Songs like I Will Walk You Home by Jef Martens
Based on a tempo of (+/- 10%) and a similar genre
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Edvard Kravchuk
Rising in the Sun
182 bpm • C Maj • 02:26 • -26.84db
50% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
50% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Jef Martens
I Will Walk You Home
182 bpm • C# Maj • 02:10 • -28.36db
37% Popularity • 26% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
37% Popularity • 26% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Elliot Ziegler
Lily Of The Nile
181 bpm • A Maj • 02:27 • -25.45db
37% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
37% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Biba Dupont
Silhouette
181 bpm • F# Maj • 02:23 • -26.09db
34% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
34% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Jonas Holmes
Ripples on a Pond
183 bpm • C# Maj • 02:24 • -28.65db
33% Popularity • 22% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
33% Popularity • 22% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Way Beyond
Raindrops
181 bpm • F min • 01:54 • -24.13db
38% Popularity • 28% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
38% Popularity • 28% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
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Jackson Love
As Wind Echoes Over Snow
179 bpm • C min • 03:41 • -25.78db
39% Popularity • 37% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
39% Popularity • 37% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Jef Martens
The Unspoken
179 bpm • F min • 02:53 • -26.96db
32% Popularity • 28% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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De Maynes
Autumn Colors
186 bpm • F# min • 03:20 • -22.31db
34% Popularity • 25% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
34% Popularity • 25% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Sigrid Vass
Aquatic
180 bpm • C min • 02:23 • -22.36db
38% Popularity • 26% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
38% Popularity • 26% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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Reese Willis
Elysium
178 bpm • G# Maj • 02:19 • -22.83db
40% Popularity • 24% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
40% Popularity • 24% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
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Esperanza
Stories
178 bpm • D min • 02:34 • -24.15db
24% Popularity • 21% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Patricia Sevin
Choices
177 bpm • F# Maj • 01:58 • -25.78db
30% Popularity • 20% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 29% Positiveness
30% Popularity • 20% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 29% Positiveness
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Annebelle Coenraad
Toužebný
176 bpm • E min • 02:14 • -30db
40% Popularity • 22% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
40% Popularity • 22% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Patrick Hamilton
La danse d'amour
177 bpm • F min • 02:26 • -22.49db
36% Popularity • 38% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
36% Popularity • 38% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Jonas Holmes
Must
176 bpm • E min • 02:46 • -20.42db
41% Popularity • 36% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
41% Popularity • 36% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Amity Fall
Without
188 bpm • C# min • 02:30 • -27.09db
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Ray Hutchcraft
Marble Falls
176 bpm • F# Maj • 02:21 • -24db
37% Popularity • 32% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
37% Popularity • 32% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
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Matt Stewart-Evans
Waltz For Dreamers
174 bpm • C# Maj • 02:41 • -28.35db
45% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
45% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Annebelle Coenraad
Op Die Fiets
176 bpm • G min • 02:21 • -26.46db
33% Popularity • 24% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
33% Popularity • 24% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Kozue Ojima
Hand in Hand
174 bpm • G# Maj • 01:46 • -23.16db
29% Popularity • 26% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 29% Positiveness
29% Popularity • 26% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 29% Positiveness
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Cora Droma
Fearthainne
174 bpm • E min • 02:22 • -25.02db
34% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
34% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Charles Bolt
For A Lifetime
176 bpm • D Maj • 03:44 • -26.42db
35% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
35% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Niall Byrne
Somewhere
174 bpm • G Maj • 03:02 • -39db
24% Popularity • 28% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
24% Popularity • 28% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Tomasz Kraal
Valse Glacée
174 bpm • A# min • 03:00 • -29.19db
27% Popularity • 25% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
27% Popularity • 25% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Odin Sørlie
Cepheus
173 bpm • A min • 02:13 • -28db
33% Popularity • 23% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 33% Positiveness
33% Popularity • 23% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 33% Positiveness
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Jordane Tumarinson
Necessary Things
172 bpm • C min • 03:52 • -21db
43% Popularity • 27% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 27% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Randy Oppenheim
Autumn in Bruges
172 bpm • A min • 02:01 • -25db
39% Popularity • 28% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
39% Popularity • 28% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Jef Martens
When We Dance
172 bpm • D Maj • 02:10 • -28.33db
28% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
28% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Jen Brook
How Did We Wind Up Here?
171 bpm • G Maj • 02:02 • -25.14db
39% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
39% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
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Matt Stewart-Evans
Retrospect
170 bpm • C Maj • 03:38 • -21.57db
20% Popularity • 24% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
20% Popularity • 24% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Tristan Eckerson
It's Not Ice
170 bpm • A min • 03:34 • -25.42db
29% Popularity • 39% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
29% Popularity • 39% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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Willow J. Wilson
Deadwood
169 bpm • D# min • 02:16 • -26.3db
0% Popularity • 8% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
0% Popularity • 8% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Nansen Christoffersen
Farvel til sommeren
169 bpm • D Maj • 02:03 • -22db
37% Popularity • 31% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
37% Popularity • 31% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Patrick Hamilton
Winged Melancholy
169 bpm • E min • 02:19 • -27.76db
40% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
40% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Figgy Malone
The Firefly
196 bpm • G min • 03:14 • -23.6db
16% Popularity • 40% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
16% Popularity • 40% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Domenik Kalinsky
Sleepless
197 bpm • C# Maj • 02:53 • -20.18db
32% Popularity • 19% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
32% Popularity • 19% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Peter Sandberg
Remove The Complexities
168 bpm • E Maj • 02:15 • -21.7db
55% Popularity • 24% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
55% Popularity • 24% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Jef Martens
Her Castle is Magnificent
168 bpm • A Maj • 01:10 • -25.13db
4% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
4% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Agni Bjark
Leaves
167 bpm • F Maj • 02:17 • -22.92db
37% Popularity • 26% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
37% Popularity • 26% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Snow in April
Magnolia
167 bpm • G min • 02:28 • -21.98db
42% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
42% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Patrick Hamilton
La danse en sourdine
198 bpm • A min • 02:02 • -24.95db
35% Popularity • 37% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
35% Popularity • 37% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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S.A. Karl
Cassiopeia
167 bpm • B Maj • 02:48 • -29db
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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De Maynes
A Walk to Paradise
166 bpm • C min • 03:32 • -30.21db
36% Popularity • 25% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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8th Floor Wide
Cor Meum
166 bpm • G min • 03:16 • -22.82db
37% Popularity • 36% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
37% Popularity • 36% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Charles Bolt
You Are Peace
200 bpm • G min • 03:24 • -19.9db
46% Popularity • 44% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 12% Positiveness
46% Popularity • 44% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 12% Positiveness
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Bernadette Boulet
Pour toujours
165 bpm • C Maj • 02:24 • -29.42db
45% Popularity • 23% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
45% Popularity • 23% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Falerina Paquet
Prends soin de toi
202 bpm • G# min • 02:29 • -25.93db
35% Popularity • 17% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
35% Popularity • 17% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Darrell Vitagliano
Gelsomino
164 bpm • A min • 01:58 • -27.71db
36% Popularity • 28% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
36% Popularity • 28% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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Jorulf
Reed Straw
202 bpm • G# Maj • 02:49 • -26.11db
25% Popularity • 24% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
25% Popularity • 24% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Jackson Love
Prelude In A-Flat
203 bpm • C min • 02:40 • -28.99db
32% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 53% Positiveness
32% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 53% Positiveness
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Borghild Wenn
Filotimo
203 bpm • B min • 02:13 • -22.69db
34% Popularity • 30% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
34% Popularity • 30% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Jacob David
Lillian
204 bpm • C min • 02:07 • -26.69db
40% Popularity • 24% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Lama House
Wish of the Progeny
204 bpm • G min • 02:29 • -19.68db
39% Popularity • 30% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
39% Popularity • 30% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Claribel Ramón
Con el tiempo todo se consigue
205 bpm • F Maj • 02:35 • -23.53db
39% Popularity • 31% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
39% Popularity • 31% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
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Jef Martens
Even Puppies Need to Sleep
205 bpm • A# Maj • 00:59 • -28.22db
14% Popularity • 38% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
14% Popularity • 38% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Sumsar
Amorous Rebound
206 bpm • A# min • 01:49 • -30.2db
41% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
41% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
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Zoé de Vera
For Her
206 bpm • B Maj • 01:39 • -22.28db
37% Popularity • 41% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
37% Popularity • 41% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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Valbona Ceferin
Hvaležni
161 bpm • A# Maj • 02:03 • -29.07db
37% Popularity • 18% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 48% Positiveness
37% Popularity • 18% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 48% Positiveness
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RIOPY
Peace of Mind
161 bpm • F# Maj • 04:22 • -24.97db
37% Popularity • 48% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Jacob David
Nederlag
207 bpm • F Maj • 02:17 • -32.8db
59% Popularity • 21% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
59% Popularity • 21% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Jef Martens
Before She Wakes
161 bpm • C# min • 01:26 • -18.95db
27% Popularity • 25% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
27% Popularity • 25% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Annebelle Coenraad
Uitwaaien
207 bpm • G# min • 02:08 • -29.01db
35% Popularity • 16% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
35% Popularity • 16% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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Teodor Wolgers
hopes
160 bpm • B min • 02:29 • -30.09db
39% Popularity • 52% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
39% Popularity • 52% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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Fouad Elalamy
Reverence
158 bpm • C# Maj • 01:59 • -27.73db
35% Popularity • 51% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
35% Popularity • 51% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Sarah Spring
Requiem
209 bpm • B Maj • 02:59 • -28.85db
33% Popularity • 25% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
33% Popularity • 25% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Piano Novel
Scintillations
156 bpm • B min • 02:44 • -22.92db
31% Popularity • 40% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
31% Popularity • 40% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
