Songs like I Won't Say (I'm In Love) - From "Hercules" / Soundtrack Version by Susan Egan
Based on a tempo of (+/- 10%) and a similar genre
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Phil Collins
Strangers Like Me
121 bpm • G# Maj • 02:59 • -6.28db
63% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Sierra Boggess as Ariel
Beyond My Wildest Dreams
121 bpm • F Maj • 03:03 • -20.01db
37% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Susan Egan
I Won't Say (I'm In Love)
121 bpm • C Maj • 02:20 • -10.31db
70% Popularity • 68% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 68% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Jacobs
One Jump Ahead
121 bpm • G Maj • 02:09 • -6.35db
42% Popularity • 76% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 76% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Isabelle Allen
Castle On A Cloud
121 bpm • A min • 01:11 • -22.72db
44% Popularity • 40% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 40% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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John Tartaglia
Story Of My Life
122 bpm • A Maj • 03:10 • -6db
45% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Carrie Hope Fletcher
I Won't Say (I'm in Love)
122 bpm • C Maj • 02:26 • -7.06db
43% Popularity • 62% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 62% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Crystal
If I Didn't Have You
122 bpm • G# Maj • 03:37 • -10db
60% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Susan Egan
Cabaret
121 bpm • A Maj • 03:43 • -11db
2% Popularity • 61% Danceability • 29% Energy • 48% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 61% Danceability • 29% Energy • 48% Liveness
0% Instrumentalness • 50% Positiveness
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Jeremy Irons
Be Prepared
122 bpm • A min • 03:39 • -9.12db
48% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Erika Henningsen
Stupid With Love
122 bpm • C Maj • 02:55 • -7.22db
53% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
64% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Meryl Streep
Money, Money, Money
122 bpm • C Maj • 03:06 • -4.77db
67% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
67% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Diane Guerrero
What Else Can I Do?
120 bpm • E Maj • 02:59 • -5.57db
70% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Gere
Razzle Dazzle
122 bpm • D Maj • 03:45 • -12db
33% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 51% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Charmian Carr
So Long, Farewell
120 bpm • A# Maj • 02:56 • -16db
52% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Brian D'Arcy James
Overture/Big Bright Beautiful World
122 bpm • D Maj • 05:43 • -6.97db
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Susan Egan
Tom
120 bpm • C Maj • 04:42 • -15db
1% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
52% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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'Legally Blonde' Ensemble
Whipped into Shape
119 bpm • F# Maj • 04:20 • -9.88db
50% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Catherine Zeta-Jones
Overture/And All That Jazz
120 bpm • C# min • 06:04 • -6.54db
39% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 58% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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SIX
No Way
119 bpm • F min • 04:01 • -6.5db
62% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Stuart Matthew Price
Return to Me
123 bpm • G Maj • 03:43 • -10.21db
0% Popularity • 46% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 46% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Susan Egan
Little Dream
119 bpm • C# Maj • 04:24 • -11.82db
4% Popularity • 45% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 45% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Rannells
Love Thy Neighbor
119 bpm • G Maj • 04:31 • -5.88db
47% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Julie Fowlis
Touch The Sky
119 bpm • D Maj • 02:30 • -8.03db
56% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Emily Blunt
The Place Where Lost Things Go
123 bpm • A Maj • 03:43 • -19.18db
40% Popularity • 35% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 35% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Idina Menzel
Show Yourself
123 bpm • F# Maj • 04:20 • -7.07db
70% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
70% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Emma Watson
Something There
123 bpm • C Maj • 02:54 • -12.86db
56% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Susan Egan
End Duet / Transformation
119 bpm • F Maj • 03:27 • -21db
31% Popularity • 33% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 33% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
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George Salazar
Michael in the Bathroom
119 bpm • E Maj • 04:57 • -7.75db
55% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Stephen Schwartz
As Long As You're Mine
118 bpm • F Maj • 03:45 • -8.28db
43% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Renée Elise Goldsberry
Satisfied
124 bpm • F min • 05:29 • -8.58db
72% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
72% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Eidson
Big Fun
118 bpm • G# Maj • 04:14 • -6.03db
58% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Emma Watson
Belle
124 bpm • G Maj • 05:33 • -7.64db
61% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Susan Egan
Belle
124 bpm • D Maj • 05:16 • -17db
39% Popularity • 54% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 54% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Emily Blunt
Can You Imagine That?
118 bpm • G# Maj • 04:22 • -10.93db
44% Popularity • 58% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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The Cast of Mary Poppins
Sister Suffragette
125 bpm • C Maj • 01:45 • -16db
16% Popularity • 61% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 61% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Krysta Rodriguez
Pulled
125 bpm • C Maj • 02:59 • -7.96db
51% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Annaleigh Ashford
Bend and Snap
125 bpm • A Maj • 03:20 • -8.93db
50% Popularity • 81% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 81% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
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Liz Callaway
Love Will Find A Way
125 bpm • A Maj • 03:00 • -13db
47% Popularity • 34% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 34% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Susan Egan
Something There
123 bpm • D Maj • 05:27 • -23.98db
34% Popularity • 44% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 44% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Keenan-Bolger
Santa Fe (Prologue)
125 bpm • C Maj • 03:05 • -14.05db
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Zac Efron
Rewrite The Stars
125 bpm • A# Maj • 03:37 • -7.01db
74% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jessie Mueller
She Used to Be Mine
125 bpm • F# Maj • 04:20 • -8.57db
54% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Bring It On: The Musical - Original Broadway Cast
What I Was Born To Do
125 bpm • B min • 04:53 • -4.48db
46% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Catherine Zeta-Jones
Cell Block Tango
125 bpm • C# Maj • 07:22 • -12.09db
49% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Susan Egan
Bewitched, Bothered and Bewildered
117 bpm • C Maj • 05:08 • -11.32db
1% Popularity • 49% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 23% Positiveness
1% Popularity • 49% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 23% Positiveness
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Josh Gad
When I Am Older
117 bpm • G# Maj • 01:51 • -7db
68% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Zac Efron
Ladies' Choice
117 bpm • D Maj • 02:28 • -4.88db
52% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Tony Jay
Heaven's Light/Hellfire
117 bpm • A# Maj • 05:23 • -17.81db
40% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 28% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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The Barden Bellas
Riff Off: Mickey/Like A Virgin/Hit Me Wi...
125 bpm • D# min • 03:43 • -5.59db
58% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 58% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Mel Gibson
If I Never Knew You
117 bpm • D# Maj • 03:21 • -18db
44% Popularity • 29% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 29% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Susan Egan
I Can't Believe My Heart
125 bpm • D# Maj • 02:58 • -8db
16% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Alli Mauzey
Screw Loose
116 bpm • G Maj • 02:46 • -7db
47% Popularity • 55% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 55% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Hodson-Prior
Revolting Children
116 bpm • G Maj • 02:54 • -6db
53% Popularity • 63% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 63% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Original Broadway Cast Of Matilda The Musical
Revolting Children
116 bpm • G Maj • 02:33 • -8db
46% Popularity • 68% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 68% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Cliff Edwards
When You Wish Upon a Star
127 bpm • D Maj • 03:15 • -11.96db
48% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
48% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
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Daniel Breaker
Don't Let Me Go
127 bpm • D Maj • 02:49 • -6.14db
46% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Susan Egan
Maybe This Time
117 bpm • G# Maj • 03:10 • -14.22db
6% Popularity • 35% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 35% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Krysta Rodriguez
Crazier Than You
115 bpm • E min • 02:51 • -7.45db
47% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Keith David
Friends on the Other Side
115 bpm • A min • 03:34 • -7.41db
55% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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SIX
Heart of Stone
115 bpm • F Maj • 05:11 • -8.14db
60% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
60% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Kermit
Rainbow Connection
115 bpm • A Maj • 03:15 • -14db
56% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Borle
Legally Blonde
127 bpm • G Maj • 03:30 • -14.45db
49% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Susan Egan
All Things in Time
116 bpm • F Maj • 04:00 • -8.34db
0% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Kenny Raskin
Gaston
115 bpm • G Maj • 05:01 • -17db
37% Popularity • 53% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 53% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel Huttlestone
Giants in the Sky
128 bpm • D Maj • 02:26 • -13.14db
46% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Stephen Schwartz
No Good Deed
115 bpm • B Maj • 03:31 • -6.77db
44% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Julie Andrews
Do-Re-Mi
128 bpm • A# Maj • 05:35 • -12.15db
56% Popularity • 51% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 51% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Stephanie Beatriz
All Of You
115 bpm • B Maj • 04:38 • -11db
62% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Susan Egan
Where in the World Is My Prince?
116 bpm • F min • 02:44 • -8.21db
7% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
53% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Amber Efe
There! Right There!
128 bpm • D Maj • 03:27 • -11.14db
55% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Julie Andrews
My Favorite Things
114 bpm • C# Maj • 02:20 • -12.47db
58% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Ewan McGregor
Be Our Guest
114 bpm • D Maj • 04:48 • -8db
55% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Susan Egan
Roses
114 bpm • B Maj • 03:44 • -10.29db
1% Popularity • 48% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 48% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ralph Fiennes
The Plagues
114 bpm • C min • 02:40 • -14.07db
56% Popularity • 46% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 46% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Miss Piggy
Me Party
129 bpm • C# Maj • 01:53 • -6.1db
40% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Patti Murin
What Do You Know About Love?
114 bpm • A# Maj • 04:38 • -6.4db
45% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Charmian Carr
Sixteen Going On Seventeen
128 bpm • G# Maj • 03:20 • -15.87db
52% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Julie Andrews
My Favorite Things
114 bpm • F min • 04:12 • -10.6db
46% Popularity • 56% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 56% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
48% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Samuel E. Wright
They Live in You
114 bpm • F# min • 03:01 • -14.53db
48% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
48% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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H.E.R.
Belle
129 bpm • C Maj • 05:18 • -9.76db
25% Popularity • 51% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Susan Egan
The Secret of Happiness
113 bpm • D# Maj • 02:54 • -5.79db
5% Popularity • 41% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 41% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Benjamin Bratt
Remember Me (Ernesto de la Cruz)
129 bpm • D Maj • 01:49 • -6.66db
50% Popularity • 51% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 51% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Treblemakers
Trebles Finals: Bright Lights Bigger Cit...
113 bpm • A min • 02:34 • -7.26db
55% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Grace Phipps
Falling for Ya
130 bpm • B min • 03:12 • -4.44db
66% Popularity • 80% Danceability • 88% Energy • 2% Liveness
50% Instrumentalness • 96% Positiveness
66% Popularity • 80% Danceability • 88% Energy • 2% Liveness
50% Instrumentalness • 96% Positiveness
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Brittany Snow
The New Girl In Town
130 bpm • C# Maj • 02:15 • -6.45db
52% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Susan Egan
Oh Very Young
113 bpm • E Maj • 02:41 • -10.38db
6% Popularity • 37% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 37% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Lea Michele
Don't Rain on My Parade
130 bpm • A Maj • 02:38 • -8.59db
45% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Annaleigh Ashford
The History of Wrong Guys
130 bpm • A# Maj • 03:48 • -6.34db
45% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Andrew Rannells
Hello!
130 bpm • C Maj • 02:52 • -9.93db
55% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Barrett Wilbert Weed
Apex Predator
112 bpm • C Maj • 03:13 • -4.39db
54% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness