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I Wonder Where You Are Tonight
Songs like
I Wonder Where You Are Tonight
by
John Hartford
Based on a tempo of (+/- 10%) and a similar genre
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Alan Lomax
The Wild Rippling Water
183 bpm • A# Maj • 03:11 • -10.24db
8% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Hackensaw Boys
Alabama Shamrock
183 bpm • G Maj • 05:05 • -9db
28% Popularity • 35% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Larry Sparks
Blue Virginia Blues
184 bpm • F Maj • 04:06 • -13.1db
28% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Hazel Dickens
T.B. Blues (They're at Rest Together)
181 bpm • B Maj • 03:28 • -11.2db
8% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The Local Honeys
Plastic Jesus
186 bpm • C Maj • 03:19 • -12.2db
30% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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John Hartford, Tony Rice & Vassar Clements
Sweet Sunny South
186 bpm • E Maj • 04:01 • -16.85db
10% Popularity • 32% Danceability • 30% Energy • 18% Liveness
1% Instrumentalness • 68% Positiveness
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Bill Staines
The Roseville Fair
180 bpm • B Maj • 03:32 • -19.83db
23% Popularity • 42% Danceability • 11% Energy • 10% Liveness
31% Instrumentalness • 70% Positiveness
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Trampled by Turtles
Silver and Gold
180 bpm • A Maj • 02:47 • -13db
51% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
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Caleb Klauder
New Shoes
187 bpm • D Maj • 04:04 • -7.7db
15% Popularity • 48% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Hazel Dickens
Busted
186 bpm • A# Maj • 02:33 • -7.46db
14% Popularity • 40% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Larry Keel
I'm No Doctor
187 bpm • C Maj • 04:11 • -9.76db
18% Popularity • 37% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 81% Positiveness
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Uncle Earl
Sugar Babe
187 bpm • A Maj • 03:04 • -8.39db
12% Popularity • 24% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Howard Forrester
Arthur Smith's Twinkle Little Star
188 bpm • G Maj • 01:54 • -9.03db
0% Popularity • 29% Danceability • 40% Energy • 33% Liveness
23% Instrumentalness • 97% Positiveness
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Dave Rawlings Machine
To Be Young (Is To Be Sad, Is To Be High...
178 bpm • A Maj • 03:48 • -7db
18% Popularity • 36% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Reeltime Travellers
Little Bird of Heaven
178 bpm • C Maj • 03:06 • -14.02db
32% Popularity • 52% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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John Hartford
The Girl I left Behind Me
177 bpm • D Maj • 02:49 • -11.29db
18% Popularity • 57% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Kentucky Colonels
Chug-a-Lug
177 bpm • F Maj • 02:39 • -11db
19% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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John Hartford, Tony Rice & Vassar Clements
Bound to Ride
177 bpm • E Maj • 01:59 • -14.35db
11% Popularity • 50% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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The Doc Watson Family
Bonaparte's Retreat
177 bpm • D Maj • 01:31 • -9.53db
17% Popularity • 26% Danceability • 30% Energy • 6% Liveness
34% Instrumentalness • 23% Positiveness
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Dillard/Hartford/Dillard
Get No Better
176 bpm • G Maj • 03:30 • -11.37db
9% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Doc Watson Family
Rye Cove
175 bpm • D# Maj • 02:22 • -11.86db
6% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bill Morrissey
Fishing With Bill
173 bpm • C Maj • 04:32 • -21.66db
11% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Wood & Wire
Summertime Rolls
173 bpm • A Maj • 01:54 • -10.2db
34% Popularity • 33% Danceability • 71% Energy • 24% Liveness
98% Instrumentalness • 94% Positiveness
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Terry Allen
There Oughta Be a Law Against Sunny Sout...
171 bpm • E min • 04:29 • -10.09db
19% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Doc Watson Family
I'm Troubled
174 bpm • D Maj • 02:42 • -9.13db
15% Popularity • 41% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 70% Positiveness
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John Hartford
Gentle On My Mind
198 bpm • C Maj • 03:02 • -12.93db
27% Popularity • 41% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Todd Snider
Enjoy Yourself
172 bpm • A Maj • 03:27 • -9db
25% Popularity • 54% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Ian & Sylvia
Long Long Time To Get Old
169 bpm • G Maj • 03:10 • -15db
30% Popularity • 58% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Chris Thile
Roll in My Sweet Baby's Arms
169 bpm • A Maj • 03:09 • -7db
22% Popularity • 37% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Yonder Mountain String Band
Half Moon Rising
198 bpm • A Maj • 04:31 • -8.82db
38% Popularity • 45% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Jerry Jeff Walker
Mr. Bojangles
168 bpm • D Maj • 05:28 • -27.12db
44% Popularity • 43% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 78% Positiveness
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Levon Helm
Anna Lee
168 bpm • D Maj • 03:42 • -9.13db
19% Popularity • 23% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Willie Watson
Bring It With You When You Come
168 bpm • G Maj • 02:46 • -10.82db
13% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Larry Sparks
I'd Like To Be A Train
167 bpm • G Maj • 04:03 • -12.11db
17% Popularity • 41% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Iris DeMent
Hotter Than Mojave in My Heart
201 bpm • A# Maj • 02:33 • -12.35db
33% Popularity • 46% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Johnson Mountain Boys
Blue Diamond Mines
166 bpm • C Maj • 05:11 • -18db
22% Popularity • 48% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Railroad Earth
Been Down This Road
166 bpm • G# Maj • 04:47 • -7db
37% Popularity • 51% Danceability • 68% Energy • 9% Liveness
17% Instrumentalness • 60% Positiveness
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The Rice Brothers
Walk On Boy
166 bpm • B min • 03:14 • -12.14db
27% Popularity • 49% Danceability • 43% Energy • 23% Liveness
1% Instrumentalness • 76% Positiveness
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Hot Rize
High On A Mountain
202 bpm • C Maj • 03:06 • -16.03db
31% Popularity • 44% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Lonesome Ace Stringband
Fox Hunt
164 bpm • B Maj • 03:36 • -12.11db
15% Popularity • 49% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Willis Alan Ramsey
Painted Lady
165 bpm • A min • 03:06 • -12.42db
28% Popularity • 41% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Dan Reeder
Cowboy Song
162 bpm • F# Maj • 02:35 • -15.27db
24% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Alison Brown
Leaving Cottondale
162 bpm • G Maj • 02:32 • -8.53db
30% Popularity • 29% Danceability • 68% Energy • 27% Liveness
92% Instrumentalness • 97% Positiveness
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Leftover Salmon
Blue Railroad Train
162 bpm • G Maj • 03:08 • -9.61db
38% Popularity • 53% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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The Nashville Bluegrass Band
Rock Bottom Blues
207 bpm • F Maj • 02:56 • -15.64db
29% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Kentucky Colonels
Shuckin' The Corn
162 bpm • G Maj • 01:58 • -11db
30% Popularity • 25% Danceability • 75% Energy • 95% Liveness
96% Instrumentalness • 97% Positiveness
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Chris Thile
Wayside (Back In Time)
162 bpm • G Maj • 02:45 • -9.99db
35% Popularity • 42% Danceability • 66% Energy • 21% Liveness
32% Instrumentalness • 82% Positiveness
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Jim Mills
Pick Along
162 bpm • G Maj • 01:59 • -4db
33% Popularity • 35% Danceability • 84% Energy • 30% Liveness
95% Instrumentalness • 91% Positiveness
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Hazel Dickens
Train on the Island
161 bpm • F# Maj • 01:44 • -11.1db
34% Popularity • 39% Danceability • 53% Energy • 6% Liveness
9% Instrumentalness • 90% Positiveness
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Harry McClintock
Hallelujah, I'm a Bum
161 bpm • G Maj • 02:57 • -19.05db
31% Popularity • 57% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 81% Positiveness
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Hot Rize
Empty Pocket Blues
161 bpm • B Maj • 02:20 • -13.57db
14% Popularity • 48% Danceability • 55% Energy • 20% Liveness
91% Instrumentalness • 97% Positiveness
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Dave Rawlings Machine
The Last Pharaoh
160 bpm • C# Maj • 03:37 • -9.16db
13% Popularity • 55% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Mike Seeger
John Hardy
160 bpm • C# min • 02:44 • -12db
19% Popularity • 38% Danceability • 41% Energy • 31% Liveness
3% Instrumentalness • 88% Positiveness
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Mississippi John Hurt
Farther Along
157 bpm • E min • 03:44 • -20.15db
15% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Hazel Dickens
Coal Tattoo
160 bpm • C Maj • 03:00 • -10.99db
17% Popularity • 51% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Strings
I Ain't Gonna Work Tomorrow
157 bpm • A Maj • 03:17 • -8.34db
29% Popularity • 37% Danceability • 69% Energy • 69% Liveness
0% Instrumentalness • 88% Positiveness
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Hot Rize
Blue Is Fallin'
157 bpm • A# Maj • 04:05 • -7.21db
21% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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J.D. Crowe
Born To Be With You
157 bpm • B Maj • 01:58 • -10.15db
14% Popularity • 43% Danceability • 65% Energy • 9% Liveness
5% Instrumentalness • 62% Positiveness
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Elizabeth Cotten
Here old rattler here / Sent for my fidd...
156 bpm • A# min • 03:48 • -20.38db
30% Popularity • 44% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 86% Positiveness
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Mississippi John Hurt
Let The Mermaids Flirt With Me
156 bpm • F Maj • 03:21 • -20.99db
31% Popularity • 56% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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I Wonder Where You Are Tonight