Songs like I'd Have to Think About It by Leith Ross
Based on a tempo of (+/- 10%) and a similar genre
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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quinnie
touch tank
102 bpm • E Maj • 02:59 • -7db
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Mitski
Francis Forever
102 bpm • D Maj • 02:29 • -9.17db
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Leith Ross
(You) On My Arm - Live Session
100 bpm • D# Maj • 04:09 • -13.53db
30% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 63% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Lucy Dacus
Cartwheel
100 bpm • C Maj • 03:24 • -12.81db
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Odie Leigh
Nothing New
100 bpm • A Maj • 02:44 • -15.01db
31% Popularity • 59% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 59% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Ethel Cain
Strangers
102 bpm • C Maj • 05:44 • -8.93db
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Mitski
First Love/Late Spring
100 bpm • C Maj • 04:38 • -8.2db
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
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Harriette
at least i'm pretty
100 bpm • C# Maj • 01:46 • -10db
59% Popularity • 86% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 86% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Maya Hawke
To Love a Boy
100 bpm • D# min • 02:17 • -13.56db
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Haley Heynderickx
The Bug Collector
100 bpm • A# Maj • 03:48 • -9.71db
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
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Florist
M
99 bpm • C Maj • 02:46 • -17.81db
45% Popularity • 42% Danceability • 5% Energy • 34% Liveness
4% Instrumentalness • 14% Positiveness
45% Popularity • 42% Danceability • 5% Energy • 34% Liveness
4% Instrumentalness • 14% Positiveness
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Ethel Cain
Thoroughfare
100 bpm • A Maj • 09:27 • -11db
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Nep
Cottontail
99 bpm • G Maj • 02:41 • -7.08db
46% Popularity • 62% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 62% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Clairo
Alewife
103 bpm • D# Maj • 03:33 • -13.29db
59% Popularity • 43% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
59% Popularity • 43% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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Haley Blais
Survivor's Guilt
103 bpm • B Maj • 03:30 • -10.8db
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Indigo De Souza
Boys
103 bpm • D Maj • 03:32 • -15.65db
54% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mitski
Pink in the Night
103 bpm • D Maj • 02:16 • -9.64db
65% Popularity • 21% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
65% Popularity • 21% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Ethel Cain
Sun Bleached Flies
103 bpm • E Maj • 07:36 • -10db
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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quinnie
promised
103 bpm • C# Maj • 03:58 • -6.51db
44% Popularity • 39% Danceability • 58% Energy • 6% Liveness
4% Instrumentalness • 72% Positiveness
44% Popularity • 39% Danceability • 58% Energy • 6% Liveness
4% Instrumentalness • 72% Positiveness
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flipturn
Savannah
103 bpm • E Maj • 01:09 • -15.83db
63% Popularity • 54% Danceability • 13% Energy • 37% Liveness
5% Instrumentalness • 42% Positiveness
63% Popularity • 54% Danceability • 13% Energy • 37% Liveness
5% Instrumentalness • 42% Positiveness
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Julien Baker
Favor
104 bpm • F Maj • 04:38 • -9db
48% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
48% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Indigo De Souza
The Sun Is Bad
99 bpm • G# Maj • 02:38 • -8.46db
44% Popularity • 38% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 38% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
55% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Ethel Cain
Knuckle Velvet
104 bpm • E Maj • 03:22 • -10db
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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quinnie
better
98 bpm • C Maj • 04:54 • -11.07db
31% Popularity • 56% Danceability • 40% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
31% Popularity • 56% Danceability • 40% Energy • 17% Liveness
3% Instrumentalness • 28% Positiveness
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Maya Hawke
Thérèse
104 bpm • A min • 03:27 • -12db
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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jake minch
handgun
98 bpm • D# Maj • 02:53 • -9db
45% Popularity • 67% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 67% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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dandelion hands
How To Never Stop Being Sad
97 bpm • G Maj • 02:10 • -17.93db
75% Popularity • 41% Danceability • 24% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
75% Popularity • 41% Danceability • 24% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
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Leith Ross
Too Much Time In My House Alone
105 bpm • B Maj • 04:04 • -11.14db
37% Popularity • 39% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
37% Popularity • 39% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
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Clairo
Bags
105 bpm • C# Maj • 04:20 • -7.69db
78% Popularity • 74% Danceability • 55% Energy • 12% Liveness
38% Instrumentalness • 87% Positiveness
78% Popularity • 74% Danceability • 55% Energy • 12% Liveness
38% Instrumentalness • 87% Positiveness
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Big Thief
Simulation Swarm
105 bpm • C# Maj • 04:12 • -9db
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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quinnie
touch tank - acoustic
97 bpm • E Maj • 03:21 • -8db
37% Popularity • 52% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 52% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Delaney Bailey
we were girls together
97 bpm • G Maj • 02:17 • -15.2db
49% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
49% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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The Backseat Lovers
Snowbank Blues
96 bpm • F Maj • 03:17 • -11.49db
64% Popularity • 59% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 59% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Lizzy McAlpine
You Forced Me To
96 bpm • C# min • 03:03 • -13.62db
26% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Clairo
North
97 bpm • D Maj • 03:33 • -6.26db
58% Popularity • 35% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 35% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Ethel Cain
Family Tree
96 bpm • F Maj • 07:10 • -10db
58% Popularity • 24% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
58% Popularity • 24% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Maya Hawke
Blue Hippo
107 bpm • A# Maj • 03:19 • -10db
38% Popularity • 69% Danceability • 45% Energy • 10% Liveness
12% Instrumentalness • 35% Positiveness
38% Popularity • 69% Danceability • 45% Energy • 10% Liveness
12% Instrumentalness • 35% Positiveness
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Frankie Cosmos
Sappho
95 bpm • G Maj • 01:52 • -6.78db
56% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Lizzy McAlpine
Means Something
95 bpm • G# Maj • 02:24 • -15db
58% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Katie Gregson-MacLeod
complex (demo)
95 bpm • C Maj • 04:16 • -9.92db
55% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
55% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ethel Cain
Hard Times
107 bpm • A# Maj • 05:03 • -10.64db
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
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Eliza McLamb
Pulp
95 bpm • C min • 04:39 • -8.16db
30% Popularity • 63% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Samia
Big Wheel
95 bpm • F Maj • 03:15 • -8db
26% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Leith Ross
To Me
107 bpm • G Maj • 03:57 • -19.35db
39% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
39% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Taylor Swift
seven
95 bpm • E Maj • 03:28 • -10.77db
73% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
73% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Ethel Cain
Crush
95 bpm • E Maj • 03:24 • -10.94db
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Odie Leigh
Double Shift
95 bpm • D# Maj • 05:00 • -14.04db
30% Popularity • 46% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
30% Popularity • 46% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Sophie May
High Life
108 bpm • B Maj • 02:37 • -10db
39% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Whatever, Dad
Chiot
108 bpm • E Maj • 02:33 • -19.85db
40% Popularity • 39% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
40% Popularity • 39% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Sarah Kinsley
What Was Mine
108 bpm • E Maj • 03:14 • -6.25db
32% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Tyler Burkhart
Dream of you
94 bpm • G Maj • 02:33 • -21.54db
52% Popularity • 53% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
52% Popularity • 53% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Tomberlin
Sin
94 bpm • D Maj • 04:31 • -8.62db
33% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Delaney Bailey
Forgetting Delaney
94 bpm • G min • 02:32 • -12db
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Lizzy McAlpine
Movie Star
94 bpm • A Maj • 01:32 • -12.13db
29% Popularity • 67% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 67% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Adrianne Lenker
Ruined
109 bpm • F Maj • 04:32 • -12.45db
56% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sarah Kinsley
The King
109 bpm • F# Maj • 03:26 • -6db
58% Popularity • 63% Danceability • 67% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
58% Popularity • 63% Danceability • 67% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Lucy Dacus
Nonbeliever
109 bpm • D Maj • 03:40 • -6.79db
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Margot Liotta
Green Bottle
93 bpm • D Maj • 02:33 • -15.92db
40% Popularity • 46% Danceability • 31% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
40% Popularity • 46% Danceability • 31% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Delaney Bailey
Finish Line
109 bpm • D Maj • 02:38 • -16db
60% Popularity • 49% Danceability • 18% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
60% Popularity • 49% Danceability • 18% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Boyish
Smithereens
110 bpm • D Maj • 02:43 • -13.31db
35% Popularity • 56% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 56% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 12% Positiveness
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Clairo
Harbor
93 bpm • F# Maj • 04:24 • -15.29db
54% Popularity • 38% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 38% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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boygenius
Cool About It
93 bpm • D Maj • 03:00 • -13.66db
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Kevin Atwater
too late now
110 bpm • B Maj • 03:33 • -14.93db
24% Popularity • 64% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 64% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Delaney Bailey
I Don't Need You To Survive
109 bpm • D# min • 02:20 • -15db
49% Popularity • 39% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 39% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Mitski
Once More to See You
93 bpm • A Maj • 03:00 • -13.65db
70% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
70% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Sophie May
Somewhere Far
110 bpm • C# Maj • 01:06 • -11.85db
47% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Babygirl
I Wish I Never Met You
110 bpm • C# Maj • 03:31 • -9.15db
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
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Taylor Swift
mirrorball
110 bpm • D Maj • 03:28 • -10.04db
77% Popularity • 55% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
77% Popularity • 55% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Indigo De Souza
Good Heart
110 bpm • B Maj • 02:40 • -10.13db
48% Popularity • 58% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 58% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Boyish
mom i think im gay
110 bpm • D Maj • 02:47 • -15db
41% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Leith Ross
Coming Back to Me
110 bpm • D Maj • 03:57 • -19db
43% Popularity • 42% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
43% Popularity • 42% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Olive Klug
Raining in June
92 bpm • D Maj • 02:46 • -13.84db
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Laufey
Letter To My 13 Year Old Self
92 bpm • A# Maj • 04:22 • -14.92db
66% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Kevin Atwater
why did you invite me to your wedding
92 bpm • D# Maj • 02:44 • -15.21db
41% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lizzy McAlpine
I Guess
92 bpm • E Maj • 03:44 • -8.73db
26% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
26% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
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Leith Ross
Orlando - Live Session
111 bpm • F min • 05:10 • -20.93db
28% Popularity • 62% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
28% Popularity • 62% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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hey, nothing
Like a Brother
111 bpm • C Maj • 03:32 • -7.47db
46% Popularity • 54% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 54% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Annie DiRusso
Coming Soon
111 bpm • D Maj • 03:15 • -5.04db
48% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Samia
Triptych
111 bpm • B Maj • 03:06 • -9db
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Clairo
Amoeba
111 bpm • F# Maj • 03:48 • -11.52db
72% Popularity • 74% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
72% Popularity • 74% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 71% Positiveness
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Delaney Bailey
Coffee Stained Smile
111 bpm • G min • 03:00 • -18db
56% Popularity • 43% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 43% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Liana Flores
try again tomorrow
111 bpm • D Maj • 03:01 • -18.48db
55% Popularity • 38% Danceability • 13% Energy • 11% Liveness
47% Instrumentalness • 23% Positiveness
55% Popularity • 38% Danceability • 13% Energy • 11% Liveness
47% Instrumentalness • 23% Positiveness
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Sarah Kinsley
The Giver
111 bpm • D Maj • 03:47 • -10.99db
52% Popularity • 44% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
52% Popularity • 44% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Leith Ross
Understood
92 bpm • A# Maj • 05:01 • -14.87db
33% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
