Songs like I Want You To Want Me To Want You by Ray Miller And His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Sophie Tucker
Papa Better Watch Your Step
123 bpm • G Maj • 02:46 • -12db
15% Popularity • 60% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 60% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Ray Miller And His Orchestra
I Want You To Want Me To Want You
123 bpm • A# Maj • 03:04 • -13.51db
0% Popularity • 81% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 97% Positiveness
0% Popularity • 81% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 97% Positiveness
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Ted Lewis
Jungle Blues
123 bpm • G# Maj • 02:49 • -12db
2% Popularity • 72% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 71% Positiveness
2% Popularity • 72% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 71% Positiveness
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Ambrose & His Orchestra
Happy Days Are Here Again
123 bpm • F Maj • 02:59 • -8db
15% Popularity • 73% Danceability • 71% Energy • 24% Liveness
65% Instrumentalness • 83% Positiveness
15% Popularity • 73% Danceability • 71% Energy • 24% Liveness
65% Instrumentalness • 83% Positiveness
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Fletcher Henderson & His Orchestra
Clarinet Marmalade - 1927 version
123 bpm • F Maj • 02:48 • -11db
9% Popularity • 82% Danceability • 30% Energy • 6% Liveness
91% Instrumentalness • 97% Positiveness
9% Popularity • 82% Danceability • 30% Energy • 6% Liveness
91% Instrumentalness • 97% Positiveness
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Al Jolson
Ohio
123 bpm • G min • 02:54 • -14.3db
1% Popularity • 81% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 81% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Aileen Stanley
When My Sugar Walks Down the Street (Rec...
122 bpm • F Maj • 02:43 • -16.26db
11% Popularity • 59% Danceability • 15% Energy • 38% Liveness
1% Instrumentalness • 48% Positiveness
11% Popularity • 59% Danceability • 15% Energy • 38% Liveness
1% Instrumentalness • 48% Positiveness
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Charlie Barnet & His Orchestra
This Is No Dream
122 bpm • F min • 02:52 • -12.1db
9% Popularity • 43% Danceability • 19% Energy • 28% Liveness
1% Instrumentalness • 32% Positiveness
9% Popularity • 43% Danceability • 19% Energy • 28% Liveness
1% Instrumentalness • 32% Positiveness
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Irving Aaronson and His Commanders
I'm Just Wild About Animal Crackers
122 bpm • F Maj • 02:47 • -13.65db
8% Popularity • 81% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 81% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Omer Simeon Trio
Beau-Koo-Jack
122 bpm • C min • 02:47 • -13.71db
12% Popularity • 74% Danceability • 36% Energy • 16% Liveness
92% Instrumentalness • 97% Positiveness
12% Popularity • 74% Danceability • 36% Energy • 16% Liveness
92% Instrumentalness • 97% Positiveness
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Saul Chaplin
If It's the Last Thing I Do
122 bpm • A# Maj • 03:05 • -14.62db
12% Popularity • 43% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 43% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Syd Lipton's New Grosvenor House Band
Everything's Fine with Me
122 bpm • G min • 02:43 • -10.97db
8% Popularity • 90% Danceability • 41% Energy • 12% Liveness
8% Instrumentalness • 96% Positiveness
8% Popularity • 90% Danceability • 41% Energy • 12% Liveness
8% Instrumentalness • 96% Positiveness
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Bennie Moten's Kansas City Orchestra
Moten's Stomp
122 bpm • D# Maj • 03:02 • -11db
9% Popularity • 83% Danceability • 51% Energy • 15% Liveness
90% Instrumentalness • 96% Positiveness
9% Popularity • 83% Danceability • 51% Energy • 15% Liveness
90% Instrumentalness • 96% Positiveness
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Art Landry And His Orchestra
Camel Walk
122 bpm • A# Maj • 03:07 • -15.55db
15% Popularity • 84% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 85% Positiveness
15% Popularity • 84% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 85% Positiveness
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Ray Noble
Let Me Give My Happiness To You
121 bpm • F Maj • 03:20 • -27db
7% Popularity • 57% Danceability • 3% Energy • 11% Liveness
11% Instrumentalness • 49% Positiveness
7% Popularity • 57% Danceability • 3% Energy • 11% Liveness
11% Instrumentalness • 49% Positiveness
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Ray Miller And His Orchestra
Mississippi Here I Am
125 bpm • F min • 02:36 • -13.68db
0% Popularity • 50% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 50% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Harold Arlen
How Many Times
122 bpm • F Maj • 02:41 • -8.5db
9% Popularity • 79% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 92% Positiveness
