Songs like (i would have followed you) by Delaney Bailey
Based on a tempo of (+/- 10%) and a similar genre
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quinnie
1/2
81 bpm • D Maj • 03:05 • -16db
21% Popularity • 38% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 38% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Phoebe Bridgers
It'll All Work Out (Bonus Track)
81 bpm • F min • 02:46 • -15.85db
54% Popularity • 23% Danceability • 23% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 23% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
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Delaney Bailey
(i would have followed you)
81 bpm • D min • 01:54 • -19.84db
40% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Maya Hawke
Hold the Sun
80 bpm • B Maj • 02:59 • -19.48db
44% Popularity • 56% Danceability • 11% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
44% Popularity • 56% Danceability • 11% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
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Lizzy McAlpine
In What World
80 bpm • C Maj • 03:24 • -17.23db
42% Popularity • 49% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 49% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Alek Olsen
drift/(:(
82 bpm • G# Maj • 01:37 • -29db
62% Popularity • 54% Danceability • 1% Energy • 32% Liveness
5% Instrumentalness • 14% Positiveness
62% Popularity • 54% Danceability • 1% Energy • 32% Liveness
5% Instrumentalness • 14% Positiveness
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Margot Liotta
Planet Song
80 bpm • G# Maj • 03:30 • -14.49db
42% Popularity • 46% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 46% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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sombr
don't let me down
80 bpm • D Maj • 03:43 • -8.3db
35% Popularity • 46% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 46% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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runo plum
red lights
82 bpm • F# Maj • 03:02 • -10.58db
42% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Genevieve Stokes
Morning Dove
80 bpm • A min • 03:02 • -13db
36% Popularity • 59% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 59% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Lizzy McAlpine
Stupid
82 bpm • C# Maj • 03:42 • -16.41db
47% Popularity • 40% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 40% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Florist
Eyes in the Sun
80 bpm • B Maj • 02:37 • -24db
52% Popularity • 56% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
52% Popularity • 56% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
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LJ Mercer
like i'm all you know
80 bpm • C Maj • 03:37 • -21.53db
20% Popularity • 37% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 11% Positiveness
20% Popularity • 37% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 11% Positiveness
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Delaney Bailey
Just Come Down
80 bpm • A Maj • 03:30 • -14.93db
39% Popularity • 48% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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quinnie
gold star
80 bpm • A# min • 03:10 • -14db
40% Popularity • 62% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 62% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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runo plum
very overdue goodbye
83 bpm • A# Maj • 03:36 • -9.89db
39% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lizzy McAlpine
You, Love (Interlude)
80 bpm • D min • 00:49 • -19.94db
48% Popularity • 37% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 37% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Jensen McRae
Headlock Pt. 1 (Mother)
79 bpm • A# Maj • 01:13 • -9.14db
33% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Oscar Lang
walking away (everytime)
79 bpm • E Maj • 01:57 • -12db
37% Popularity • 44% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
37% Popularity • 44% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Genevieve Stokes
Lonely and Bored
79 bpm • A Maj • 03:01 • -6db
34% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Tommy Lefroy
Trashfire
78 bpm • C Maj • 02:51 • -6.93db
43% Popularity • 51% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 51% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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runo plum
yin to yang
79 bpm • F# min • 03:30 • -11db
50% Popularity • 30% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
50% Popularity • 30% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Searows
Dragon
78 bpm • F# Maj • 05:05 • -18db
42% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mabel Ye
Can You See It in My Eyes?
84 bpm • A Maj • 04:37 • -23.51db
22% Popularity • 46% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 46% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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eilonwy
moon follows
84 bpm • A# Maj • 03:24 • -16.96db
20% Popularity • 35% Danceability • 20% Energy • 31% Liveness
32% Instrumentalness • 8% Positiveness
20% Popularity • 35% Danceability • 20% Energy • 31% Liveness
32% Instrumentalness • 8% Positiveness
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Faith Zapata
drawing lines
78 bpm • B Maj • 03:30 • -11.13db
18% Popularity • 53% Danceability • 27% Energy • 22% Liveness
2% Instrumentalness • 51% Positiveness
18% Popularity • 53% Danceability • 27% Energy • 22% Liveness
2% Instrumentalness • 51% Positiveness
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Julia Piccard
Me.
78 bpm • C# Maj • 03:40 • -13db
27% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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runo plum
Tacky Landlord
84 bpm • D# Maj • 03:07 • -14db
29% Popularity • 31% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 31% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Pleasure Systems
When I Picture You Now
84 bpm • D Maj • 02:07 • -16.25db
31% Popularity • 51% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
31% Popularity • 51% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Leith Ross
5am
85 bpm • G# Maj • 03:38 • -17.52db
40% Popularity • 19% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 6% Positiveness
40% Popularity • 19% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 6% Positiveness
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Searows
Walk Me Home
78 bpm • D Maj • 04:37 • -17db
47% Popularity • 44% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 44% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Katie Gregson-MacLeod
i'm worried it will always be you
78 bpm • D Maj • 04:11 • -10.87db
39% Popularity • 36% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 36% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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sombr
alibi
85 bpm • C# Maj • 05:01 • -10db
39% Popularity • 30% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 30% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sophie May
Lover Boy
85 bpm • E Maj • 01:59 • -11db
57% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Genevieve Stokes
Parking Lot
77 bpm • C Maj • 02:41 • -8.26db
46% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Leith Ross
To Learn
85 bpm • G# Maj • 02:17 • -17.02db
43% Popularity • 40% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 40% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Searows
Hold You
85 bpm • B Maj • 05:05 • -18db
42% Popularity • 25% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
42% Popularity • 25% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Alix Page
Radiohead
77 bpm • C Maj • 03:17 • -11.63db
30% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Frankie Cosmos
Table
86 bpm • C Maj • 01:51 • -14.24db
43% Popularity • 39% Danceability • 20% Energy • 10% Liveness
63% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 20% Energy • 10% Liveness
63% Instrumentalness • 20% Positiveness
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Oyeme
no life
86 bpm • G# Maj • 01:10 • -19db
37% Popularity • 34% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 34% Positiveness
37% Popularity • 34% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 34% Positiveness
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Genevieve Stokes
Habits - Demo
77 bpm • A Maj • 03:41 • -8db
39% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Philip Brooks
lay down
77 bpm • D# min • 03:10 • -16.06db
26% Popularity • 52% Danceability • 10% Energy • 55% Liveness
5% Instrumentalness • 25% Positiveness
26% Popularity • 52% Danceability • 10% Energy • 55% Liveness
5% Instrumentalness • 25% Positiveness
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quinnie
itch
86 bpm • G Maj • 03:45 • -6.29db
40% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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normal the kid
curse,
86 bpm • G# Maj • 03:58 • -11.67db
50% Popularity • 57% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
50% Popularity • 57% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
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Leith Ross
Everything Ends
86 bpm • G Maj • 01:28 • -21.25db
39% Popularity • 40% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 40% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Eve
inhale and exhale
86 bpm • B Maj • 02:56 • -18.38db
21% Popularity • 36% Danceability • 15% Energy • 10% Liveness
8% Instrumentalness • 32% Positiveness
21% Popularity • 36% Danceability • 15% Energy • 10% Liveness
8% Instrumentalness • 32% Positiveness
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Ann Annie
so well
76 bpm • G Maj • 03:12 • -15.38db
38% Popularity • 30% Danceability • 30% Energy • 7% Liveness
64% Instrumentalness • 18% Positiveness
38% Popularity • 30% Danceability • 30% Energy • 7% Liveness
64% Instrumentalness • 18% Positiveness
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Philip Brooks
is there something for me?
77 bpm • C Maj • 02:37 • -10.83db
25% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Florist
Moon Begins
75 bpm • A# Maj • 03:04 • -15db
52% Popularity • 49% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
52% Popularity • 49% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Timothy Edward Carpenter
Madison in the Morning
86 bpm • E Maj • 01:17 • -10.02db
42% Popularity • 32% Danceability • 37% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
42% Popularity • 32% Danceability • 37% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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quinnie
get what u get
87 bpm • G Maj • 01:06 • -6.74db
48% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Lav
Love Me, Sweet
87 bpm • G Maj • 04:12 • -32.02db
36% Popularity • 56% Danceability • 0% Energy • 19% Liveness
14% Instrumentalness • 24% Positiveness
36% Popularity • 56% Danceability • 0% Energy • 19% Liveness
14% Instrumentalness • 24% Positiveness
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Wasia Project
Remember When
75 bpm • A Maj • 03:12 • -11.86db
51% Popularity • 28% Danceability • 24% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
51% Popularity • 28% Danceability • 24% Energy • 12% Liveness
5% Instrumentalness • 9% Positiveness
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Genevieve Stokes
Portland Nights
75 bpm • C Maj • 01:41 • -16db
40% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Kevin Atwater
Caleb
75 bpm • D Maj • 02:58 • -12.2db
30% Popularity • 43% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 43% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Margaux Beylier
Northern Italy
75 bpm • B min • 03:10 • -21.04db
45% Popularity • 50% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
45% Popularity • 50% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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runo plum
jupiter
87 bpm • G Maj • 02:40 • -18.47db
38% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Tasha
Would You Mind Please Pulling Me Close?
75 bpm • F Maj • 04:03 • -12.02db
35% Popularity • 59% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
35% Popularity • 59% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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Wasia Project
U Deserve
75 bpm • C Maj • 03:38 • -20.33db
43% Popularity • 51% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Christian Leave
Maybe
75 bpm • G Maj • 03:00 • -8.36db
35% Popularity • 40% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
35% Popularity • 40% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Margot Liotta
In My Bones
88 bpm • C Maj • 02:43 • -12.5db
36% Popularity • 47% Danceability • 38% Energy • 38% Liveness
2% Instrumentalness • 19% Positiveness
36% Popularity • 47% Danceability • 38% Energy • 38% Liveness
2% Instrumentalness • 19% Positiveness
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Matt Maltese
Looking
74 bpm • B Maj • 02:56 • -8db
41% Popularity • 44% Danceability • 49% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
41% Popularity • 44% Danceability • 49% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Leona
What Kind of Lonely Are You?
88 bpm • D Maj • 04:04 • -12.17db
21% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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awfultune
peace and quiet
74 bpm • D Maj • 02:59 • -18db
36% Popularity • 44% Danceability • 18% Energy • 13% Liveness
2% Instrumentalness • 23% Positiveness
36% Popularity • 44% Danceability • 18% Energy • 13% Liveness
2% Instrumentalness • 23% Positiveness
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Ezra Glatt
Memory Of You
74 bpm • G Maj • 02:57 • -16.37db
25% Popularity • 43% Danceability • 14% Energy • 10% Liveness
40% Instrumentalness • 50% Positiveness
25% Popularity • 43% Danceability • 14% Energy • 10% Liveness
40% Instrumentalness • 50% Positiveness
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Sophie May
Good Little Girl
74 bpm • G# min • 02:01 • -10.85db
36% Popularity • 52% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 52% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Sarah Kinsley
Caught Up In A Dream
74 bpm • B Maj • 05:10 • -10db
34% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Maltese
Mystery (quiet)
74 bpm • D Maj • 03:12 • -12db
38% Popularity • 67% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 67% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Tyler Burkhart
Sad airplane
74 bpm • A# Maj • 02:22 • -15db
44% Popularity • 68% Danceability • 15% Energy • 9% Liveness
22% Instrumentalness • 21% Positiveness
44% Popularity • 68% Danceability • 15% Energy • 9% Liveness
22% Instrumentalness • 21% Positiveness
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l i l a
peter
90 bpm • A# Maj • 04:45 • -15.58db
28% Popularity • 42% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 42% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ezra Glatt
Moving Light
90 bpm • B Maj • 01:32 • -14db
51% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
51% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
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Philip Brooks
creek
90 bpm • G Maj • 02:33 • -15.94db
51% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
51% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Matilda Mann
You Look Like You Can't Swim
90 bpm • C# Maj • 02:48 • -9.94db
37% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
37% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
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Lizzy McAlpine
Nothing / Sad N Stuff
73 bpm • E Maj • 04:27 • -12db
51% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Wasia Project
My Vine
73 bpm • F Maj • 03:08 • -22db
44% Popularity • 34% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
44% Popularity • 34% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Erin Donahue
love/fear
90 bpm • B Maj • 03:56 • -24.15db
26% Popularity • 42% Danceability • 5% Energy • 13% Liveness
28% Instrumentalness • 11% Positiveness
26% Popularity • 42% Danceability • 5% Energy • 13% Liveness
28% Instrumentalness • 11% Positiveness
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Margot Liotta
Space Instead
90 bpm • F# min • 02:57 • -15.7db
27% Popularity • 47% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 47% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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mimi bay
sad part
90 bpm • C Maj • 03:06 • -12.08db
28% Popularity • 70% Danceability • 29% Energy • 13% Liveness
64% Instrumentalness • 33% Positiveness
28% Popularity • 70% Danceability • 29% Energy • 13% Liveness
64% Instrumentalness • 33% Positiveness
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Gigi Perez
Balsam Fir
73 bpm • D# Maj • 03:54 • -12.09db
21% Popularity • 29% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Suki Waterhouse
Coolest Place in the World
90 bpm • G# Maj • 02:37 • -11db
51% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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tofusmell
Contagious
90 bpm • E min • 03:52 • -21.55db
28% Popularity • 54% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 54% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Maya Hawke
Luna Moth
73 bpm • A# Maj • 03:24 • -12db
41% Popularity • 45% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 45% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Zeph
you
73 bpm • C Maj • 01:10 • -9db
53% Popularity • 32% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 32% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Bella Porter
Idle Sympathy
73 bpm • G# Maj • 02:41 • -20.03db
27% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 32% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Matt Maltese
When You Wash Your Hair
91 bpm • C Maj • 03:12 • -17db
53% Popularity • 40% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 40% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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juliet sunflower
drinking rain
90 bpm • E Maj • 02:59 • -16.69db
21% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Etta Marcus
Salt Lake City
72 bpm • G Maj • 03:52 • -10.87db
46% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Tommy Lefroy
Recency Bias
72 bpm • D Maj • 03:10 • -13.41db
34% Popularity • 67% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 67% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lizzy McAlpine
I Don't Know You At All
91 bpm • A min • 04:31 • -15.38db
43% Popularity • 44% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 44% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Matilda Mann
The Day That I Met You
92 bpm • C# Maj • 02:45 • -9.87db
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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quinnie
flutterby (flounder bonus track)
92 bpm • F# Maj • 02:20 • -14.96db
26% Popularity • 67% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 67% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Leith Ross
Understood
92 bpm • A# Maj • 05:01 • -14.87db
33% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Lauren Juzang
Yeehoo!
71 bpm • D Maj • 03:28 • -12.96db
25% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Hailaker
Phonetically
92 bpm • A Maj • 03:25 • -15.63db
29% Popularity • 30% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
29% Popularity • 30% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Lizzy McAlpine
...What Are We?
92 bpm • E Maj • 03:38 • -14.92db
51% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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awfultune
tru luv street
92 bpm • C Maj • 03:20 • -20.55db
38% Popularity • 43% Danceability • 16% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
38% Popularity • 43% Danceability • 16% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
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Kevin Atwater
why did you invite me to your wedding
92 bpm • D# Maj • 02:44 • -15.21db
42% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
