Songs like I Will Be Here For You by Michael W. Smith
Based on a tempo of (+/- 10%) and a similar genre
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Michael W. Smith
I Will Be Here For You
144 bpm • A Maj • 04:33 • -9.71db
53% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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James Ingram
Just Once - New Version
144 bpm • C Maj • 04:29 • -7.49db
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gloria Estefan And Miami Sound Machine
Anything for You
144 bpm • F# Maj • 03:41 • -13.1db
47% Popularity • 58% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 58% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 29% Positiveness
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Tommy Page
I'll Be Your Everything
144 bpm • F Maj • 04:04 • -9db
37% Popularity • 50% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 50% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Lenny LeBlanc
Father Knows Best
144 bpm • E Maj • 03:53 • -12.11db
21% Popularity • 57% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 57% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Debbie Gibson
Lost in Your Eyes
145 bpm • G Maj • 03:35 • -8.59db
66% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Michael W. Smith
Old Enough To Know
144 bpm • G# Maj • 04:47 • -10.8db
18% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Newsong
When God Made You
144 bpm • D Maj • 04:41 • -7db
47% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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REO Speedwagon
In My Dreams
145 bpm • B Maj • 04:30 • -15.22db
60% Popularity • 62% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 62% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Andy Gibb
(Our Love) Don't Throw It All Away
143 bpm • F Maj • 04:10 • -13.19db
57% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Menudo
If You're Not Here (By My Side)
145 bpm • F Maj • 04:25 • -6.36db
48% Popularity • 29% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 29% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Melissa Manchester
Through the Eyes of Love (Theme from the...
143 bpm • A# Maj • 04:13 • -16.38db
48% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Michael W. Smith
Place In This World
145 bpm • E Maj • 04:00 • -8.32db
43% Popularity • 45% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 45% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Deniece Williams
Healing
142 bpm • G# Maj • 04:46 • -12.1db
43% Popularity • 51% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Corrs
Don't Say You Love Me
146 bpm • A Maj • 04:39 • -8.52db
50% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Bread
Lost Without Your Love
146 bpm • A# Maj • 02:56 • -11.48db
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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John Elefante
That's Why God Made the Moon
142 bpm • D# Maj • 05:56 • -8.65db
18% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 38% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Russell Hitchcock
Make It Feel Like Home Again
146 bpm • C min • 03:37 • -11.18db
20% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Point Of Grace
The Climb
146 bpm • E Maj • 04:33 • -8.91db
21% Popularity • 47% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 47% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Introvoys
Will I Survive
146 bpm • C Maj • 02:54 • -8.55db
48% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Joshua Kadison
Beautiful In My Eyes
142 bpm • D# Maj • 04:09 • -10.05db
59% Popularity • 58% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 58% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Vesta Williams
Suddenly It's Magic
146 bpm • C# min • 05:04 • -13db
46% Popularity • 55% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 55% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
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Amy Grant
That's What Love Is For
142 bpm • A Maj • 04:17 • -4db
46% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Firehouse
I Live My Life For You
142 bpm • C# Maj • 04:24 • -9db
47% Popularity • 47% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 47% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Carpenters
You
142 bpm • D Maj • 03:52 • -11.9db
55% Popularity • 29% Danceability • 29% Energy • 18% Liveness
3% Instrumentalness • 16% Positiveness
55% Popularity • 29% Danceability • 29% Energy • 18% Liveness
3% Instrumentalness • 16% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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John Elefante
Where Does Our Love Go
142 bpm • A Maj • 04:26 • -11.49db
10% Popularity • 47% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 47% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Michael W. Smith
Pray For Me
142 bpm • G Maj • 03:56 • -18.84db
22% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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England Dan & John Ford Coley
Broken Hearted Me
147 bpm • A# Maj • 03:56 • -16db
51% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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RICO J PUNO
Together Forever
147 bpm • C Maj • 03:50 • -12.07db
46% Popularity • 22% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 22% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Carpenters
Love Me For What I Am
146 bpm • C# Maj • 03:30 • -15db
63% Popularity • 36% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 36% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Firehouse
When I Look Into Your Eyes
147 bpm • F# Maj • 03:59 • -8.04db
62% Popularity • 40% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 40% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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The Imperials
Praise the Lord
141 bpm • A Maj • 03:35 • -7db
34% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 43% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Leif Garrett
I Was Looking For Someone To Love
141 bpm • D Maj • 02:59 • -16.29db
40% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Michael W. Smith
Go West Young Man
141 bpm • E Maj • 04:01 • -9.33db
29% Popularity • 55% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 55% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Richard Carpenter
Something In Your Eyes
140 bpm • C Maj • 04:12 • -15.32db
45% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Fra Lippo Lippi
Light a Shade - 1993
148 bpm • A min • 05:22 • -9.97db
46% Popularity • 59% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
46% Popularity • 59% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
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Jack Wagner
All I Need
140 bpm • A Maj • 03:29 • -12db
46% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Lloyd Webber
Starlight Express
140 bpm • E Maj • 03:45 • -11.6db
52% Popularity • 54% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 54% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Russell Hitchcock
I Can't Believe My Eyes
140 bpm • E min • 04:30 • -10.67db
44% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Exposé
As Long As I Can Dream
139 bpm • D Maj • 04:50 • -11db
26% Popularity • 43% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 43% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Vanessa Williams
The Sweetest Days
140 bpm • A# Maj • 03:31 • -10.34db
46% Popularity • 48% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 48% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Bryan Duncan
Love You With My Life
139 bpm • F Maj • 04:40 • -6.76db
23% Popularity • 69% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 69% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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4Him
A Man You Would Write About
139 bpm • C Maj • 04:44 • -9.15db
14% Popularity • 61% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 61% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sheena Easton
Almost Over You
139 bpm • G# Maj • 03:41 • -10.67db
57% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Barbra Streisand
I Finally Found Someone
139 bpm • F# Maj • 03:41 • -15.07db
64% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
64% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Johnson
Doors
139 bpm • C# Maj • 03:12 • -17db
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Stevie B
Waiting For Your Love
138 bpm • F# min • 04:49 • -7.16db
54% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Bryan Duncan
We All Need
139 bpm • C Maj • 03:27 • -5.94db
17% Popularity • 36% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 36% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Debbie Gibson
For Better Or Worse
149 bpm • C Maj • 03:24 • -8db
24% Popularity • 29% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 29% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Glenn Medeiros
Love Always Finds A Reason
138 bpm • D min • 04:33 • -15db
47% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 58% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Cher
After All (Love Theme From Chances Are)
138 bpm • E Maj • 04:04 • -13.1db
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Joey Albert
It's over Now
138 bpm • F Maj • 03:46 • -8db
46% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Bette Midler
From a Distance
138 bpm • G Maj • 04:36 • -11.72db
55% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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4Him
Greatest Story Ever Told
138 bpm • D Maj • 05:33 • -7.26db
9% Popularity • 50% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 50% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Point Of Grace
You Will Never Walk Alone
138 bpm • G# Maj • 04:33 • -7.13db
24% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Kavana
Will You Wait For Me
138 bpm • C# Maj • 03:49 • -6db
48% Popularity • 63% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 63% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Pops Fernandez
Don't Say Goodbye
138 bpm • G min • 04:20 • -19db
43% Popularity • 55% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 55% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Atlantic Starr
Masterpiece
138 bpm • F min • 04:55 • -10.42db
50% Popularity • 64% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 64% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Gino Padilla
Let the Love Begin
138 bpm • C# Maj • 04:46 • -13db
47% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Glenn Frey
Lover's Moon
138 bpm • G Maj • 04:11 • -19.64db
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Michael W. Smith
In My Arms Again
138 bpm • A# Maj • 06:11 • -8.84db
17% Popularity • 44% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 44% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 4% Positiveness
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Steve Camp
He's All You Need
138 bpm • E Maj • 05:03 • -17.01db
28% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Peabo Bryson
Love Always Finds a Way
137 bpm • E Maj • 04:49 • -14db
47% Popularity • 58% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 58% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Melissa Manchester
If This Is Love
137 bpm • D Maj • 03:37 • -9db
43% Popularity • 38% Danceability • 45% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 38% Danceability • 45% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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George Benson
Nothing's Gonna Change My Love for You
137 bpm • C# Maj • 04:02 • -5.1db
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Michael W. Smith
Trilogy: The Other Side Of Me
138 bpm • E Maj • 04:23 • -13.03db
19% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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The Kry
He Won't Let You Go
136 bpm • G# Maj • 04:12 • -13.24db
15% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 57% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Point Of Grace
Heal the Wound
136 bpm • C# Maj • 04:22 • -10.3db
26% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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The Lovers
Saving Forever for You
136 bpm • A Maj • 04:16 • -9.56db
38% Popularity • 68% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 68% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Michael W. Smith
Somebody Love Me
152 bpm • A Maj • 03:58 • -8.6db
22% Popularity • 44% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 44% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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A1
Heaven By Your Side
136 bpm • A Maj • 04:25 • -9.42db
51% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Steve Green
Household Of Faith
136 bpm • D# Maj • 03:01 • -19.04db
31% Popularity • 36% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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4Him
For Future Generations
136 bpm • C Maj • 04:50 • -7.8db
27% Popularity • 50% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 45% Positiveness
27% Popularity • 50% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 45% Positiveness
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Sheena Easton
What If We Fall In Love
136 bpm • F Maj • 04:08 • -11db
35% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Bon Jovi
Never Say Goodbye
136 bpm • D Maj • 04:48 • -2.36db
68% Popularity • 33% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
68% Popularity • 33% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Michael W. Smith
Somewhere Somehow
152 bpm • A Maj • 04:15 • -10db
45% Popularity • 30% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 30% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Indecent Obsession
Lady Rain
136 bpm • C# Maj • 04:13 • -8.14db
38% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Scott Krippayne
May I Have This Dance - Autobiography Al...
136 bpm • A Maj • 04:37 • -10.46db
11% Popularity • 27% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 27% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Bad English
When I See You Smile
136 bpm • G Maj • 04:17 • -9.9db
64% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Kuh Ledesma
Till I Met You
136 bpm • A Maj • 03:20 • -11.69db
51% Popularity • 30% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 30% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Ric Segreto
Don't Know What to Say - Don't Know What...
135 bpm • D Maj • 02:45 • -15db
68% Popularity • 67% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 67% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Michael W. Smith
Straight To The Heart
136 bpm • G# Maj • 02:47 • -16.12db
24% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Helen Reddy
I Can't Say Goodbye To You
135 bpm • G Maj • 03:50 • -15.14db
48% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Rodel Naval
I Don'T Wanna Lose Your Love
135 bpm • D# Maj • 03:15 • -18.56db
55% Popularity • 37% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 37% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Fogelberg
Leader of the Band
135 bpm • G# Maj • 04:16 • -14.36db
62% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Olivia Newton-John
I Love You, I Honestly Love You
135 bpm • A# Maj • 03:40 • -15.31db
50% Popularity • 36% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 36% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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New Kids On The Block
I'll Be Loving You (Forever)
135 bpm • B Maj • 04:23 • -17db
58% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Michael W. Smith
She Walks With Me
136 bpm • A# Maj • 03:42 • -9.87db
16% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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David Pack
I Just Can't Let Go
154 bpm • E Maj • 04:52 • -8db
48% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Edwin McCain
I Could Not Ask for More
135 bpm • F Maj • 04:33 • -5.02db
54% Popularity • 51% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 51% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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My Utmost For His Highest
Through All the Years
134 bpm • D Maj • 04:10 • -8.34db
8% Popularity • 50% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 50% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