9% Popularity • 79% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 92% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
121 bpm • D# Maj • 02:51 • -17.39db
12% Popularity • 71% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 67% Positiveness
12% Popularity • 71% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 67% Positiveness
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Ted Lewis
There's A New Day Comin'
125 bpm • G# Maj • 02:54 • -15.27db
8% Popularity • 81% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 92% Positiveness
8% Popularity • 81% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 92% Positiveness
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Roy Fox & His Band
Roll Along Prairie Moon
121 bpm • G# Maj • 02:43 • -24.38db
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Johnny Dodds
Someday, Sweetheart
121 bpm • C min • 02:53 • -14.09db
9% Popularity • 70% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 48% Positiveness
9% Popularity • 70% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 48% Positiveness
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Henry "Red" Allen
College Holiday I Adore You
125 bpm • A min • 02:41 • -12.76db
10% Popularity • 61% Danceability • 30% Energy • 39% Liveness
87% Instrumentalness • 61% Positiveness
10% Popularity • 61% Danceability • 30% Energy • 39% Liveness
87% Instrumentalness • 61% Positiveness
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Ozzie Nelson and His Orchestra
Subway
121 bpm • F min • 02:40 • -10.98db
8% Popularity • 67% Danceability • 54% Energy • 24% Liveness
88% Instrumentalness • 46% Positiveness
8% Popularity • 67% Danceability • 54% Energy • 24% Liveness
88% Instrumentalness • 46% Positiveness
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Ray Miller And His Orchestra
That's a Plenty
120 bpm • D# Maj • 03:13 • -9.39db
2% Popularity • 88% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 93% Positiveness
2% Popularity • 88% Danceability • 44% Energy • 10% Liveness
93% Instrumentalness • 93% Positiveness
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The Barry Sisters
Oh Mama, I'm So In Love
120 bpm • B Maj • 01:52 • -13.95db
13% Popularity • 65% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 65% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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The Washingtonians
Down in Our Alley Blues
120 bpm • F min • 03:00 • -10.45db
12% Popularity • 72% Danceability • 42% Energy • 22% Liveness
86% Instrumentalness • 96% Positiveness
12% Popularity • 72% Danceability • 42% Energy • 22% Liveness
86% Instrumentalness • 96% Positiveness
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Abe Lyman's California Orchestra
Varsity Drag
120 bpm • G# Maj • 02:46 • -12.56db
10% Popularity • 74% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 87% Positiveness
10% Popularity • 74% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 87% Positiveness
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J.H. Bragg & His Rhythm Five
Ethiopian Stomp
120 bpm • A min • 02:58 • -14.94db
10% Popularity • 78% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
10% Popularity • 78% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Rube Bloom
Spring Fever
120 bpm • F Maj • 02:56 • -20.9db
9% Popularity • 62% Danceability • 25% Energy • 38% Liveness
67% Instrumentalness • 78% Positiveness
9% Popularity • 62% Danceability • 25% Energy • 38% Liveness
67% Instrumentalness • 78% Positiveness
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Jack Hylton & His Orchestra
Who
126 bpm • D# Maj • 03:12 • -12db
10% Popularity • 62% Danceability • 55% Energy • 46% Liveness
68% Instrumentalness • 81% Positiveness
10% Popularity • 62% Danceability • 55% Energy • 46% Liveness
68% Instrumentalness • 81% Positiveness
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Bunny Berigan
Sophisticated Swing
126 bpm • C# Maj • 03:32 • -10.66db
9% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
9% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
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Edwin J. McEnelly's Orchestra
Spanish Shawl
120 bpm • G# min • 03:07 • -13.01db
12% Popularity • 90% Danceability • 28% Energy • 4% Liveness
88% Instrumentalness • 91% Positiveness
12% Popularity • 90% Danceability • 28% Energy • 4% Liveness
88% Instrumentalness • 91% Positiveness
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Phil Spitalny's Music
I Want to Meander in the Meadow
126 bpm • C# Maj • 02:46 • -12db
10% Popularity • 70% Danceability • 55% Energy • 6% Liveness
32% Instrumentalness • 81% Positiveness
10% Popularity • 70% Danceability • 55% Energy • 6% Liveness
32% Instrumentalness • 81% Positiveness
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Aileen Stanley
Everybody Loves My Baby (Recorded Septem...
