Songs like I Will Always Return - Finale by Bryan Adams
Based on a tempo of (+/- 10%) and a similar genre
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Bryan Adams
I Will Always Return - Finale
96 bpm • A# Maj • 02:46 • -12.02db
50% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jodi Benson
Down to the Sea
96 bpm • F Maj • 03:32 • -11db
46% Popularity • 39% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 39% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Berlin
Take My Breath Away - Love Theme from "T...
96 bpm • F# Maj • 04:11 • -8.11db
68% Popularity • 48% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
68% Popularity • 48% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
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Lady Gaga
Shallow
96 bpm • G Maj • 03:35 • -6.36db
84% Popularity • 57% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
84% Popularity • 57% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Disney Channel Circle of Stars
Circle of Life Remix
96 bpm • B Maj • 04:10 • -7.11db
23% Popularity • 55% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 55% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Natalie Imbruglia
Torn
96 bpm • F Maj • 04:04 • -5.18db
78% Popularity • 57% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
78% Popularity • 57% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
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Bryan Adams
Je reviendrai vers toi - End Title
96 bpm • A# Maj • 02:46 • -11.6db
36% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Phil Collins
You'll Be In My Heart
97 bpm • G# Maj • 04:18 • -6.55db
68% Popularity • 57% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
68% Popularity • 57% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Suzanne Pleshette
My Lullaby
95 bpm • A# Maj • 02:54 • -11db
43% Popularity • 49% Danceability • 41% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 49% Danceability • 41% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
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John Powell
Home at Last/Barking at the Moon (Repris...
97 bpm • A Maj • 01:29 • -14.54db
27% Popularity • 46% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 25% Positiveness
27% Popularity • 46% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 25% Positiveness
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LeAnn Rimes
The Right Kind Of Wrong
95 bpm • D Maj • 03:47 • -6db
45% Popularity • 68% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 68% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Sebastian Yatra
Two Oruguitas
95 bpm • C Maj • 03:34 • -8.89db
59% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Bryan Adams
This Is Where I Belong
97 bpm • A# Maj • 02:21 • -15db
50% Popularity • 22% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
50% Popularity • 22% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
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Phil Collins
Trashin' The Camp
97 bpm • F# Maj • 02:17 • -9db
48% Popularity • 74% Danceability • 64% Energy • 51% Liveness
1% Instrumentalness • 56% Positiveness
48% Popularity • 74% Danceability • 64% Energy • 51% Liveness
1% Instrumentalness • 56% Positiveness
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Cozi Zuehlsdorff
Brave Souls
95 bpm • C# Maj • 04:11 • -6db
25% Popularity • 57% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 57% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Mandy Moore
I See the Light
95 bpm • F Maj • 03:44 • -10.09db
57% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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R.E.M.
Everybody Hurts
94 bpm • D Maj • 05:20 • -10.45db
75% Popularity • 47% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
75% Popularity • 47% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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Sara Ramirez
The Story
98 bpm • B Maj • 03:45 • -5.86db
56% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
56% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Bryan Adams
Ma place est ici
97 bpm • A# Maj • 02:21 • -14.97db
36% Popularity • 45% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 45% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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The Burbank Ensemble
At the Beginning (Anastasia)
94 bpm • G# Maj • 03:38 • -12.02db
38% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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The Five Strings
Locked Away
94 bpm • G Maj • 03:33 • -9.93db
10% Popularity • 48% Danceability • 48% Energy • 32% Liveness
80% Instrumentalness • 44% Positiveness
10% Popularity • 48% Danceability • 48% Energy • 32% Liveness
80% Instrumentalness • 44% Positiveness
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The Bellas
Riff Off
98 bpm • D# Maj • 04:48 • -5.88db
56% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 46% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Brandi Carlile
Carried Me With You
98 bpm • C Maj • 03:33 • -7.78db
56% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Amanda Seyfried
Thank You For The Music
99 bpm • E Maj • 03:44 • -11.26db
61% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Bryan Adams
Me voilà - End Title
99 bpm • D# Maj • 04:15 • -7db
34% Popularity • 56% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 56% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Backstreet Boys
I Want It That Way
99 bpm • F# min • 03:33 • -5.83db
82% Popularity • 69% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
82% Popularity • 69% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Elton John
Without Question
93 bpm • C Maj • 04:47 • -8.07db
33% Popularity • 63% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 63% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Ophelia of the Spirits
Waltzing Matilda - Soundtrack Version
99 bpm • G Maj • 02:40 • -9.6db
14% Popularity • 52% Danceability • 47% Energy • 8% Liveness
97% Instrumentalness • 49% Positiveness
14% Popularity • 52% Danceability • 47% Energy • 8% Liveness
97% Instrumentalness • 49% Positiveness
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Phil Collins
Transformation (Phil Version)
93 bpm • C Maj • 02:25 • -10.18db
38% Popularity • 54% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 54% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Diana Krall
Feels Like Home
93 bpm • G# Maj • 04:21 • -12.54db
51% Popularity • 55% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 55% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Bryan Adams
Here I Am - End Title
99 bpm • G# Maj • 04:44 • -7.12db
58% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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TOTO
Africa
93 bpm • A Maj • 04:55 • -18.06db
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Tenille Townes
The Thing That Wrecks You
100 bpm • E Maj • 03:40 • -7db
48% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Boyd
The Last Goodbye
92 bpm • C Maj • 04:07 • -14.03db
52% Popularity • 30% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 30% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Phil Collins
Trashin' The Camp
99 bpm • E Maj • 02:24 • -10.51db
45% Popularity • 74% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 74% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Savage Garden
Two Beds And A Coffee Machine
100 bpm • A Maj • 03:25 • -15.25db
45% Popularity • 49% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 49% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Annie Lennox
Into the West
92 bpm • C Maj • 05:47 • -22.04db
54% Popularity • 31% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Bear McCreary
This Wandering Day
92 bpm • A# Maj • 02:08 • -15.05db
41% Popularity • 47% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 47% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Kurt Bestor
Let Me In
92 bpm • C Maj • 01:35 • -15db
27% Popularity • 27% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 27% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Judy Kuhn
Colors of the Wind
92 bpm • C# Maj • 03:32 • -11.81db
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Phil Collins
Can't Stop Loving You - 2016 Remaster
100 bpm • C Maj • 04:16 • -6db
59% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Howard Shore
Days of the Ring
91 bpm • G Maj • 11:09 • -20.15db
44% Popularity • 12% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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U2
I Still Haven't Found What I'm Looking F...
101 bpm • C# Maj • 04:37 • -9.42db
77% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Brian Nissen Lyrics By Clive Romney and Sydney Clarke
Because I Love Her
91 bpm • D# Maj • 02:20 • -13.93db
25% Popularity • 28% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 28% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Regina Spektor
The Call
91 bpm • A# Maj • 03:07 • -15.66db
60% Popularity • 58% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 58% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Chorus - Pocahontas
Steady as the Beating Drum
101 bpm • C Maj • 01:45 • -12.52db
42% Popularity • 68% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 68% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Elton John
El Dorado
102 bpm • C Maj • 04:22 • -6.2db
39% Popularity • 64% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 64% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Chorus - The Lion King 2: Simba's Pride
One of Us
102 bpm • D Maj • 02:40 • -11db
50% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Savage Garden
Crash and Burn
102 bpm • E Maj • 04:41 • -8.46db
54% Popularity • 58% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 58% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Phil Collins
On My Way
102 bpm • G Maj • 03:40 • -8.62db
59% Popularity • 61% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 61% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Pooh
Wherever You Are
102 bpm • E Maj • 02:49 • -14.94db
31% Popularity • 38% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Nigel Westlake
If I Had Words - Version Two
102 bpm • G Maj • 01:51 • -16.62db
20% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Glenn Close
You'll Be In My Heart
102 bpm • A Maj • 01:36 • -17db
62% Popularity • 35% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 35% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Jónsi
Together from Afar (How To Train Your Dr...
90 bpm • C Maj • 03:17 • -11.7db
46% Popularity • 54% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 54% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Liz Callaway
Journey to the Past
90 bpm • G# Maj • 02:55 • -10.56db
49% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Christopher Lennertz
You Will Always Find Me in Your Heart
90 bpm • G Maj • 04:34 • -9.61db
33% Popularity • 28% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 28% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Mandy Moore
The Tear Heals
90 bpm • C Maj • 07:37 • -17db
37% Popularity • 13% Danceability • 7% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
37% Popularity • 13% Danceability • 7% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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Bryan Adams
Inside Out
90 bpm • C Maj • 04:43 • -10.24db
43% Popularity • 67% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
43% Popularity • 67% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Miley Cyrus
I Thought I Lost You - Soundtrack
103 bpm • G# Maj • 03:35 • -7.5db
47% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Alexander Rybak
Into a Fantasy
103 bpm • D Maj • 03:34 • -9db
36% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Liz Callaway
Upendi
90 bpm • B min • 02:54 • -11.2db
45% Popularity • 68% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 68% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Elephant Seal Chorus
Rawhide
103 bpm • A# Maj • 01:16 • -7.71db
33% Popularity • 61% Danceability • 89% Energy • 19% Liveness
87% Instrumentalness • 22% Positiveness
33% Popularity • 61% Danceability • 89% Energy • 19% Liveness
87% Instrumentalness • 22% Positiveness
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George Kallis
The Strength to Light Our Way
89 bpm • C# Maj • 01:31 • -14.54db
34% Popularity • 22% Danceability • 21% Energy • 63% Liveness
26% Instrumentalness • 11% Positiveness
34% Popularity • 22% Danceability • 21% Energy • 63% Liveness
26% Instrumentalness • 11% Positiveness
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Bear McCreary
Outlander - The Skye Boat Song (Extended...
103 bpm • D Maj • 04:27 • -14.57db
39% Popularity • 29% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
39% Popularity • 29% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Roy Hamilton Orchestra
Looking Through Your Eyes, Pt. 2
89 bpm • A# Maj • 03:39 • -10.55db
27% Popularity • 18% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 18% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Christina Perri
All That Matters
104 bpm • F Maj • 03:36 • -6.84db
37% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Hannah Montana
One In a Million
89 bpm • B Maj • 03:55 • -4.24db
51% Popularity • 42% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 42% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Dana Glover
It Is You (I have loved)
104 bpm • G# Maj • 04:01 • -14.62db
29% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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SeaWorld Attraction
One Song
104 bpm • E Maj • 03:11 • -12.11db
22% Popularity • 63% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 63% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Sting
Fields Of Gold
104 bpm • D Maj • 03:42 • -11.92db
76% Popularity • 65% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
76% Popularity • 65% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
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Snow Patrol
Chasing Cars
104 bpm • A Maj • 04:27 • -4.53db
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
82% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Cloud 9 Tribe
Tribe Spirit (End Titles Version)
89 bpm • C Maj • 01:39 • -9.39db
8% Popularity • 25% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 25% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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David Newman
Opening Travel Music
105 bpm • A Maj • 01:17 • -6.98db
40% Popularity • 60% Danceability • 74% Energy • 11% Liveness
74% Instrumentalness • 80% Positiveness
40% Popularity • 60% Danceability • 74% Energy • 11% Liveness
74% Instrumentalness • 80% Positiveness
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The Barden Bellas
Bellas Finals: Price Tag/Don’t You (Fo...
105 bpm • C Maj • 03:37 • -5.78db
57% Popularity • 48% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 48% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Kurt Bestor
The Melody Within
87 bpm • F Maj • 03:39 • -11.72db
26% Popularity • 27% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 27% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Anne Dudley
I'd Pluck a Fair Rose
87 bpm • A min • 02:06 • -18.37db
37% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Tony Jay
Out There
106 bpm • D# Maj • 04:25 • -15.52db
41% Popularity • 30% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 30% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Emma Watson
Belle (Reprise)
87 bpm • C Maj • 01:15 • -7.93db
52% Popularity • 40% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 40% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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The Beu Sisters
Once Upon A Broken Heart
106 bpm • C Maj • 04:07 • -5.27db
23% Popularity • 67% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 67% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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98º
True To Your Heart
106 bpm • A# min • 04:15 • -6db
43% Popularity • 67% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 67% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Loren Allred
Never Enough
87 bpm • G# Maj • 03:27 • -8.9db
74% Popularity • 28% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
74% Popularity • 28% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Heaven is Shining
Where You Lead
107 bpm • C Maj • 03:18 • -9db
26% Popularity • 78% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 78% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Bryan Adams
God Only Knows
86 bpm • F# min • 03:30 • -13.78db
34% Popularity • 38% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 38% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Frode Fjellheim
Vuelie
86 bpm • G Maj • 03:20 • -10db
35% Popularity • 36% Danceability • 39% Energy • 11% Liveness
69% Instrumentalness • 24% Positiveness
35% Popularity • 36% Danceability • 39% Energy • 11% Liveness
69% Instrumentalness • 24% Positiveness
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Chris Bacon
Love Train
86 bpm • D min • 02:09 • -14.1db
24% Popularity • 15% Danceability • 17% Energy • 31% Liveness
1% Instrumentalness • 6% Positiveness
24% Popularity • 15% Danceability • 17% Energy • 31% Liveness
1% Instrumentalness • 6% Positiveness
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A.R. Rahman
The Road Goes On
107 bpm • A# Maj • 04:51 • -10.2db
27% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jesse Martin
More I Cannot Wish You
86 bpm • D Maj • 02:38 • -10db
32% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Julie Walters
Take A Chance On Me
107 bpm • B Maj • 04:01 • -4.79db
61% Popularity • 70% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 70% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Mýa
Where The Dream Takes You
86 bpm • C Maj • 04:00 • -12.94db
25% Popularity • 60% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 60% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Tina Turner
Great Spirits
86 bpm • B min • 03:58 • -3.44db
42% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Liz Callaway, Howard McGillin, David Zippel, Lex de Azevedo, Larry Bastian, Larry Schwartz
Far Longer Than Forever
86 bpm • C Maj • 02:24 • -18.73db
45% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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KT Tunstall
Strange Sight
107 bpm • A# Maj • 02:45 • -10.44db
45% Popularity • 35% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 35% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Bryan Adams
Here I Am
86 bpm • D# Maj • 04:31 • -13.79db
52% Popularity • 26% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
52% Popularity • 26% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
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Meav Ni Mhaolchatha
Where the Sunbeams Play
108 bpm • G Maj • 02:14 • -8.76db
27% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Diane
Will The Sun Ever Shine Again
85 bpm • B Maj • 02:40 • -14db
25% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jon Secada
If I Never Knew You - End Title
108 bpm • C Maj • 04:13 • -14.78db
44% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 54% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Cher
If I Could Turn Back Time
108 bpm • B Maj • 03:59 • -10.37db
74% Popularity • 66% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
74% Popularity • 66% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Colin O'Donoghue
Revenge Is Gonna Be Mine
85 bpm • A Maj • 02:34 • -5.82db
43% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
