
36% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Lauren Weintraub
Like A Boy
170 bpm • D# Maj • 02:44 • -5.02db
37% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Reagan Beem
Hurt The Ones I Love
170 bpm • B Maj • 03:35 • -7.81db
41% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Alexa Cappelli
Whiplash
170 bpm • F Maj • 03:07 • -4.29db
37% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Alec Benjamin
Demons
143 bpm • F min • 02:43 • -7.5db
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Maddie Zahm
If It's Not God
142 bpm • C Maj • 03:39 • -7.93db
41% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Arrows in Action
Put You Through Me
142 bpm • D Maj • 02:53 • -4.34db
50% Popularity • 60% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 60% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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BLÜ EYES
wish we never happened
142 bpm • A Maj • 03:04 • -7.26db
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Zach Hood
lonely isn't the word for this
142 bpm • B Maj • 02:47 • -8.57db
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Camylio
foolish
142 bpm • C Maj • 03:00 • -8.54db
42% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Conan Gray
Little League
142 bpm • E min • 03:14 • -6.42db
58% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Day
The New Me
142 bpm • D Maj • 02:23 • -6db
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Munn
i don't wanna lose again
172 bpm • C# Maj • 02:44 • -7.59db
44% Popularity • 51% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 51% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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JESSIA
Really Nice To Think About
172 bpm • D Maj • 02:58 • -7.21db
37% Popularity • 66% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 66% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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We Three
If I Saw You
172 bpm • C Maj • 02:30 • -6.63db
27% Popularity • 43% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 43% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