126 bpm • G# min • 03:16 • -15db
10% Popularity • 57% Danceability • 12% Energy • 56% Liveness
5% Instrumentalness • 52% Positiveness
10% Popularity • 57% Danceability • 12% Energy • 56% Liveness
5% Instrumentalness • 52% Positiveness
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Henry Hall
The Clouds Will Soon Roll By
120 bpm • D# Maj • 03:09 • -15.99db
5% Popularity • 54% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 34% Positiveness
5% Popularity • 54% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 34% Positiveness
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Parker Gibbs & Ted Weems Orchestra
She's Got It
120 bpm • E Maj • 02:40 • -15.3db
10% Popularity • 82% Danceability • 25% Energy • 13% Liveness
4% Instrumentalness • 82% Positiveness
10% Popularity • 82% Danceability • 25% Energy • 13% Liveness
4% Instrumentalness • 82% Positiveness
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Jack Payne & His BBC Dance Orchestra
Choo Choo
126 bpm • G Maj • 02:39 • -17.29db
7% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Bunny Berigan
Tiger Rag
126 bpm • G# Maj • 03:08 • -15.03db
7% Popularity • 68% Danceability • 38% Energy • 37% Liveness
92% Instrumentalness • 90% Positiveness
7% Popularity • 68% Danceability • 38% Energy • 37% Liveness
92% Instrumentalness • 90% Positiveness
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Harry Richman
Singing a vagabond song
120 bpm • G Maj • 03:01 • -10.81db
0% Popularity • 66% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 66% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Roy Fox & His Band
On the Other Side of the Hill
126 bpm • C Maj • 02:57 • -18db
10% Popularity • 47% Danceability • 8% Energy • 6% Liveness
48% Instrumentalness • 58% Positiveness
10% Popularity • 47% Danceability • 8% Energy • 6% Liveness
48% Instrumentalness • 58% Positiveness
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Vincent Lopez and His Orchestra
Great Day
120 bpm • D# Maj • 02:20 • -11.73db
8% Popularity • 34% Danceability • 63% Energy • 45% Liveness
81% Instrumentalness • 66% Positiveness
8% Popularity • 34% Danceability • 63% Energy • 45% Liveness
81% Instrumentalness • 66% Positiveness
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Ray Miller And His Orchestra
I've Lost my Dog
120 bpm • F Maj • 02:53 • -8.96db
0% Popularity • 78% Danceability • 53% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
0% Popularity • 78% Danceability • 53% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
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Harry Archer
There Ain`t No Maybe There In My Baby`s ...
120 bpm • F Maj • 02:39 • -15.45db
14% Popularity • 74% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 85% Positiveness
14% Popularity • 74% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 85% Positiveness
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Roger Wolfe Kahn & His Orchestra
Russian Lullaby
127 bpm • F# min • 03:13 • -16db
10% Popularity • 36% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
10% Popularity • 36% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
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Jack Buchanan
Alone with My Dreams
127 bpm • G Maj • 02:27 • -14.36db
11% Popularity • 43% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 43% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Red Nichols
I Got Rhythm
127 bpm • G min • 02:56 • -14.95db
11% Popularity • 66% Danceability • 30% Energy • 5% Liveness
78% Instrumentalness • 88% Positiveness
11% Popularity • 66% Danceability • 30% Energy • 5% Liveness
78% Instrumentalness • 88% Positiveness
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Richard Himber and his Orchestra
Dancing On The Ceiling - Of Thee I Sing
119 bpm • C# Maj • 04:16 • -10.73db
14% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Bea Wain
Oh, You Crazy Moon
119 bpm • F min • 02:53 • -10.89db
14% Popularity • 68% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 68% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Howard Lanin Orchestra
On a Night Like This
119 bpm • C# min • 02:45 • -16.32db
10% Popularity • 72% Danceability • 22% Energy • 21% Liveness
85% Instrumentalness • 97% Positiveness
10% Popularity • 72% Danceability • 22% Energy • 21% Liveness
85% Instrumentalness • 97% Positiveness
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Jack Hylton & His Orchestra
After Tonight We Say Goodbye
119 bpm • D# Maj • 03:15 • -24.81db
0% Popularity • 53% Danceability • 3% Energy • 23% Liveness
17% Instrumentalness • 48% Positiveness
0% Popularity • 53% Danceability • 3% Energy • 23% Liveness
17% Instrumentalness • 48% Positiveness
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Leif Smoke Rings Anderson
Sand in My Shoes
119 bpm • G min • 03:13 • -18.66db
8% Popularity • 68% Danceability • 8% Energy • 40% Liveness
39% Instrumentalness • 38% Positiveness
8% Popularity • 68% Danceability • 8% Energy • 40% Liveness
39% Instrumentalness • 38% Positiveness
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Red Norvo
Picture Me Without You
128 bpm • F Maj • 03:18 • -12.85db
15% Popularity • 64% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 63% Positiveness
15% Popularity • 64% Danceability • 16% Energy • 7% Liveness
20% Instrumentalness • 63% Positiveness
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Helen Rowland With Ed Kirkeby Orchestra
I've Got To Sing A Torch Song
118 bpm • C# Maj • 02:44 • -11.11db
16% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Eddie Cantor
No No Nora
118 bpm • D# Maj • 03:07 • -11.93db
13% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
13% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
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Howard Lanin Orchestra
When Eyes Af Blue Are Foolin' You
118 bpm • A Maj • 02:48 • -13.03db
9% Popularity • 66% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
9% Popularity • 66% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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Clarence Williams
I'm Not Worrying
128 bpm • G Maj • 03:05 • -10.93db
7% Popularity • 68% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 49% Positiveness
7% Popularity • 68% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 49% Positiveness
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Henry Hall
Love Is the Sweetest Thing
118 bpm • D# Maj • 03:06 • -13.99db
12% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Charlie Kunz
If I Should Plant a Tiny Seed of Love
118 bpm • D# Maj • 01:21 • -8.17db
20% Popularity • 85% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 98% Positiveness
20% Popularity • 85% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 98% Positiveness
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Ray McKinley
Hard Hearted Hannah
118 bpm • G# Maj • 03:17 • -14.39db
17% Popularity • 74% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 74% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Henry "Red" Allen
Feeling Drowsy
118 bpm • D# Maj • 03:39 • -13.9db
5% Popularity • 68% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 55% Positiveness
5% Popularity • 68% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 55% Positiveness
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Ray Noble
What More Can I Ask
118 bpm • G min • 03:32 • -12.89db
0% Popularity • 48% Danceability • 20% Energy • 10% Liveness
44% Instrumentalness • 18% Positiveness
0% Popularity • 48% Danceability • 20% Energy • 10% Liveness
44% Instrumentalness • 18% Positiveness
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John Kirby
Schubert's Serenade (c. 10/11-41)
118 bpm • D min • 02:31 • -11.58db
7% Popularity • 46% Danceability • 25% Energy • 17% Liveness
59% Instrumentalness • 69% Positiveness
7% Popularity • 46% Danceability • 25% Energy • 17% Liveness
59% Instrumentalness • 69% Positiveness
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Charlie Kunz
I Couldn't Sleep a Wink Last Night
118 bpm • C Maj • 02:55 • -23db
11% Popularity • 61% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 53% Positiveness
11% Popularity • 61% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 53% Positiveness
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Billie Holiday
Billie's Blues
118 bpm • D# Maj • 02:36 • -10.07db
12% Popularity • 78% Danceability • 25% Energy • 24% Liveness
11% Instrumentalness • 72% Positiveness
12% Popularity • 78% Danceability • 25% Energy • 24% Liveness
11% Instrumentalness • 72% Positiveness
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Carroll Gibbons And The Boyfriends
Don't Let It Bother You
129 bpm • A min • 02:28 • -23.76db
0% Popularity • 63% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
0% Popularity • 63% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
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Dave Nelson And The King's Men
When the Day Is Done
118 bpm • G Maj • 03:32 • -16.97db
9% Popularity • 72% Danceability • 18% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
9% Popularity • 72% Danceability • 18% Energy • 31% Liveness
2% Instrumentalness • 58% Positiveness
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Adrian Rollini
Dustin' the Donkey
118 bpm • G# Maj • 02:55 • -11.9db
11% Popularity • 73% Danceability • 44% Energy • 29% Liveness
90% Instrumentalness • 80% Positiveness
11% Popularity • 73% Danceability • 44% Energy • 29% Liveness
90% Instrumentalness • 80% Positiveness
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The Savoy Havana Band
Crazy Words, Crazy Tune
117 bpm • C min • 02:38 • -15.17db
6% Popularity • 87% Danceability • 29% Energy • 19% Liveness
21% Instrumentalness • 92% Positiveness
6% Popularity • 87% Danceability • 29% Energy • 19% Liveness
21% Instrumentalness • 92% Positiveness
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Sam Lanin and The Ipana Troubadours
Jig Walk
117 bpm • D# Maj • 02:40 • -11.94db
11% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
11% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
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Ipana Troubadours
(Give Me) A Night in June
117 bpm • F Maj • 02:49 • -10.44db
11% Popularity • 82% Danceability • 40% Energy • 25% Liveness
69% Instrumentalness • 92% Positiveness
11% Popularity • 82% Danceability • 40% Energy • 25% Liveness
69% Instrumentalness • 92% Positiveness
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Ray Miller And His Orchestra
That's A Plenty
117 bpm • D min • 03:15 • -15.84db
0% Popularity • 83% Danceability • 34% Energy • 13% Liveness
91% Instrumentalness • 96% Positiveness
0% Popularity • 83% Danceability • 34% Energy • 13% Liveness
91% Instrumentalness • 96% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
18% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
18% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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Billy Cotton & His Band
Too Many Tears
129 bpm • D min • 02:57 • -25db
9% Popularity • 52% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 52% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Henry "Red" Allen
The River's Taking Care of Me
117 bpm • G Maj • 02:35 • -12.03db
9% Popularity • 71% Danceability • 23% Energy • 35% Liveness
25% Instrumentalness • 86% Positiveness
9% Popularity • 71% Danceability • 23% Energy • 35% Liveness
25% Instrumentalness • 86% Positiveness
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Phil Ohman
Manhattan
117 bpm • G min • 02:43 • -12.83db
10% Popularity • 70% Danceability • 29% Energy • 14% Liveness
3% Instrumentalness • 77% Positiveness
10% Popularity • 70% Danceability • 29% Energy • 14% Liveness
3% Instrumentalness • 77% Positiveness
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Jimmie Lunceford & His Orchestra
Dream of you
117 bpm • E min • 03:16 • -11.45db
4% Popularity • 75% Danceability • 24% Energy • 26% Liveness
53% Instrumentalness • 29% Positiveness
4% Popularity • 75% Danceability • 24% Energy • 26% Liveness
53% Instrumentalness • 29% Positiveness
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Irving Aaronson and His Commanders
Wimmin Aaah!
117 bpm • D# Maj • 02:51 • -10.69db
9% Popularity • 84% Danceability • 34% Energy • 7% Liveness
22% Instrumentalness • 91% Positiveness
9% Popularity • 84% Danceability • 34% Energy • 7% Liveness
22% Instrumentalness • 91% Positiveness
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Al Jolson
Swanee
117 bpm • F Maj • 02:36 • -14.33db
7% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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Kay Kyser
You've Got Me This Way - Remastered
130 bpm • D# Maj • 02:57 • -9.61db
8% Popularity • 63% Danceability • 23% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 63% Danceability • 23% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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![Sunny Side Up (Victor 22124) [Recorded 1929] cover art](https://i.scdn.co/image/ab67616d00001e02ee818ee765ca69cc3154d89c)
Johnny Hamp and His Kentucky Serenaders
Sunny Side Up (Victor 22124) [Recorded 1...
