Songs like I Wish You Love - 2004 Remastered/Remixed by Nancy Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Susannah McCorkle
Quality Time
115 bpm • B min • 04:21 • -19db
33% Popularity • 65% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 65% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jill Barber
Petite fleur
115 bpm • A min • 02:43 • -10db
67% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Heather Rigdon
And so It Goes
115 bpm • G min • 02:31 • -7.31db
53% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Flora MartÃnez
You Belong To My Heart - Solamente una V...
115 bpm • G Maj • 02:43 • -16.1db
54% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Emilie Schiøtt
Coming Home
115 bpm • A Maj • 02:17 • -12db
62% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Nancy Wilson
I Wish You Love - 2004 Remastered/Remixe...
115 bpm • A# min • 02:00 • -11.17db
60% Popularity • 66% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 66% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Teddy Wilson
Fools Rush In
116 bpm • F min • 02:29 • -20db
51% Popularity • 63% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
51% Popularity • 63% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
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John Coltrane
My One And Only Love
116 bpm • A min • 04:55 • -16.1db
63% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
63% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Irene Kral
Comes Love
114 bpm • C Maj • 02:33 • -12db
42% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Eliane Elias
A Man And A Woman
114 bpm • G Maj • 03:16 • -14db
34% Popularity • 53% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
34% Popularity • 53% Danceability • 36% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
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Dorothy Dandridge
Body & Soul
116 bpm • D Maj • 03:40 • -15.74db
16% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Nancy Wilson
I Wish You Love - Digitally Remastered 9...
115 bpm • A# min • 02:00 • -16db
15% Popularity • 61% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 61% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Sophie Milman
Something In The Air Between Us
116 bpm • D# min • 04:12 • -13db
47% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lauren Henderson
I Wish You Love
114 bpm • G# Maj • 03:05 • -13.68db
44% Popularity • 70% Danceability • 38% Energy • 12% Liveness
13% Instrumentalness • 67% Positiveness
44% Popularity • 70% Danceability • 38% Energy • 12% Liveness
13% Instrumentalness • 67% Positiveness
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Lara Louise
It Had To Be You
116 bpm • C# Maj • 02:38 • -13.98db
51% Popularity • 68% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 68% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Ella Fitzgerald
It's Only A Paper Moon
114 bpm • A# Maj • 02:40 • -16.96db
57% Popularity • 76% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 76% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Eliane Elias
Save Your Love For Me
114 bpm • G# Maj • 04:00 • -14db
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Nancy Wilson
Who Can I Turn To (When Nobody Needs Me)
116 bpm • A Maj • 02:42 • -15db
31% Popularity • 36% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 36% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Ellen Andersson
I'll Be Seeing You
116 bpm • C# Maj • 06:07 • -11db
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Renee Olstead
On a Slow Boat to China
116 bpm • F min • 03:15 • -11db
28% Popularity • 80% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 80% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Betty Carter
This Is Always
114 bpm • E min • 03:11 • -19.69db
50% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Jill Barber
J'attendrai
116 bpm • A min • 03:49 • -10.83db
56% Popularity • 55% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 55% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Annie Ross
I Guess I'll Have To Change My Plans
116 bpm • F min • 02:25 • -10.39db
27% Popularity • 61% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 61% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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John Coltrane Quartet
Nancy (With The Laughing Face)
116 bpm • F Maj • 03:11 • -14db
59% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
59% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
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Maxine Sullivan
Get out and Get Under the Moon
116 bpm • G# Maj • 04:47 • -16.3db
15% Popularity • 62% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
15% Popularity • 62% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Jane Monheit
Tonight You Belong To Me
113 bpm • G Maj • 02:26 • -14.93db
31% Popularity • 69% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 69% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Sarah McKenzie
I'm Old Fashioned
114 bpm • A min • 04:44 • -6.21db
43% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
43% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Roberta Gambarini
Smoke Gets In Your Eyes/All the Things Y...
117 bpm • D Maj • 05:52 • -15.53db
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Kevin Mahogany
My New Friend
113 bpm • C Maj • 03:47 • -15db
34% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 58% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Steve Tyrell
Sunday Kind of Love
113 bpm • A# Maj • 03:31 • -12.01db
42% Popularity • 58% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 58% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Ella Fitzgerald
Night And Day
117 bpm • G# Maj • 03:06 • -14.62db
55% Popularity • 44% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 44% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Nancy Wilson
I Wish You Love
117 bpm • A# min • 01:59 • -8.52db
18% Popularity • 58% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 58% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Melody Gardot
Baby I'm A Fool
113 bpm • A# min • 03:30 • -13.13db
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
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Freddy Cole
My Mood Is You
117 bpm • G# Maj • 05:45 • -16.05db
36% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Emilie Schiøtt
Give Me a Kiss
117 bpm • C Maj • 01:58 • -10db
63% Popularity • 91% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 91% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Rachael & Vilray
Treat Me Better
113 bpm • G# Maj • 02:40 • -9.06db
30% Popularity • 73% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 73% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Denise King
I Can't Take My Eyes Off You
113 bpm • G# Maj • 03:19 • -14.21db
55% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Ink Spots
I'm Beginning To See The Light
113 bpm • F Maj • 02:42 • -12db
51% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Nancy Wilson
Tonight May Have To Last Me All My Life ...
117 bpm • F Maj • 02:53 • -17.27db
36% Popularity • 44% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 44% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Lorez Alexandria
Talk About Cozy
113 bpm • F Maj • 02:01 • -9db
36% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Susie Arioli
Loverboy
118 bpm • F Maj • 03:56 • -9.13db
29% Popularity • 62% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 62% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Tony DeSare
I Wish You Love
112 bpm • G# Maj • 03:00 • -14db
41% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tony Bennett
The Way You Look Tonight
112 bpm • C Maj • 03:23 • -22.05db
60% Popularity • 42% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
60% Popularity • 42% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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NYC Jazz Quartett
As Time Goes By
112 bpm • F# Maj • 03:37 • -9db
43% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Nancy Wilson
People
112 bpm • G Maj • 03:41 • -15.51db
20% Popularity • 39% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 39% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Etta Jones
If I Had You
118 bpm • D min • 03:50 • -23db
50% Popularity • 52% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
50% Popularity • 52% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Lorez Alexandria
The Best Is Yet To Come
118 bpm • F Maj • 02:44 • -15db
37% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Dexter Gordon
Le Coiffeur
119 bpm • C Maj • 07:02 • -12.66db
44% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Rachael & Vilray
Goodnight My Love
119 bpm • A min • 03:25 • -11.7db
38% Popularity • 69% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 69% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sarah McKenzie
I Wish You Love
111 bpm • C Maj • 04:49 • -11.05db
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Nancy Wilson
Something Wonderful Happens
112 bpm • F# min • 02:47 • -16.92db
23% Popularity • 43% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 43% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Benny Goodman Sextet
If I Had You
111 bpm • C Maj • 03:01 • -19db
45% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
45% Popularity • 72% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 49% Positiveness
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Sarah Vaughan
Embraceable You
119 bpm • C Maj • 04:51 • -15db
51% Popularity • 44% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
51% Popularity • 44% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Dexter Gordon
The Shadow of Your Smile
111 bpm • G min • 04:57 • -20.86db
49% Popularity • 56% Danceability • 4% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
49% Popularity • 56% Danceability • 4% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
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Oscar Peterson Trio
Volare
119 bpm • A# min • 02:46 • -18db
51% Popularity • 81% Danceability • 14% Energy • 12% Liveness
37% Instrumentalness • 43% Positiveness
51% Popularity • 81% Danceability • 14% Energy • 12% Liveness
37% Instrumentalness • 43% Positiveness
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Jane Monheit
A Time For Love
119 bpm • C# min • 04:59 • -12db
44% Popularity • 25% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 25% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Nancy Wilson
I Wanna Be Loved
119 bpm • G# Maj • 02:19 • -13.79db
14% Popularity • 42% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 42% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Erin Boheme
One Night With Frank
111 bpm • C# Maj • 04:14 • -15db
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Susannah McCorkle
You Go To My Head
111 bpm • G# min • 04:09 • -22.21db
16% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Melody Gardot
Goodnite
111 bpm • D min • 03:04 • -11.99db
53% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Renee Olstead
Taking a Chance on Love
111 bpm • G# Maj • 03:30 • -10db
46% Popularity • 66% Danceability • 31% Energy • 36% Liveness
1% Instrumentalness • 24% Positiveness
46% Popularity • 66% Danceability • 31% Energy • 36% Liveness
1% Instrumentalness • 24% Positiveness
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Joe Williams
Every Day I Have the Blues (Every Day I ...
119 bpm • F min • 04:43 • -9.03db
16% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Nancy Wilson
Oh! Look At Me Now
111 bpm • F min • 02:22 • -15.42db
40% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Diane Schuur
Our Love Will Always Be There
111 bpm • G# min • 03:30 • -13db
42% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sidney Bechet
All Of Me
111 bpm • A min • 04:08 • -9db
42% Popularity • 53% Danceability • 43% Energy • 24% Liveness
90% Instrumentalness • 64% Positiveness
42% Popularity • 53% Danceability • 43% Energy • 24% Liveness
90% Instrumentalness • 64% Positiveness
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Lauren Henderson
At Long Last Love - LIVE at Flux Studio
111 bpm • D min • 02:51 • -12.02db
33% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Mose Allison
Don't Get Around Much Anymore
119 bpm • G Maj • 02:46 • -13.89db
36% Popularity • 74% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
36% Popularity • 74% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Bria Skonberg
Que Sera Sera (Whatever Will Be Will Be)
111 bpm • G# Maj • 04:13 • -14db
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Nancy Wilson
I Thought About You
111 bpm • G Maj • 02:04 • -15.26db
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ella Fitzgerald
All The Things You Are
111 bpm • C# Maj • 03:15 • -14.49db
50% Popularity • 45% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 45% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Dinah Washington
September In The Rain
111 bpm • C# Maj • 02:09 • -13.12db
62% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
62% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ray Charles
Come Rain or Come Shine
120 bpm • D# Maj • 03:42 • -12.83db
54% Popularity • 36% Danceability • 22% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 36% Danceability • 22% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
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Billie Holiday
On The Sunny Side Of The Street
120 bpm • G# Maj • 02:59 • -14.42db
52% Popularity • 69% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 69% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Madeleine Peyroux
(Getting Some) Fun out of Life
111 bpm • E min • 03:12 • -9.62db
57% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Mel Torme & the Mel-Tones
You're a Heavenly Thing
120 bpm • F Maj • 02:35 • -17db
31% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jo Stafford
It Had to Be You
120 bpm • C# Maj • 02:45 • -10.64db
36% Popularity • 62% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 62% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Nancy Wilson
You Leave Me Breathless
110 bpm • G min • 02:27 • -13.14db
18% Popularity • 68% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 68% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Julie London
Cry Me A River
120 bpm • E min • 02:58 • -14.93db
58% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ernestine Anderson
Love for Sale
110 bpm • G# Maj • 02:14 • -6.54db
42% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 59% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Karen Souza
Everybody Knows
110 bpm • C Maj • 02:48 • -11.41db
49% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Dizzy Gillespie
On The Sunny Side Of The Street
120 bpm • C Maj • 05:42 • -11.51db
50% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Chantal Chamberland
La Mer
120 bpm • G Maj • 03:50 • -10.44db
53% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 67% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Flora MartÃnez
Blue Moon
110 bpm • C# Maj • 03:00 • -12db
61% Popularity • 86% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 86% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Madeleine Peyroux
I'm All Right
110 bpm • A Maj • 03:26 • -12db
48% Popularity • 71% Danceability • 38% Energy • 34% Liveness
10% Instrumentalness • 31% Positiveness
48% Popularity • 71% Danceability • 38% Energy • 34% Liveness
10% Instrumentalness • 31% Positiveness
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Coleman Hawkins
Rosita
110 bpm • E Maj • 05:02 • -15.81db
43% Popularity • 59% Danceability • 26% Energy • 9% Liveness
53% Instrumentalness • 31% Positiveness
43% Popularity • 59% Danceability • 26% Energy • 9% Liveness
53% Instrumentalness • 31% Positiveness
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Lara Louise
It Could Happen To You
110 bpm • A# Maj • 02:37 • -15.61db
54% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
54% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
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Susannah McCorkle
A Beautiful Friendship
110 bpm • A min • 04:09 • -17.03db
27% Popularity • 58% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 58% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Dexter Gordon
I Guess I'll Hang My Tears Out To Dry - ...
121 bpm • D# Maj • 05:22 • -8.97db
49% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Amy Winehouse
Someone To Watch Over Me - Demo
110 bpm • F Maj • 04:28 • -12db
51% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Dorothy Dandridge
The Touch Of Your Lips
109 bpm • G Maj • 03:01 • -15.56db
28% Popularity • 64% Danceability • 25% Energy • 5% Liveness
4% Instrumentalness • 38% Positiveness
28% Popularity • 64% Danceability • 25% Energy • 5% Liveness
4% Instrumentalness • 38% Positiveness
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Eva sur Seine
Stompin' at the Savoy
121 bpm • F min • 02:42 • -9.32db
50% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Mose Allison
I Hadn't Anyone Till You
109 bpm • F min • 02:30 • -17.15db
41% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
41% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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Catherine Russell
Did I Remember
121 bpm • G# Maj • 03:26 • -9db
58% Popularity • 68% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 44% Positiveness
58% Popularity • 68% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 44% Positiveness
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Susannah McCorkle
How Little We Know
121 bpm • C# Maj • 03:41 • -12.72db
25% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Morgana King
Sunny
121 bpm • F min • 02:10 • -11.89db
40% Popularity • 51% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 51% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Sophie Milman
No More Blues
122 bpm • C min • 04:22 • -9.23db
36% Popularity • 57% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 57% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Lorez Alexandria
Satin Doll
121 bpm • A min • 02:44 • -14.02db
46% Popularity • 68% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 68% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Gregory Porter
L-O-V-E
109 bpm • B min • 02:08 • -14db
57% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
