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i want you so bad it hurts
Songs like
i want you so bad it hurts
by
Field Medic
Based on a tempo of (+/- 10%) and a similar genre
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Harrison Whitford
Secret Garden
138 bpm • F# Maj • 02:51 • -11.51db
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Field Medic
i want you so bad it hurts
138 bpm • E Maj • 03:03 • -6.82db
34% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Christian Lee Hutson
Sitting Up With A Sick Friend
138 bpm • D# Maj • 03:19 • -15.57db
20% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Adrianne Lenker
Gone
138 bpm • G Maj • 04:06 • -7.14db
40% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sharon Silva
Spitting Image
138 bpm • C Maj • 04:19 • -8.28db
18% Popularity • 68% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
47% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Peter McPoland
Lady Bird
138 bpm • A Maj • 04:01 • -7.87db
37% Popularity • 49% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Breakup Shoes
shower-beer
138 bpm • F# min • 02:51 • -10.71db
31% Popularity • 51% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 12% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
39% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Sadurn
snake
138 bpm • C# Maj • 04:33 • -8.75db
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Girlpool
I Like That You Can See It
137 bpm • D Maj • 02:30 • -12.49db
19% Popularity • 72% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Adrianne Lenker
Ringing Bells
139 bpm • C Maj • 03:49 • -17db
41% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Charlie Hickey
Count The Stairs
139 bpm • F Maj • 04:00 • -9.42db
18% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Radiator Hospital
Fireworks
139 bpm • C# Maj • 02:08 • -9db
40% Popularity • 41% Danceability • 38% Energy • 11% Liveness
78% Instrumentalness • 39% Positiveness
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Lomelda
It's Infinite
137 bpm • C Maj • 02:54 • -17db
46% Popularity • 56% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 45% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Free Cake For Every Creature
Shake It Out
137 bpm • A Maj • 03:51 • -11.53db
31% Popularity • 56% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 34% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Charlie Hickey
Seeing Things
139 bpm • F Maj • 03:34 • -9db
26% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Field Medic
stained glass
137 bpm • F# Maj • 04:12 • -12.02db
23% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Phoebe Bridgers
Chinese Satellite (Copycat Killer Versio...
136 bpm • A# Maj • 03:30 • -13.67db
41% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Christian Lee Hutson
Strawberry Lemonade
137 bpm • D Maj • 04:24 • -10db
25% Popularity • 43% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Rosie Tucker
Ambrosia
140 bpm • C# Maj • 03:45 • -7db
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Runnner
Awash
140 bpm • D Maj • 03:09 • -10db
27% Popularity • 50% Danceability • 48% Energy • 31% Liveness
24% Instrumentalness • 21% Positiveness
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Ritt Momney
Golden Slumbers
140 bpm • C Maj • 02:58 • -12.31db
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Lucy Dacus
Direct Address
140 bpm • D Maj • 03:19 • -8db
41% Popularity • 40% Danceability • 40% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
37% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Christian Lee Hutson
Keep You Down
139 bpm • A Maj • 04:22 • -9.4db
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jay Som
I Think You're Alright
140 bpm • D Maj • 03:46 • -7.97db
41% Popularity • 56% Danceability • 47% Energy • 63% Liveness
18% Instrumentalness • 41% Positiveness
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Runnner
Snowplow
140 bpm • D Maj • 02:41 • -10.71db
41% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Charlie Martin
Madison
136 bpm • G# Maj • 03:01 • -10.48db
22% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Phoebe Bridgers
Would You Rather
136 bpm • A# Maj • 03:19 • -10.93db
52% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Harrison Whitford
Meclizine
136 bpm • F Maj • 05:46 • -12.37db
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Field Medic
tombstone poetry
136 bpm • D Maj • 03:39 • -9.58db
23% Popularity • 38% Danceability • 39% Energy • 15% Liveness
20% Instrumentalness • 28% Positiveness
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American Pleasure Club
all the lonely nights in your life
140 bpm • G Maj • 02:43 • -11.17db
45% Popularity • 36% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Lucy Dacus
Green Eyes, Red Face
135 bpm • A Maj • 03:38 • -9db
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Runnner
bike again
135 bpm • F Maj • 03:04 • -14.17db
34% Popularity • 52% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Dad Bod
4/9
135 bpm • A Maj • 03:48 • -9.81db
8% Popularity • 55% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Slow Pulp
Montana
135 bpm • G# Maj • 03:20 • -8.21db
47% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
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Peter McPoland
Sally Forth
141 bpm • C Maj • 04:23 • -10.42db
33% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Runnner
New Sublet
135 bpm • F Maj • 03:01 • -13.79db
24% Popularity • 63% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Sadurn
white shirt
134 bpm • E Maj • 02:59 • -18.31db
24% Popularity • 52% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Del Water Gap
Vanessa
142 bpm • G# Maj • 04:08 • -5.07db
31% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Told Slant
Green Nail Polish
134 bpm • G Maj • 03:10 • -11db
28% Popularity • 49% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Eliza McLamb
Salt Circle
142 bpm • A# Maj • 04:20 • -11db
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Lucy Dacus
Partner in Crime - Spotify Singles
134 bpm • A Maj • 03:53 • -14.78db
36% Popularity • 67% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Field Medic
uuu
134 bpm • E Maj • 03:31 • -7db
46% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Sadurn
radiator
133 bpm • D Maj • 03:54 • -14.84db
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Florist
Red Bird
133 bpm • F Maj • 03:20 • -17.59db
29% Popularity • 49% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Kississippi
Dogmas
143 bpm • B Maj • 02:03 • -12db
45% Popularity • 44% Danceability • 32% Energy • 11% Liveness
31% Instrumentalness • 22% Positiveness
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Field Guide
Looking Back
133 bpm • F# Maj • 01:04 • -17.63db
37% Popularity • 44% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 37% Positiveness
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Jodi
Go Slowly
144 bpm • G Maj • 04:40 • -13.86db
20% Popularity • 61% Danceability • 19% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
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Field Medic
POWERFUL LOVE
133 bpm • B min • 02:17 • -2.28db
38% Popularity • 58% Danceability • 67% Energy • 15% Liveness
14% Instrumentalness • 80% Positiveness
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Great Grandpa
Dark Green Water
144 bpm • D# Maj • 04:13 • -9.01db
35% Popularity • 33% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Adrianne Lenker
Angels
133 bpm • E Maj • 04:08 • -10.42db
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Brazen Youth
Emma
144 bpm • D Maj • 03:49 • -11.52db
32% Popularity • 51% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Radiator Hospital
I'm All Right
132 bpm • G Maj • 01:23 • -10.23db
26% Popularity • 54% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
44% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Molly Payton
I'm Too Smart
144 bpm • D Maj • 05:04 • -8db
23% Popularity • 37% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Laura Stevenson
Living Room, NY
132 bpm • F Maj • 03:22 • -7.25db
34% Popularity • 29% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Adrianne Lenker
Lighthouse
132 bpm • A Maj • 03:29 • -8.02db
47% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sadurn
snail / alwase
132 bpm • D Maj • 02:06 • -12.29db
33% Popularity • 58% Danceability • 23% Energy • 33% Liveness
8% Instrumentalness • 13% Positiveness
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Ritt Momney
I
132 bpm • C Maj • 01:25 • -12.97db
40% Popularity • 42% Danceability • 17% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
51% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Christian Lee Hutson
Twin Soul
131 bpm • D Maj • 03:52 • -8.31db
24% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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ash tuesday
Calypso
131 bpm • A# Maj • 03:25 • -16db
27% Popularity • 64% Danceability • 32% Energy • 14% Liveness
12% Instrumentalness • 10% Positiveness
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Phoebe Bridgers
Scott Street - Recorded at Spotify Studi...
131 bpm • A# Maj • 05:32 • -12.25db
38% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bendigo Fletcher
Wonderfully Bizarre
131 bpm • E Maj • 05:20 • -10.5db
40% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Wild Reeds
New Ways To Die
130 bpm • C Maj • 02:18 • -10.15db
23% Popularity • 41% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
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Richard Orofino
i heard you were looking like the moon
146 bpm • E Maj • 03:43 • -13.33db
36% Popularity • 34% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
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Christian Lee Hutson
Atheist
130 bpm • D# Maj • 03:00 • -10db
34% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
48% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Cece Coakley
Anything
130 bpm • G# Maj • 03:40 • -10.55db
33% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Sadurn
golden arm
130 bpm • D Maj • 04:04 • -15db
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Tyler Burkhart
Hobbes
130 bpm • E Maj • 02:28 • -28.68db
47% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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Eliza McLamb
Lena Grove
130 bpm • A# Maj • 03:37 • -11.96db
31% Popularity • 49% Danceability • 31% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Martin
Daisy
130 bpm • G# Maj • 04:34 • -9.23db
32% Popularity • 62% Danceability • 47% Energy • 10% Liveness
80% Instrumentalness • 49% Positiveness
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Gemma Laurence
Lavender
147 bpm • C# Maj • 03:36 • -7db
28% Popularity • 45% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Great Grandpa
English Garden
147 bpm • B Maj • 02:40 • -11.14db
35% Popularity • 51% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Sadurn
clementine
130 bpm • C Maj • 02:38 • -10.21db
25% Popularity • 62% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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flipturn
Poppies
130 bpm • B min • 04:19 • -11.87db
44% Popularity • 43% Danceability • 46% Energy • 15% Liveness
6% Instrumentalness • 22% Positiveness
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Joe P
Going to California
130 bpm • G Maj • 04:04 • -11.31db
35% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
48% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Eliza McLamb
Older
147 bpm • B min • 04:36 • -12.56db
31% Popularity • 64% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
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Christian Lee Hutson
Talk
129 bpm • E Maj • 02:57 • -8.22db
27% Popularity • 77% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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Bendigo Fletcher
Birding
147 bpm • F# min • 03:40 • -8.4db
31% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lomelda
Polyurethane
129 bpm • E Maj • 01:46 • -20db
52% Popularity • 53% Danceability • 8% Energy • 36% Liveness
58% Instrumentalness • 21% Positiveness
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Adrianne Lenker
Steamboat
129 bpm • C# Maj • 02:41 • -12db
56% Popularity • 71% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Izzy Heltai
Met on the Internet
129 bpm • B Maj • 04:16 • -9.6db
21% Popularity • 55% Danceability • 49% Energy • 13% Liveness
16% Instrumentalness • 47% Positiveness
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i want you so bad it hurts