Songs like I Want To Know What Love Is (From TV series "LOVE ME") by Julia Stone
Based on a tempo of (+/- 10%) and a similar genre
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Rosie Carney
Black Star
136 bpm • C min • 03:39 • -14.06db
24% Popularity • 52% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 52% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
61% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
61% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Ben Howard
What A Day - Edit
136 bpm • G Maj • 04:17 • -9.03db
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
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Bruno Merz
For You Now
136 bpm • E Maj • 03:42 • -19db
37% Popularity • 66% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
37% Popularity • 66% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
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Loah
Unveiled
136 bpm • E min • 04:12 • -11.63db
37% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
38% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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NIGHT FLIGHT
Parade
136 bpm • A min • 03:49 • -11.23db
31% Popularity • 50% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
31% Popularity • 50% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Julia Stone
I Want To Know What Love Is
136 bpm • D# min • 04:55 • -12.97db
30% Popularity • 34% Danceability • 31% Energy • 15% Liveness
31% Instrumentalness • 13% Positiveness
30% Popularity • 34% Danceability • 31% Energy • 15% Liveness
31% Instrumentalness • 13% Positiveness
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Ben Howard
Small Things
136 bpm • G min • 05:43 • -9.83db
53% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
53% Popularity • 39% Danceability • 60% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Ten Fé
Nothing Breaks Like A Heart
136 bpm • C min • 03:16 • -16.97db
40% Popularity • 42% Danceability • 14% Energy • 9% Liveness
66% Instrumentalness • 34% Positiveness
40% Popularity • 42% Danceability • 14% Energy • 9% Liveness
66% Instrumentalness • 34% Positiveness
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Isbells
Reunite
136 bpm • C# min • 03:55 • -12.78db
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Sandrayati
Song for Berta
135 bpm • F# Maj • 03:18 • -17db
37% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lily Kershaw
The Sea
137 bpm • A# Maj • 03:46 • -13.36db
37% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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MAVICA
Fire
135 bpm • G# min • 04:35 • -10.01db
37% Popularity • 59% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
37% Popularity • 59% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Lykke Li
Unchained Melody
137 bpm • D Maj • 02:36 • -8db
51% Popularity • 37% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 37% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
42% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Anna Leone
Still I Wait
138 bpm • G Maj • 03:49 • -13.98db
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Maya Jane Coles
Got Me (Got Me Faster VIP Dub)
134 bpm • D# min • 05:20 • -8.33db
4% Popularity • 81% Danceability • 77% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
4% Popularity • 81% Danceability • 77% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
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Bell X1
The Upswing
139 bpm • A Maj • 04:59 • -11.85db
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Howard
Black Flies
132 bpm • G# Maj • 06:21 • -13db
52% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
52% Popularity • 58% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Rosie Carney
Better Man
132 bpm • D Maj • 04:55 • -19.29db
34% Popularity • 29% Danceability • 11% Energy • 9% Liveness
25% Instrumentalness • 5% Positiveness
34% Popularity • 29% Danceability • 11% Energy • 9% Liveness
25% Instrumentalness • 5% Positiveness
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Anna Leone
Once
138 bpm • A Maj • 03:25 • -13db
39% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
39% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Lucy Rose
Middle of the Bed
140 bpm • B min • 03:11 • -9db
39% Popularity • 70% Danceability • 45% Energy • 7% Liveness
7% Instrumentalness • 41% Positiveness
39% Popularity • 70% Danceability • 45% Energy • 7% Liveness
7% Instrumentalness • 41% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Darlingside
Hold Your Head Up High
132 bpm • A Maj • 03:37 • -11.31db
41% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
41% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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James Vincent McMorrow
I Should Go - Solo Version
132 bpm • F# min • 02:31 • -10.37db
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Plà si
How Do You Know
132 bpm • G# Maj • 03:02 • -9.79db
34% Popularity • 53% Danceability • 27% Energy • 11% Liveness
41% Instrumentalness • 31% Positiveness
34% Popularity • 53% Danceability • 27% Energy • 11% Liveness
41% Instrumentalness • 31% Positiveness
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Anna Leone
My Soul I
132 bpm • A Maj • 04:15 • -10.57db
46% Popularity • 29% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 29% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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The Staves
Mexico
132 bpm • F Maj • 04:06 • -15db
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Andrea von Kampen
Forever Young
131 bpm • C Maj • 03:05 • -9db
38% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Tuvaband
Unknown
131 bpm • F# Maj • 04:10 • -17db
39% Popularity • 42% Danceability • 10% Energy • 89% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 42% Danceability • 10% Energy • 89% Liveness
0% Instrumentalness • 8% Positiveness
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Bear's Den
When You Break
141 bpm • F min • 04:45 • -10.95db
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Benjamin Francis Leftwich
Pictures
141 bpm • C# Maj • 02:57 • -10.23db
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Damien Rice
I Don't Want to Change You
142 bpm • E min • 05:26 • -9.7db
47% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
47% Popularity • 41% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Howard
Everything
141 bpm • D# Maj • 04:45 • -16.4db
48% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
42% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
42% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Basia Bulat
Little Waltz
130 bpm • A# Maj • 02:52 • -9.56db
40% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jarryd James
Regardless
130 bpm • A min • 04:33 • -8.74db
26% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Benjamin Francis Leftwich
Elephant
130 bpm • D# Maj • 03:24 • -7db
28% Popularity • 49% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 49% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Greg Laswell
Girls Just Want To Have Fun
130 bpm • B Maj • 02:36 • -19db
42% Popularity • 40% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
42% Popularity • 40% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
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Brooke Annibale
Then Again
130 bpm • C Maj • 04:54 • -13.15db
33% Popularity • 63% Danceability • 36% Energy • 12% Liveness
60% Instrumentalness • 21% Positiveness
33% Popularity • 63% Danceability • 36% Energy • 12% Liveness
60% Instrumentalness • 21% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Fenne Lily
For a While
130 bpm • D Maj • 03:54 • -12db
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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CALIFORNIA GOLD
Stand Close
130 bpm • C Maj • 04:00 • -6.86db
31% Popularity • 50% Danceability • 45% Energy • 4% Liveness
1% Instrumentalness • 10% Positiveness
31% Popularity • 50% Danceability • 45% Energy • 4% Liveness
1% Instrumentalness • 10% Positiveness
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Someone
True Love Will Find You In The End
130 bpm • A# Maj • 03:35 • -15.68db
34% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
34% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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The Last Dinosaur
Me & Magdalena
130 bpm • E Maj • 03:20 • -13.04db
30% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
66% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
66% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Phoria
Saving Us a Riot
130 bpm • D# min • 04:17 • -16.24db
42% Popularity • 48% Danceability • 14% Energy • 12% Liveness
13% Instrumentalness • 6% Positiveness
42% Popularity • 48% Danceability • 14% Energy • 12% Liveness
13% Instrumentalness • 6% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Fink
If Only
130 bpm • D Maj • 04:23 • -19.28db
45% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Thomas Saunders
I'll Come Running
143 bpm • C Maj • 04:38 • -7db
34% Popularity • 39% Danceability • 71% Energy • 20% Liveness
26% Instrumentalness • 25% Positiveness
34% Popularity • 39% Danceability • 71% Energy • 20% Liveness
26% Instrumentalness • 25% Positiveness
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Olivia Vedder
My Father's Daughter
129 bpm • A# Maj • 02:50 • -11.25db
53% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Jade Bird
What Am I Here For
129 bpm • G Maj • 04:43 • -13db
45% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
45% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rosie Carney
K.
129 bpm • D# Maj • 04:29 • -10.92db
40% Popularity • 35% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 35% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Robert John Ardiff
People Talking
129 bpm • C Maj • 03:56 • -12db
35% Popularity • 56% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 56% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Blanco White
Mano a Mano
144 bpm • C# min • 06:20 • -12.29db
35% Popularity • 31% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 14% Positiveness
35% Popularity • 31% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 14% Positiveness
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Bear's Den
Sophie
144 bpm • B min • 05:04 • -13db
32% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Garrett Kato
Breathe It In
144 bpm • G# min • 03:15 • -10db
48% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Black Sea Dahu
My Dear
144 bpm • F min • 04:24 • -12db
37% Popularity • 52% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 52% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Taylor
I Try
144 bpm • F# Maj • 02:32 • -14db
43% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
43% Popularity • 55% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
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S. Carey
Rose Petals
128 bpm • A# Maj • 03:33 • -12db
51% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Inara George
Fools in Love
145 bpm • A min • 04:42 • -13db
36% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Lennings
You're the One That I Want
145 bpm • B min • 02:59 • -11.01db
36% Popularity • 67% Danceability • 30% Energy • 10% Liveness
40% Instrumentalness • 74% Positiveness
36% Popularity • 67% Danceability • 30% Energy • 10% Liveness
40% Instrumentalness • 74% Positiveness
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Frances Cone
Unraveling
127 bpm • E Maj • 03:20 • -6.38db
33% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Angus Stone
Only a Woman
127 bpm • G# min • 06:25 • -8db
24% Popularity • 53% Danceability • 50% Energy • 6% Liveness
4% Instrumentalness • 16% Positiveness
24% Popularity • 53% Danceability • 50% Energy • 6% Liveness
4% Instrumentalness • 16% Positiveness
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Ciaran Lavery
Wells Tower Song
146 bpm • F min • 05:01 • -10.18db
23% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Stu Larsen
By the River - Acoustic
146 bpm • D min • 04:28 • -12db
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Keaton Henson
Sweetheart, What Have You Done to Us
126 bpm • A min • 03:30 • -13.11db
40% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 41% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Blanco White
We Know Who U R - Recorded at Spotify St...
147 bpm • G# Maj • 03:42 • -11.49db
40% Popularity • 35% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
40% Popularity • 35% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Valerie June
With You - A Sweet Little Love Song Demo
125 bpm • G Maj • 02:34 • -14db
42% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Matthew And The Atlas
Elijah - Acoustic Version
125 bpm • F# Maj • 04:39 • -13.97db
39% Popularity • 40% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Iron & Wine
Time After Time
125 bpm • C# Maj • 02:50 • -13.3db
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
66% Popularity • 63% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 64% Positiveness
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The Swell Season
Low Rising
148 bpm • A Maj • 04:47 • -8.2db
15% Popularity • 53% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 43% Positiveness
15% Popularity • 53% Danceability • 52% Energy • 11% Liveness
6% Instrumentalness • 43% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Mogli
Road Holes
125 bpm • E min • 04:36 • -7.98db
41% Popularity • 74% Danceability • 55% Energy • 26% Liveness
15% Instrumentalness • 16% Positiveness
41% Popularity • 74% Danceability • 55% Energy • 26% Liveness
15% Instrumentalness • 16% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
60% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
60% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Laura Veirs
July Flame
125 bpm • F# min • 03:44 • -9db
37% Popularity • 66% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 30% Positiveness
37% Popularity • 66% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 30% Positiveness
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Ella Grace
Wild Roads
124 bpm • C Maj • 03:22 • -7db
37% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Lydia Luce
Sausalito
150 bpm • D Maj • 03:42 • -11db
44% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Holly Humberstone
Fake Plastic Trees
150 bpm • C Maj • 04:20 • -9.91db
41% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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CLOVES
Everybody's Son
150 bpm • G Maj • 03:26 • -7db
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Phoebe Bridgers
Friday I’m In Love - Recorded at Spoti...
123 bpm • G Maj • 03:40 • -15.19db
59% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
59% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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flora cash
For Someone
150 bpm • F# Maj • 04:43 • -13db
42% Popularity • 51% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
42% Popularity • 51% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Ocie Elliott
I Got You, Honey
150 bpm • C Maj • 02:41 • -16.08db
63% Popularity • 55% Danceability • 23% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
63% Popularity • 55% Danceability • 23% Energy • 10% Liveness
52% Instrumentalness • 8% Positiveness
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Sarah Blasko
Don't Dream It's Over
150 bpm • D Maj • 04:42 • -10.89db
36% Popularity • 54% Danceability • 38% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
36% Popularity • 54% Danceability • 38% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
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Run River North
Mr. Brightside
123 bpm • D Maj • 04:32 • -12db
54% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
54% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Agnes Obel
Dorian
123 bpm • F# min • 04:48 • -17.57db
51% Popularity • 62% Danceability • 25% Energy • 10% Liveness
36% Instrumentalness • 18% Positiveness
51% Popularity • 62% Danceability • 25% Energy • 10% Liveness
36% Instrumentalness • 18% Positiveness
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Leif Vollebekk
Hot Tears
150 bpm • B min • 04:07 • -9.67db
55% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Milk Carton Kids
Wish You Were Here
123 bpm • F# Maj • 04:45 • -16.32db
46% Popularity • 46% Danceability • 28% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 46% Danceability • 28% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Howard
Time Is Dancing
151 bpm • A# Maj • 06:49 • -13db
50% Popularity • 40% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
50% Popularity • 40% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
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Stu Larsen
Skin & Bone
151 bpm • C Maj • 05:51 • -9.84db
31% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Max Jury
The Desperate Kingdom Of Love - Cover
151 bpm • C Maj • 02:52 • -9.44db
22% Popularity • 39% Danceability • 41% Energy • 11% Liveness
15% Instrumentalness • 13% Positiveness
22% Popularity • 39% Danceability • 41% Energy • 11% Liveness
15% Instrumentalness • 13% Positiveness
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The Staves
Nothing's Gonna Happen (Demo)
151 bpm • D Maj • 03:56 • -12db
54% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nerina Pallot
Love Will Tear Us Apart
122 bpm • A Maj • 03:21 • -7.45db
13% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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OSKA
Honeymoon Phase - Stripped Duet
122 bpm • G# Maj • 03:26 • -15.59db
31% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
