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I Was Glad
Songs like
I Was Glad
by
Hubert Parry
Based on a tempo of (+/- 10%) and a similar genre
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: I. Inte...
92 bpm • G# Maj • 04:03 • -22db
5% Popularity • 18% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
26% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Percy Grainger
Grainger: Mock Morris, "Room Music Tit-B...
92 bpm • G Maj • 03:45 • -15.21db
4% Popularity • 61% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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Johann Sebastian Bach
Ich lasse dich nicht, du segnest mich de...
92 bpm • E min • 04:21 • -32.55db
21% Popularity • 20% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Rakút...
92 bpm • G Maj • 02:22 • -26.67db
25% Popularity • 18% Danceability • 6% Energy • 17% Liveness
20% Instrumentalness • 3% Positiveness
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Hubert Parry
I Was Glad
92 bpm • A# Maj • 06:57 • -16.43db
3% Popularity • 14% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bist du bei mir, BWV 508 (Arie)
92 bpm • D Maj • 03:11 • -17db
26% Popularity • 23% Danceability • 12% Energy • 8% Liveness
54% Instrumentalness • 8% Positiveness
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The Cathedral Singers
Ave Verum Corpus, K. 618
93 bpm • D Maj • 03:27 • -21db
39% Popularity • 11% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs (excerpts)...
93 bpm • C Maj • 01:54 • -40db
17% Popularity • 12% Danceability • 1% Energy • 12% Liveness
33% Instrumentalness • 7% Positiveness
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Hubert Parry
Laudate Dominum "O Praise Ye the Lord"
93 bpm • A# Maj • 02:21 • -21.33db
2% Popularity • 19% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Daniel
Pergolesi: Stabat Mater: I. Stabat mater...
93 bpm • F min • 03:56 • -18.52db
14% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Te Deum in B-Flat
91 bpm • A# Maj • 06:11 • -20.35db
7% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: I. Magni...
93 bpm • C# Maj • 03:00 • -17db
28% Popularity • 50% Danceability • 36% Energy • 23% Liveness
93% Instrumentalness • 66% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: Triumphal march
93 bpm • D# Maj • 01:35 • -28.24db
40% Popularity • 39% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
91 bpm • G# Maj • 02:31 • -21db
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Hubert Parry
I Was Glad (Trans. for Military Band by ...
91 bpm • A# Maj • 06:41 • -15.52db
1% Popularity • 13% Danceability • 26% Energy • 21% Liveness
81% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Sunrise Mass: II. Sunrise
90 bpm • D Maj • 10:02 • -21.04db
23% Popularity • 12% Danceability • 18% Energy • 35% Liveness
76% Instrumentalness • 4% Positiveness
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Aaron Copland
Old American Songs I: V. I Bought me a C...
94 bpm • F Maj • 02:26 • -20.89db
16% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Christian Sinding
Sinding / Arr Sitt : Rustle of Spring
90 bpm • F min • 02:38 • -15.07db
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
23% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Johannes Brahms
In stiller Nacht
90 bpm • D Maj • 02:06 • -31db
17% Popularity • 19% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Hubert Parry
Jerusalem, Jerusalem
91 bpm • D Maj • 02:44 • -19.67db
1% Popularity • 18% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Richard Strauss
Wiener Philharmoniker Fanfare, TrV 248 (...
95 bpm • C Maj • 02:17 • -20.63db
16% Popularity • 40% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 28% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Lárov...
95 bpm • G Maj • 00:58 • -21.86db
29% Popularity • 30% Danceability • 12% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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London Philharmonic Orchestra
Ave Maria (after J.S. Bach)
89 bpm • G Maj • 02:34 • -16.3db
34% Popularity • 15% Danceability • 23% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Ronald Binge
Sailing By
89 bpm • D# Maj • 03:22 • -11db
13% Popularity • 10% Danceability • 37% Energy • 18% Liveness
51% Instrumentalness • 18% Positiveness
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Hubert Parry
Judith: Long Since in Egypt's Plenteous ...
91 bpm • D# Maj • 03:58 • -36.4db
2% Popularity • 10% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Identity & The Ground
89 bpm • G# Maj • 06:13 • -26.74db
19% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
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Jessye Norman
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
18% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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George Frideric Handel
Anthem For the Foundling Hospital, HWV 2...
96 bpm • C# Maj • 04:22 • -18.03db
7% Popularity • 40% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
31% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Hubert Parry
I Was Glad
90 bpm • A# Maj • 07:03 • -16.2db
2% Popularity • 14% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Jean Sibelius
Karelia, JS 115: Intermezzo (I)
96 bpm • D# Maj • 03:49 • -23.05db
16% Popularity • 19% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Les Pêcheurs de perles, Act 1: "...
88 bpm • D# Maj • 05:26 • -18db
21% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
When in our music God is glorified
88 bpm • G Maj • 01:55 • -23db
15% Popularity • 15% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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William Walton
Crown Imperial
88 bpm • C Maj • 06:10 • -18db
13% Popularity • 16% Danceability • 26% Energy • 27% Liveness
88% Instrumentalness • 33% Positiveness
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Hubert Parry
Parry: Jerusalem, on a Text by William B...
90 bpm • A# Maj • 02:27 • -12.63db
4% Popularity • 22% Danceability • 24% Energy • 32% Liveness
27% Instrumentalness • 32% Positiveness
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Thomas Morley
Now Is The Month Of Maying
97 bpm • A min • 02:07 • -19.13db
15% Popularity • 59% Danceability • 28% Energy • 22% Liveness
3% Instrumentalness • 64% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
9% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Douglas Guest
For the Fallen
97 bpm • C# min • 01:17 • -27.13db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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William Boyce
Boyce: Symphony No. 1 in B flat Major - ...
97 bpm • A# Maj • 02:35 • -19db
18% Popularity • 42% Danceability • 24% Energy • 53% Liveness
92% Instrumentalness • 91% Positiveness
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Hubert Parry
Laudate Dominum "O Praise Ye the Lord"
90 bpm • A# Maj • 02:31 • -19.27db
3% Popularity • 25% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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David Stanhope
Thaïs / Act 2: Méditation
87 bpm • E min • 05:33 • -21.57db
12% Popularity • 20% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
O magnum mysterium: O Magnum Mysterium
87 bpm • A min • 04:27 • -25.77db
18% Popularity • 9% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
Veni, Sancte Spiritus
87 bpm • A Maj • 02:32 • -18.4db
13% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Percy Grainger
Irish Tune From County Derry (Londonderr...
87 bpm • D# Maj • 03:49 • -26.03db
9% Popularity • 48% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
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John Ireland
In Summer Woods (arr. J. Lloyd Webber fo...
87 bpm • D Maj • 01:37 • -21.04db
30% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Hubert Parry
The Procession Of The Bride (The Introit...
95 bpm • A# Maj • 05:35 • -15db
19% Popularity • 13% Danceability • 32% Energy • 25% Liveness
92% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
14% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 1. Lo...
98 bpm • E Maj • 02:32 • -24db
13% Popularity • 33% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Charles Villiers Stanford
Magnificat in C
98 bpm • C Maj • 04:34 • -20.6db
7% Popularity • 14% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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George Frideric Handel
Thine be the glory (Maccabaeus)
98 bpm • D# Maj • 03:15 • -20.51db
11% Popularity • 21% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Hubert Parry
Jerusalem: And did those feet in ancient...
96 bpm • D Maj • 02:32 • -19.23db
21% Popularity • 13% Danceability • 17% Energy • 9% Liveness
65% Instrumentalness • 7% Positiveness
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Cecil Armstrong Gibbs
Dusk
98 bpm • G Maj • 03:13 • -19.02db
16% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
23% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Denes Kapitany
Entrance of the Queen of Sheba (Solomon)
98 bpm • A# Maj • 03:57 • -21.62db
9% Popularity • 22% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 24% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
39% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Ottorino Respighi
Suite No. 2, P. 138: IV. Bergamasca: All...
86 bpm • D Maj • 05:38 • -20.78db
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
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Hubert Parry
Symphony No. 3 in C Major, "The English"...
96 bpm • C Maj • 07:52 • -19.27db
2% Popularity • 17% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 15% Positiveness
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Dmitry Bortniansky
Cherubic Hymn, No. 7
86 bpm • D Maj • 04:00 • -22db
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite bergamasque, L.75 - Orch. Henri Pi...
86 bpm • C# Maj • 04:28 • -28.48db
8% Popularity • 9% Danceability • 5% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso in G Minor, Op. 6, No. 8...
86 bpm • D# Maj • 03:00 • -26.07db
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 12% Positiveness
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Lesley Garrett
Parry: Jerusalem, on a Text by William B...
86 bpm • D# Maj • 04:33 • -10.4db
11% Popularity • 12% Danceability • 79% Energy • 12% Liveness
39% Instrumentalness • 7% Positiveness
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Steve Dobrogosz
Mass: VI. Agnus Dei
86 bpm • C Maj • 06:39 • -20.51db
11% Popularity • 18% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Hubert Parry
Jerusalem
88 bpm • D Maj • 02:51 • -16.16db
14% Popularity • 14% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
Going Home
99 bpm • D# Maj • 04:13 • -13.01db
18% Popularity • 14% Danceability • 30% Energy • 9% Liveness
98% Instrumentalness • 8% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Joseph Haydn
Mass No. 7 in B-Flat Major, Hob. XXII:7,...
99 bpm • A# Maj • 02:10 • -17.14db
36% Popularity • 18% Danceability • 17% Energy • 21% Liveness
29% Instrumentalness • 7% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act I: "O soave fanc...
85 bpm • G Maj • 04:12 • -16.74db
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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James Whitbourn
Give us the wings of faith
85 bpm • A min • 02:36 • -25db
37% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Hubert Parry
Jerusalem (And did those feet in ancient...
88 bpm • F Maj • 02:27 • -14.93db
11% Popularity • 10% Danceability • 20% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
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Michael Tippett
Five Spirituals from "A Child of Our Tim...
84 bpm • G Maj • 02:31 • -22db
11% Popularity • 14% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Roger Quilter
Now sleeps the crimson petal, Op.3 No. 2
84 bpm • F# Maj • 02:00 • -34.28db
11% Popularity • 24% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
19% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Inger-Lise Ulsrud
Jerusalem, Jerusalem - orgelimprovisasjo...
84 bpm • E min • 01:08 • -18.54db
2% Popularity • 19% Danceability • 32% Energy • 18% Liveness
90% Instrumentalness • 4% Positiveness
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Hugo Alfvén
Swedish Rhapsody No. 1, Op. 19 'Midsumme...
101 bpm • D Maj • 04:40 • -18.17db
9% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
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Hubert Parry
The Procession Of The Queen - March from...
97 bpm • C Maj • 03:47 • -19db
9% Popularity • 17% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
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John Farrar
English Pastoral Impressions: I. Spring ...
101 bpm • D# Maj • 04:59 • -31db
24% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
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John Cameron
Lux aeterna (choral arr. of Elgar's Nimr...
84 bpm • C# Maj • 03:51 • -30.09db
9% Popularity • 9% Danceability • 6% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
84 bpm • D Maj • 03:36 • -23.58db
24% Popularity • 30% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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London Concert Orchestra
Trumpet Voluntary
101 bpm • D Maj • 02:54 • -11db
27% Popularity • 33% Danceability • 15% Energy • 31% Liveness
73% Instrumentalness • 32% Positiveness
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Yevhen Savchuk
Vespers, Op. 37: Bless The Lord, O My So...
83 bpm • C# Maj • 04:51 • -23db
5% Popularity • 20% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 6% Positiveness
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Hubert Parry
No longer mourn for me
86 bpm • F min • 03:19 • -26.9db
2% Popularity • 28% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Jules Grison
Toccata In F Major
102 bpm • F Maj • 06:19 • -15.72db
20% Popularity • 18% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 27% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
41% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Georges Bizet
Les Pêcheurs de Perles, Act I: "Au fond...
102 bpm • D# Maj • 05:47 • -16.47db
18% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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William Croft
Burial Service: I am the resurrection
83 bpm • C# min • 02:53 • -16db
14% Popularity • 21% Danceability • 20% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Hubert Parry
O Praise Ye the Lord
86 bpm • A# Maj • 02:28 • -13.22db
3% Popularity • 15% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Charles Gounod
Gounod: St. Cecilia Mass in G Major: IV....
83 bpm • F Maj • 05:29 • -24.78db
12% Popularity • 8% Danceability • 5% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Ground
83 bpm • D# Maj • 03:41 • -29db
27% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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John Ireland
Greater Love Hath No Man
83 bpm • D Maj • 05:46 • -23.28db
14% Popularity • 10% Danceability • 11% Energy • 12% Liveness
20% Instrumentalness • 3% Positiveness
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I Was Glad