Songs like I Want Us by The Roads Below
Based on a tempo of (+/- 10%) and a similar genre
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
50% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Roads Below
I Want Us - Acoustic
160 bpm • A# Maj • 04:01 • -4.8db
16% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Roman Alexander
Bad for Me
160 bpm • D Maj • 03:09 • -5.28db
28% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
49% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Smithfield
Our World
160 bpm • F min • 02:49 • -4db
24% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Trea Landon
Get the Girl
160 bpm • C# Maj • 03:27 • -4db
31% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jason Aldean
I’ll Wait For You
160 bpm • C min • 03:18 • -4.41db
41% Popularity • 51% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 51% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Rich
Adrenaline
160 bpm • F# Maj • 03:26 • -5.17db
28% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Logan Mize
Ain't Always Pretty
160 bpm • C# Maj • 03:30 • -4.56db
41% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Sophia Scott
She Ain't Me
160 bpm • D Maj • 03:16 • -17db
47% Popularity • 51% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 51% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Cassadee Pope
Take You Home
160 bpm • E Maj • 03:18 • -4.32db
33% Popularity • 50% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 50% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Roads Below
I Want Us
160 bpm • A# Maj • 04:06 • -6db
41% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Cale Dodds
Take You Back
160 bpm • C# Maj • 03:15 • -5db
25% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Dustin Lynch
Red Dirt, Blue Eyes
160 bpm • G# Maj • 03:17 • -4.52db
42% Popularity • 51% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 51% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Tyler Rich
Real Love
160 bpm • A Maj • 03:02 • -5.57db
34% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Young
She's Got a Way
160 bpm • A Maj • 02:51 • -5.13db
50% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Nate Smith
Wildfire
160 bpm • F# Maj • 03:10 • -4.99db
56% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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CHASE WRIGHT
Lying with You
160 bpm • C# Maj • 02:59 • -3db
50% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
41% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Abby Anderson
Make Him Wait
159 bpm • D# Maj • 03:23 • -8.18db
46% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Matt Stell
Better Than That
158 bpm • A min • 03:18 • -3.37db
33% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Cale Dodds
What We Gonna Do About It
158 bpm • E min • 02:43 • -4.56db
25% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Carter Winter
Skylines
158 bpm • F# Maj • 03:08 • -8.65db
22% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Paslay
Young Forever
162 bpm • C Maj • 03:17 • -5.39db
40% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Garrett Jacobs
Just Like You
158 bpm • A# Maj • 03:02 • -7.05db
23% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Canaan Cox
Greener
158 bpm • B Maj • 03:39 • -3.15db
34% Popularity • 44% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 44% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Walker McGuire
Til Tomorrow
157 bpm • C Maj • 04:09 • -4.03db
40% Popularity • 45% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 45% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Austin Burke
Let It Burn
164 bpm • G Maj • 03:26 • -7.1db
45% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Waterloo Revival
Back to You
164 bpm • A# Maj • 03:40 • -6.39db
19% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Shawn Austin
What Do I Know
164 bpm • C# Maj • 03:00 • -5db
33% Popularity • 48% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 48% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lindsay Ell
wAnt me back
156 bpm • E Maj • 03:13 • -4.16db
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Canaan Cox
As You Leave
156 bpm • A min • 02:06 • -4db
56% Popularity • 59% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 59% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Bandi
Man Enough Now
156 bpm • D Maj • 03:05 • -6.11db
47% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Walker McGuire
Best Kinda Bad
163 bpm • D Maj • 03:41 • -2.78db
38% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Schneider
No Problem
164 bpm • F Maj • 03:03 • -4.38db
39% Popularity • 48% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 48% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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The Roads Below
Got My Number
156 bpm • G Maj • 03:34 • -3.63db
29% Popularity • 46% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 46% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Young
Hangin' On
156 bpm • G# Maj • 03:05 • -4.77db
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Bandi
Man Enough Now - Radio Edit
156 bpm • D Maj • 03:04 • -4.72db
32% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Dylan Scott
Sleeping Beauty
164 bpm • D# Maj • 03:16 • -8.66db
31% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 44% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Schneider
Bad Thing About A Backroad
156 bpm • A Maj • 03:13 • -5.18db
31% Popularity • 55% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 55% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Noah Hicks
I Can Tell You're Small Town
164 bpm • F# Maj • 03:02 • -4db
51% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Ethridge
Girl on Fire
156 bpm • C# min • 03:16 • -2.26db
21% Popularity • 46% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 46% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Young
Leave Me Wanting More
156 bpm • G# Maj • 03:00 • -6db
36% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Ruediger
When You Don't
156 bpm • B Maj • 03:33 • -5.19db
37% Popularity • 57% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 57% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Brett Young
1, 2, 3 Mississippi
156 bpm • F# Maj • 03:26 • -6.23db
41% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jordan Davis
Cool Anymore
156 bpm • G Maj • 03:20 • -5.45db
50% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan Scott
Do You Think About Me
156 bpm • B min • 03:23 • -6.45db
33% Popularity • 62% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 62% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
43% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Kane Brown
Found You
164 bpm • E min • 03:11 • -5.33db
52% Popularity • 46% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 46% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Roads Below
Felt Like Ours
166 bpm • D Maj • 03:27 • -5.28db
4% Popularity • 49% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 49% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Murphy Elmore
Whoever Broke Your Heart
156 bpm • F# Maj • 03:14 • -5.25db
51% Popularity • 48% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 48% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Justin Lee
Like I've Fallen
154 bpm • G# Maj • 03:28 • -4.69db
34% Popularity • 42% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 42% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Tyler
Remember These Words
154 bpm • F Maj • 03:07 • -5.1db
32% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Tyler Rich
Take It Or Leave It
154 bpm • C Maj • 03:00 • -6.1db
26% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Bandi
Rain Man
154 bpm • B Maj • 03:17 • -6.08db
24% Popularity • 58% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 58% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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The Roads Below
Can't Teach That
166 bpm • F Maj • 03:19 • -4db
20% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Josh Melton
Letters
154 bpm • F# Maj • 03:20 • -7.19db
29% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Sir Rosevelt
Something 'Bout You
153 bpm • D Maj • 02:40 • -6.07db
44% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Adam Sanders
What If I'm Right
168 bpm • C Maj • 02:46 • -3.42db
38% Popularity • 43% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 43% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Eric Ethridge
Makin' Me Crazy
168 bpm • A Maj • 02:52 • -3.28db
29% Popularity • 47% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 47% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Ray
Get to You
168 bpm • D# Maj • 03:11 • -5.66db
50% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Roads Below
Felt Like Ours (Commentary)
168 bpm • D Maj • 01:26 • -8.32db
0% Popularity • 44% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 44% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Waterloo Revival
That Damn I Didn't Give
168 bpm • C# Maj • 03:01 • -5db
20% Popularity • 44% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 44% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Russell Dickerson
Forever For A Little While
168 bpm • A Maj • 03:00 • -4db
40% Popularity • 46% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 46% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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SixForty1
Bad
152 bpm • D Maj • 03:30 • -5.34db
16% Popularity • 54% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 54% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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David J
STAY
151 bpm • A# Maj • 02:38 • -8db
41% Popularity • 59% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 59% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
54% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Noah Schnacky
Maybe We Will
170 bpm • E Maj • 03:09 • -8.02db
46% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Jordan Davis
Made That Way
170 bpm • G# Maj • 02:53 • -5db
48% Popularity • 48% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 48% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Roads Below
Pause Rewind
170 bpm • C Maj • 03:33 • -5db
11% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Brett Young
Not Yet
170 bpm • C# Maj • 02:54 • -6.11db
52% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Jackie Lee
Getting Over You
170 bpm • D Maj • 02:52 • -5.06db
43% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
45% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Justin Tyler
Not Kiss You
150 bpm • C Maj • 03:12 • -6.88db
16% Popularity • 43% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 43% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Jordan Davis
Trying
170 bpm • F# Maj • 02:56 • -7db
59% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Braden
Leave Me Alone
150 bpm • C min • 03:16 • -7.02db
52% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Brett Young
Don’t Wanna Write This Song
150 bpm • D Maj • 03:48 • -8db
47% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Ruediger
Love Like That
150 bpm • A Maj • 03:38 • -4.66db
17% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Schnacky
Meet The Man
150 bpm • A Maj • 03:50 • -5.91db
29% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Walker Montgomery
Just Say When
150 bpm • F min • 03:09 • -5.68db
28% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Meghan Patrick
The Bad Guy
150 bpm • F# Maj • 03:45 • -7db
34% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Chase Bryant
Never Got Around To That
150 bpm • C Maj • 03:30 • -5.41db
32% Popularity • 47% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 47% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Dylan Scott
You Got Me
150 bpm • G Maj • 02:34 • -6.79db
40% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Mirenda
Mile a Minute
150 bpm • B min • 03:15 • -7.14db
37% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Sam Hunt
2016
150 bpm • F# Maj • 03:55 • -8.17db
52% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Bandi
Why I Don't Drink
150 bpm • F# Maj • 03:29 • -6.82db
23% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Justin Tyler
2000 Miles
149 bpm • G Maj • 03:06 • -6.67db
14% Popularity • 36% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 36% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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SixForty1
Show You Around
149 bpm • D Maj • 03:08 • -5.5db
16% Popularity • 47% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 47% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Jordan Davis
Leaving New Orleans
172 bpm • A Maj • 03:30 • -5.38db
44% Popularity • 48% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 48% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Eric Ethridge
Dream Girl
172 bpm • E Maj • 03:10 • -5db
23% Popularity • 48% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 48% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Sam Hunt
Leave The Night On
172 bpm • A Maj • 03:12 • -3.81db
62% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Josh Melton
Another Man's Treasure
172 bpm • G Maj • 03:14 • -4.83db
25% Popularity • 55% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 55% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