117 bpm • A# Maj • 02:45 • -9.27db
12% Popularity • 79% Danceability • 38% Energy • 12% Liveness
58% Instrumentalness • 88% Positiveness
12% Popularity • 79% Danceability • 38% Energy • 12% Liveness
58% Instrumentalness • 88% Positiveness
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New Orleans Rhythm Kings
Maple Leaf
117 bpm • G Maj • 02:34 • -6.72db
8% Popularity • 52% Danceability • 63% Energy • 25% Liveness
88% Instrumentalness • 92% Positiveness
8% Popularity • 52% Danceability • 63% Energy • 25% Liveness
88% Instrumentalness • 92% Positiveness
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Paul Heidemann
Meine Oma faehrt Motorrad - 1929
117 bpm • B Maj • 03:05 • -14.43db
7% Popularity • 80% Danceability • 40% Energy • 34% Liveness
74% Instrumentalness • 66% Positiveness
7% Popularity • 80% Danceability • 40% Energy • 34% Liveness
74% Instrumentalness • 66% Positiveness
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Don Redman
I Wanna Be Loved (01-05-34)
116 bpm • G Maj • 02:58 • -8.29db
3% Popularity • 68% Danceability • 34% Energy • 25% Liveness
3% Instrumentalness • 61% Positiveness
3% Popularity • 68% Danceability • 34% Energy • 25% Liveness
3% Instrumentalness • 61% Positiveness
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Ray Miller And His Orchestra
Is She My Girl Friend
116 bpm • F Maj • 02:59 • -9.45db
0% Popularity • 88% Danceability • 57% Energy • 14% Liveness
26% Instrumentalness • 92% Positiveness
0% Popularity • 88% Danceability • 57% Energy • 14% Liveness
26% Instrumentalness • 92% Positiveness
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Johnny Dodds
Weary City
130 bpm • C Maj • 02:50 • -12.23db
14% Popularity • 55% Danceability • 32% Energy • 17% Liveness
93% Instrumentalness • 85% Positiveness
14% Popularity • 55% Danceability • 32% Energy • 17% Liveness
93% Instrumentalness • 85% Positiveness
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Charlie Johnson And His Orchestra
Harlem Drag
116 bpm • F min • 03:16 • -14.6db
10% Popularity • 62% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 45% Positiveness
10% Popularity • 62% Danceability • 16% Energy • 12% Liveness
60% Instrumentalness • 45% Positiveness
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Paul Whiteman & His Orchestra
3 O'clock in the Morning
130 bpm • A Maj • 03:15 • -10.63db
12% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
12% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Jane Green
Momma Goes Where Papa Goes or Papa Don't...
116 bpm • F Maj • 03:30 • -13.03db
14% Popularity • 71% Danceability • 10% Energy • 20% Liveness
4% Instrumentalness • 36% Positiveness
14% Popularity • 71% Danceability • 10% Energy • 20% Liveness
4% Instrumentalness • 36% Positiveness
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The Three Keys
Song of the Islands
116 bpm • A Maj • 02:58 • -12.88db
8% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Murray
Does She Love Me? Positively-Absolutely
116 bpm • F# Maj • 02:27 • -13.47db
10% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Teddy Grace
Tears in My Heart
131 bpm • C min • 02:43 • -17.7db
9% Popularity • 72% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 72% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Billy Jones
Ma! He's Making Eyes at Me
115 bpm • D# Maj • 03:07 • -11.83db
9% Popularity • 61% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 61% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Syd Lipton And His Grosvenor House Band
Happy-Go-LuckyYou (And Broken Hearted Me...
131 bpm • G Maj • 03:05 • -19.38db
9% Popularity • 61% Danceability • 14% Energy • 7% Liveness
8% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 14% Energy • 7% Liveness
8% Instrumentalness • 72% Positiveness
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Ella Logan
Love Is Here To Stay
115 bpm • A# min • 03:03 • -12.81db
11% Popularity • 75% Danceability • 15% Energy • 18% Liveness
3% Instrumentalness • 53% Positiveness
11% Popularity • 75% Danceability • 15% Energy • 18% Liveness
3% Instrumentalness • 53% Positiveness
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Puritan Dance Orchestra
Who's Who Are You?
115 bpm • A# Maj • 02:44 • -10.3db
9% Popularity • 73% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness
9% Popularity • 73% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness