Songs like I Wasn't Joking by Projection from the Side
Based on a tempo of (+/- 10%) and a similar genre
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Projection from the Side
H.K. Mouse
148 bpm • G Maj • 03:58 • -13.16db
0% Popularity • 52% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 52% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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eigenminds
magic spells
148 bpm • G# Maj • 03:13 • -5db
13% Popularity • 39% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 39% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Spiraling Reverb
One Chord
149 bpm • B Maj • 01:15 • -13.46db
30% Popularity • 71% Danceability • 57% Energy • 10% Liveness
36% Instrumentalness • 86% Positiveness
30% Popularity • 71% Danceability • 57% Energy • 10% Liveness
36% Instrumentalness • 86% Positiveness
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Casual Melon
Show You My Mind
149 bpm • A min • 02:24 • -3.42db
7% Popularity • 28% Danceability • 85% Energy • 13% Liveness
5% Instrumentalness • 78% Positiveness
7% Popularity • 28% Danceability • 85% Energy • 13% Liveness
5% Instrumentalness • 78% Positiveness
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The Colours of Mind
Happy Xmas (War is Over)
147 bpm • D Maj • 03:43 • -7.83db
12% Popularity • 36% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 36% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Betty Can
Jesus Is Better Than The Devil
147 bpm • G# Maj • 01:04 • -8.4db
11% Popularity • 49% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 49% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Projection from the Side
I Wasn't Joking
148 bpm • F Maj • 02:04 • -11.49db
0% Popularity • 48% Danceability • 52% Energy • 15% Liveness
91% Instrumentalness • 64% Positiveness
0% Popularity • 48% Danceability • 52% Energy • 15% Liveness
91% Instrumentalness • 64% Positiveness
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jeremy messersmith
Everybody Gets A Kitten - Live
146 bpm • F Maj • 03:41 • -14.16db
10% Popularity • 68% Danceability • 31% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 68% Danceability • 31% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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BA Johnston
I Love it When You Dressup
146 bpm • G Maj • 01:24 • -11.96db
13% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Mercer
I Wish We Never Met
146 bpm • D Maj • 03:31 • -10.1db
9% Popularity • 44% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 44% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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EVEMP
Got It Right
146 bpm • A min • 02:49 • -3.73db
13% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Mikey J
When We're Old
150 bpm • C Maj • 02:06 • -6db
7% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Projection from the Side
Ignorance
147 bpm • E Maj • 01:54 • -11.02db
0% Popularity • 37% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 37% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Kevin Hostetler
World of Truth
150 bpm • D min • 03:25 • -11.14db
9% Popularity • 62% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 62% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Wizbe
This is It
150 bpm • G Maj • 02:43 • -6.41db
13% Popularity • 50% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 50% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 80% Positiveness
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The Tiny Tax Band
What’s Going On?
146 bpm • A Maj • 02:29 • -12.22db
21% Popularity • 68% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 68% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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SAMMM.
Whatever You Like
145 bpm • E Maj • 03:03 • -7.14db
8% Popularity • 58% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 58% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Latex Wednesday
Ma Da's Pal Seen a Tank
151 bpm • C Maj • 01:05 • -16.29db
14% Popularity • 57% Danceability • 35% Energy • 80% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 57% Danceability • 35% Energy • 80% Liveness
0% Instrumentalness • 96% Positiveness
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Projection from the Side
Beverly-Salem Bridge
146 bpm • C Maj • 02:24 • -10.63db
0% Popularity • 43% Danceability • 74% Energy • 29% Liveness
3% Instrumentalness • 71% Positiveness
0% Popularity • 43% Danceability • 74% Energy • 29% Liveness
3% Instrumentalness • 71% Positiveness
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Andrew Russell Band
Yearning
145 bpm • C Maj • 02:58 • -13.39db
8% Popularity • 55% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 55% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Guy Who Sings Songs About Cities & Towns
Possibly the Best Song About Sacramento ...
145 bpm • E Maj • 01:40 • -9.7db
8% Popularity • 71% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 71% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Kattaclysem
It Feels Like Just Yesterday
152 bpm • D Maj • 02:08 • -15.13db
18% Popularity • 42% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 42% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Alpaca Theory
Chaos in the Basement
145 bpm • G Maj • 03:17 • -6.92db
12% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Rose Kelso
NY/LA
144 bpm • E Maj • 03:16 • -7.86db
11% Popularity • 48% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 48% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Projection from the Side
Lane
150 bpm • A Maj • 02:19 • -12.82db
0% Popularity • 52% Danceability • 53% Energy • 14% Liveness
29% Instrumentalness • 58% Positiveness
0% Popularity • 52% Danceability • 53% Energy • 14% Liveness
29% Instrumentalness • 58% Positiveness
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The Jim Ryan Project
Say a Little Prayer
144 bpm • A min • 02:47 • -10.81db
0% Popularity • 65% Danceability • 49% Energy • 9% Liveness
6% Instrumentalness • 64% Positiveness
0% Popularity • 65% Danceability • 49% Energy • 9% Liveness
6% Instrumentalness • 64% Positiveness
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Justin Jonson
Pharmacopeia
144 bpm • E Maj • 03:19 • -2.46db
26% Popularity • 63% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 63% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Paul Baribeau
If I Knew
143 bpm • A Maj • 02:34 • -8.59db
15% Popularity • 74% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 74% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Paul & The Rudds
John Mayer Doing Stand-Up
153 bpm • D Maj • 01:06 • -7.64db
13% Popularity • 55% Danceability • 79% Energy • 14% Liveness
57% Instrumentalness • 49% Positiveness
13% Popularity • 55% Danceability • 79% Energy • 14% Liveness
57% Instrumentalness • 49% Positiveness
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Woodrow Pepys
Bye
143 bpm • D Maj • 02:13 • -16.31db
20% Popularity • 72% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 72% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Projection from the Side
E.G. Carnival
150 bpm • F Maj • 02:44 • -11.16db
0% Popularity • 52% Danceability • 65% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 52% Danceability • 65% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
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HappyHappy
The Day David Bowie Died, Pt. 1
153 bpm • G Maj • 01:20 • -14.01db
9% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Tonsil Kicker
Japan
143 bpm • E Maj • 01:05 • -12.87db
13% Popularity • 76% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 76% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Alicia Lucas
Next Time
143 bpm • C# min • 01:56 • -15.8db
25% Popularity • 58% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 58% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Morgan Geordi
Time Unknown
142 bpm • F Maj • 03:59 • -15db
18% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Paul Baribeau
How Could That Be True
154 bpm • C Maj • 02:03 • -6.51db
14% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Projection from the Side
Bench on Washington Street
144 bpm • C Maj • 02:19 • -9.89db
1% Popularity • 51% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
1% Popularity • 51% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Maria Delahoz
The Peep Hole
142 bpm • A# min • 03:22 • -7.88db
20% Popularity • 54% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 54% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Chloe Babbi
Introduce
142 bpm • F# min • 01:13 • -5.54db
24% Popularity • 46% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 24% Positiveness
24% Popularity • 46% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 24% Positiveness
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Go Hang Music
The Devil is Strong in (Name Removed)
155 bpm • F# min • 03:53 • -4.05db
11% Popularity • 73% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 73% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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The Minute Hour
My Life Is a Joke
141 bpm • F Maj • 01:57 • -8.43db
10% Popularity • 69% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 69% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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SundanceStreams
Things Fall Apart
156 bpm • G Maj • 02:44 • -6.79db
13% Popularity • 33% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 33% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
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Projection from the Side
Slacking Off / Getting Paid
155 bpm • G# Maj • 03:27 • -9.85db
2% Popularity • 40% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 40% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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L'ombre Nwar
Amour Perdu
141 bpm • E min • 02:10 • -12.78db
12% Popularity • 38% Danceability • 42% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
12% Popularity • 38% Danceability • 42% Energy • 11% Liveness
21% Instrumentalness • 33% Positiveness
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DoMorr
Bad Memories
156 bpm • G# Maj • 03:20 • -9.12db
12% Popularity • 76% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 76% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Charlie Mccormack
you light up my world
140 bpm • C Maj • 03:37 • -17.79db
9% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Rory Noel
You Are Welcome Here
140 bpm • G# min • 03:57 • -12.47db
25% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Drue Langlois
Path Of Destruction
140 bpm • A min • 01:05 • -11.77db
11% Popularity • 75% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 75% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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andrevv.
the notion
140 bpm • C Maj • 01:29 • -18.63db
12% Popularity • 37% Danceability • 28% Energy • 13% Liveness
45% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 28% Energy • 13% Liveness
45% Instrumentalness • 30% Positiveness
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Mike Phirman
Indie
140 bpm • D Maj • 01:41 • -7.33db
9% Popularity • 33% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 33% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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The Guy Who Sings Songs About Cities & Towns
The Killer Clown Came to Our Town
140 bpm • C Maj • 02:26 • -13.09db
12% Popularity • 62% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 62% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Odd Man Who Sings About Poop, Puke and Pee
The Emma and Jake Wedding Poop Song
157 bpm • D Maj • 02:03 • -13.7db
9% Popularity • 48% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 48% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Hoffman
XL Bully Song
157 bpm • B min • 01:54 • -7.38db
8% Popularity • 58% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 58% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Rich DeSteno
You're No One and Everyone
139 bpm • G Maj • 04:24 • -13.55db
16% Popularity • 73% Danceability • 44% Energy • 25% Liveness
1% Instrumentalness • 62% Positiveness
16% Popularity • 73% Danceability • 44% Energy • 25% Liveness
1% Instrumentalness • 62% Positiveness
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BA Johnston
Jesus is From Steeltown
157 bpm • G Maj • 01:31 • -11.48db
9% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Swab Note
I’m at the Opera with Margellica
139 bpm • A Maj • 01:17 • -7.97db
17% Popularity • 80% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 80% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Polish John
giving up
139 bpm • B Maj • 01:35 • -12.21db
9% Popularity • 69% Danceability • 40% Energy • 16% Liveness
2% Instrumentalness • 74% Positiveness
9% Popularity • 69% Danceability • 40% Energy • 16% Liveness
2% Instrumentalness • 74% Positiveness
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Compassion Fatigue
Too Late to Learn Guitar
139 bpm • D Maj • 01:00 • -14.78db
16% Popularity • 58% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 58% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Quiet Marauder
Roda & The Bunker
138 bpm • A Maj • 02:26 • -7.31db
13% Popularity • 55% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 63% Positiveness
13% Popularity • 55% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 63% Positiveness
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Josh Morningstar
The "I Can't Write a Song" Song
138 bpm • C Maj • 03:38 • -8.39db
19% Popularity • 61% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 61% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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rawrwar
Too Much Yeast Makes Your Teeth Go Grey
138 bpm • C Maj • 00:57 • -11.15db
25% Popularity • 24% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 24% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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poodlehead
Close to You
138 bpm • C# Maj • 05:12 • -9.54db
19% Popularity • 57% Danceability • 45% Energy • 5% Liveness
1% Instrumentalness • 47% Positiveness
19% Popularity • 57% Danceability • 45% Energy • 5% Liveness
1% Instrumentalness • 47% Positiveness
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The Very Nice Interesting Singer Man
It's Ok to Break the Law If You Have Goo...
138 bpm • G Maj • 02:16 • -13.83db
13% Popularity • 86% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 86% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Nikolas White
Death
138 bpm • D Maj • 01:49 • -7.08db
27% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Lynd Geoffrey
Get Job
138 bpm • A Maj • 02:41 • -18.46db
21% Popularity • 50% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 50% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Verne Coverdale
Simultaneous
159 bpm • G Maj • 02:40 • -11.8db
25% Popularity • 29% Danceability • 58% Energy • 58% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 29% Danceability • 58% Energy • 58% Liveness
0% Instrumentalness • 60% Positiveness
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Harmonic Tension
Godum
159 bpm • A Maj • 03:33 • -5.08db
9% Popularity • 22% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
9% Popularity • 22% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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The Yubious
Gone
137 bpm • G# Maj • 02:04 • -8.22db
19% Popularity • 61% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 61% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Mute Frank
Keep It Together
160 bpm • C Maj • 04:12 • -15.86db
9% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Ice-Cream Guy
Ice Cream Investigation
160 bpm • E Maj • 03:31 • -10.06db
13% Popularity • 55% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 55% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Onision
House Chore Rap Song
160 bpm • E min • 01:28 • -9.23db
11% Popularity • 77% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 77% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Plants
Screwed
137 bpm • D# Maj • 02:04 • -21.94db
11% Popularity • 53% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 53% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Leslie Jordan's Glasses
Take a Picture for Mama
137 bpm • D Maj • 00:59 • -5db
10% Popularity • 56% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 56% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Projection from the Side
Swivel Chair
137 bpm • A Maj • 02:04 • -14.01db
0% Popularity • 85% Danceability • 44% Energy • 29% Liveness
7% Instrumentalness • 45% Positiveness
0% Popularity • 85% Danceability • 44% Energy • 29% Liveness
7% Instrumentalness • 45% Positiveness
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Honcho Mackie
Disc
160 bpm • G min • 03:04 • -5.61db
8% Popularity • 39% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 39% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
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Betty Can
You Broke My Back On The Mountain
137 bpm • A Maj • 01:21 • -6.9db
8% Popularity • 62% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 62% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The Submonotones
The Agnostic Myth of the Afterlife
136 bpm • D Maj • 02:14 • -4.94db
11% Popularity • 56% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 56% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Flashback Eddy Derby
Summerheat
136 bpm • G Maj • 04:51 • -8.05db
8% Popularity • 56% Danceability • 63% Energy • 20% Liveness
3% Instrumentalness • 32% Positiveness
8% Popularity • 56% Danceability • 63% Energy • 20% Liveness
3% Instrumentalness • 32% Positiveness
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Andrew Neil
Mongolia
136 bpm • A Maj • 04:55 • -12.59db
13% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 60% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Projection from the Side
Pride
136 bpm • D Maj • 01:58 • -4.71db
0% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Art Paul Schlosser
I'm a Chicken
161 bpm • C min • 01:51 • -14.05db
9% Popularity • 59% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 59% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Gigiloo Maan
Wrecking ball
135 bpm • G Maj • 01:14 • -10.41db
20% Popularity • 44% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 44% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Baribeau
Nothing to Say
135 bpm • E Maj • 02:22 • -6.51db
15% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Radio Cult
Saturday Midnight Double Feature
162 bpm • C# min • 02:16 • -5.35db
23% Popularity • 59% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 59% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Brynn Bear
Hold You
135 bpm • E Maj • 02:13 • -17.85db
16% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Projection from the Side
Snakeyboy
135 bpm • D Maj • 00:45 • -11.09db
0% Popularity • 68% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 68% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Paul & the Know It Alls
We Shoulda Been
135 bpm • G# Maj • 02:50 • -9.88db
12% Popularity • 67% Danceability • 67% Energy • 10% Liveness
65% Instrumentalness • 94% Positiveness
12% Popularity • 67% Danceability • 67% Energy • 10% Liveness
65% Instrumentalness • 94% Positiveness
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Sida Chicc
Ready
135 bpm • G Maj • 01:11 • -7.62db
8% Popularity • 66% Danceability • 70% Energy • 33% Liveness
7% Instrumentalness • 30% Positiveness
8% Popularity • 66% Danceability • 70% Energy • 33% Liveness
7% Instrumentalness • 30% Positiveness
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Seah Cheng Tat
Be The End
135 bpm • B Maj • 02:56 • -17db
16% Popularity • 60% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 60% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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5ht the Band
Wall of Moms
135 bpm • G Maj • 03:46 • -1.49db
8% Popularity • 32% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 32% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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HEX NET
I Like Digging Digging
134 bpm • F# min • 04:01 • -4.15db
14% Popularity • 54% Danceability • 67% Energy • 18% Liveness
55% Instrumentalness • 77% Positiveness
14% Popularity • 54% Danceability • 67% Energy • 18% Liveness
55% Instrumentalness • 77% Positiveness
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Projection from the Side
Only Party With Girls
135 bpm • B min • 02:26 • -10.89db
0% Popularity • 39% Danceability • 58% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 39% Danceability • 58% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
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SUDA
Pool Party
134 bpm • F Maj • 03:39 • -9.92db
19% Popularity • 67% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 67% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Vic Leezy
Praise the Lord
134 bpm • C# min • 01:26 • -8.18db
29% Popularity • 93% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 93% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Betty Can
I Was Just A Turd Out There
134 bpm • F# min • 01:20 • -11.66db
10% Popularity • 71% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 71% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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David Ivan Neil
Homemade Peach Wine
134 bpm • G Maj • 01:06 • -11.37db
10% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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HappyHappy
Arthur C. Clarke Futuristic Fuck Fest
134 bpm • F Maj • 02:57 • -5.46db
9% Popularity • 54% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 54% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 64% Positiveness
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Perceptual Present
Worth The Wait
134 bpm • D Maj • 03:03 • -11.41db
10% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
